3725 books for « muller s »Edit

‎Bruno Müller. Tableaux, aquarelles, dessins, eaux-fortes.‎

‎Genève, Berne, 1974. Portfolio in-4 en feuilles encartées, couverture illustrée en couleurs. ‎

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‎Illustré de 5 lithographies originales, 4 en couleurs et une en noir, par Bruno Müller. Ces lithographies originales ont été exécutées par Bruno Müller à l'occasion de ses expositions à la galerie Schindler à Berne et à la Galerie Anton Meier à Genève-Carouge en 1974. Le tirage en est de 450 exemplaires, imprimés par Pierre Badey à Paris (88/450). ‎

‎Kröller-Muller the first hundred years. ‎

‎ Haarlem, Joh. Enschedé en Zonen, The Netherlands, 1989 ; in-4, broché. 318pp. Nombreuses illustrations in-texte en noir et couleur. Couverture couleur. Dos légèrement décoloré. ‎

‎Très beau catalogue du musée hollandais Kröller-Muller , créé en 1938 à partir des collections de Helene Müller et son mari, l'industriel Anton Kröller ; il dispose de le deuxième plus grande réunion d'oeuvres de Van Gogh. Texte en anglais. ‎

‎Suite complète des figures sur Chine en trois états pour les uvres de Regnard.‎

‎ Paris, Dufart, (1828). 4to, 13 figures en 3 états (définitif, avant la lettre, eau-forte) sur Chine appliqué, et un portrait à l'eau-forte, montés sur onglets, reliure XIXe demi-maroquin (à grain long) vert à coins (Champs), dos orné (reliure très légèrement frottée, quelques rousseurs). ‎

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‎La SUITE SUR CHINE EN 3 ETATS des gravures d'après Desenne par Bein, Blanchard, Burdet, Fauchery, Lefèvre aîné, Leroux et Müller, pour les oeuvres de Régnard, et un PORTRAIT de Desenne à l'eau-forte gravé par Dupont d'après Mourlan, le tout en bon état sous une riche reliure de Champs. * Voir photographie(s) / See picture(s). * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve. ‎

‎Parasztsagunk Elete‎

‎ 1937 Budapest, Officina, 1937, 175x125mm, 36pp., 32 photographies pleine page de Müller Miklos, cartonnage de l’éditeur, plat photographique. (102572) ‎

‎La Bible en estampes‎

‎ Paris, Amédée Bédelet, s.d. (circa 1850-1860). In-4 à l'italienne, 28 pp. et (24) pl., reliure de l'éditeur, pleine percaline vert bouteille effet chagrin, luxueux encadrement polychrome sur le plat supérieur, dos lisse à la cathédrale en couleurs, plat inférieur historié à l'or, tranches dorées (quelques rousseurs, planche "Sortie de l'Arche" grossièrement restaurée, ex-dono). ‎

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‎Texte extrait de la Bible du jeune âge, d'Elisabeth Müller, illustré de 24 ithographies en noir (dont un frontispice) de. Charles Vallet d'après les compositions d'Auguste Leloir. Ex- libris de Roger Boutet de Monvel. * Voir photographie(s) / See the picture(s). * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve. ‎

‎Les lettres parisiennes du peintre Victor Müller,‎

‎Pups, 2015, 427 pp., broché, illustrations, très bon état.‎

‎Introduction à la pensée des Mégariques, ‎

‎Vrin, Ousia, Bibliothèque d'histoire de la philosophie, 1988, 235 pp., dos dépelliculé et muet, trace d'étiquette sur le bas du dos, tampons aux pages 1 et 3, état correct.‎

