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Mehling '77 BA 1 original signed abstract watercolour with gold embellishments
Hofheim 1977
Original watercolour on handmade paper - in pen, ink, and gold dust paint. This abstract work is in earthy green and brown tones, with black backwash. There are calligraphic elements reminiscent of the aesthetics of East Asian characters. This illegible writing conveys the impression of poetry or musical scores. Mehling felt that Arabic or Asian writing becomes an aesthetic experience when one can't read it, so he used this concept often in his works of Informalism. All Mehling's work remained untitled, though the works do state the year of origin, usually the month and often the techniques used. This work was done in January 1977. As Mehling was also a pharmacist in his earlier years, he enjoyed experimenting with mixing his own paints, pigments and inks. An original by "the German master of the small format" (Haudenschild + Laubscher 1968). In gold colour wooden frame, under glass, with heavy white mount. Signed in pen to bottom right. Frame: 320 x 375 mm (12œ x 14Ÿ inches). Visible art: 120 mm x 175 mm.
Mehling '92 A.WB-A-/26 original signed abstract watercolour
Hofheim 1992
Original watercolour on handmade paper. This sombre abstract work is a form of Informalism in charcoal grey tones and includes melted candle wax. All Mehling's work remained untitled, though the works do state the year of origin, usually the month and often the techniques used. This work was done in 1992. As Mehling was also a pharmacist in his earlier years, he enjoyed experimenting with mixing his own paints, pigments and inks. An original by "the German master of the small format" (Haudenschild + Laubscher 1968). In distressed metallic painted wooden frame, under glass, with heavy white mount. Signed in pencil to bottom left. Frame: 445 x 365 mm (17œ x 14Œ inches)). Visible art: 255 mm x 185 mm.
Mehling '67 /II original signed abstract watercolour
Munich 1967
Original watercolour on handmade paper - in pen, ink, oil paint. This abstract work is in black, earthy green, orange, grey and blue tones almost resembles a Viking longboat. There are scribbled elements of Informalism. All Mehling's work remained untitled, though the works do state the year of origin, usually the month and often the techniques used. This work was done in February 1967. As Mehling was also a pharmacist in Munich at this time, he enjoyed experimenting with mixing his own paints, pigments and inks. An original by "the German master of the small format" (Haudenschild + Laubscher 1968). In metallic effect wooden frame, under glass, with heavy white mount. Signed in pencil at bottom centre. Frame: 495 x 375 mm (19œ x 14Ÿ inches). Visible art: 360 mm x 245 mm.
Le Chant de l’Eglise. Sa valeur, son exécution.
Fribourg, Imprimerie Catholique Suisse 1875, 180x120mm, XV- 238pages, broché. Tampon sur page de faux-titre, autrement bon état.
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ESSAI SUR ALBERT DE MUN (THESE)
Imprimerie Franco-Suisse, Ambilly-Annemasse. 1955. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 111 pages. Etiquette de code sur le dos. Tampons et annotations de bibliothèque sur le 1er plat et en page de titre. Dos muet.. . . . Classification Dewey : 923-Politiciens, economistes, juristes, enseignants
Thèse prés. à la Faculté des Sciences de l'Univ. de Fribourg. Son oeuvre, l'évolution de sa pensée, les déformations de cette pensée dans la législation française contemporaine. Classification Dewey : 923-Politiciens, economistes, juristes, enseignants
Le chant de l’église. Sa valeur, son exécution.
Fribourg, Imprimerie Catholique Suisse, 1875, in-8vo, XV + 238 p, tampon de bibl. sur la p. de titre, brochure originale.
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La gestion financière acte de management
Paris, Dunod, sciences économiques et sociales 2, 1970. In-8 (245x160mm) relié en toile d'éditeur turquoise, XVI - 476 p. Bon état général.
Italie, guide culturel en couleurs. Collection : Guide Nathan.
Paris, Fernand Nathan, 1978. 12 x 20, 831 pp., très nombreuses illustrations en couleurs, cartonnage d'édition imprimé, bon état.
