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[HEIMETSPROCH, VUM BARABLI] - MULLER (Germain), HIRLE (Mario) -
Reference : 201902187
S' ESCHTE VUM BARABLI.
Strasbourg, Germain Muller, 1994; in-4, 28-2 cassettes, cartonnage de l'éditeur. En très bon état sous boitage contient deux cassettes - contient un journal - cassette n°1 durée 53'18" : un wenn's katze rajt (1961) 40 johr barabli (1986) accent aigu (1956-1957) einer wo's wisse will (1985) les martyrs (1961) m'r redde au elsassich (1961) nostradamus (1982) d'roos (1982) - cassette n°2 durée 68'18" : franzle mit'rand (1982) d'schwarzarweiter (1982) d'letscht wachpritsch (1966) d'reserv (1965) am rand vun de manif (1982) unser unzertrennli landel (répétition filmée 1986) Dans ce coffret, les uns trouveront les souvenirs du temps passé, avec ses bonheurs, ses temps forts mais aussi ses soucis, les autres découvriront une époque mal connue, celle de la transition d'un monde alsacien vers une région: l'Alsace. une rétrospective de la presse régionale présente les "Une", les pubs, les nouvelles politiques, sportives et artistiques des années des sketches, que vous retrouverez dans les deux vidéo-cassettes, ainsi que les dessins d'un artiste aujourd'hui disparu, André Wenger. - Texte en français et en alsacien. - Elisabeth Best, Christiane Charel, Dinah Faust, Valérie Schwarz, Anne Wenger, Yvette Wieber, Robert Breysach, Charles Falck, Christian Hahn, Charles Lobstein, Jacques Martin, Germain Muller, Patrice Muller, Michel Pierrat, Daniel Weber, René Wieber - en tirage limité et collection non rééditée.
En très bon état sous boitage contient deux cassettes - contient un journal - cassette n°1 durée 53'18" : un wenn's katze rajt (1961) 40 johr barabli (1986) accent aigu (1956-1957) einer wo's wisse will (1985) les martyrs (1961) m'r redde au elsassich (1961) nostradamus (1982) d'roos (1982) - cassette n°2 durée 68'18" : franzle mit'rand (1982) d'schwarzarweiter (1982) d'letscht wachpritsch (1966) d'reserv (1965) am rand vun de manif (1982) unser unzertrennli landel (répétition filmée 1986) Dans ce coffret, les uns trouveront les souvenirs du temps passé, avec ses bonheurs, ses temps forts mais aussi ses soucis, les autres découvriront une époque mal connue, celle de la transition d'un monde alsacien vers une région: l'Alsace. une rétrospective de la presse régionale présente les "Une", les pubs, les nouvelles politiques, sportives et artistiques des années des sketches, que vous retrouverez dans les deux vidéo-cassettes, ainsi que les dessins d'un artiste aujourd'hui disparu, André Wenger. - Texte en français et en alsacien. - Elisabeth Best, Christiane Charel, Dinah Faust, Valérie Schwarz, Anne Wenger, Yvette Wieber, Robert Breysach, Charles Falck, Christian Hahn, Charles Lobstein, Jacques Martin, Germain Muller, Patrice Muller, Michel Pierrat, Daniel Weber, René Wieber - en tirage limité et collection non rééditée.
Joffre et la marne.
Paris, Les éditions G. CRES et Cie, 1931; in-8, 140 pp., br. Commandant MULLER officier d'ordonnance du général JOFFRE : avec onze hors-texte dont trois cartes en couleurs.
Commandant MULLER officier d'ordonnance du général JOFFRE : avec onze hors-texte dont trois cartes en couleurs.
Chronique de la viticulture Alsacienne au XIXe siècle.
Riquewihr, J.D. Rebert, 1991; in-4, 294 pp., cartonnage de l'éditeur. Illustrations de Ritchie - une dédicace de l'auteur Mr Muller.
Illustrations de Ritchie - une dédicace de l'auteur Mr Muller.
Chronique de la viticulture Alsacienne au XIXe siècle.
Riquewihr, J.D. Rebert, 1991; in-4, 294 pp., cartonnage de l'éditeur. Illustrations de Ritchie - une dédicace de l'auteur Mr Muller.