‎La mission, suivi de Prométhée - Quartett - Vie de Gundling...,‎

‎Minuit, 1982, 149 pp., broché, légères traces d'usage, état correct.‎

‎Mach dini Musig sälber‎

‎ 1989 Zürich Pop Schwiz Verlag, 1989, 298x210mm,80p., broché sous couverture illustrée de Tinguely,une cassette audio jointe, glissée dans uncarton imprimé.!Textillustrationen, 77 Seiten, 21 x 30 cm, Sänger:Polo Hofer, Gabriel Magos, VeroniqueMuller, Peter Reber und Sue Schell, Sprayfigur:Harald Nägeli. (105066) ‎

‎Mémoires du patois de Sologne Bourbonnaise. Langage et Société.‎

‎ Moulins, Société d'Émulation du Bourbonnais, 2012 ; in-4, dos carré collé. 336 pp. Couverture illustrée. Illustrations in-texte en noir et en couleurs. Parfait état. ‎

‎Leos Janacek (Maîtres de la musique ancienne et moderne),‎

‎Rieder, Maîtres de la musique ancienne et moderne, 1930, 94 pp. + LX pp., broch"È, passages signalés au crayon, annotation en première page, rousseurs sur les pages, couvertutre un peu jaunie, état correct.‎

‎Pêches et pêcheurs de la Bretagne atlantique.‎

‎ Paris, Armand Colin, 1944. In-8, XIV-616 pp., portrait contrecollé en frontispice, 22 planches de photographies hors-texte, reliure de l'époque demi-chagrin prune à coins, tranches mouchetées. ‎

‎* Voir photographie(s) / See picture(s). * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve. ‎

‎A la manière de... Illustré de 20 aquarelles hors texte de Georges Gaudion.‎

‎ Toulouse, Richard, 1927. In-4, (2)-177-(3) pp., broché, couverture rempliée (coiffes frottées ; sinon agréable exemplaire, intérieur bien frais). ‎

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‎Tirage limité à 390 exemplaires numérotés, ici un des 349 vélin d'Arches (après un exemplaire unique et 40 Japon). * Voir photographie(s) / See picture(s). * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve. ‎

‎Senlis et ses environs‎

‎ Senlis, Th. Nouvian, 1896. In-8, 326-(2) pp., broché, couverture illustrée rempliée (couverture salie, dos un peu frotté). ‎

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‎Illustré de gravures en noir, in- et hors-texte. UN DES 20 exemplaires numérotés sur Japon (n° 3), seul grand papier. * Voir photographies / See pictures. * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve. ‎

‎Symbolographia sive De Arte Symbolica Sermones Septem [...].‎

‎ In-4, (30)-72-(8)-(2 bl.)-62-(2 bl.)-79-(1)-86-19-(1)-(64) pp., reliure de l'époque plein veau, dos orné, tranches rouges (reliure abîmée : épidermures, manques de cuir, coiffes arasées, mors fendus ; le portrait manque ; manquent 2 planches : les planches 10 et 11 de la série 1). ‎

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‎Illustré de 169 planches (sur 171 : série 1 : 38 pl. /40, série 2 : 60/60, série 3 : 60/60, série 4 : 11/11), avec 12 emblèmes ou symboles par planche. Etrangement, sans le fleuron de l'éditeur, sans le portrait du dédicataire, ni le bandeau en taille-douce au feuillet 3. * Voir photographies / See pictures. * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve. ‎

‎Histoire Universelle, divisée en vingt-quatre livres. Ouvrage posthume.‎

‎A Paris et à Genève, chez J. J. Paschoud, 1813. 4 volumes in-8 de [4]-IV-8-477; [4]-8-482; [4]-404 et [4]-448 pages, demi-veau moucheté à coins, dos lisses ornés de filets, roulettes, titre et tomaison dorés, pièces de titre orange brûlée, pastilles de tomaison vertes, tranches teintées. ‎

‎ Première édition de la traduction. L'édition en allemand ("Vier und zwanzig Bücher Allgemeiner Geschichten besonders der Europäischen Menschheit") parut elle aussi de façon posthume en 1810, l'année suivant le décès de l'auteur. ‎

