1714 "MEDECINE", gravure sur peau de vélin signée L. MULLER, d'après un tableau de BRUEGEL, tirage avant la lettre. (indication de titre au dos). Dimensions de l'image : 17 x 14 cm. Dimensions de la feuille : 28 x 22 cm. Le vélin est une peau de vélot (veau mort-né), très fine, recherchée par les calligraphes, les miniaturistes et les relieurs pour sa blancheur, sa douceur et sa finesse. Le vélin est une spécialité apparue à la fin du Moyen Âge. Les gravures imprimées sur vélin sont fort rares et de ce fait méconnues de beaucoup d'amateurs. Il ne doit pas être confondu avec le parchemin. Par analogie on a appelé papier vélin un papier très fin et très blanc inventé par Étienne Montgolfier en 1777, mais les deux ne doivent pas être confondus.
Envoi par lettre recommandée R2 Bon état Remises possibles sur les achats en lot, achetez plusieurs objets à la fois ! Reçoit sur rendez-vous pour consultation des ouvrages.
Neuchâtel, Ides et Calendes, s.d. In-4°, 124p. Reliure pleine toile d'éditeur, sous jaquette illustrée et étui toilé.
Un des 15 exemplaires de tête accompagné d'une aquarelle originale signée de l'artiste (260x200 mm). Nombreuses reproductions en couleurs contrecollées et en noir dans le texte. A l'état de neuf.
Neuchâtel, Baconnière, 1974. In-8°, 331p. Broché.
A l'état de neuf.
Sion, La Matze (coll. "Peintres de chez nous"), 1973. In-4°, non paginé. Reliure pleine toile d'éditeur, sous jaquette illustrée.
Edition limitée à 500 exemplaires (après 180 exemplaires de tête accompagnés d'une gravure originale). Illustré de 50 planches hors texte en noir et en couleurs et de nombreuses reproductions dans le texte. Exemplaire enrichi d'un envoi autographe signé de Chavaz en page de garde. En parfaite condition.
Collectif - ACHARD, ALLAIS, AUDOUARD, AYME, TRISTAN BERNARD, CELINE, COURTELINE, PIERRE DAC, FEYDEAU, FORAIN, DE FLERS, GUITRY, GUTH, IONESCO, JARRY, LABICHE, MAUPASSANT, POIRET ET SERRAULT, PREVERT, QUENEAU, RENARD, RIM, ETC... et ALDEBERT, AMI, BELLUS, BERTALL, BOSC, BRUNHOFF, CHAM, CHAVAL, DUBOUT, DAUMIER, DORE, FAIZANT, GUILLAUME, GUS BOFA, HEMARD, HERMANN-PAUL, METIVET, PEYNET, POULBOT, ROBIDA, ROUBILLE, SEMPE, SENNEP, SINE, STEINLEN, TETSU ET TOULOUSE -LAUTREC pour les illustrations. (Anthologie rassemblée sous la direction et avec une préface de Jacques STERNBERG avec la collaboration de Pierre LABRACHERIE, ROMI et Henry MULLER)
Reference : 1715
(1960)
Paris Les productions de Paris 1960 1 8° carré Cartonnage toile de l'éditeur 455 Les Productions de Paris, Paris, 1960. Un volume in 8° carré relié pleine toile beige de l'éditeur, étiquette illustrée et titre frappé sur le premier plat, 455 pages. Dos légèrement insolé. Livraison à domicile via colissimo 915
Dos légèrement insolé. Remises possibles sur les achats en lot, achetez plusieurs objets à la fois ! Reçoit sur rendez-vous pour consultation des ouvrages.
Genève, Pierre Cailler (coll. "Peintres et sculpteurs d'hier et d'aujourd'hui"), 1957. In-8° carré, 24p. Broché, couverture illustrée.
Avec une biographie, une bibliographie et une documentation complète sur le peintre et son oeuvre. Illustré d'un frontispice en couleurs et de 59 planches en noir hors texte. A l'état de neuf.
Lausanne, Editions de L'Aire, 2010. In-8°, 201p. Broché, couverture illustrée rempliée.
Exemplaire à l'état de neuf.