Illustrations de Ritchie - une dédicace de l'auteur Mr Muller.
Chronique de la viticulture Alsacienne au XIXe siècle.
Riquewihr, J.D. Rebert, 1991; in-4, 294 pp., cartonnage de l'éditeur. Illustrations de Ritchie - une dédicace de l'auteur Mr Muller.
Illustrations de Ritchie - une dédicace de l'auteur Mr Muller.
SPITZEWADRI - luschtige un arnschte varsle.
Mulhouse, Editions salvador, 1953; grand in-8, 104 pp., broché, couverture illustr. ILLUSTRATIONS DE DORETTE MULLER - très bon état.
ILLUSTRATIONS DE DORETTE MULLER - très bon état.
SPITZEWADRI - luschtige un arnschte varsle.
Mulhouse, Editions salvador, 1952; grand in-8, 104 pp., broché, couverture illustr. Illustrations de Dorette Muller en bon état.
Illustrations de Dorette Muller en bon état.
SPITZEWADRI - luschtige un arnschte varsle.
Mulhouse, Editions salvador, 1953; grand in-8, 104 pp., broché, couverture illustr. ILLUSTRATIONS DE DORETTE MULLER.
ILLUSTRATIONS DE DORETTE MULLER.
SPITZEWADRI - luschtige un arnschte varsle.
Mulhouse, Editions salvador, 1952; grand in-8, 104 pp., broché, couverture illustr. ILLUSTRATIONS DE DORETTE MULLER.
ILLUSTRATIONS DE DORETTE MULLER.
SPITZEWADRI - luschtige un arnschte varsle.
Mulhouse, Editions salvador, 1952; grand in-8, 104 pp., broché, couverture illustr. Illustrations de Dorette Muller.
Illustrations de Dorette Muller.
Der moderne friseur und haarformer in wort und bild -.
Nordhausen am harz, Heinrich Killinger verlagsgesellschaft , s.d.; in-8, 675-156 pp., cartonnage de l'éditeur (toile passée). Rare - sechste neubearbeitete auflage von Muller , Obermeistermit 626 abbildungen 23 tafeln und 1 farbige schminstabelle - mit kleines Rechtslerikon fur beruf und leben von Dr. Friedrich Kirstein (156 pages).
Rare - sechste neubearbeitete auflage von Muller , Obermeistermit 626 abbildungen 23 tafeln und 1 farbige schminstabelle - mit kleines Rechtslerikon fur beruf und leben von Dr. Friedrich Kirstein (156 pages).
Chronique de la viticulture Alsacienne au XXe siècle( tome 1).
Riquewihr, J.D. Rebert, 1995; in-4, 281 pp., cartonnage de l'éditeur. Illustrations de guy Ancel , avec jaquette , dédicacé par Claude Muller avec petit dessin.
Illustrations de guy Ancel , avec jaquette , dédicacé par Claude Muller avec petit dessin.
Über den glatten Hai des Aristoteles, und über die Verschiedenheiten unter den Haifischen un Rochen in der Entwickelung des Eies. [In: Abhandlungen der Königlichen Akademie der Wissenschaften zu Berlin. Aus dem Jahr 1840]. - [ESTABLISHING ARISTOTLE AS THE FOUNDER OF BIOLOGICAL SCIENCE]
Berlin, 1842. 4to. Entire volume of ""Abhandlungen""... and ""Mathamatische Abhandlungen""... 1840 present. Contemporary yellow boards with a vellum-like spine. Handwritten title to spine. A bit of wear and soiling to extremities, and corners bent. Internally fine and clean. Stamp to title-page (Dom-Gymnasium Magdeburg, also stamped out). Pp. (187)- 257 + 6 plates, two of which are folded. Text very nice, bright, and clean, plates with a bit of brownspotting. [Entire volume: (6), XVII, (5), 400 pp. + 10 plates, 4 of which are coloured + (4), 137 pp.].
