Paris, , 1867-1862. 197 photographies format cabinet (87 x 53 mm) montées dans un album in-4 (280 x 210 mm), chagrin rouge, dos lisse, tranches dorées, plats décorés de 2 fermoirs en bronze ciselés et dorés (reliure de l'époque).
Trombinoscope complet des 197 portraits des députés du Corps législatif de la session 1857-1862.Les photographies des marquis de Verclos (Vaucluse) et d'Hérambault (Pas-de-Calais) n'ont pas été jointes comme dans tous les exemplaires rencontrés.Parmi les députés, figurent les Comtes de Morny (président), Boissy d'Anglas, Granier de Cassagnac, Marrast, d'Ornano, le banquier Charles Laffite, Reinach, De Vinck, etc.Mayer et Pierson, société de photographie fondée par les frères Mayer, Louis Frédéric et Ernest Léopold Mayer et par Pierre Louis Pierson en 1855. En 1861, Louis Frédéric se sépare de son frère puis en 1865, Pierson reste seul propriétaire de la firme qui fut cédée en 1873 à Adolphe Braun.Très bel exemplaire.
Barde, Manget et cie et Paris - Genève - Cuchet, 1785 1789 40 volumes in-12 sur les 41 que comprend la série il manque le Tome 1, demi-basane brune marbrée, dos lisse, filets et fleurons dorés, pièce de titre et de tomaison noires, quelques frottements et accrocs aux coiffes. 6 vol. en reliure lég. différente demi-basane brune, dos lisse orné, pièces noires et fauve : T2,11,15,24,33 et 41.1 vol. en cartonnage accidenté T3 : coupe sèchement rognée . 119 figures par Marillier gravées par Berthet, Biosse, Choffard, Delvaux, de Ghendt, Langlois, Legrand, de Longueil, Textier, etc. Quelques rousseurs éparses. Lég. hum. en tête d’un volume T 22. Ensemble néanmoins frais et décoratif.
Cette encyclopédie monumentale, compilé par le chevalier Charles Joseph de Mayer (1751-1825), est la plus importante collection des oeuvres d’imagination fantastique et onirique du 18è siècle. Elle rencontra un vif succès et marqua sensiblement la sensibilité littéraire du temps. Bon état d’occasion
MAYER 1990 In-4 relié. Bon état d’occasion.
Bon état d’occasion
[], , 1790. In-8 broché de 68 pp.
Édition originale. Le 11 août 1789, l'Assemblée nationale française fit trembler l'Ordre des chevaliers de Saint- Jean jusque dans ses fondations lorsqu'elle abolit la dîme qui formait la plus grosse part des revenus des commanderies. L'existence même de l'Ordre était menacée et M. Camus réclamait son abolition avec beaucoup d'enthousiasme et de zèle. Mais les chambres de commerce de Marseille et de Bordeaux démontrèrent toutes deux les avantages que la France tirait de Malte. Le Chevalier Mayer (1751-1821) fit remarquer la même chose à l'Assemblée nationale, tout en affirmant que l'Ordre dépendait du pape uniquement pour les questions d'ordre spirituel. Seul le statut de puissance étrangère que Malte s'était fait reconnaître, permit la sauvegarde des biens jusqu'en 1792. Le coup fatal s'abattit quand un autre décret du 19 septembre 1792, supprimant les ordres monastiques et confisquant leurs biens, lui fut appliqué.Saffroy, I, 5485 ; Histoire des ordres de chevalerie et des distinctions honorifiques en France, p. 95.
"MAYER, J.R. (JULIUS ROBERT). - THE FIRST STATEMENT OF THE CONSERVATION OF ENERGY.
