Write to the booksellers11 books for « marlene dumas »Edit
Jan Andriesse, Bert Boogaard, Ulrich Bischiff, Marlene Dumas, Christfried Weirauch
Reference : 54120
MARLENE DUMAS An Altarpiece for the Annenkirche in Dresden
, Walter Koenig Verlag, 2017 Hardcover + dusjacket, 320 x 235 mm, 88 pages , 75 illustrations, ENG/ DE edition. ISBN 9783960982494.
The renowned international artist Marlene Dumas created a big new altarpiece for the Annenkirche in Dresden. It draws on Christian motifs and explores their meaning in the story of Salvation. The publication includes a lot of illustrations of the altarpiece and Dumas' working process. In her own article she speaks about the background and motives of her paintings. Die international renommierte Malerin Marlene Dumas hat f r die Dresdner Annenkirche ein neues, gro es Altarbild geschaffen. Es greift christliche Motive auf und setzt sich mit ihrer heilsgeschichtlichen Bedeutung auseinander. Dumas selbst stellt ihr gro formatiges Bild von der Idee bis zur Ausf hrung in Text und zahlreichen Skizzen, Plan- und Werkfotos detailliert vor. Marlene Dumas, 1953 in Cape Town. Lives and works in Amsterdam.Die international renommierte Malerin Marlene Dumas hat f r die Dresdner Annenkirche ein neues, gro es Altarbild geschaffen. Es greift christliche Motive auf und setzt sich mit ihrer heilsgeschichtlichen Bedeutung auseinander. Dumas selbst stellt ihr gro formatiges Bild von der Idee bis zur Ausf hrung in Text und zahlreichen Skizzen, Plan- und Werkfotos detailliert vor.
Cornelia Butler , Richard Shiff , Matthew Monahan , Marlene Dumas
Reference : 62993
Marlene Dumas : Measuring Your Own Grave
, D.A.P./ Museum of Contemporary Art, 2008 Hardcover, 284 pages, ENG. edition, 310 x 255 x 30 mm, in Good condition, illustrated in colour / b/w. ISBN 9781933751085.
In her expressionistic drawings and paintings of the last three decades, acclaimed South African artist Marlene Dumas has focused on the human figure, probing themes of love, desire, despair and confusion in order to slyly critique social and political attitudes toward women, children, people of color and others who have historically been victimized. From her evocative portraits, based on photographs of friends and family as well as figures culled from printed pornography, to her large-scale images highlighting charged relationships within groups, Dumas' work explores the contradictions behind the physical reality of the body, merging acute social commentary with personal experience and art-historical antecedent to create unsettling and ambiguous psychological statements. Accompanying Dumas' first major mid-career survey in the U.S., with stops in three major American cities, (one yet to be announced) this substantial, fully-illustrated publication features a newly commissioned essay by renowned scholar Richard Shiff, placing the artist's work in relation to both American figurative painting since the 1980s and Abstract Expressionism. The book also includes curator Cornelia H. Butler's examination of Dumas' photographic sources and shorter texts by Lisa Gabrielle Mark and Matthew Monahan. Writings by the artist, as well as an extensive illustrated exhibition history and bibliography, complete this comprehensive examination of the work of one of the most thought-provoking artists working today. Born in Capetown, South Africa, in 1953, Marlene Dumas has lived in Amsterdam since 1976. Over the last three decades she has had numerous solo exhibitions throughout Europe and the U.S., including the Tate Gallery, London; the Institute of Contemporary Art, Boston; and the Centre Georges Pompidou, Paris. In 1995 she represented The Netherlands at the 46th Venice Biennale.
Marlene Dumas. Against the Wall
, [UK] T & H, Distributed / David Zwirner Gallery , 2015 Hardback, 320x245mm, 68p, throughout colour illustrations, English edition . ISBN 9781941701003.
Described by Deborah Solomon in a 2008 New York Times profile as one of contemporary arts most compelling painters, Marlene Dumas has continuously explored the complex range of human emotions, often probing questions of gender, race, sexuality, and economic inequality through her dramatic and at times haunting figural compositions. Originally published in 2010 on the occasion of Against the Wall, Dumass first solo presentation at David Zwirner in New York, this much sought-after exhibition catalogue which sold out shortly after publication has been reprinted in 2014 to coincide with the artists European retrospective exhibition The Image as Burden, organized by Tate Modern, London, in collaboration with the Stedelijk Museum, Amsterdam, and the Fondation Beyeler, Basel, traveling through 2015. The large-scale works included in Against the Wall are primarily based on media imagery and newspaper clippings documenting Israel and Palestine, exploring the tension between the photographic documentation of reality and the constructed, imaginary space of painting. The sombre colour plates reproduced in the publication are given context by Dumas's own musings, a text framed as a letter to David Zwirner in which she tries to tell him about the why of this powerful series.