First printing of this foundational work, which established the acceptance, by the modern world, of Aristotle as the founder of biological science. It is due to the present work that modern encyclopaedias will now conclude that ""Aristotle is properly recognized as the originator of the scientific study of life."" (SEP). Apart from its importance to the modern view of Aristotle, the present paper was also central to Müller's construction of a natural system of the fishes. For centuries, the authority of Aristotle in matters of science and biology was unrivalled, but with modern science, the advancement of exact knowledge, and modern man's ability to investigate the smallest of details, Aristotle's scientific and zoological works increasingly came to be viewed as not properly belonging to the exact sciences. Many biologists would claim that his observations were fanciful and incorrect, not constituting any real scientific value. This view completely changed with the publication of the present paper, by the renowned zoologist Müller.In his ""Historia Animalium"", Aristotle had described a phenomenon in a shark, which no modern zoologist believed to be true. Had it been true, our classification among sharks and fish would need to be different, as this fanciful observation would completely alter our view of the shark as such. Müller, in the present treatise, was the first to actually prove Aristotle's observation to be true, thereby altering the modern conception of Aristotle, earning him the respect that he truly deserved as the first scientific biologist and as the originator of the scientific study of life. ""Müller placed the Cyclostomata among the fishes. He was thus led to study the sharks... A further product of this investigation was ""Über den glatten Hai des Aristoteles"" (1842). In ""Historia animalium"", Aristotle had reported that the embryos of the ""so-called smooth shark"" are attached to the uterus of the mother by a placenta, as is the case among mammals. Rondelet had described such a shark in 1555 and Steno had observed one in 1673 off the coast of Tuscany, but it had not been referred to in more recent times. Müller was the first who was able to corroborate the earlier testimony.In conjunction with the study of the shark, Müller constructed a natural system of the fishes based on work as painstaking as it was perceptive."" (DSB).Johannes Peter Müller (1801-58) was one of the most important physiologists and zoologists of the 19th century. He made a vast number of important discoveries, and his unusual and empirical approach to his subjects made him one of the most influential scientists of the century. ""Müller introduced a new era of biological research in Germany and pioneered the use of experimental methods in medicine. He overcame the inclination to natural-philosophical speculation widespread in German universities during his youth, and inculcated respect for careful observation and physiological experimentation. He required of empirical research that it be carried out ""with seriousness of purpose and thoughtfulness, with incorruptible love of truth and perseverance."" Anatomy and physiology, pathological anatomy and histology, embryology and zoology-in all these fields he made numerous fundamental discoveries. Almost all German scientists who achieved fame after the middle of the nineteenth century considered themselves his students or adopted his methods or views. Their remarks reveal his preeminent position in medical and biological research. Helmholtz, one of his most brilliant students, termed Müller a ""man of the first rank"" and stated that his acquaintance with him had ""definitively altered his intellectual standards""."" (DSB).
Flora Fridrichsdalina sive Methodica descriptio Plantarum in Agro Fridrichsdalensi simulque per Regnum Daniae crescentium cum Characteribus genericis & specificis...ac Speciebus pluribus in Dania nuper detectis. - [ALL DANISH PLANTS]
Argentorati (Strassburg), J.G. Bauer, 1767. 8vo. Nice contemporary half calf with five raised bands and gilt lines to spine. Wear to spine and capitaks and slightly split at hinges, but still tight. A bit of brownspotting throughout. Smukt velbevaret samt. hldrbd. med ophøjede bind, rig rygforgyldning og skindtitel. XVIII, 238, (22) pp. + two folded engraved plates (one being the folded map of Furesøen, Lyngby-og Bagsværd Sø).
