1750 books for « moore g e »Edit

‎Mostra di Henry Moore. Organizzata dalla Città di Firenze e dal British Council. Sotto gli auspici del Ministerio della Pubblica Istruzione.‎

‎ Firenze, Il Bisonte Editore . Nuovedizioni Enrico Vallecchi 1972, 240x260mm, 333pagine, in brossura. Ottimo stato. ‎

‎ fotografie a colori e b/n, ‎

‎Voyages d’un irlandais à la recherche d’une religion, traduit de l’anglais de Thomas Moore, et revu avec soin par un vicaire général‎

‎ Lyon - Paris, Perisse 1834, 178x105mm, frontispice, III- 460pages, reliure basane. Ornementations et titre dorés au dos, plats ornés à froid, tranches marbrées, usures aux coins, quelques rousseurs, bon état dans l’ensemble. ‎

‎ Cachet de bibliothèque.‎

‎Neonomicon.‎

‎ Urban Ccmics - Avatar 2011, 280x185mm, 158pages, reliure d'éditeur. Exemplaire à l'état de neuf.‎

‎ illustré, ‎

‎Les Indiens d’Amérique. Oeuvres et voyages de Charles Bird King, George Catlin, Karl Bodmer.‎

‎ Paris, Herscher 1997, 363x260mm, 279pages, reliure d'éditeur sous jaquette. Exemplaire à l'état de neuf.‎

‎ photos couleurs, richement illustré, ‎

‎La Ligue des Gentlemen Extraordinaires. L’intégrale.‎

‎ Paris, editions USA 2001, 323x210mm, cartonnage illustré de l’éditeur. Exemplaire à l'état de neuf.‎

‎La Réserve du Serengeti. Ma vie parmi les bêtes sauvages du Tanganyika. Préface de P.-E. Mitchell. Avec 1 carte et 17 gravures hors texte. Coll. “Bibliothèque Géographique”.‎

‎ Paris, Payot 1939, 230x140mm, 243pages, broché. Bel exemplaire.‎

‎Attic Black-figured Neck-amphorae. Corpus Vasorum Antiquorum Museum of Fine Arts, Boston. Union Académique Internationale. Fascicule 2. (U.S.A Fascicule 19).‎

‎ Boston, 1976, 330x250mm, X- 76pages, editor's binding. Maps. Book in good condition.‎

‎ 52 plates b/w, ‎

‎From Hell. Une autopsie de Jack l’Eventreur.‎

‎ Paris, Delcourt 2000, 260x200mm, 575pages, Couverture illustrée souple de l’éditeur. Très bel exemplaire.‎

‎Confessions d’un jeune anglais. Collection Le Cabinet Cosmopolite, n.° 1.‎

‎ Paris, Librairie Stock 1925, 190x130mm, 305pages, broché. Ex-libris. Bel exemplaire. Edition originale sur papier alfa satiné d’Outhenin-Chalandre, numéroté n.° 1361 / 2200. ‎

‎La sociologie dans les différents pays. Tome I: Les grands problèmes de la sociologie. Tome II: Les études sociologiques dans les différents pays. Collection Bibliothèque de Philosophie Contemporaine.‎

‎ Paris, Presses Universitaires de France 1947, 230x140mm, XI - 763pages, broché. Dos insolé et pages jaunies, autrement bon état. ‎

‎Visions in Verse and Fables for the Female Sex. To which is prefixed, some account of the Authors.‎

‎ London, Thomas Davidson 1808, 120x70mm, IX - 171pages, contemporary full-leather with gilt title to spine. Top cap slithly damaged, otherwise ioce binding. Interior in very good condition. ‎

‎Elements of Abstract Algebra.‎

‎ New York, The Macmillan Company 1962, 240x160mm, XIII - 203pages, editor's binding with jacket. Some few small tears on the top edge of the jacket, otherwise book in good condition. ‎

‎Top 10. Collection Semic Books.‎

‎ Paris, Semic S.A. 2002, 260x170mm, broché. Couverture à rabats. Exemplaire à l'état de neuf.‎

‎The History of the Study of Medicine in the British Isles. The Fitz-Patrick lectures for 1905–6 delivered before the Royal College of Physicians of London.‎

‎ Oxford, Clarendon Press 1908, 225x155mm, 202pages, frontispice, 8 illustrations ( facsimile of old text) cloth binding. ‎

‎La première révolution européenne X - XIIIe siècle. Préface de Jacques Le Goff. Collection Faire l’Europe.‎

