DESENNE, REGNARD, BEIN, BLANCHARD, BURDET, FAUCHERY, LEFEVRE, LEROUX, MULLER, CHAMPS
Reference : 9924
Paris, Dufart, (1828). 4to, 13 figures en 3 états (définitif, avant la lettre, eau-forte) sur Chine appliqué, et un portrait à l'eau-forte, montés sur onglets, reliure XIXe demi-maroquin (à grain long) vert à coins (Champs), dos orné (reliure très légèrement frottée, quelques rousseurs).
La SUITE SUR CHINE EN 3 ETATS des gravures d'après Desenne par Bein, Blanchard, Burdet, Fauchery, Lefèvre aîné, Leroux et Müller, pour les oeuvres de Régnard, et un PORTRAIT de Desenne à l'eau-forte gravé par Dupont d'après Mourlan, le tout en bon état sous une riche reliure de Champs. * Voir photographie(s) / See picture(s). * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve.
Paris, Amédée Bédelet, s.d. (circa 1850-1860). In-4 à l'italienne, 28 pp. et (24) pl., reliure de l'éditeur, pleine percaline vert bouteille effet chagrin, luxueux encadrement polychrome sur le plat supérieur, dos lisse à la cathédrale en couleurs, plat inférieur historié à l'or, tranches dorées (quelques rousseurs, planche "Sortie de l'Arche" grossièrement restaurée, ex-dono).
Texte extrait de la Bible du jeune âge, d'Elisabeth Müller, illustré de 24 ithographies en noir (dont un frontispice) de. Charles Vallet d'après les compositions d'Auguste Leloir. Ex- libris de Roger Boutet de Monvel. * Voir photographie(s) / See the picture(s). * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve.
1850 cartonné éditeur grand in-octavo à l'italienne à plaques spéciales polychromes pour les plats (editor hard-back in-octavo oblong with specials covers editor for the the cover), dos légèrement défraîchi (spine lightly faded), toutes tranches lisses (all smooth edges), illustrations : 22 lithographies de Ch. Vallet d'après les compositions de Monsieur Auguste Leloir (22 Lithographies of Ch. Vallet according to the compositions of Mister Auguste Leloir), naissances de rousseurs (beginning of the redness marks), 27 pages de texte, sans date (no date) - 1840 environ - à Paris Amédée Bédelet Editeur,
texte extrait de la "Bible du jeune age" d'Elisabeth Muller - bon état général malgré les petits défauts signalés (good condition in spite of the smalls defects indicated)
Couverture beige. Intérieur très propre. Non coupé et non rogné.
Paris Bernard Grasset 1913 330 pp. In-12 Broché. Très bon état. 1 volume. Troisième série.
Reliure plein maroquin janséniste tête de nègre. Dos à nerfs. Mors frotté. Toutes tranches dorées. Roulette dorée intérieure. Couverture rose et dos conservés. Reliure signée CHAMPS. Avec 28 compositions de O. CORTAZZO gravées à l'eau-forte par Abot et Clapès. Mouillures éparses sans importance.
Paris Librairie L. Conquet 1885 VI+244 pp. In-12. Relié. En bon état. 1 volume. ÉDITION ORIGINALE. Un des 150exemplaires numérotés sur Japon.
Reliure plein maroquin rouge. Dos à nerfs orné d'une fleurette dorée dans chaque caisson. Cadre de filets dorés sur les plats. Coupes filetées. Tranches dorées sur témoins. Large dentelle intérieure. Couverture conservée. Reliure signée CUZIN. Avec 26 compositions deO. CORTAZZO gravées à l'eau-forte par Abot et Clapès.
Paris Librairie L. Conquet 1885 244 pp. In-12. Relié. Fort bel exemplaire. 1 volume. TIRAGE LIMITÉ à 1 000 exemplaires. Celui-ci un des exemplaires de présent sur Japon, justifié à la main par l'éditeur.Exemplaire enrichi d'un POÈME AUTOGRAPHE DE L'AUTEUR, intitulé "Minuit" et comprenant 16 sixains.
Reliure plein maroquin noir. Dos à nerfs avec date dorée au talon. Coupes filetées. Toutes tranchesdorées. Large dentelle dorée intérieure. Couverture rose et dos conservés. Reliure signée CHAMPS. Avec 26 compositions deO. CORTAZZO gravées à l'eau-forte par Abot et Clapès. Mors et nerfs frottés.
Paris Librairie L. Conquet 1885 244 pp. In-12. Relié. En bon état. 1 volume. TIRAGE LIMITÉ à 1 000 exemplaires. Celui-ci un des exemplaires sur Japon, justifié à la main par l'éditeur.
Couverture souple et imprimée en couleurs. Dos légèrement bruni.
