MOMMSEN Theodor, GIBBON Edward, RENAN Ernest, JULLIAN Camille, MICHELET Jules, et autres
Reference : 103.524
Paris, Robert Laffont/Le Club Français du Livre, 1970-1972. 15 x 23, 12 volumes, lv-834 + xxi-1045 + lxiii-831 + xxvi-1097 + xxxiii-633 + xl-693 + xliv-677 + xxxix-885 + lv-749 + xli-829 + xxv-695 + xlviii-650 pages, nombreuses illustrations et cartes en couleurs, 1 frontispice en couleurs dans chaque volume, reliure d'édition simili-cuir, dos : 2 pièces de titre et cadre doré, tête dorée, très bon état.
"Série complète en 12 volumes;"
Paris, Ernest Flammarion, Editeur, s.d. (ca 1900). 15 x 23, xi-275 pages, reliure dos toilé, 1 pièce de titre, bon état (rousseurs).
Paris, Alpina, 1966 14 x 21, 307 pp., cartonnage éditeur illustré, très bon état
Paris, Ernest Flammarion, Editeur, s.d. (ca 1900). 15 x 23, 562 pp., reliure dos toilé, bon état (rousseurs).
Edition définitive, revue et corrigée.
Paris, Ernest Flammarion, Editeur, s.d. (ca 1900). 15 x 23, 483 pp., reliure dos toilé, bon état (rousseurs).
Edition définitive, revue et corrigée.
Paris, Ernest Flammarion, Editeur, s.d. (ca 1900). 15 x 23, 624 pp., reliure dos toilé, bon état (pas trop de rousseurs).
Paris, Ernest Flammarion, s.d. (ca 1900). 15 x 24, 638 pp., reliure dos toilé, bon état (nombreuses rousseurs mais peu foncées).
Edition définitive, revue et corrigée.
Paris, Ernest Flammarion, Editeur, s.d. (ca 1900). 15 x 23, 577 pages, reliure dos toilé, 1 pièce de titre, bon état (pas trop de rousseurs).
Edition définitive, revue et corrigée.
Paris, Ernest Flammarion, Editeur, s.d. (ca 1900). 15 x 23, 384 pages, reliure dos toilé, 1 pièce de titre, bon état (peu de rousseurs).
Edition définitive, revue et corrigée.
Paris, Ernest Flammarion, Editeur, s.d. (ca 1900). 15 x 23, 600 pages, reliure dos toilé, 1 pièce de titre, bon état (rousseurs peu abondantes sauf par endroit).
Edition définitive, revue et corrigée.
Paris, Ernest Flammarion, Editeur, s.d. (ca 1900). 15 x 23, 706 pages, reliure dos toilé, 1 pièce de titre, bon état (rousseurs peu abondantes sauf par endroit).
Edition définitive, revue et corrigée.
Paris, Ernest Flammarion, Editeur, s.d. (ca 1900). 15 x 23, 628 pages, reliure dos toilé, 1 pièce de titre, bon état (pas trop de rousseurs).
Edition définitive, revue et corrigée.
Paris, Ernest Flammarion, s.d. (ca 1880). 15 x 23, 3 volumes, 436 + 363 + 422 pages, reliure dos toilé, état moyen (importantes rousseurs).
Un certain nombre de rousseurs, peu foncées et ne gênant aucunement la lecture.
Bruxelles, Wouters Frères, 1845. 15 x 23, 2 tomes en 1 volume, 196 + 195 pages, reliure dos cuir en très bon état, bon état général (plats légèrement défraîchis, quelques très rares rousseurs).
"traduits et mis en ordre par Michelet; très bel ex-libris."
Paris, Ernest Flammarion, 1864. 15 x 24, 628 pp., reliure dos cuir, couverture conservée, bon état (peu de rousseurs, papier légèrement jauni sur les bords).
édition définitive, revue et corrigée.
Bruxelles, Ad. Goemaere, 1968. 16 x 24, 232 pp., broché, bon état (couverture légèrement abîmée).
