1761 books for « moore p »Edit

‎Henry Moore : Catalogue of Graphic Work, 1931-1972.‎

‎Geneva Gérald Cramer 1973 1 vol. relié fort vol. in-4, cartonnage sous jaquette illustrée, non paginé, 206 numéros décrits et reproduits à pleine page en noir et en couleurs, index. Premier volume du catalogue raisonné de l'oeuvre gravé de Henry Moore, pour la période 1931-1972, établi par Gérald Cramer, Alistair Grant et David Mitchinson. Texte anglais-français-allemand. Très bon état.‎

‎Henry Moore Maquetten = Henry Moore Maquettes.‎

‎München Bruckmann Pantheon Edition 1978 1 vol. relié in-4, cartonnage sous jaquette illustrée, 100 pp. (jaquette déchirée et renforcée au scotch), nombreuses reproductions en noir et en couleurs. Texte trilingue allemand-anglais-français. Cartonnage et intérieur en bon état.‎

‎L'épicurien.‎

‎Paris Jules Renouard 1827 1 vol. relié in-12, demi-chagrin noir à longs grains, dos lisse orné d'un décor doré en long, X + 331 pp. Edition originale française traduite par le libraire et imprimeur Antoine-Augustin Renouard. Ce roman de Thomas Moore (1779-1852), publié en anglais la même année chez Galignani à Paris, se déroule sous le règne de l'empereur Valérien, au IIIe siècle, et met en scène la secte des épicuriens face aux progrès du Christianisme. Une seconde traduction paraîtra la même année chez Béchet, par Alexandrine Aragon. Des rousseurs, sinon exemplaire en bonne condition, non rogné, dans une jolie reliure du milieu du XIXe siècle. Peu courant.‎

‎Alan Moore's Exit Interview.‎

‎Milford Airwave 2007 1 vol. broché in-8, broché, couv. illustrée, 80 pp., illustrations en noir. Texte en anglais. Très bon état. Exemplaire provenant de la bibliothèque d'Alain Resnais.‎

‎Henry Moore : l'expression première. Plâtres, dessins et taille directe.‎

‎Paris Réunion des Musées Nationaux 1996 1 vol. broché in-4, broché, couv. illustrée, 200 pp., nombreuses photos en noir et en couleurs, bibliographie. Catalogue de l'exposition organisée au Musée des Beaux-Arts de Nantes et au Städtische Kunsthalle de Mannheim, 1996-1997. Très bon état.‎

‎Henry Moore : l'atelier.‎

‎Paris Hazan, Musée Rodin 2010 1 vol. broché in-4, broché, couv. illustrée, 213 pp., nombreuses photos en couleurs, bibliographie. Catalogue de l'exposition organisée au Musée Rodin, octobre 2010 - février 2011. Très bon état.‎

‎The Art of Henry Moore.‎

‎London Thames and Hudson 1960 1 vol. relié in-4, cartonnage sous jaquette illustrée, 279 pp. (petite déchirure à la jaquette), nombreuses reproductions en noir. Texte en anglais. Bon état.‎

‎Henry Moore.‎

‎Milano Fratelli Fabbri, coll. "Le Grande Monografie" 1971 1 vol. relié in-4, cartonnage sous jaquette illustrée, 41 pp. de texte et 222 photos en noir et en couleurs hors-texte. Texte en italien. Bon état.‎

‎Henry Moore intime.‎

‎Paris Editions du Regard, Didier Imbert Fine Arts 1992 1 vol. relié in-4, cartonnage sous jaquette illustrée, 157 pp., nombreuses reproductions en noir et en couleurs. Publié à l'occasion de l'exposition organisée à la galerie Didier Imbert, avril-juillet 1992. Très bon état.‎

‎Henry Moore at the British Museum.‎

‎London British Museum Publications 1981 1 vol. relié in-4, cartonnage sous jaquette illustrée, 128 pp., nombreuses photos en noir de David Finn. Texte en anglais de l'artiste. Très bon état.‎

‎With Henry Moore. The Artist at Work photographed by Gemma Levine.‎

‎London Times Books 1978 1 vol. relié in-4, cartonnage sous jaquette illustrée, 151 pp., nombreuses photos en noir et en couleurs de Gemma Levine. Texte en anglais. Très bon état.‎

‎Henry Moore : Animals.‎

‎London Aurum Press 1983 1 vol. relié in-4, cartonnage sous jaquette illustrée, 176 pp., nombreuses reproductions en noir et en couleurs. Texte en anglais. Très bon état.‎

