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Tea at Fortnum & Mason
Ebury Press 2010 128 pages 14x1x19cm. 2010. Relié. 128 pages.
Comme neuf
Hot blood cold blood
Mason 1958 192 pages poche. 1958. broché. 192 pages.
couv usagée-coiffes abimées-cachet sur la 1ère page
Nazism Fascism and Working Class
Cambridge University Press 2008 372 pages 15 24x22 86x2 3622cm. 2008. Broché. 372 pages.
Bon Etat couverture un peu défraîchie intérieur propre
Nazism Fascism and Working Class
Cambridge University Press 2008 372 pages 15 24x22 86x2 3622cm. 2008. Broché. 372 pages.
Très Bon Etat de conservation
Histoire des sciences
Armand Colin 1956 476 pages in8. 1956. Broché. 476 pages.
Etat Correct Couverture en bon état général légèrement frottée en queue de dos et avec une petite coupure à un mors. Papier jauni
Paysages habités - Petite anthologie de litté-nature (en français)
2746629100 2013 348 pages 13x3x21cm. 2013. Broché. 348 pages.
bonne tenue intérieur propre bords un peu frottés avec hommage de l'auteur sur le faux titre et note d'un tiers sur la page suiviante
Le petit monde de Suzie Wong
Presse de la cité 1958 in8. 1958. Relié.
Bon état couverture et dos légèrement défraîchis quelques rousseurs sur la tranche supérieure intérieur très propre
Brussels Bruges Antwerp and Ghent
Dorling Kindersley Publishers Ltd 2006 144 pages poche. 2006. broché. 144 pages.
Etat de Neuf
Alias tome 1 à 11 : Double vie + Une nouvelle recrue + Opération solo+ Soeurs de sang + Des débuts difficiles + Protection rapprochée + Père et fille + Chute libre + La taupe + Illusions + Trafic aux
Fleuve noir 2003 190 pages 11x18x2cm. 2003. Poche. 11 volume(s). 190 pages. Alias tome 1 à 11 : Double vie + Une nouvelle recrue + Opération solo+ Soeurs de sang + Des débuts difficiles + Protection rapprochée + Père et fille + Chute libre + La taupe + Illusions + Trafic aux antipodes
Très Bon Etat de conservation général bords un peu frottés intérieur propre
La ruée vers la Seine d'Arromanches à Paris - histoire illustrée de la seconde guerre mondiale
Marabout 1968 in12. 1968. Broché.
bords frottés intérieur propre
Himalayan assignment
Pocket books 1953 303 pages poche. 1953. broché. 303 pages.
Bon Etat-couv usagée
Le trésor de la Villa Rose
Librairie des champs élysées 1948 253 pages in12. 1948. Broché. 253 pages.
Etat Correct couverture usée pages uniformément jaunies
Le vent ne sait pas lire
Presses de la cité 1963 316 pages in8. 1963. Cartonné. 316 pages.
Etat Correct tranches tachées aspect légèrement sali texte frais
Les quatre plumes blanches
France loisirs in8. Sans date. Cartonné jaquette.
Bon Etat légèrement jauni
El capitan
Snev 1959 455 pages in8. 1959. Relié. 455 pages.
Bon Etat qq taches rousseurs tranche
Le témoin de la défense
Albin michel 190 pages in12. Sans date. Relié. 190 pages.
Etat Passable le prix tient compte de l'état couverture défraichie
Sept étoiles
Presses de la cité 1953 380 pages in12. 1953. Cartonnage souple. 380 pages.
coiffes frottées légères rousseurs sur les tranches. papier propre assez clair
La neige et le feu
Presses de la cité 1963 in8. 1963. Cartonné jaquette.
Etat correct de conservation jaquette un peu défraîchie intérieur frais nombreuses pages dont les coins sont arrachés (texte intact)
Le cavalier de l'enfer
Librairie des champs élysées / western 1972 poche. 1972. Broché.
Etat Correct
L'eau vive
Nelson 1930 in12. 1930. Cartonné.