Neuchâtel, Ides et Calendes, s.d. In-4°, 124p. Reliure pleine toile d'éditeur, sous jaquette illustrée.
Nombreuses reproductions en couleurs contrecollées et en noir dans le texte. Accrocs à la jaquette.
Yverdon, imprimerie Cornaz, 1976. Gr. in-8°, 271p. Broché.
Thèse présentée à la Faculté des Lettres de l'Université de Neuchâtel. Enrichi d'un envoi autographe signé de l'auteur en page de garde.
Pontarlier, Imprimerie Camille Faivre, 1939. In-8°, 210p. Broché, couverture illustrée.
Avec quelques illustrations hors texte. Inscription en page degarde, sinon très bel exemplaire. Fort peu courant.
Neuchâtel, Ides et Calendes, s.d. In-4°, 124p. Reliure pleine toile d'éditeur, sous jaquette illustrée.
Nombreuses reproductions en couleurs contrecollées et en noir dans le texte. A l'état de neuf.
Hauterive, Gilles Attinger (coll."Anecdotes neuchâteloises"), 1991. In-12, 93p. Broché, couverture illustrée rempliée.
Impression soignée sur papier vergé. Illustré de reproductions de gravures anciennes. A l'état de neuf.
Maurice Dreyfous, Paris, sans date (fin 19°, vers 1880). Un volume in 4° relié percaline à décor de l'éditeur, 267 pages. Reliure usagée mais encore en état correct, premier cahier dérelié.
Remises possibles sur les achats en lot, achetez plusieurs objets à la fois ! Reçoit sur rendez-vous pour consultation des ouvrages.
Neuchâtel, Ed. du Griffon (coll. "Trésors de mon pays"), 1952. Gr. in-8°, 48p. Broché, couverture illustrée rempliée.
Illustré de photographies n/b h-texte. Couverture dessinée par Jean-Claude Evard. Adaptation française de Richard Walter.
Sion, La Matze (coll. "Peintres de chez nous"), 1973. In-4°, non paginé. Reliure pleine toile d'éditeur, sous jaquette illustrée.
Edition limitée à 500 exemplaires (après 180 exemplaires de tête accompagnés d'une gravure originale). Illustré de 50 planches hors texte en noir et en couleurs et de nombreuses reproductions dans le texte. Tranche et jaquette tachées, sinon bon exemplaire.
Paris, Payot (coll. "Bibliothèque scientifique"), 1968. Gr. in-8°, 495p. Broché.
Paris, L. Conquet, 1885. Pt. in-8°, 244p. Reliure demi-toile à coins, couverture conservée.
Edition numérotée 1/825 exemplaires sur vélin teinté. Illustré de 28 compositions de O. Cortazzo gravées à l'eau-forte par Abot et Clapès.
Neuchâtel, baconnière (coll. "Observation et synthèse"), 1956. In-8°, 187p. Broché.
Exemplaire en parfaite condition.
Neuchâtel, Baconnière (coll. "Etre et Penser"), 1943. In-8°, 161p. Broché, couverture rempliée.
La Neuveville, Ed. du Griffon (coll. "L'Art Suisse Contemporain"), 1954. Gd. in-4° en feuilles sous couverture blanche rempliée, non paginé.
Edition numérotée comprenant 8 reproductions en couleurs contrecollées. Texte en français. A l'état de neuf.
Paul Johannes MÜLLER, introduction et textes de présentation des miniatures.
Reference : 2852
(1979)
1979 Siloé, Paris, 1979. Un volume in folio relié pleine toile greige, 50 planches couleurs contrecollées, texte en regard. Très bon état, mais sans la jaquette.
Remises possibles sur les achats en lot, achetez plusieurs objets à la fois ! Reçoit sur rendez-vous pour consultation des ouvrages.
Berlin, 1842. 4to. Entire volume of ""Abhandlungen""... and ""Mathamatische Abhandlungen""... 1840 present. Contemporary yellow boards with a vellum-like spine. Handwritten title to spine. A bit of wear and soiling to extremities, and corners bent. Internally fine and clean. Stamp to title-page (Dom-Gymnasium Magdeburg, also stamped out). Pp. (187)- 257 + 6 plates, two of which are folded. Text very nice, bright, and clean, plates with a bit of brownspotting. [Entire volume: (6), XVII, (5), 400 pp. + 10 plates, 4 of which are coloured + (4), 137 pp.].