‎ Paris, Seuil 2001, 215x135mm, 371pages, broché. Bel exemplaire.‎

‎Les Commencements de l’Homme. Ouvrage illustré de 10 héliogravures.‎

‎ Paris, Arthaud 1957, 210x150mm, 339pages, Demi-reliure cuir bleue, plats papier marbré, auteur et titre dorés au dos. Belle reliure. Très bel exemplaire.‎

‎Lalla Rookh. An oriental romance.‎

‎ Nurnberg and New - York, Frederick Campe no year, about 1840, 130x70mm, 224pages, basil half-binding. Demi-basane, orementations et titre dorés au dos, plat papier marbré, reliure de l’époque. Book in good condition.‎

‎Principia Ethica. - [FOUNDING ANALYTIC PHILOSOPHY - INTRODUCING THE NATURALISTIC FALLACY]‎

‎Cambridge, 1903. 8vo. Orig. brown full cloth with gilt lettering to spine. Gilt armorial centre-piece to front board (indicating that this was a prize from ""Coll. di Joh. Bapt.""). A bit of bumping to capitals and corners, otherwise fine. Inner hinges slightly weak and a few marginal pencil annotations. XXVII, (1), 232 pp.‎

‎First edition of Moore's seminal magnum opus, his hugely influential ""Principia Ethica"", which helped found analytic philosophy and introduced and named the ""naturalistic fallacy"". ""Moore's ""Principia Ethica"" (1903) is a landmark in the history of ethics. Its impact and influence on subsequent ethical theory, at least in Anglo-American philosophy, have been tremendous. Its specific doctrines of the indefinability of good and of the naturalistic fallacy, whether reinforced, amended, or even rejected, by later theorists, have served as the starting points of much of twentieth century philosophy."" (Morris Weitz, 20th-Century Philosophy: The Analytic Tradition, (1966), p. 68).George Edward Moore (1873-1958) is one of the most influential twentieth century philosophers, and his contributions to analytic philosophy can be compared only to those of Russell, Wittgenstein, and Frege, with whom he founded this philosophical discipline. His impact on Anglo-American philosophy in the 20th century is unsurpassed. ""Principia Ethica"" is the most important of Moore's works. In this work, he makes use of analysis to establish the main doctrines of the book, and thereby lays one of the cornerstones of analytic philosophy. Moore here applies logic to ethics and shows us how this can provide a better foundation for ethics. Moore begins by showing that analysis will reveal to us that ""good"" is a simple, non-natural, and indefinable property, which cannot itself be defined and analyzed, because it is not a complex object that can be divided, but a simple object of thought and goes on to define ethics as an inquiry into what is good. He furthermore shows how sometimes false premises in the definition of good lead to false conclusions about ethical behavior and he introduces his seminal concept ""naturalistic fallacy"", which is defined as the error of assuming that ""good"" can be defined by naming various properties of things which we believe to be good. ""Naturalism"", according to Moore falsely assumes to have defined ""good"" and is therefore unable to provide any logical reason for any principle of ethics.""It appears to me that in Ethics, as in all other philosophical studies, the difficulties and disagreements, of which history is full, are mainly due to a very simple cause: namely to the attempt to answer questions, without first discovering precisely WHAT question it is which you desire to answer. "" (Moore, Preface, p. VIII). ""The influence [of ""Principia Ethics""] was not only overwhelming"" it was exciting, exhilarating, the beginning of a renaissance, the opening of a new heaven on a new earth, we were the forerunners of a new dispensation, we were not afraid of anything."" (Keynes).‎

‎The Refutation of Idealism. [Off-printed from MIND: a Quaterly Review of Psychology and Philosophy. Vol. XII., N.S., No. 48.]. - [THE FIRST CLASSIC TEXT OF REALISM - WITTGENSTEIN'S COPY]‎

‎[Aberdeen Univ. Press Limited, 1903]. 8vo. In the orig. printed wrappers (part of the collation)" wrapper with a bit of browning and minor brownspotting. 23 , (1) pp.‎