Paris. La Table ronde. 1952. 245 pp. In-12. Broché. En bon état. 1 volume. "Trois pas en arrière", ou le moyen pour l'auteur de nous raconter vingt ans de vie littéraire. Tout ses contemporains y apparaissent, collègues auteurs comme éditeurs.
Reliure demi-basane verte. Dos lisse avec fleurons dorés. Papier jauni.
Paris Edouard Cornély et Cie 1904 Pagination continue. In-12. Relié. En bon état. 1 volume.
Reliure demie-basane rouge bradel. Dos lisse avec filets à froid, titre, mention d'auteur et fleuron dorés. Mors modérément usés. Toutes tranches mouchetées. Ex-libris manuscrit sur la garde blanche. Ex-libris manuscrit sur la page de titre. Bel état du contenu orné de vignettes dessinées sur bois en noir et blanc par F. LIX in- et hors-texte. Petites et rares rousseurs dans le contenu. Bel exemplaire.
Paris. Hachette. 1885. 282 pp. In-12. Relié. Très bon état. 1 volume. 3e édition.D'autres exemplaires avec ce style de reliure sont disponibles sur le catalogue de la librairie.
broché - 19.5x28 - 208 pp - 1907 - éditions J. LAMARRE, Paris -
traduit du danois par Emmanuel PHILIPOT.ouvrage contenant 161 gravures dans le texte et 3 planches en couleurs
MULLER S. / CLAVEL B. / PEUTEUIL S. / PRUNER F. / LECUREUR M. / GOUTIERRE C.
Reference : 9550
broché -15,5x24 - 95 pp - 1980 - Revue des amis de la bibliothèque des archives et du musée de Dole, numéro 4.Préface de André Mien.Illustrations originales de Monique Roy-Gaubert et Roland-Gaubert.
1552 Broché - 15,5 x 24 - 403 pp - année 1996 - éditions Nil -
FRANCIS LICHTLE & CLAUDE MULLER avec la collaboration d'André Hugel
Reference : 16396
Reliure éditeur - 22 x 31,5 - 264 pp - année 2003 - éditions J.D. Reber - illustrations -
Paris, Armand Colin, 1944. In-8, XIV-616 pp., portrait contrecollé en frontispice, 22 planches de photographies hors-texte, reliure de l'époque demi-chagrin prune à coins, tranches mouchetées.
* Voir photographie(s) / See picture(s). * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve.
Toulouse, Richard, 1927. In-4, (2)-177-(3) pp., broché, couverture rempliée (coiffes frottées ; sinon agréable exemplaire, intérieur bien frais).
Tirage limité à 390 exemplaires numérotés, ici un des 349 vélin d'Arches (après un exemplaire unique et 40 Japon). * Voir photographie(s) / See picture(s). * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve.
Senlis, Th. Nouvian, 1896. In-8, 326-(2) pp., broché, couverture illustrée rempliée (couverture salie, dos un peu frotté).
Illustré de gravures en noir, in- et hors-texte. UN DES 20 exemplaires numérotés sur Japon (n° 3), seul grand papier. * Voir photographies / See pictures. * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve.
In-4, (30)-72-(8)-(2 bl.)-62-(2 bl.)-79-(1)-86-19-(1)-(64) pp., reliure de l'époque plein veau, dos orné, tranches rouges (reliure abîmée : épidermures, manques de cuir, coiffes arasées, mors fendus ; le portrait manque ; manquent 2 planches : les planches 10 et 11 de la série 1).
Illustré de 169 planches (sur 171 : série 1 : 38 pl. /40, série 2 : 60/60, série 3 : 60/60, série 4 : 11/11), avec 12 emblèmes ou symboles par planche. Etrangement, sans le fleuron de l'éditeur, sans le portrait du dédicataire, ni le bandeau en taille-douce au feuillet 3. * Voir photographies / See pictures. * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve.