First printing of this foundational work, which established the acceptance, by the modern world, of Aristotle as the founder of biological science. It is due to the present work that modern encyclopaedias will now conclude that ""Aristotle is properly recognized as the originator of the scientific study of life."" (SEP). Apart from its importance to the modern view of Aristotle, the present paper was also central to Müller's construction of a natural system of the fishes. For centuries, the authority of Aristotle in matters of science and biology was unrivalled, but with modern science, the advancement of exact knowledge, and modern man's ability to investigate the smallest of details, Aristotle's scientific and zoological works increasingly came to be viewed as not properly belonging to the exact sciences. Many biologists would claim that his observations were fanciful and incorrect, not constituting any real scientific value. This view completely changed with the publication of the present paper, by the renowned zoologist Müller.In his ""Historia Animalium"", Aristotle had described a phenomenon in a shark, which no modern zoologist believed to be true. Had it been true, our classification among sharks and fish would need to be different, as this fanciful observation would completely alter our view of the shark as such. Müller, in the present treatise, was the first to actually prove Aristotle's observation to be true, thereby altering the modern conception of Aristotle, earning him the respect that he truly deserved as the first scientific biologist and as the originator of the scientific study of life. ""Müller placed the Cyclostomata among the fishes. He was thus led to study the sharks... A further product of this investigation was ""Über den glatten Hai des Aristoteles"" (1842). In ""Historia animalium"", Aristotle had reported that the embryos of the ""so-called smooth shark"" are attached to the uterus of the mother by a placenta, as is the case among mammals. Rondelet had described such a shark in 1555 and Steno had observed one in 1673 off the coast of Tuscany, but it had not been referred to in more recent times. Müller was the first who was able to corroborate the earlier testimony.In conjunction with the study of the shark, Müller constructed a natural system of the fishes based on work as painstaking as it was perceptive."" (DSB).Johannes Peter Müller (1801-58) was one of the most important physiologists and zoologists of the 19th century. He made a vast number of important discoveries, and his unusual and empirical approach to his subjects made him one of the most influential scientists of the century. ""Müller introduced a new era of biological research in Germany and pioneered the use of experimental methods in medicine. He overcame the inclination to natural-philosophical speculation widespread in German universities during his youth, and inculcated respect for careful observation and physiological experimentation. He required of empirical research that it be carried out ""with seriousness of purpose and thoughtfulness, with incorruptible love of truth and perseverance."" Anatomy and physiology, pathological anatomy and histology, embryology and zoology-in all these fields he made numerous fundamental discoveries. Almost all German scientists who achieved fame after the middle of the nineteenth century considered themselves his students or adopted his methods or views. Their remarks reveal his preeminent position in medical and biological research. Helmholtz, one of his most brilliant students, termed Müller a ""man of the first rank"" and stated that his acquaintance with him had ""definitively altered his intellectual standards""."" (DSB).
Argentorati (Strassburg), J.G. Bauer, 1767. 8vo. Nice contemporary half calf with five raised bands and gilt lines to spine. Wear to spine and capitaks and slightly split at hinges, but still tight. A bit of brownspotting throughout. Smukt velbevaret samt. hldrbd. med ophøjede bind, rig rygforgyldning og skindtitel. XVIII, 238, (22) pp. + two folded engraved plates (one being the folded map of Furesøen, Lyngby-og Bagsværd Sø).