‎First edition, off-print - from the library of Wittgenstein -, of the first classic text of Realism, one of Moore's main works and a huge inspirational source for analytic philosophy.Off-prints of the present work are of great scarcity, and the present copy has been in the possession of Ludwig Wittgenstein, who was probably given the copy by Moore himself. Wittgenstein handed over some of his belongings, including a number of his books, to his life-long friend Ludwig Hänsel. Among these belongings was the present copy of Moore's influential work.Wittgenstein did not have many close friends, but the closest- together with Rudolph Koder- was Luwig Hänsel, who was a high-school teacher of German and literature. Hänsel and Wittgenstein, who befriended each other in 1918 while being war prisoners in Monte Casino, also remained close friends throughout their lives.George Edward Moore (1873-1958) is one of the most influential of twentieth century philosophers, and his contributions to analytic philosophy can be compared to only those of Russell, Wittgenstein and Frege, with whom he founded this philosophical discipline. His impact on Anglo-American philosophy in the 20th century must be said to be nearly unsurpassed, and his ""Refutation of Idealism"" constitutes his most important, influential, and consequential criticism of idealism.""""The Refutation of Idealism"" (1903) is the first classic text of Realism. Although ostensibly a refutation of the doctrine that ""to be is to be perceived"", which Moore took to be central in all arguments for the Idealist view that reality is spiritual, it is also a vindication of the common-sense notion that what is experienced is often distinct from and logically independent of our experience of it as well as a vindication of analysis as a method for discerning constituents of certain complexes in the world. Basic to Moore's refutation of Idealism is the rejection of the logical doctrine that all relations, including that of the object and subject of experience, are internal. Yellow and the sensation of yellow are not only distinct, but the latter also involves and external relation between consciousness which is mental and yellow which is not."" (Morris Weitz, edt., 20th-Century Philosophy: The Analytic Tradition, 1966, p. 14).For Wittgenstein, the question of idealism is absolutely central in most aspects of his philosophy, and this main work on the area must therefore have been of the utmost interest to him. When Wittgenstein claims that the limits of language are the limits of the world (the early Wittgenstein - Tractatus published 1921) and considers the possibility of private language (the later Wittgenstein - Philosophical Investigations - published 1953), it is continually idealism that is at stake, and the question of the idealism (or the refutation of idealism) in the works of Wittgenstein is a highly debated and often not agreed upon point. Wittgenstein must have read Moore's important work on the subject, before he wrote his own works, as it appeared many years earlier, and as he evidently had a copy of the off-print. ‎

‎The Nature of Judgment. [Off-printed from MIND: A Quarterly Review of Psychology and Philosophy. Vol. VIII., N.S., No. 30.]. - [FROM WITTGENSTEIN'S POSSESSION]‎

‎(April, 1899). 8vo. Unbound. A fine copy. 18 pp.‎

‎The very rare first edition, off-print, - from the library of Wittgenstein (not stated anywhere in the copy, but the copy comes from the descendents of Hänsel, who verify the provenance) - of one of Moore's main and most widely read papers, in which he discusses ""meaning"", analyzes truth and falsity, and departs from the generally accepted ideas of Bradley as well as from the essence of idealistic philosophy.Off-prints of the present work are of great scarcity, and the present copy has been in the possession of Ludwig Wittgenstein, who was probably given the copy by Moore himself. Wittgenstein handed over some of his belongings, including a number of his books, to his life-long friend Ludwig Hänsel. Among these belongings was the present copy of Moore's influential work.Wittgenstein did not have many close friends, but the closest- together with Rudolph Koder- was Luwig Hänsel, who was a high-school teacher of German and literature. Hänsel and Wittgenstein, who befriended each other in 1918 while being war prisoners in Monte Casino, also remained close friends throughout their lives.George Edward Moore (1873-1958) is one of the most influential of twentieth century philosophers, and his contributions to analytic philosophy can be compared to only those of Russell, Wittgenstein and Frege, with whom he founded this philosophical discipline. His impact on Anglo-American philosophy in the 20th century must be said to be nearly unsurpassed. The present paper constitutes one of Moore's earliest departures from idealistic philosophy and one of his his first severe criticisms of internal relations. He discusses the concepts of true and false and thereby also considers idealism in both Kantian and Bredleyan form, departing decisively from this philosophical direction. ""An important early context in which he elaborates it is his discussion of meaning in his famous paper 'The Nature of Judgement' (1899), which comes largely from his 1898 Dissertation. Moore begins here by attributing to Bradley a quasi-empiricist view of meaning as abstracted from the total content of judgement..."" (SEP). ‎

‎Illustrations of The Loves of The Angels a poem by Thomas Moore. Engraved by Charles Heath from drawings by R. Westall. ‎

