1 books for « moore alicia »Edit

‎Historical pictures of the middle ages in Black and White; made on the spot from records in the archives of Switzerland by A Wandering Artist (a lady traveller). In two volumes.‎

‎London, Richard Bentley, Publisher in Ordinary to Her Majesty, 1854, in-8vo, Frontispiece lithogr. (Bridge of St. Maurice) + XXII + 1 leaf ‘Contents’ + 320 p. with 1 plate / Frontispice colored lithogr. (Sarrazin, habile sur le violon) 2 leaves + 336 p. + 3 plates with views, orig. clothbound (Bound by Simonds & Remnants London).‎

‎Contents. Vol. 1: The Nuns War - The War of the Two Abbots. One plate Window of the Conventual Church of Klingenthal / Vol. 2: The War of the two Abbots (continued) - Passage of the Grand Saint Bernard - Bertha, Queen of Transjurane-Burgondy. Front ‘Spielmann’ (a Gypsy musician with a texte by M.L. Vulliemin: Ne donne-t-on pas encore dans nos villages, le nom de Sarrazins à ces familles errantes, habiles sur le violon expertes aux tours de sorcellerie et entr’autres à vider les bourses sans paraître y toucher?) - Queen Bertha - Kitchen of the Castle of Vufflens - Castle of Vufflens. Les lithogr. par Hullmandel & Walton. Alicia Moore (1790-1873)[1] was a British novelist. She was born Alicia Ann (or Anne) Radford in Sheffield, the daughter of clergyman Thomas Radford (1748-1816) and Elizabeth (Gunning) Radford. She was the author of Eveleen Mountjoy (1819), Rosalind and Felicia, or, The sisters (1821) (later published as The Leycesters), and Historical Pictures of the Middle Ages (1846). ‎