The very rare first edition of Müller’s floral magnum opus, which according to his own statements contains a description of all known plants in Denmark, of which Müller prides himself with having discovered and described no less than 300. Müller participated in the production of the monumental “flora Danica” with its magnificent plates of all Danish plants, but the present work is the only work of botany that he himself published, namely of the flora of the Schulin Estate. “Otto Friedrich Muller (1730-1784) was born in Copenhagen, the son of the court trumpeter, a German man who had moved to Denmark. With a ready and lively intelligence, he received an excellent education admitted to the University of his hometown at the age of 18, according to the custom of the time he initially studied theology (the Danish university had only three courses of study: theology, law, medicine), then moved to law he had excellent skills in various fields, including music. However, he did not graduate, because for economic reasons in 1753 he abandoned his studies to enter the service of the Schulin family as a tutor to the heir of the house, who was orphaned at an early age. He lived with the Schulin for about twenty years, mostly on their Friedrichsdalin estate, near Copenhagen. Beginning in 1758, using Linnaeus' books, he began to study natural sciences as a self-taught student, both out of passion and to teach his pupil. Starting in 1761, he procured a microscope. His first scientific publication was a catalogue of insects from the Schulin estate, Fauna insectorum Fridrichsdalina (1764). Between 1765 and 1767, during a trip to Europe with his pupil, he visited many countries in central and southern Europe and was able to attend scientific circles, making contacts and lasting friendships. A man of the world, well accustomed to courtiers since childhood, through a strategy of targeted promotion (knowledge of eminent scientists, publication of previous works in support of his candidacy) he managed to be admitted into many European scientific societies. A Strasbourg published his only work of botany, a catalogue of the flora of the Schulin estate, Flora Fridrichsdalina (1767). During the journey, thanks to the various meetings, his interests finally shifted from botany to zoology, in particular to the study of invertebrates, of which he became perhaps the greatest expert of his time. In 1771 - his pupil was then 24 years old - he left the Schulin and thanks to Oeder's recommendation he was hired at the State Archives the office was renovated in 1772 after the fall of Struensee and Müller and, although he retained a small pension, he lost his place. His marriage to the wealthy Norwegian widow Anna Catharina Paludan resolved his economic problems once and for all from that moment on, he was able to devote himself full-time to scientific work. An important piece of his research was the Estate of Drobak, on the Gulf of Oslo, owned by his wife, where the scientist spent the summers from 1774 to 1778, focusing in particular on the study of marine micro-fauna. He was assisted by a team that included draughtsmen and engravers (one of the best painters was his younger brother, Christian Friedrich, who, in addition to illustrating some of his brother's works, years later collaborated with Vahl on the third tranche of Flora Danica) and a number of students, recruited in an ingenious way. Every year, Müller made an advertisement in the newspapers to recruit them and paid them for the journey from Copenhagen to Oslo. Beginning in 1771, publications also multiplied, mainly dedicated to different classes of invertebrates, before then little known. In the meantime, Müller had presented to the court the project of a Fauna Danica, to pair with Flora Danica, of which he was appointed curator after Oeder's departure. The countryside in Norway and, later, when arthritis forced him to give it up, the coasts of Denmark, including the islands, allowed him to collect specimens for both works. In 1776 he anticipated the content of his great zoological work with Zoologiæ Danicae Prodromus, which listed, classified and briefly described all the animal species of the kingdom of Denmark-Norway, a work of epochal importance for the innovative classification of invertebrates. Two folio volumes of Fauna Danica followed in 1777 and 1786, with 40 plates (the other two volumes would be completed and published by various curators many years after his death). Between 1776 and 1784 five files of Flora Danica were also released. However, an important work on infusers (small single-celled organisms that develop in plant infusions, belonging to various classes, especially protozoa) remained unfinished (and was completed by O. Fabricius). In 1784, after a decade of intense work, Müller died at the age of fifty.” (D. D. Damkaer, The Copepodologist's Cabinet, A Biographical and Bibliographical History).
, Erftstadt, Lukassen Verlag, 1984, Gebunden, Deckeltitelvergoldung, Ruckentitelvergoldung, Original-Schutzumschlag illustriert koloriert, 31x22cm, 314pp, illustriert s/w. ISBN 3923769040.