Paris Impr. des beaux-arts 1913 in-8 demi- percale un volume, reliure demi-percale vert foncé in-octavo(half hard-back percale in-8) (21,2 x 14 cm), dos long (spine without raised band), titre frappé "or" avec double filets "or" de part et d'autre, double filets "or" en tête et en pied, paier marbré vert à vert foncé aux plats, toutes tranches lisses, orné de trés nombreuses figures in et hors-texte en noir dont 4 planches en couleur, XV + 488 pages, sans date (1913) Paris : Impr. des beaux-arts Editeur,
Superbe exemplaire....La Bible des TYPOS..........RARE EDITION............en trés bon état (very good condition). trés bon état
CAPUT Pol, DOMMERGUES Louis, LE CORBIER Roland, MIMY CHABEAU LE CORBIER, MARTIN Lise Laurent, MONTERGON Camille de, MULLER André (comité de rédaction)
Reference : 2828
(1947)
1947 plaquette in-octavo, de la page 141 à la page 160, décembre 1947 Niort Imprimerie Saint-Denis,
- exemplaire tête de série et seul publié - très bon état -
MULLER Elisabeth, (Antoine Eugène GENOUD dit l'abbé de GENOUDE)
Reference : 5873
(1899)
1899 cartonné romantique in-octavo, dos et plats illustrés, toutes tranches dorées, illustrations : 1 carte hors-texte "la Terre Sainte" - frontispice + sur la page de titre + fronts-de-chapitre + culs-de-lampe et gravures hors-texte, légères rousseurs, 212 pages, sans date (fin dix-neuvième siècle) à Paris Amédée Bédelet Editeur - Auguste Vaton Libraire,
abrégée d'après la traduction de M. de Genoude (Antoine Eugène Genoud dit l'abbé de Genoude), ouvrage approuvé par Monseigneur l'Archevêque de Paris - rarissime, bon état extérieur
1937 revue grise (magazine) in-octavo, dos et couverture imprimés (spine and cover printed), tranches lisses (smooth edges), illustrations : 6 figures in texte (pictures in text), 112 pages, 1937 à Paris J.-B. Baillière et Fils,
Revue "Travaux du Laboratoire de Géographie de l'Université de Rennes" numéro 10 - bon état général (good condition)
1966 broché (paperback) petit in-octavo carré, dos blanc (white spine), couverture illustrée en couleurs (cover illustrated in colours), tranches lisses (edges smoothes), illustrations de J. Roll, 64 pages, 1966 à Paris Editions Bornemann,
Collection "Sports SB" préface de R. Jamin - bon état (very good condition)
Berlin, 1842. 4to. Entire volume of ""Abhandlungen""... and ""Mathamatische Abhandlungen""... 1840 present. Contemporary yellow boards with a vellum-like spine. Handwritten title to spine. A bit of wear and soiling to extremities, and corners bent. Internally fine and clean. Stamp to title-page (Dom-Gymnasium Magdeburg, also stamped out). Pp. (187)- 257 + 6 plates, two of which are folded. Text very nice, bright, and clean, plates with a bit of brownspotting. [Entire volume: (6), XVII, (5), 400 pp. + 10 plates, 4 of which are coloured + (4), 137 pp.].
First printing of this foundational work, which established the acceptance, by the modern world, of Aristotle as the founder of biological science. It is due to the present work that modern encyclopaedias will now conclude that ""Aristotle is properly recognized as the originator of the scientific study of life."" (SEP). Apart from its importance to the modern view of Aristotle, the present paper was also central to Müller's construction of a natural system of the fishes. For centuries, the authority of Aristotle in matters of science and biology was unrivalled, but with modern science, the advancement of exact knowledge, and modern man's ability to investigate the smallest of details, Aristotle's scientific and zoological works increasingly came to be viewed as not properly belonging to the exact sciences. Many biologists would claim that his observations were fanciful and incorrect, not constituting any real scientific value. This view completely changed with the publication of the present paper, by the renowned zoologist Müller.In his ""Historia Animalium"", Aristotle had described a phenomenon in a shark, which no modern zoologist believed to be true. Had it been true, our classification among sharks and fish would need to be different, as this fanciful observation would completely alter our view of the shark as such. Müller, in the present treatise, was the first to actually prove Aristotle's observation to be true, thereby altering the modern conception of Aristotle, earning him the respect that he truly deserved as the first scientific biologist and as the originator of the scientific study of life. ""Müller placed the Cyclostomata among the fishes. He was thus led to study the sharks... A further product of this investigation was ""Über den glatten Hai des Aristoteles"" (1842). In ""Historia animalium"", Aristotle had reported that the embryos of the ""so-called smooth shark"" are attached to the uterus of the mother by a placenta, as is the case among mammals. Rondelet had described such a shark in 1555 and Steno had observed one in 1673 off the coast of Tuscany, but it had not been referred to in more recent times. Müller was the first who was able to corroborate the earlier testimony.In conjunction with the study of the shark, Müller constructed a natural system of the fishes based on work as painstaking as it was perceptive."" (DSB).Johannes Peter Müller (1801-58) was one of the most important physiologists and zoologists of the 19th century. He made a vast number of important discoveries, and his unusual and empirical approach to his subjects made him one of the most influential scientists of the century. ""Müller introduced a new era of biological research in Germany and pioneered the use of experimental methods in medicine. He overcame the inclination to natural-philosophical speculation widespread in German universities during his youth, and inculcated respect for careful observation and physiological experimentation. He required of empirical research that it be carried out ""with seriousness of purpose and thoughtfulness, with incorruptible love of truth and perseverance."" Anatomy and physiology, pathological anatomy and histology, embryology and zoology-in all these fields he made numerous fundamental discoveries. Almost all German scientists who achieved fame after the middle of the nineteenth century considered themselves his students or adopted his methods or views. Their remarks reveal his preeminent position in medical and biological research. Helmholtz, one of his most brilliant students, termed Müller a ""man of the first rank"" and stated that his acquaintance with him had ""definitively altered his intellectual standards""."" (DSB).