Etat Correct couverture ternie bords frottée rousseurs sur tranche intérieur globalement propre circa 1930
[Bram van Velde] - MASON (Rainer) & PUTMAN (Jacques)
Reference : 007061
(1984)
ISBN : 285666007X
Bram van Velde. Les lithographies Tome 3 1979-1981
Genève Cabinet des Estampes Musée d'Art et d'Histoire 1984 In-4 Broché, couverture illustrée Edition originale
Troisième volume du catalogue raisonné des lithographies de Bram van Velde etabli par Mason et Putman. Préface de Mason et de Putman. 75 estampes décrites et reproduites, dont 5 en couleurs. Biographie, bibliographie et liste des expositions de l'artiste in fine. Addenda et corrigenda au catalogue des lithographies 1974-1978.>Bel exemplaire. TRES BON ETAT 0
"KENTON, MAXWELL [pseud., recte: TERRY SOUTHERN AND MASON HOFFENBERG].
Reference : 46276
(1958)
Candy. - [FIRST ISSUE OF ONE OF THE ""25 SEXIEST NOVELS EVER WRITTEN""]
Paris, The Olympia Press, (1958). Original printed green wrappers. Green border on title-page. Spine a bit worn, with minor loss of upper layer of paper to hinges and capitals. Light wear to extremities. Lower corner of front wrapper slightly bent. Internally nice and clean.
The scarce first edition, first issue (Traveler's Companion Series, number 64, printed October 1958, with the Francs 1.200 to back wrapper, not overstamped. - N.B. the 1.200 has been crossed out by hand, with a pen, but it is NOT stamped over) of Southern and Hoffenberg's greatly scandalous novel, which was confiscated by the Brigade Mondaine (i.e. ""La Brigade de répression du proxénétisme"" (BRP)) and officially banned in France. ""Candy"" not only caused an inevitable furor for its vulgar take on contemporary culture, but brought about landmark changes in how the First Amendment applied to erotic literature. The work, which constitutes the unison of three greatly provocative and time-changing minds (Southern, Hoffenberg, and Girodias), quickly gained classic status and is now one of the most famous ""Beat""-novels. It was famously made into an all-star film (starring Marlon Brando, Richard Burton, James Coburn, Charles Aznavour, John Huston, Ringo Starr, Walter Matthau, John Astin, and Ewa Aulin) by Christian Marquand in 1968, and in 2006 Playboy Magazine listed it among the ""25 Sexiest Novels Ever Written"", describing the story as a ""young heroine's picaresque travels, a kind of sexual pinball machine that lights up academia, gardeners, the medical profession, mystics and bohemians.""The work was published pseudonymously by Maurice Girodias, owner of the scandalous ""Olympia Press"", in October of 1958. Almost immediately noticed by the BRP, who seized copies of it in the Paris bookshops, ""Candy"" was officially banned in France in May of 1959 (under a statute called the ""1939 Decree"", an amendment to the law of 1881, which gave the French government more power to ban offensive publications in foreign languages).In December of 1958, Maurice Girodias changed the title of ""Candy"" and reissued it as ""Lollipop"" in order to fool sensors and sell the remaining copies of the work. This supposedly work quite well and many copies of the book survived thus, leaving the first edition with the original title quite a scarcity, both in the first (not-overstamped) issue and the second issue. Later on, ""Candy"" was published in North America, by Putnam, under the authors' own names, those being Terry Southern and Mason Hoffenberg. In an interview, Terry Southern explains the origin of the pseudonym as thus: ""Yeah. And the name of the author was Maxwell Kenton. A name I first used with David Burnett, of all people. He was the son of Martha Foley and Whit Burnett of The Best American Short Stories fame. We were collaborating on some short detective stuff, and even sold a couple to Argosy Magazine, and we used the pseudonym 'Maxwell Kenton'. So when Mason at one point had an attack of conscience and said, ""Man, I've decided I don't want my mother to know about this book,"" we took the name Maxwell Kenton so his mother would be spared anguish at her Mah-Jong parties."" (Smoke Signals).Terry Southern, though mostly famous for his bestseller ""Candy"", which greatly influenced popular culture of the 1960'ies, was known for a lot of things, including writing much of the film dialogue of the