‎Cinq mois aux Indes. De Bombay à Colombo.‎

‎Paris, H. Floury, 1924. In-8 broché de 310-[8] pages. Mors 1er plat légèrement fendu, légers accrocs aux coiffes. ‎

‎Illustré de nombreuses planches photos hors-texte et d’un portrait de l’auteur en front. ‎

‎A la manière de...‎

‎Paris, Bernard Grasset, coll. Les contemporains, 1920-1921. 2 volumes in-8 de 290-[4] et 302-[4] pages, demi-chagrin marron à coins, dos à 5 nerfs avec titre, tomaison, année et filet dorés, têtes dorées, couvertures et dos conservés. Reliures un peu frottées, dos passés. Belle impression en deux tons. ‎

‎ Exemplaires numérotés sur papier Bright white antique laid, ceux-ci portant le numéro 130, parmi 1475 et après 25 sur Japon. Où l'on retrouve, entre bien d'autres et pastichés bien entendu: Zola, Dickens Loti, Tolstoï, Daudet, Mistral, Lamartine, Shakespeare pour le tome 1 et Racine, Châteubriand, Mallarmé, Verlaine, Kipling,... Edition originale. ‎

‎Six pas en arrière. ‎

‎ Paris, La Table Ronde, 1954 ; in-12, br. - 252pp.-2ff.Très bon état. ‎

‎Edition originale sur papier courant, avec un bel envoi autographe de l'auteur. Deuxième volume des mémoires de l'auteur qui sont en réalités ses mémoires de jeunesse (jusqu'au régiment) avant qu'il n'entre dans l'édition et devienne un des collaborateurs de B. Grasset. ‎

‎Crise de la métaphysique: Situation de la philosophie au XXème siècle,‎

‎Desclée de Brouwer, 1953, 125 p., broché, non coupé.‎

‎Über den glatten Hai des Aristoteles, und über die Verschiedenheiten unter den Haifischen un Rochen in der Entwickelung des Eies. [In: Abhandlungen der Königlichen Akademie der Wissenschaften zu Berlin. Aus dem Jahr 1840]. - [ESTABLISHING ARISTOTLE AS THE FOUNDER OF BIOLOGICAL SCIENCE]‎

‎Berlin, 1842. 4to. Entire volume of ""Abhandlungen""... and ""Mathamatische Abhandlungen""... 1840 present. Contemporary yellow boards with a vellum-like spine. Handwritten title to spine. A bit of wear and soiling to extremities, and corners bent. Internally fine and clean. Stamp to title-page (Dom-Gymnasium Magdeburg, also stamped out). Pp. (187)- 257 + 6 plates, two of which are folded. Text very nice, bright, and clean, plates with a bit of brownspotting. [Entire volume: (6), XVII, (5), 400 pp. + 10 plates, 4 of which are coloured + (4), 137 pp.].‎