Reference : 46883
(1842)
Heidelberg, C.F. Winter, 1842. Bound in a nice later hcalf. Raised bands, titlelabel with gilt lettering. In: ""Annalen der Chemie und Pharmacie. herausgegeben von Friedrich Wóhler und Justus Liebig"", Vol. 42. (6),356 pp. Mayer's paper: pp. 233-240. Volume 42 is offered bound together with vol. 41. (8),376 pp. a. 1 folded plate. (This volume contains importent cehemical papers by Kolbe, Cahours, Kopp, Wöhler, Laurent and Liebig (the first printing of Liebig's famous work on animal physiology and pathology)
First printing of one of the most important papers in physics, chemistry and physiology in the 19th century. The paper is the first to propose an equivalence of all forms of energy, including heat, and a conservation of total energy. Although Mayer was the first to set forth the general law of the conversation of energy (the first thermodynamical law), it was James Joule who first put the law on firm footing. ""The paper of 1842 (the paper offered) set out Mayer’s definitive view on the conservation of force and established his claim to priority"" historically the paper also provides insight into the processes through which Mayer arrived at his theory.""(DSB).""Originally trained as a physician, mayer did not enjoy medical practice. About 1840 he began to be interested in physics and he entered thhe field of research, ... In 1842 he not only presented a figure for the mechanical equivalent of heat, but he also clearly presented his belief in the conversation of energy. He had some difficulty getting his paper on the subject published but Liebig finally accepted for the importent journal he edited. Though Mayer was five years ahead of Joule his paper aroused no interest, and in the end it was Joule, with his imposing experimental background. who received credit for working out the mechanical equivalent of heat. And it was Helmholtz who recieved credit for announcing the law of conservation of energy because he announced it so much more systematically. Yet Mayer went further than either of the other two, for he included living phenomena in the realm of energy conservation (a daring step in a decade when vitalism, with its view that the laws of inanimate nature did not apply to living systems, was still a considerable force). Mayer argued that solar energy was the ultimate source of all energy on earth, both living and non-living. He further suggested that solar energy was derived from the slow contraction of the sun, or by the fall of meteors into the sun, in either case kinetic energy being converted to radiant energy.""(Asimov)""After 1860, Mayer was finally given the recognition he deserved. Many of his articles were translated into English, and such well-known scientists as Rydolph Clausius in Germany and John Tyndall in England began to champion Mayer as the founder of the law of the conservation of energy.""(Alan Lightman ""Great Ideas in Physics"", p. 8).Parkinson ""Breakthroughs"" 1842 P. - Magee ""A Source Book in Physics"", p. 196 ff. - Dibner: 157 (listing the offprint with a different title) - PMM: 330 (offprint-version). - Garrison & Morton: 606.
Lancaster, American Institute of Physics, 1949. Lex8vo. Volume 76, October 15, No. 8, 1949 of ""The Physical Review"", Second Series. Entire volume offered. In the original printed blue wrappers. Previous owner's name to vaguely stamped to top right corner of front wrapper. Minor traces of wear to extremities and a few small tears to spine. Overall a very nice and clean copy. Pp. 1226-1231. [Entire issue: Pp. 1005-1274].
First printing of Mayer's seminal paper which led to the finding of ""magic number"" and the Goeppert-Mayer ""shell model"". Marie Goeppert-Mayer and Marie Curie are the only two women to have received the Nobel Prize in Physics.The nuclear shell model is partly analogous to the atomic shell model which describes the arrangement of electrons in an atom. The nuclear shell model describes the structure of the nucleus in terms of energy based on the Pauli exclusion principle.""With Edward Teller in 1947, Marie Goeppert-Mayer began work on the origin of elements, which led to the finding that stable elements contained what would become known as ""magic numbers"", or patterns in the number of particles their nuclei contain. This ultimately led Goeppert-Mayer to the ""shell model"" of the nucleus - the theory that atomic nuclei owe their stability to the existence of relatively fixed ""shells"" or orbits upon which proton and neutrons travel. While other physicists also had envisioned a shell model, there was no convincing evidence until Marie Goeppert-Mayer, acting on a suggestion made by Enrico Fermi, and German scientist H. H. D. Jensen, working simultaneously but seperatly, discovered that spin-orbit coupling occurred within nuclei."" (Cullen-DuPont, Kathryn. Encyclopedia of women's history in America, 2000, p. 102) ""When Teller and I worked on a paper on the origin of elements, I stumbled over the magic numbers. We found that there were a few nuclei which had a greater isotopic as well as cosmic abundance than our theory or any other reasonable continuum theory could possible explain. Then I found that those nuclei had something in common: they either had 82 neutrons, whatever the associated proton number, or 50 neutrons. Eighty-two and fifty are "" magic "" numbers. That nuclei of this type are unusually abundant indicates that the excess stability must have played a part in the process of the creation of elements."" (Marie Goeppert-Mayer's Nobel Lecture, December 12, 1963)
Heilbronn, C. Drechsler'schen Buchhandlung, 1845. 8vo. Nice later hcalf bound to style (pastiche). Marbled covers. Richly gilt spine, titlelabel with gilt lettering. (2),112,(2) pp. Title-page with some brownspots, some scattered brownspots. Printed on good paper.