‎ London, Longman Hurst, Rees, Orme, and Brown,1823. 24,5 x 16,5 cm, iv-134 pp. Relié demi-maroquin bleu nuit, dos à nerfs, caissons ornés, titre doré. Reliure signée Champs-Stroobants Sr. Quelques épidermures et traces de frottements sinon bel exemplaire.Édition illustrée rarissime, la notre comporte un portrait de Moore en frontispice, un titre gravé et 8 gravures dont deux en double état (avec texte et sans texte). Soit 11 gravures y compris le frontispice. Le tout imprimé sur beau papier. ‎

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‎Thomas Moore (né à Dublin le 28 mai 1779 - mort à Sloperton Cottage (Bromham, Wiltshire, Angleterre) le 25 février 1852) est un poète irlandais. Il voyage en Europe, notamment à Venise où Byron lui confie son journal. Entre 1820 et 1822, il est accueilli à Sèvres près de Paris par la famille de Martin de Villamil. Il est particulièrement connu pour ses "Irish Melodies" contenant 130 poèmes tels que The Minstrel Boy ou La dernière rose de l'été qui, mis en musique par Moore lui-même et Sir John Andrew Stevenson, sont emblématiques de l'Irlande, très appréciés et très souvent repris. Ils ont fait de Moore un héros populaire pour les nationalistes irlandais Son uvre a beaucoup marqué le compositeur Hector Berlioz qui lui emprunte le terme « mélologue ». Le peintre Gilbert Stuart Newton a réalisé un portrait de lui. En 1849, il tombe dans la démence sénile et meurt à Sloperton [archive] (Bromham, Wiltshire, Angleterre) le 25 février 1852. ‎

‎The Nature and Reality of Objects of Perception. Reprinted from the ""Proceedings of the Aristotelian Society,"" 1906. - [FROM WITTGENSTEIN'S POSSESSION]‎

‎London, 1906. 8vo. Original printed wrappers. Spine-strip repiared and with a bit of minor loss. A bit of bumping to extremities and a closed tear with no loss to back wrapper. No soiling or markings. 60 pp.‎

‎The very rare first edition of the separate re-print - from the library of Wittgenstein (not stated anywhere in the copy, but the copy comes from the descendents of Hänsel, who verify the provenance) - of this essential paper, which also played a great rôle for Wittgenstein.Off-prints of the present work are of great scarcity, and the present copy has been in the possession of Ludwig Wittgenstein, who was probably given the copy by Moore himself. Wittgenstein handed over some of his belongings, including a number of his books, to his life-long friend Ludwig Hänsel. Among these belongings was the present copy of Moore's influential work.Wittgenstein did not have many close friends, but the closest- together with Rudolph Koder- was Luwig Hänsel, who was a high-school teacher of German and literature. Hänsel and Wittgenstein, who befriended each other in 1918 while being war prisoners in Monte Casino, also remained close friends throughout their lives.George Edward Moore (1873-1958) is one of the most influential of twentieth century philosophers, and his contributions to analytic philosophy can be compared to only those of Russell, Wittgenstein and Frege, with whom he founded this philosophical discipline. His impact on Anglo-American philosophy in the 20th century must be said to be nearly unsurpassed. The present work constitutes one of his most important contributions to philosophy, touching of several of the points that form the fundamental questions of e.g. Wittgenstein's ""Tractatus"""" for instance: what lies behind that which we see in the world? What can we say about it? And how? Or for Wittgenstein's ideas of e.g. private language: One of the main questions put forth here by Moore is: ""How do we know that there are any other people, who have perceptions in some respects similar to our own?"" (p. 2).""There are two beliefs in which almost all philosophers, and almost all ordinary people are agreed. Almost everyone believes that he himself and what he directly perceives do not constitute the whole of reality: he believes that ""something"" other than himself and what he directly perceives ""exists"" or is ""real"". (p. 1).There is no doubt that the essential questions put forth in the present paper have been of interest to Wittgenstein, and there is no doubt that Wittgenstein has read the present paper. In a letter to Russell from 1913 Wittgenstein writes: ""... By the way - would you be so good and send me two copies of Moore's paper: ""The Nature and Reality of Objects of Perception"" which he read to the Aristotelian Soc. in 1906. I am afraid I can't yet tell you the reason why I want two copies but you shall know it some day. If you kindly send me the bill with them I will send the money immediately after receiving the Pamplets..."" (L. Wittgenstein, Cambridge Letters, Blackwell Publishers, 1995).‎

‎Proof of an External World. Annual Philosophical Lecture Henriette Hertz Trust British Academy. - [""MOORE'S MOST FAMOUS PAPER""]‎