‎First printing of this foundational work, which established the acceptance, by the modern world, of Aristotle as the founder of biological science. It is due to the present work that modern encyclopaedias will now conclude that ""Aristotle is properly recognized as the originator of the scientific study of life."" (SEP). Apart from its importance to the modern view of Aristotle, the present paper was also central to Müller's construction of a natural system of the fishes. For centuries, the authority of Aristotle in matters of science and biology was unrivalled, but with modern science, the advancement of exact knowledge, and modern man's ability to investigate the smallest of details, Aristotle's scientific and zoological works increasingly came to be viewed as not properly belonging to the exact sciences. Many biologists would claim that his observations were fanciful and incorrect, not constituting any real scientific value. This view completely changed with the publication of the present paper, by the renowned zoologist Müller.In his ""Historia Animalium"", Aristotle had described a phenomenon in a shark, which no modern zoologist believed to be true. Had it been true, our classification among sharks and fish would need to be different, as this fanciful observation would completely alter our view of the shark as such. Müller, in the present treatise, was the first to actually prove Aristotle's observation to be true, thereby altering the modern conception of Aristotle, earning him the respect that he truly deserved as the first scientific biologist and as the originator of the scientific study of life. ""Müller placed the Cyclostomata among the fishes. He was thus led to study the sharks... A further product of this investigation was ""Über den glatten Hai des Aristoteles"" (1842). In ""Historia animalium"", Aristotle had reported that the embryos of the ""so-called smooth shark"" are attached to the uterus of the mother by a placenta, as is the case among mammals. Rondelet had described such a shark in 1555 and Steno had observed one in 1673 off the coast of Tuscany, but it had not been referred to in more recent times. Müller was the first who was able to corroborate the earlier testimony.In conjunction with the study of the shark, Müller constructed a natural system of the fishes based on work as painstaking as it was perceptive."" (DSB).Johannes Peter Müller (1801-58) was one of the most important physiologists and zoologists of the 19th century. He made a vast number of important discoveries, and his unusual and empirical approach to his subjects made him one of the most influential scientists of the century. ""Müller introduced a new era of biological research in Germany and pioneered the use of experimental methods in medicine. He overcame the inclination to natural-philosophical speculation widespread in German universities during his youth, and inculcated respect for careful observation and physiological experimentation. He required of empirical research that it be carried out ""with seriousness of purpose and thoughtfulness, with incorruptible love of truth and perseverance."" Anatomy and physiology, pathological anatomy and histology, embryology and zoology-in all these fields he made numerous fundamental discoveries. Almost all German scientists who achieved fame after the middle of the nineteenth century considered themselves his students or adopted his methods or views. Their remarks reveal his preeminent position in medical and biological research. Helmholtz, one of his most brilliant students, termed Müller a ""man of the first rank"" and stated that his acquaintance with him had ""definitively altered his intellectual standards""."" (DSB).‎

‎Flora Fridrichsdalina sive Methodica descriptio Plantarum in Agro Fridrichsdalensi simulque per Regnum Daniae crescentium cum Characteribus genericis & specificis...ac Speciebus pluribus in Dania nuper detectis. - [ALL DANISH PLANTS]‎

‎Argentorati (Strassburg), J.G. Bauer, 1767. 8vo. Nice contemporary half calf with five raised bands and gilt lines to spine. Wear to spine and capitaks and slightly split at hinges, but still tight. A bit of brownspotting throughout. Smukt velbevaret samt. hldrbd. med ophøjede bind, rig rygforgyldning og skindtitel. XVIII, 238, (22) pp. + two folded engraved plates (one being the folded map of Furesøen, Lyngby-og Bagsværd Sø). ‎