Scarce first edition - Mayer's MAGNUM OPUS - of this his most original and comprehensive paper, privately printed, BEEING THE WORK THAT FOR THE FIRST TIME INCLUDED LIVING PHENOMENA IN THE REALM OF ENERGY CONSERVATION. In this work Mayer again set out the physical basis of his theory, - in 1842 he was the first to present a figure for the mechanical equivalent of heat, and also stated his belief in the conservation of energy - ""this time extending the ideal of force conservation to magnetic, electrical, and chemical forces. In Die organische Bewegung he described the basic force conversions of the organic world. Plants convert the sun’s heat and light into latent chemical force" animals consume this chemical force as food" animals then convert that force to body heat and mechanical muscle force in their life processes.""(DSB).Mayer submitted this paper to Liebig's Annalen but it was rejected by an assistant editor. The assistant's advice was to try Poggendorff's Annalen, but mayer did not care to foloow that publication route again. In the end, he published the paper privately, and hoped to gain recognition by distribiting it widely. But beyond a few brief journal listings, the paper, Mayer's magnum opus, went unnoticed.""After 1860, Mayer was finally given the recognition he deserved. Many of his articles were translated into English, and such well-known scientists as Rydolph Clausius in Germany and John Tyndall in England began to champion Mayer as the founder of the law of the conservation of energy.""(Alan Lightman ""Great Ideas in Physics"", p. 8).
, Hannibal Books, 2023 softcover, 284 x 240 mm, NL / ENG edition, 160 pag., NEW / NIEUW, illustr. in kleur / z/w - colour / b/w. ISBN 9789464666809.
Unieke kruisbestuiving tussen hedendaagse en historische meesters in het Antwerpse Museum Mayer van den Bergh. Museum Mayer van den Bergh nodigt dit najaar 15 hedendaagse kunstenaars uit om in dialoog te gaan met hun imposante collectie. De werken van Bram Demunter, Marcel Dzama, Adrian Ghenie, Kati Heck, Leiko Ikemura, Edward Lipski, Jonathan Meese, Ryan Mosley, Muller Van Severen, Tobias Pils, Tal R, Ben Sledsens, Dennis Tyfus, In s van den Kieboom en Rinus Van de Velde worden naast de wereldberoemde Dulle Griet van Pieter Bruegel geplaatst, maar ook naast de portretten van Cornelis De Vos en Alessandro Allori, stillevens van Antwerpse meesters zoals Dani l Seghers en werken van Jacob Jordaens, Joachim Patinir en Gerard de Lairesse. Enkele kunstenaars lieten zich ook rechtstreeks inspireren tot het maken van nieuw werk, waaronder Jonathan Meese, Tal R, Ben Sledsens, Bram Demunter, Rinus Van de Velde en Dennis Tyfus. Publicatie bij de tentoonstelling Conversations in Museum Mayer van den Bergh, Antwerpen, van 10 november 2023 tot 3 maart 2024. Unique cross-fertilisation between contemporary and historical masters in the Antwerp Museum Mayer van den Bergh This autumn, Museum Mayer van den Bergh invites 15 contemporary artists to enter into a dialogue with its impressive collection. The works of Bram Demunter, Marcel Dzama, Adrian Ghenie, Kati Heck, Leiko Ikemura, Edward Lipski, Jonathan Meese, Ryan Mosley, Muller Van Severen, Tobias Pils, Tal R, Ben Sledsens, Dennis Tyfus, In s van den Kieboom and Rinus Van de Velde are placed alongside Pieter Bruegel?s world-famous Dulle Griet (?Mad Meg?), but also next to the portraits of Cornelis De Vos and Alessandro Allori, still lifes by Antwerp masters such as Dani l Seghers and works by Jacob Jordaens, Joachim Patinir and Gerard de Lairesse. A number of artists have also been directly inspired to create new work, including Jonathan Meese, Tal R, Ben Sledsens, Bram Demunter, Rinus Van de Velde and Dennis Tyfus. Publication accompanying the exhibition Conversations in Museum Mayer van den Bergh, Antwerp, from 10 November 2023 to 3 March 2024.