The very rare first edition of Müller’s floral magnum opus, which according to his own statements contains a description of all known plants in Denmark, of which Müller prides himself with having discovered and described no less than 300. Müller participated in the production of the monumental “flora Danica” with its magnificent plates of all Danish plants, but the present work is the only work of botany that he himself published, namely of the flora of the Schulin Estate. “Otto Friedrich Muller (1730-1784) was born in Copenhagen, the son of the court trumpeter, a German man who had moved to Denmark. With a ready and lively intelligence, he received an excellent education admitted to the University of his hometown at the age of 18, according to the custom of the time he initially studied theology (the Danish university had only three courses of study: theology, law, medicine), then moved to law he had excellent skills in various fields, including music. However, he did not graduate, because for economic reasons in 1753 he abandoned his studies to enter the service of the Schulin family as a tutor to the heir of the house, who was orphaned at an early age. He lived with the Schulin for about twenty years, mostly on their Friedrichsdalin estate, near Copenhagen. Beginning in 1758, using Linnaeus' books, he began to study natural sciences as a self-taught student, both out of passion and to teach his pupil. Starting in 1761, he procured a microscope. His first scientific publication was a catalogue of insects from the Schulin estate, Fauna insectorum Fridrichsdalina (1764). Between 1765 and 1767, during a trip to Europe with his pupil, he visited many countries in central and southern Europe and was able to attend scientific circles, making contacts and lasting friendships. A man of the world, well accustomed to courtiers since childhood, through a strategy of targeted promotion (knowledge of eminent scientists, publication of previous works in support of his candidacy) he managed to be admitted into many European scientific societies. A Strasbourg published his only work of botany, a catalogue of the flora of the Schulin estate, Flora Fridrichsdalina (1767). During the journey, thanks to the various meetings, his interests finally shifted from botany to zoology, in particular to the study of invertebrates, of which he became perhaps the greatest expert of his time. In 1771 - his pupil was then 24 years old - he left the Schulin and thanks to Oeder's recommendation he was hired at the State Archives the office was renovated in 1772 after the fall of Struensee and Müller and, although he retained a small pension, he lost his place. His marriage to the wealthy Norwegian widow Anna Catharina Paludan resolved his economic problems once and for all from that moment on, he was able to devote himself full-time to scientific work. An important piece of his research was the Estate of Drobak, on the Gulf of Oslo, owned by his wife, where the scientist spent the summers from 1774 to 1778, focusing in particular on the study of marine micro-fauna. He was assisted by a team that included draughtsmen and engravers (one of the best painters was his younger brother, Christian Friedrich, who, in addition to illustrating some of his brother's works, years later collaborated with Vahl on the third tranche of Flora Danica) and a number of students, recruited in an ingenious way. Every year, Müller made an advertisement in the newspapers to recruit them and paid them for the journey from Copenhagen to Oslo. Beginning in 1771, publications also multiplied, mainly dedicated to different classes of invertebrates, before then little known. In the meantime, Müller had presented to the court the project of a Fauna Danica, to pair with Flora Danica, of which he was appointed curator after Oeder's departure. The countryside in Norway and, later, when arthritis forced him to give it up, the coasts of Denmark, including the islands, allowed him to collect specimens for both works. In 1776 he anticipated the content of his great zoological work with Zoologiæ Danicae Prodromus, which listed, classified and briefly described all the animal species of the kingdom of Denmark-Norway, a work of epochal importance for the innovative classification of invertebrates. Two folio volumes of Fauna Danica followed in 1777 and 1786, with 40 plates (the other two volumes would be completed and published by various curators many years after his death). Between 1776 and 1784 five files of Flora Danica were also released. However, an important work on infusers (small single-celled organisms that develop in plant infusions, belonging to various classes, especially protozoa) remained unfinished (and was completed by O. Fabricius). In 1784, after a decade of intense work, Müller died at the age of fifty.” (D. D. Damkaer, The Copepodologist's Cabinet, A Biographical and Bibliographical History).
Wort und Bild in der Niederlandischen Kunst und literatur des 16. und 17. Jahrhunderts,
, Erftstadt, Lukassen Verlag, 1984, Gebunden, Deckeltitelvergoldung, Ruckentitelvergoldung, Original-Schutzumschlag illustriert koloriert, 31x22cm, 314pp, illustriert s/w. ISBN 3923769040.