‎The very rare first edition of Müller’s floral magnum opus, which according to his own statements contains a description of all known plants in Denmark, of which Müller prides himself with having discovered and described no less than 300. Müller participated in the production of the monumental “flora Danica” with its magnificent plates of all Danish plants, but the present work is the only work of botany that he himself published, namely of the flora of the Schulin Estate. “Otto Friedrich Muller (1730-1784) was born in Copenhagen, the son of the court trumpeter, a German man who had moved to Denmark. With a ready and lively intelligence, he received an excellent education admitted to the University of his hometown at the age of 18, according to the custom of the time he initially studied theology (the Danish university had only three courses of study: theology, law, medicine), then moved to law he had excellent skills in various fields, including music. However, he did not graduate, because for economic reasons in 1753 he abandoned his studies to enter the service of the Schulin family as a tutor to the heir of the house, who was orphaned at an early age. He lived with the Schulin for about twenty years, mostly on their Friedrichsdalin estate, near Copenhagen. Beginning in 1758, using Linnaeus' books, he began to study natural sciences as a self-taught student, both out of passion and to teach his pupil. Starting in 1761, he procured a microscope. His first scientific publication was a catalogue of insects from the Schulin estate, Fauna insectorum Fridrichsdalina (1764). Between 1765 and 1767, during a trip to Europe with his pupil, he visited many countries in central and southern Europe and was able to attend scientific circles, making contacts and lasting friendships. A man of the world, well accustomed to courtiers since childhood, through a strategy of targeted promotion (knowledge of eminent scientists, publication of previous works in support of his candidacy) he managed to be admitted into many European scientific societies. A Strasbourg published his only work of botany, a catalogue of the flora of the Schulin estate, Flora Fridrichsdalina (1767). During the journey, thanks to the various meetings, his interests finally shifted from botany to zoology, in particular to the study of invertebrates, of which he became perhaps the greatest expert of his time. In 1771 - his pupil was then 24 years old - he left the Schulin and thanks to Oeder's recommendation he was hired at the State Archives the office was renovated in 1772 after the fall of Struensee and Müller and, although he retained a small pension, he lost his place. His marriage to the wealthy Norwegian widow Anna Catharina Paludan resolved his economic problems once and for all from that moment on, he was able to devote himself full-time to scientific work. An important piece of his research was the Estate of Drobak, on the Gulf of Oslo, owned by his wife, where the scientist spent the summers from 1774 to 1778, focusing in particular on the study of marine micro-fauna. He was assisted by a team that included draughtsmen and engravers (one of the best painters was his younger brother, Christian Friedrich, who, in addition to illustrating some of his brother's works, years later collaborated with Vahl on the third tranche of Flora Danica) and a number of students, recruited in an ingenious way. Every year, Müller made an advertisement in the newspapers to recruit them and paid them for the journey from Copenhagen to Oslo. Beginning in 1771, publications also multiplied, mainly dedicated to different classes of invertebrates, before then little known. In the meantime, Müller had presented to the court the project of a Fauna Danica, to pair with Flora Danica, of which he was appointed curator after Oeder's departure. The countryside in Norway and, later, when arthritis forced him to give it up, the coasts of Denmark, including the islands, allowed him to collect specimens for both works. In 1776 he anticipated the content of his great zoological work with Zoologiæ Danicae Prodromus, which listed, classified and briefly described all the animal species of the kingdom of Denmark-Norway, a work of epochal importance for the innovative classification of invertebrates. Two folio volumes of Fauna Danica followed in 1777 and 1786, with 40 plates (the other two volumes would be completed and published by various curators many years after his death). Between 1776 and 1784 five files of Flora Danica were also released. However, an important work on infusers (small single-celled organisms that develop in plant infusions, belonging to various classes, especially protozoa) remained unfinished (and was completed by O. Fabricius). In 1784, after a decade of intense work, Müller died at the age of fifty.” (D. D. Damkaer, The Copepodologist's Cabinet, A Biographical and Bibliographical History).‎

‎Muller Van Severen book.‎

‎Antwerpen , Luster, 2014 Softcover, 160pp., 20x26.5cm., English text. **ALS NIEUW. ISBN 9789460581335.‎

‎What began as a one-off project - designing pure and at the same time poetic furniture together - became a success story for Fien Muller and Hannes Van Severen. Now there is the book, divided into three chapters: 1.Introduction to the artistic work of Fien Muller and Hannes Van Severen - she is a photographer and he is a visual artist - in which, in addition to the quality of each individual, the similarities stand out; 2.Process, about the creative process behind their furniture, with many sketches and photos from their workshop; 3.Objects; with many images of their work in the context of gallery Valerie Traan, which is at the basis of the Muller Van Severen project. ?With texts including interviews with the designers, by design journalist Chris Meplon and London curator and critic Max Fraser. Muller Van Severen is the joint design project of photographer Fien Muller and visual artist Hannes Van Severen, following a commission from gallery Valerie Traan. Their work is on the thin line between art and design: they choose functional furniture with pared-down shapes and contours, but the objects have something fragile and frivolous at the same time.‎

‎Wort und Bild in der Niederlandischen Kunst und literatur des 16. und 17. Jahrhunderts,‎