[Hansjörg Mayer]. Verlagsverzeichnis 1970. Dieter Rot Gesammelte Werke in 20 Bänden. Stuttgart – London – Reykjavik, Wasserverlag (Water Press), vormals Edition Hansjörg Mayer, 1970. 23 x 17 cm, non paginé [48 pp.] : illustrations. Plaquette agrafée. Fines piqûres pâles sur la couverture, sinon bel état. [Avec :] Edition Hansjörg Mayer. Katalog 1968. Stuttgart, Edition Hansjörg Mayer, 1968. 23 x 17 cm, non paginé [62 pp.] : illustrations. Plaquette agrafée, bel état. Rares catalogues du célèbre éditeur, avec notices illustrées précisant les formats, les tirages et les prix.Dieter Rot, Emmett Williams, Herman de Vries, Robert Filliou, Reinhard Döhl, Ludwig Harig, Franz Mon, Sigfried Cremer, Wolfgang Schmidt, Frieder Nake, Mary Vieira, Andre Thomkins, Eduardo Paolozzi, Karl Gestner, Stefan Wewerka, Hansjörg Mayer…
Ossart Eric Maurières Arnaud Le Scanff Gilles Mayer Joëlle Caroline
Reference : 500132095
(2017)
ISBN : 2841388492
S. Mayer JP Caldier Coutrot Décaillot A Palma Torres AF Taisne JP Vanhoove
Reference : 500091043
(2007)
ISBN : 2916374086
Fondation Gabriel Peri 2007 360 pages 21x2 2x14 8cm. 2007. Broché. 360 pages.
Bon état
Julliard Paris 1961 In-8 ( 200 X 140 mm ) de 306 pages, broché sous couverture imprimée. Illustrations dans et hors-texte. Très bel exemplaire.
Ossart Eric Maurières Arnaud Le Scanff Gilles Mayer Joëlle Caroline
Reference : 500047219
(2017)
ISBN : 2841388492
Ossart Eric Maurières Arnaud Le Scanff Gilles Mayer Joëlle Caroline
Reference : 500075489
(2017)
ISBN : 2841388492
ULMER 2017 192 pages 18 2x27x2 3cm. 2017. Relié. 192 pages.
Très bon état - légères marques de lecture et/ou de stockage mais du reste en très bon état- expédié soigneusement depuis la France
Ossart Eric Maurières Arnaud Le Scanff Gilles Mayer Joëlle Caroline
Reference : 500084107
(2017)
ISBN : 2841388492
ULMER 2017 192 pages 18 2x27x2 3cm. 2017. Relié. 192 pages.
Très bon état - légères marques de lecture et/ou de stockage mais du reste en très bon état- expédié soigneusement depuis la France
Ossart Eric Maurières Arnaud Le Scanff Gilles Mayer Joëlle Caroline
Reference : 500121420
(2017)
ISBN : 2841388492
Mettis éditions 2010 125 pages 32x23x1cm. 2010. Broché. 125 pages.
French édition l - quelques marques de lecture et/ou de stockage mais du reste en bon état de lecture - Expédition sous blister dans une enveloppe matelassée depuis la France
Shermer David Mayer Sydney Louis Heiferman Ronald Bamberger Nicole Setton Charles Limited Octopus Books
Reference : 300009282
ISBN : 2245006194
Shermer David Mayer Sydney Louis Heiferman Ronald Bamberger Nicole Setton Charles Limited Octopus Books
Reference : 300009770
ISBN : 2245006194
Stuttgart (Allemagne), Fantasy 1992 In-folio relié 37 cm sur 29.. 141 pages. Bon état. Poids sans emballage : 1650 grammes.
Bon état d’occasion
Mayer(Fred) ; Burger (Helga)
Reference : 11075
(1982)
ISBN : 2207100634 9782207100639
Denoël 1982 In-8, sous jaquette, étui cartonné,127pp
Très bon état d’occasion
Aux éditions Jean-Claude Lattès, coll. « Musiques et Musiciens » 1980 In-8 relié. In-8 16 x 23 cm. Reliure de l’éditeur pleine tile vert pré sous jaquette illustrée, 717 pp., 34 illustrations en noir et Blanc dans et hors texte. Exemplaire en bon état.. Jaquette en bon état. Très bon état. Poids sans emballage : 1150 grammes. La vie étonnante de celui qui pendant un quart de siècle géra la vie artistique du monde occidental, devint l’arbitre du “goût”, fit de Paris la capitale des arts.
La vie étonnante de celui qui pendant un quart de siècle géra la vie artistique du monde occidental, devint l’arbitre du “goût”, fit de Paris la capitale des arts. Très bon état d’occasion