‎London, Humphrey Milford, 1939. 8vo. Offprint in the original printed wrappers. Uncut. Ex-libris [Danish philosopher Carl Henrik Koch] pasted on to verso of front wrapper. Wrappers with various nicks and bumped corners and some miscolouring to boarders. Internally with a few occasional very light pencil markings in margin. 30. (1) pp.‎

‎First edition of Moore's important paper on the existence of an external world. In ""Moore's most famous paper, his 'Proof of an External World' [...] [he] sets himself the task of doing what Kant had earlier set himself to do, namely providing a proof of the existence of 'external objects'. Much of the lecture is devoted to working out what counts as an 'external object', and Moore claims that these are things whose existence is not dependent upon our experience. So, he argues, if he can prove the existence of any such things, then he will have proved the existence of an 'External World'. Moore then maintains that he can do this""(SEP): ""By holding up my two hand, 'Here is one hand' and adding, as I make a certain gesture with the left, 'and here is another'.(p. 25). [...] But did I prove just now that two human hands were then in existence? I do want to insist that I did" that the proof which I gave was a perfectly rigorous one" and that it is perhaps impossible to give a better or more rigorous proof of anything whatever"".‎

‎Photographie en tirage argentique en noir et blanc de Sir Roger Moore pour la diffusion télévisée du film " The Naked Face " sur TF1 en 1990.‎

‎ Photographie en tirage argentique en noir et blanc de Sir Roger Moore pour la diffusion télévisée du film " The Naked Face " diffusée sur TF1 en 1990. Format 17,5 x 12,5 cm. Cachet de l'agence Kipa et notes de la chaîne, collées au verso. Etat superbe. Sir Roger Moore est un acteur britannique, né le 14 octobre 1927. Il fut à l'écran : Ivanhoé, Simon Templar alias le Saint, Lord Brett Sinclair dans amicalement vôtre, avant d'interprèter James Bond - succédant à Sean Connery et George Lazenby - dans sept opus de la série de films entre 1973 et 1985. En hommage à sa carrière cinématographique, il fut anobli par la reine Élisabeth II le 14 juin 2003.La Machination ( The Naked Face ) est un film américain réalisé et scénarisé par Bryan Forbes, sorti en 1984. On trouve dans les rôles principaux : Roger Moore, Rod Steiger, Elliott Gould, Anne Archer.‎

‎ Site Internet : Http://librairie-victor-sevilla.fr.Vente exclusivement par correspondance. Le libraire ne reçoit, exceptionnellement que sur rendez-vous. Il est préférable de téléphoner avant tout déplacement.Forfait de port pour un livre 7 €, sauf si épaisseur supérieure à 3 cm ou valeur supérieure ou égale à 100 €, dans ce cas expédition obligatoire au tarif Colissimo en vigueur. A partir de 2 livres envoi en colissimo obligatoire. Port à la charge de l'acheteur pour le reste du monde.Les Chèques ne sont plus acceptés.Pour destinations extra-planétaire s'adresser à la NASA.Membre du Syndicat Lusitanien Amateurs MoruesLivres‎

‎BACKWÖRKS ‎

‎ 1978 -Catalogues n°C, 1978, 430x290mm, 8p. en feuilles: Our line of very expensive Merchandise.Oeuvres de Robert Filliou, Daniel Spoerri, AY-O, George Brecht, John Cage, Red Grooms, Scott Hyde, Ray Johnson, Al Hansen, Joe Jones, Allan Kaprow, Alison Knowles, Yoko Ono, Ben Patterson, Takako Saito. Illustré de photographies de Joanne Stamerra et Peter Moore.-Catalogue L115, 10/79, 355x216mm, 8p., agrafé: The Something Else Press.Description de 81 numéros de livres et documents de cette illustre maison d’édition fondée et dirigée par Dick Higgins.-Une carte de visite du 488 Greenwich st avec une photographie de Dick Higgins, format 79x49 mm.-Une feuille promotionnelle 275x213mm : “Backworks documents and relics of experimental art 488 Greewich st. NY 10013 Jon Hendicks Barbara Moore”, sur fond photographique montrant Jon Hendricks et Barbara Moore assis au bord des fenêtres de leur galerie. (103738) ‎

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‎Fondée et dirigée par Barbara Moore et Jon Hendricks la Librairie Backworks (1976-1981) proposait au 488 Greenwich Street à New York, des oeuvres d’artistes d’avant garde la plupart appartenant au mouvement Fluxus. Les 4 documents.(103738) ‎