Thomas Knubben, Marlene Dumas, Tilman Osterwold, Jean-Christophe Ammann
Reference : SPLi1598
Marlene Dumas Nom de Personne/ Name no Names.
Paris, Centre Georges Pompidou / Cabinet d'Art Graphique, 2001, in-4, cartonnage éditeur, 119p. Bon état hormis une tache sur la première de couverture. Voir photo.
Barbara Bos ; Marlene Dumas ; Suzanne Swarts ; translation : Fenneke van der Aa
Reference : 62077
Alex Katz : Catalogus NL / ENG
, Museum Voorlinden , 2023 Hardcover, 112 pages, ENG / NL, 305 x 250 x 17 mm, NIEUW / NEW, Full page coloured illustrations in the special style of Alex Katz. ISBN 9789492549280.
De heldere kleuren, gladde oppervlakken en scherpe composities. De koele abstraherende stijl, monochrome achtergronden en monumentale grootte: je herkent het werk van de legendarische Alex Katz (1927) direct. Al bijna acht decennia schildert hij de Amerikaanse cultuur en de moderne maatschappij. Als geen ander weet Katz het ?onmiddellijke nu?, zoals hij het noemt, vast te leggen. De schilder laat zich inspireren door de vormentaal van dans, televisie, films en billboards. Hij is een belangrijk wegbereider voor de pop art en wordt gezien als n van de belangrijkste Amerikaanse kunstschilders van de 20ste eeuw. Zijn werk wordt geprezen om de unieke stijl en techniek en is te zien in musea over de hele wereld ? en tot en met 1 oktober 2023 in Voorlinden.//// The bright colours, smooth surfaces and sharp compositions. The cool abstract style, monochrome backgrounds and monumental size: you immediately recognize the work of the legendary Alex Katz (1927). He has been painting American culture and modern society for nearly eight decades. Like no other, Katz knows how to capture the 'immediate now', as he calls it. The painter is inspired by the formal language of dance, television, films and billboards. He is an important pioneer of pop art and is regarded as one of the most important American painters of the 20th century. His work is praised for its unique style and technique and can be seen in museums all over the world - and until October 1, 2023 in Voorlinden.
STAN DOUGLAS - MARLENE DUMAS - EDWARD RUSCHA.
Coutts Bank Switzerland 1998 In-4 carré ( 300 X 230 mm ), sous jaquette rempliée. Illustrations hors-texte. Très bel exemplaire.
MD.
Antwerpen Museum van Hedendaagse Kunst. 1999. 21x15 cm. 54 S., 10 n.n.S. Mit teils farbigen Abbildungen. Originalbroschur.
Katalog zur Ausstellung in Antwerpen, Camden, Arts Centre in London und Henie Onstad Kunstsenter in Novikodden. Mit Texten von Gavin Jantjies, Dominic van den Boogerd und der Künstlerin in Englisch, Flämisch und Norwegisch.
Models.
Stuttgart, Oktagon Verlag, 1995. 4°. 78 S., 2 Bl. Mit teils farbigen Abbildungen. Originalpappband.
Erschien zur Ausstellung im Salzburger Kunstverein, Portikus in Frankfurt am Main und in der Neuen Gesellschaft für bildende Kunst in Berlin.
The Image as Burden. Herausgegeben von Leontine Coelewij, Helen Sainsbury und Theodora Vischer.
Riehen, Fondation Beyeler und Hatje Cantz. 2015. 4°. 191 S. Mit vielen meist farbigen Abbildungen. Originalbroschur.
Deutsche Ausgabe. - Vorderdeckel an der unteren Ecke bestossen.
The Question of Human Pink. (Katalog zur Ausstellung).
Bern Kunsthalle 1989. Quer-4°. 55 S., 1 S. Mit vielen teils farbigen Abbildungen. Originalbroschur.
Mit einem Text von Ulrich Loock. - Name auf Vortitel.