landmark films ""Dr. Strangelove"" and ""Easy Rider"". In his ""The Candy Men. The Rollicking Life and Times of the Notorious Novel ""Candy"""", Nile Southern tells the story of the book, the men behind it, and the furor that it caused: ""When I was in grade school in 1967, one of my six-year-old classmates, Daisy Friedman (now a writer), turned to me and said, ""Your father is a dirty old man!"" I asked how she knew that, and she said, ""He wrote a book called ""Candy"" - and it's a dirty, dirty book!"" Again, I asked how she knew all this, and she said, ""Because my parents told me - they have it on their bookshelf."" Not knowing what a ""dirty old man"" was, I came away with the impression that whatever my father was, he was a great Upsetter. I would later learn that young, literate New Yorkers had no issue about having a copy of ""Candy"" in their libraries, but this was certainly not the case across the country - censorship and prudishness were in fact still alive and well, not only in the United States but abroad.I first got the idea for ""The Candy Men"" after reading a letter in Terry's files from a British barrister advising how (even in 1968) the only way ""Candy"" could appear in England would be to undergo a ""pornectomy"" - eliminating about eighty instances of what was considered ""indecency,"" which the barrister had handily indexed in a kind of blueprint for the operation. The assessment featured page after page of cryptic references to offending words and passages to be excised or modified: Page 60 line 7 ""COME"" amend to ""come to you"" without capitals"" Line 15 ""jack-off"" amend to ""liberate"""" Page 93 line 2 ""exactly like an erection."" Delete.(...)There were three men responsible for bringing the erotic fantasy Candy to fruition - and they could not have been more different. The first, Maurice Girodias, was Europe's most infamous publisher and indefatigable survivalist. Girodias put out otherwise unpublishable works of (mostly) erotic literature in English when the English-speaking world needed them most: Lolita, Naked Lunch, Henry Miller's The Tropics, the Marquis de Sade. As Girodias wrote of himself, ""The connecting link is clear enough: anything that shocks because it comes before its time, anything that is liable to be banned by the censors because they cannot accept its honesty."" Girodias was also a seasoned gambler. ""A day out of court is a day wasted,"" he used to quip.Mason Hoffenberg, the second of the three, was one of the smartest, hippest, most undisciplined poets on the scene - whether it be Joe's Dinette, the Riviera bar in the Village, or the Old Navy on the Left Bank of Paris. A ""permanently kicking junkie"" as William Burroughs once described him, Mason the writer never really got started - though Terry, his best friend, described him as a ""Nobel Prize-type genius.""And Terry Southern, a writer with a destiny and a killer ear for dialogue. Terry's mandate was to take things as far out as they could go - with absolute credibility. A prose stylist gone Hollywood - his Texan, Irish, and Native American roots made him Trickster and Taurus bull - oblivious to the rules of the Game.""
La Maison de Terreur.
Bibliothèque-Charpentier / Eugène Fasquelle 1917. In-12 broché de 322 pages au format 12 x 18,5 cm. Couverture avec titre imprimé. Dos bien carré un peu insolé. Bords des plats un peu brunis. Traduit de l'anglais par Louis Labat. Exemplaire en superbe état de fraicheur. Recueil de 8 nouvelles fantastico-policières et premier livre de Alfred Edward Woodley Mason publié en france. Rarissime édition originale avec mention fictive d'édition. Il n'existe qu'un seul tirage de ce livre.
Site Internet : Http://librairie-victor-sevilla.fr.Vente exclusivement par correspondance. Le libraire ne reçoit, exceptionnellement que sur rendez-vous. Il est préférable de téléphoner avant tout déplacement.Forfait de port pour un livre 7 €, sauf si épaisseur supérieure à 3 cm ou valeur supérieure ou égale à 100 €, dans ce cas expédition obligatoire au tarif Colissimo en vigueur. A partir de 2 livres envoi en colissimo obligatoire. Port à la charge de l'acheteur pour le reste du monde.Les Chèques ne sont plus acceptés.Pour destinations extra-planétaire s'adresser à la NASA.Membre du Syndicat Lusitanien Amateurs Morues