‎, Erftstadt, Lukassen Verlag, 1984, Gebunden, Deckeltitelvergoldung, Ruckentitelvergoldung, Original-Schutzumschlag illustriert koloriert, 31x22cm, 314pp, illustriert s/w. ISBN 3923769040.‎

‎Contents: J. MULLER HOFSTEDE, "Wort un Bild": Fragen zur Signifikanz und Realitat in der hollandischen Malerei des 17. Jahrhunderts. K. PORTEMAN, Nederlandse embleemtheorie van Marcus Antonius Gillis(1566) tot Jacob Cats (1618). H. MIEDEMA, Tekst en afbeelding als bronnen bij historisch onderzoek. J. BECKER, "De Duystere Sin van de Geschilderde Figueren": zum Doppelsin in Ratsel, Emblem und Genrestuck. B. SCHNACKENBURG, Das Bild des bauerlichen Lebens bei Adriaen van Ostade. Th. VIGNEAU-WILBERG, Hofische Minne und Burgermoral in der Graphik um 1500. P.W.M. VAN DER SLUYS, Invloed van emblematiek, hieroglyfiek en deviezenkunst in het werk van Jonker Jan van der Noot. E. McGRATH, Rubens"s "Susanna and the Elders" and moralizing inscriptions on prints. E. DUVERGER, Voruntersuchungen zur Literatur las Inspirationsquelle fur die flamische Bildteppichkunst des 17.Jahrhunderts. Chr. BROWN, Allegory and symbol in the work of Anthony van Dyck. J. MUYLLE, "Pier den Drol". K. van Mander en P. Breughel. Bijdrage tot de literaire receptie van P. Breughels werk ca. 1600. A.J. GELDERBLOM, Een ereplaats voor een versleten jurk: de interpretatie van de titelgravure in Coornherts "Wercken" van 1630. K. RENGER, Verhaltnis von Text und Bild in der Graphik. (Beobachtungen zu Missverhaltnissen). H. VEKEMAN, Taufe in Feuer und Wasser. Jan Luyken und Jacob Bohme. Chr. TUMPEL, Die Rezeption der judischen Altertumer des Flavius Josephus in den hollandischen Historiendarstellungen des 16. und 17. Jahrhunderts. A. SMITMANS, Probleme des Bildsinns bei Rembrandt. H.J. RAUPP, "Trucidata Innocentia". Die Verurteilung des Oldenbarnevelt bei Joost van den Vondel und Cornelis Saftleven. A. KEERSMAEKERS, Rederijkers-Rebusblazoenen in de 16- en 17e eeuw. G. UNVERFEHRT, Christliches Exempel und profane Allegorie. Zum Verhaltnis von Wort und Bild in der Graphik der Boschnachfolge. J. MULLER HOFSTEDE, Non Saturatur Oculus Visu. Zur Allegorie des Gesichts" von Peter Paul Rubens und Jan Brueghel D.A. REGISTER. Guter Zustand.‎

‎Muller Van Severen Works 2011-21.‎

‎, Konig verlag, 2021 Hardcover, Cloth, 360 pages, Illustrated. English Text.*new ISBN 9783960989721.‎

‎Belgian design duo Fien Muller and Hannes Van Severen have worked together for a decade. During this time, a combination of their family roots, work process, and the use of simple industrial materials in combination with a rich colour palette created an influential body of work - elementary forms shape functional sculptures that grow into vibrant spaces. Through conversations and visual references, Dialogue unveils the origins, the complexity, and the references embedded in the DNA of Muller Van Severen's work. Edited by Jan Boelen, Text by Arno Brandlhuber, Text by Beatrice Galilee, Text by Sam Chermayeff, Photographs by Fred Muller, Photographs by Frederik Vercruysse A creative collaboration that gave rise to a furniture collection by the Belgian duo Fien Muller and Hannes Van Severen‎