Contents: J. MULLER HOFSTEDE, "Wort un Bild": Fragen zur Signifikanz und Realitat in der hollandischen Malerei des 17. Jahrhunderts. K. PORTEMAN, Nederlandse embleemtheorie van Marcus Antonius Gillis(1566) tot Jacob Cats (1618). H. MIEDEMA, Tekst en afbeelding als bronnen bij historisch onderzoek. J. BECKER, "De Duystere Sin van de Geschilderde Figueren": zum Doppelsin in Ratsel, Emblem und Genrestuck. B. SCHNACKENBURG, Das Bild des bauerlichen Lebens bei Adriaen van Ostade. Th. VIGNEAU-WILBERG, Hofische Minne und Burgermoral in der Graphik um 1500. P.W.M. VAN DER SLUYS, Invloed van emblematiek, hieroglyfiek en deviezenkunst in het werk van Jonker Jan van der Noot. E. McGRATH, Rubens"s "Susanna and the Elders" and moralizing inscriptions on prints. E. DUVERGER, Voruntersuchungen zur Literatur las Inspirationsquelle fur die flamische Bildteppichkunst des 17.Jahrhunderts. Chr. BROWN, Allegory and symbol in the work of Anthony van Dyck. J. MUYLLE, "Pier den Drol". K. van Mander en P. Breughel. Bijdrage tot de literaire receptie van P. Breughels werk ca. 1600. A.J. GELDERBLOM, Een ereplaats voor een versleten jurk: de interpretatie van de titelgravure in Coornherts "Wercken" van 1630. K. RENGER, Verhaltnis von Text und Bild in der Graphik. (Beobachtungen zu Missverhaltnissen). H. VEKEMAN, Taufe in Feuer und Wasser. Jan Luyken und Jacob Bohme. Chr. TUMPEL, Die Rezeption der judischen Altertumer des Flavius Josephus in den hollandischen Historiendarstellungen des 16. und 17. Jahrhunderts. A. SMITMANS, Probleme des Bildsinns bei Rembrandt. H.J. RAUPP, "Trucidata Innocentia". Die Verurteilung des Oldenbarnevelt bei Joost van den Vondel und Cornelis Saftleven. A. KEERSMAEKERS, Rederijkers-Rebusblazoenen in de 16- en 17e eeuw. G. UNVERFEHRT, Christliches Exempel und profane Allegorie. Zum Verhaltnis von Wort und Bild in der Graphik der Boschnachfolge. J. MULLER HOFSTEDE, Non Saturatur Oculus Visu. Zur Allegorie des Gesichts" von Peter Paul Rubens und Jan Brueghel D.A. REGISTER. Guter Zustand.
Essais sur l'histoire des religions. Ouvrage traduit de l'anglais (...) par Georges Harris.
In-12, couverture imprimée, (2) f., xliv, 526, (1) p. Paris, Didier et Cie, 1872.
Nouvelle édition de la traduction française, réalisée avec la participation de l'auteur. Philologue et orientaliste, parfait sanscritiste, mais aussi polyglotte et omniscient en matière de religions, Max Muller (1823-1900) est le fondateur des études indiennes et de la mythologie comparée. Index.
Phone number : 33 01 47 07 40 60
Germain muller raconte strasbourg 2000 ans d'histoire.
s.l., Jerome do betzinger, 2000; in-4, 95 pp., cartonnage de l'éditeur.
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Germaine muller raconte strasbourg 2000 ans d'histoire.
s.l., Jerome do betzinger, 1988; in-4, 93 pp., cartonnage de l'éditeur. Edition bilingue.
Edition bilingue.
De l'examen hématologique au diagnostic.
Paris, Claude muller, 1968; in-8, 218 pp., cartonnage de l'éditeur.
.
GERMAIN MULLER RACONTE STRASBOURG 2000 ans d'histoire.
Colmar, Jerome do bentzinger editeur, 1988; in-4, 95 pp., cartonnage de l'éditeur. Très bon état.
Très bon état.
GERMAIN MULLER RACONTE STRASBOURG 2000 ans d'histoire.
Colmar, Jerome do bentzinger editeur, 1988; in-4, 95 pp., cartonnage de l'éditeur. Très bon état.
Très bon état.
GERMAIN MULLER RACONTE STRASBOURG 2000 ans d'histoire.
Colmar, Jerome do bentzinger editeur, 1988; in-4, 95 pp., cartonnage de l'éditeur.
.
GERMAIN MULLER RACONTE STRASBOURG 2000 ans d'histoire.
Colmar, Jerome do bentzinger editeur, 1988; in-4, 95 pp., cartonnage de l'éditeur. Très bon état.
Très bon état.
GERMAIN MULLER RACONTE STRASBOURG 2000 ans d'histoire.
Colmar, Jerome do bentzinger editeur, 1988; in-4, 95 pp., cartonnage de l'éditeur. Comme neuf.
Comme neuf.
GERMAIN MULLER RACONTE STRASBOURG 2000 ans d'histoire.
Colmar, Jerome do bentzinger editeur, 1988; in-4, 95 pp., cartonnage de l'éditeur. Comme neuf.
Comme neuf.