Argentorati (Strassburg), J.G. Bauer, 1767. 8vo. Nice contemporary half calf with five raised bands and gilt lines to spine. Wear to spine and capitaks and slightly split at hinges, but still tight. A bit of brownspotting throughout. Smukt velbevaret samt. hldrbd. med ophøjede bind, rig rygforgyldning og skindtitel. XVIII, 238, (22) pp. + two folded engraved plates (one being the folded map of Furesøen, Lyngby-og Bagsværd Sø).
The very rare first edition of Müller’s floral magnum opus, which according to his own statements contains a description of all known plants in Denmark, of which Müller prides himself with having discovered and described no less than 300. Müller participated in the production of the monumental “flora Danica” with its magnificent plates of all Danish plants, but the present work is the only work of botany that he himself published, namely of the flora of the Schulin Estate. “Otto Friedrich Muller (1730-1784) was born in Copenhagen, the son of the court trumpeter, a German man who had moved to Denmark. With a ready and lively intelligence, he received an excellent education admitted to the University of his hometown at the age of 18, according to the custom of the time he initially studied theology (the Danish university had only three courses of study: theology, law, medicine), then moved to law he had excellent skills in various fields, including music. However, he did not graduate, because for economic reasons in 1753 he abandoned his studies to enter the service of the Schulin family as a tutor to the heir of the house, who was orphaned at an early age. He lived with the Schulin for about twenty years, mostly on their Friedrichsdalin estate, near Copenhagen. Beginning in 1758, using Linnaeus' books, he began to study natural sciences as a self-taught student, both out of passion and to teach his pupil. Starting in 1761, he procured a microscope. His first scientific publication was a catalogue of insects from the Schulin estate, Fauna insectorum Fridrichsdalina (1764). Between 1765 and 1767, during a trip to Europe with his pupil, he visited many countries in central and southern Europe and was able to attend scientific circles, making contacts and lasting friendships. A man of the world, well accustomed to courtiers since childhood, through a strategy of targeted promotion (knowledge of eminent scientists, publication of previous works in support of his candidacy) he managed to be admitted into many European scientific societies. A Strasbourg published his only work of botany, a catalogue of the flora of the Schulin estate, Flora Fridrichsdalina (1767). During the journey, thanks to the various meetings, his interests finally shifted from botany to zoology, in particular to the study of invertebrates, of which he became perhaps the greatest expert of his time. In 1771 - his pupil was then 24 years old - he left the Schulin and thanks to Oeder's recommendation he was hired at the State Archives the office was renovated in 1772 after the fall of Struensee and Müller and, although he retained a small pension, he lost his place. His marriage to the wealthy Norwegian widow Anna Catharina Paludan resolved his economic problems once and for all from that moment on, he was able to devote himself full-time to scientific work. An important piece of his research was the Estate of Drobak, on the Gulf of Oslo, owned by his wife, where the scientist spent the summers from 1774 to 1778, focusing in particular on the study of marine micro-fauna. He was assisted by a team that included draughtsmen and engravers (one of the best painters was his younger brother, Christian Friedrich, who, in addition to illustrating some of his brother's works, years later collaborated with Vahl on the third tranche of Flora Danica) and a number of students, recruited in an ingenious way. Every year, Müller made an advertisement in the newspapers to recruit them and paid them for the journey from Copenhagen to Oslo. Beginning in 1771, publications also multiplied, mainly dedicated to different classes of invertebrates, before then little known. In the meantime, Müller had presented to the court the project of a Fauna Danica, to pair with Flora Danica, of which he was appointed curator after Oeder's departure. The countryside in Norway and, later, when arthritis forced him to give it up, the coasts of Denmark, including the islands, allowed him to collect specimens for both works. In 1776 he anticipated the content of his great zoological work with Zoologiæ Danicae Prodromus, which listed, classified and briefly described all the animal species of the kingdom of Denmark-Norway, a work of epochal importance for the innovative classification of invertebrates. Two folio volumes of Fauna Danica followed in 1777 and 1786, with 40 plates (the other two volumes would be completed and published by various curators many years after his death). Between 1776 and 1784 five files of Flora Danica were also released. However, an important work on infusers (small single-celled organisms that develop in plant infusions, belonging to various classes, especially protozoa) remained unfinished (and was completed by O. Fabricius). In 1784, after a decade of intense work, Müller died at the age of fifty.” (D. D. Damkaer, The Copepodologist's Cabinet, A Biographical and Bibliographical History).