‎Henry Moore : sculptures in landscape.‎

‎London Studio Vista 1978 1 vol. relié in-4, cartonnage sous jaquette illustrée, 129 pp. (jaquette légèrement défraîchie), nombreuses photos en noir et en couleurs par Geoffrey Shakerley. Texte en anglais. Bon état.‎

‎Henry Moore : Drawings, Watercolours, Gouaches.‎

‎Basel Galerie Beyeler 1970 1 vol. broché in-4, broché, couv. illustrée, rhodoïd, non paginé, nombreuses reproductions en noir et en couleurs. Texte en anglais. Très bon état.‎

‎Henry Moore : Graphics in the Making.‎

‎London Tate Gallery 1975 1 vol. broché in-8 carré, broché, couv. illustrée, 48 pp., nombreuses reproductions en noir et en couleurs. Texte en anglais. Très bon état.‎

‎Henry Moore : Carvings 1961-1970 / Bronzes 1961-1970.‎

‎New York M Knoedler, Marlborough Gallery 1970 1 vol. broché in-4 oblong, broché, couv. illustrée, 108 pp., nombreuses reproductions en noir et contrecollées en couleurs. Texte en anglais. Bon état.‎

‎Henry Moore : Energie in Raum = Energy in Space = Energie dans l'espace.‎

‎München Bruckmann 1973 1 vol. relié petit in-4, cartonnage sous jaquette illustrée, 83 pp., nombreuses reproductions en noir et en couleurs. Texte trilingue allemand-anglais-français. Bon état.‎

‎Henry Moore.‎

‎Martigny Fondation Pierre Gianadda 1989 1 vol. broché in-4 carré, broché, couverture illustrée, 315, nombreuses reproductions en noir et en couleurs. En très belle condition.‎

‎The Stanislavski System : the professional training of an actor.‎

‎London Victor Gollancz 1966 1 vol. relié in-8, cartonnage sous jaquette, 111 pp. Nouvelle édition revue de "An Actor's training : the Stanislavski Method" paru en 1960. Texte en anglais. Très bon exemplaire. Exemplaire provenant de la bibliothèque d'Alain Resnais.‎

‎An Actor's training : the Stanislavski Method.‎

‎London Victor Gollancz 1960 1 vol. relié in-8, cartonnage sous jaquette, 78 pp. Texte en anglais. Très bon exemplaire. Exemplaire provenant de la bibliothèque d'Alain Resnais.‎

‎Mémoires de ma vie morte.‎

‎Paris Grasset, "Les cahiers verts" 1922 1 vol. broché in-12, broché, 246 pp. (petit pli angulaire à la couverutre). Edition orignale française numérotée sur vergé Bouffant. Traduction G. Jean-Aubry. Bon exemplaire.‎

‎Confessions d'un jeune Anglais.‎

‎Paris Stock, coll. "Le Cabinet cosmopolite" 1925 1 vol. broché in-8, broché, 305 pp. Edition originale française numérotée sur vélin satiné Outhenin-Chalandre. Bon état.‎

‎Esther.‎

‎ Editions du Siècle, "Les maîtres étrangers" 1933 1 vol. broché in-12, broché, XII-420 pp. Couverture un peu insolée, sinon bon état.‎

‎Principia Ethica. - [FOUNDING ANALYTIC PHILOSOPHY - INTRODUCING THE NATURALISTIC FALLACY]‎

‎Cambridge, 1903. 8vo. Orig. brown full cloth with gilt lettering to spine. Gilt armorial centre-piece to front board (indicating that this was a prize from ""Coll. di Joh. Bapt.""). A bit of bumping to capitals and corners, otherwise fine. Inner hinges slightly weak and a few marginal pencil annotations. XXVII, (1), 232 pp.‎