Contents: J. MULLER HOFSTEDE, "Wort un Bild": Fragen zur Signifikanz und Realitat in der hollandischen Malerei des 17. Jahrhunderts. K. PORTEMAN, Nederlandse embleemtheorie van Marcus Antonius Gillis(1566) tot Jacob Cats (1618). H. MIEDEMA, Tekst en afbeelding als bronnen bij historisch onderzoek. J. BECKER, "De Duystere Sin van de Geschilderde Figueren": zum Doppelsin in Ratsel, Emblem und Genrestuck. B. SCHNACKENBURG, Das Bild des bauerlichen Lebens bei Adriaen van Ostade. Th. VIGNEAU-WILBERG, Hofische Minne und Burgermoral in der Graphik um 1500. P.W.M. VAN DER SLUYS, Invloed van emblematiek, hieroglyfiek en deviezenkunst in het werk van Jonker Jan van der Noot. E. McGRATH, Rubens"s "Susanna and the Elders" and moralizing inscriptions on prints. E. DUVERGER, Voruntersuchungen zur Literatur las Inspirationsquelle fur die flamische Bildteppichkunst des 17.Jahrhunderts. Chr. BROWN, Allegory and symbol in the work of Anthony van Dyck. J. MUYLLE, "Pier den Drol". K. van Mander en P. Breughel. Bijdrage tot de literaire receptie van P. Breughels werk ca. 1600. A.J. GELDERBLOM, Een ereplaats voor een versleten jurk: de interpretatie van de titelgravure in Coornherts "Wercken" van 1630. K. RENGER, Verhaltnis von Text und Bild in der Graphik. (Beobachtungen zu Missverhaltnissen). H. VEKEMAN, Taufe in Feuer und Wasser. Jan Luyken und Jacob Bohme. Chr. TUMPEL, Die Rezeption der judischen Altertumer des Flavius Josephus in den hollandischen Historiendarstellungen des 16. und 17. Jahrhunderts. A. SMITMANS, Probleme des Bildsinns bei Rembrandt. H.J. RAUPP, "Trucidata Innocentia". Die Verurteilung des Oldenbarnevelt bei Joost van den Vondel und Cornelis Saftleven. A. KEERSMAEKERS, Rederijkers-Rebusblazoenen in de 16- en 17e eeuw. G. UNVERFEHRT, Christliches Exempel und profane Allegorie. Zum Verhaltnis von Wort und Bild in der Graphik der Boschnachfolge. J. MULLER HOFSTEDE, Non Saturatur Oculus Visu. Zur Allegorie des Gesichts" von Peter Paul Rubens und Jan Brueghel D.A. REGISTER. Guter Zustand.
P., Baillière, 1840, 2 volumes in 8 reliés en demi-chagrin vert, dos ornés de filets dorés (reliures de l'époque), (accroc à une coiffe, petites auréoles sans gravité dans les marges supérieures des derniers feuillets du tome 2 et dans les marges supérieures des planches, accroc à une coiffe), T.1 : 6pp., 640pp., T.2 (2), 644pp., 4 PLANCHES dépliantes, 80 figures dans le texte
---- PREMIERE EDITION FRANCAISE ---- Traduction par JOURDAN de la partie consacrée à la physiologie du système nerveux du Traité de physiologie de J. Muller A LAQUELLE IL A AJOUTE ET TRADUIT UN OPUSCULE DE J. MULLER sur la compensation des forces physiques dans l'organe vocal de l'homme (Ueber die compensation der physischen kroeste am menchlichen stimmorgen, Berlin, 1839) ---- "A classical and a standard Work in Neurology". (MacHenry french ed.) ---- "Muller was responsable for a remarkable advance in neurophysiology : confirmation of the Bell-Magendie law by means of a simple experiment performed on the frog. He established experimentally that the first and second branches of the trigeminal nerve are sensory and that the third branch contains, in addition to sensory fibers, motor fibers for the jaw muscles. He also asserted, again on the basis of his own research, that the glossopharyngeal and vagus nerves are of the mixed type. This research led to the first comprehensive scientific conception of the nervous system as a unit. In 1833 Muller studied the phenomena of reflection, by which he meant the involuntary transition - occurring in the spinal cord or brain - of excitation from the centripetally conducting nerves to the centrifugally conducting ones. He also describes coughing, sneezing, hiccuping, vomiting and ejaculation as reflex arcs located along the spinal cord and medulla oblongata, thereby contributing a fundamental new insight into the study of such phenomena. With his reflex theory Muller was able to explain many processes in the human organism and was also able to demonstrate his ideas on animals - an achievement that his era, so fond of experimentation, considered of no less importance.". (DSB IX pp. 570/571) ---- Haymaker pp. 243/247**3822/H3-3824/CART8