Paris, 1855. 8vo. Very nice contemporary diced half calf with gilt spine. Cracks to upper and lower hinges, and inner front hinge weak, but overall a very nice copy. A bit of brwning and soiling to first and last leaves and dampstaining to inner margin of first ab. 20 leaves. (10), CLX, 334 pp
First edition of this seminal work - the third in Michelet's series of ""The History of France"" - in which he coins the term ""Renaissance"" and uses it for the period of the sixteenth century as an historical period in its own right.The humanists of the period that we now call the Renaissance had a strong sense of being and doing something that was very different from that of the centuries before them"" they clearly thought of themselves as living in and creating a new epoch, re-inventing and re-using the classical Greek and Roman values. Once again they gave birth to the humanistic arts, literature, philosophy, painting, sculpting, etc. It is not a new invention of later times to view this historical epoch as something new and still something different, something worthy of the term ""Re-birth"", acknowledging both the source from which inspiration was drawn as well as the achievements of the new era.Thus, Michelet is not the first to understand what went on in this period, but still he changed our concept of it for ever - he invented the term which has not only determined this perioed ever since, but which has also been used to explain and understand all that went on in this most crucial period for modern man. It is in the present work by Michelet that he uses for the first time the noun ""Renaissance"" for this epoch and lets it refer to the discovery of world and of man in the 16th century. He not only lets the term refer to the artistic or scholarly part of the period, he lets it refer to the entire complex of changes that were taking place in this period, and he thus gives birth to the period as that of the mind and spirit of man, instead of just that of painting and learning. Michelet's work appeared at a time that allowed for it to exercise the greatest of influence. From the end of the 16th century until the middle of the 18th century, the history of the Renaissance was a field that barely existed. Only with Voltaire was some focus put on this period that we ever since Michelet have called the ""Renaissance"". Only with Michelet are we given the vocabulary to sum up this period and to describe it properly and in detail. When he publishes his work in 1855, historians and thinkers are ready to view this period as something in itself and as something worth noticing. That which Michelet thus began is that which Burchardt takes up in his ""Cultur der Renaissance in Italien"" (1860), in which ""Renaissance"" is finally characterized as the birth of modern humanity. Both Michelet and Burckhardt believed that modern, secular man is a product of the ""Renaissance"".""The terms ""restauratio"" or ""resttitutio"" had been applied by fourteenth-century Italian humanists to the revival of ancient languages and literatures, that of ""rinascita"" by Ghiberti and Vasari to the new blossoming art and architecture. In the eighteenth century Voltaire and Gibbon first saw the Italian civilization of the fourteenth to sixteenth centuries as an entity and as a determining factor in the whole course of European history. Michelet (324) in 1855 first used the term ""renaissance"" for this period as an historical epoch in its own right. Burckhardt, an admirer of both Voltaire and Gibbon, supplied the final synthesis."" (Printing and the Mind of Man, p. 211)
Paris, Gallimard/La Pléiade, 1952. 11 x 18, 2 volumes, xxxi-1482 + 1661 pages, reliure d'édition plein cuir + rhodoïd, bon état (exemplaire défraîchi : tête abîmée, 1 rhodoïd légèrement déchiré).
"Série complète en 2 volumes; édition établie et commentée par Gérard Walter."
Paris, Gallimard/La Pléiade, 2005-2008. 11 x 18, 2 volumes, xxxii-1530 + 1694 pages, reliure d'édition plein cuir + rhodoïd, sous étui carton blanc, très bon état.
"Série complète en 2 volumes; édition établie et commentée par Gérard Walter; reliure d'édition pleine peau dorée à l'or fin."
Bruxelles, Goemaere, Imprimeur du Roi, 1938. "16 x 24, 28 pp., broché (agrafé) bon état (dos insolé; annotations au crayon)."
Envoi de l'auteur.
Paris, Robert Laffont, 2008. 13 x 20, 1098 pp., broché, très bon état.
Paris, Ernest Flammarion, s.d. (ca 1880). 15 x 23, 15 volumes, entre 400 et 450 pages par livre, reliure dos toilé, état moyen (importantes rousseurs).
Un certain nombre de rousseurs, peu foncées et ne gênant aucunement la lecture.
Paris, Bibliothèque Larousse, 1930. 14 x 20, 211 pp., 1 planche, broché, non coupé, couverture rempliée, très bon état.
Paris, hachette, s.d. (ca 1970). 12 x 18, 283 pp., quelques illustrations, reliure d'édition pleine toile + rhodoïd,bon état.
Paris, Garnier Frères, 1854. 11 x 18, 368 pp., reliure dos cuir, bon état.