‎First edition of Moore's seminal magnum opus, his hugely influential ""Principia Ethica"", which helped found analytic philosophy and introduced and named the ""naturalistic fallacy"". ""Moore's ""Principia Ethica"" (1903) is a landmark in the history of ethics. Its impact and influence on subsequent ethical theory, at least in Anglo-American philosophy, have been tremendous. Its specific doctrines of the indefinability of good and of the naturalistic fallacy, whether reinforced, amended, or even rejected, by later theorists, have served as the starting points of much of twentieth century philosophy."" (Morris Weitz, 20th-Century Philosophy: The Analytic Tradition, (1966), p. 68).George Edward Moore (1873-1958) is one of the most influential twentieth century philosophers, and his contributions to analytic philosophy can be compared only to those of Russell, Wittgenstein, and Frege, with whom he founded this philosophical discipline. His impact on Anglo-American philosophy in the 20th century is unsurpassed. ""Principia Ethica"" is the most important of Moore's works. In this work, he makes use of analysis to establish the main doctrines of the book, and thereby lays one of the cornerstones of analytic philosophy. Moore here applies logic to ethics and shows us how this can provide a better foundation for ethics. Moore begins by showing that analysis will reveal to us that ""good"" is a simple, non-natural, and indefinable property, which cannot itself be defined and analyzed, because it is not a complex object that can be divided, but a simple object of thought and goes on to define ethics as an inquiry into what is good. He furthermore shows how sometimes false premises in the definition of good lead to false conclusions about ethical behavior and he introduces his seminal concept ""naturalistic fallacy"", which is defined as the error of assuming that ""good"" can be defined by naming various properties of things which we believe to be good. ""Naturalism"", according to Moore falsely assumes to have defined ""good"" and is therefore unable to provide any logical reason for any principle of ethics.""It appears to me that in Ethics, as in all other philosophical studies, the difficulties and disagreements, of which history is full, are mainly due to a very simple cause: namely to the attempt to answer questions, without first discovering precisely WHAT question it is which you desire to answer. "" (Moore, Preface, p. VIII). ""The influence [of ""Principia Ethics""] was not only overwhelming"" it was exciting, exhilarating, the beginning of a renaissance, the opening of a new heaven on a new earth, we were the forerunners of a new dispensation, we were not afraid of anything."" (Keynes).‎

‎The Refutation of Idealism. [Off-printed from MIND: a Quaterly Review of Psychology and Philosophy. Vol. XII., N.S., No. 48.]. - [THE FIRST CLASSIC TEXT OF REALISM - WITTGENSTEIN'S COPY]‎

‎[Aberdeen Univ. Press Limited, 1903]. 8vo. In the orig. printed wrappers (part of the collation)" wrapper with a bit of browning and minor brownspotting. 23 , (1) pp.‎

‎First edition, off-print - from the library of Wittgenstein -, of the first classic text of Realism, one of Moore's main works and a huge inspirational source for analytic philosophy.Off-prints of the present work are of great scarcity, and the present copy has been in the possession of Ludwig Wittgenstein, who was probably given the copy by Moore himself. Wittgenstein handed over some of his belongings, including a number of his books, to his life-long friend Ludwig Hänsel. Among these belongings was the present copy of Moore's influential work.Wittgenstein did not have many close friends, but the closest- together with Rudolph Koder- was Luwig Hänsel, who was a high-school teacher of German and literature. Hänsel and Wittgenstein, who befriended each other in 1918 while being war prisoners in Monte Casino, also remained close friends throughout their lives.George Edward Moore (1873-1958) is one of the most influential of twentieth century philosophers, and his contributions to analytic philosophy can be compared to only those of Russell, Wittgenstein and Frege, with whom he founded this philosophical discipline. His impact on Anglo-American philosophy in the 20th century must be said to be nearly unsurpassed, and his ""Refutation of Idealism"" constitutes his most important, influential, and consequential criticism of idealism.""""The Refutation of Idealism"" (1903) is the first classic text of Realism. Although ostensibly a refutation of the doctrine that ""to be is to be perceived"", which Moore took to be central in all arguments for the Idealist view that reality is spiritual, it is also a vindication of the common-sense notion that what is experienced is often distinct from and logically independent of our experience of it as well as a vindication of analysis as a method for discerning constituents of certain complexes in the world. Basic to Moore's refutation of Idealism is the rejection of the logical doctrine that all relations, including that of the object and subject of experience, are internal. Yellow and the sensation of yellow are not only distinct, but the latter also involves and external relation between consciousness which is mental and yellow which is not."" (Morris Weitz, edt., 20th-Century Philosophy: The Analytic Tradition, 1966, p. 14).For Wittgenstein, the question of idealism is absolutely central in most aspects of his philosophy, and this main work on the area must therefore have been of the utmost interest to him. When Wittgenstein claims that the limits of language are the limits of the world (the early Wittgenstein - Tractatus published 1921) and considers the possibility of private language (the later Wittgenstein - Philosophical Investigations - published 1953), it is continually idealism that is at stake, and the question of the idealism (or the refutation of idealism) in the works of Wittgenstein is a highly debated and often not agreed upon point. Wittgenstein must have read Moore's important work on the subject, before he wrote his own works, as it appeared many years earlier, and as he evidently had a copy of the off-print. ‎