Calmann-Lévy 1966 1966. Le roman suit un jeune peintre juif héros récurrent de Mendel Mann dans son expérience de la dernière guerre. L'œuvre nourrie d'éléments autobiographiques explore les thèmes de la mémoire et de l'identité juive à travers le regard d'un artiste
Bom estado
Albin Michel Sans date. 5 THOMAS MANN - LES CONFESSIONS du Chevalier d'industrie FÉLIX KRULL/Albin Michel
Bon état
Le Livre de Poche 1968 1968. Thomas Mann: La mort à Venise / Le Livre de Poche 1513 . Germaine Acremant: Ces dames aux chapeaux verts/ Le Livre de Poche 1968
Très bon état
Editions Gallimard 1935 1935. Thomas Mann: Les Histoires De Jacob/ Gallimard 1935
Etat correct
Editions Gallimard 1996 1996. Thomas Mann: Etre ecrivain allemand a notre epoque/ Gallimard 1996
Etat correct
1989 1989. Thomas Mann - La Mort à Venise (Der Tod in Venedig) Bilingue / Fayard 1989
Bon état
München, Hyperion Verlag Hans von Weber, 1912. Large 4to. (Binding: 283 x 205 cm). Bound uncut, with top edge gilt, in a truly magnificent, innovative mechanical binding, made of light grey polycarbonate, by Edgard Claes. Internally very nice and clean, with only a few occasional very minor light brown spots. Printed on thick, heavy paper (Büttenpapier) with watermarks. (1), 97, (1) pp. The splendid binding, made of polycarbonate with mechanical boards, is housed in a wonderful illustrated polycarbonate chemise with a blue morocco spine, again housed in a highly decorative polycarbonate slip-case with removeable spine. The boards, with exposed hinges, are with numerous cut-out shapes revealing 12 cogwheels (to each board) of varying sizes inside. The boards consist of three layers, with the cogwheels in the middle" they are all striped in shades of orange, pastel blue, yellow and purple, white and grey. Five tips of the largest cogwheel on both boards protrude at the middle of the boards, so that the cogwheels can be turned, creating a mechanical mirage throughout the boards. The spine has the title and publishing year in black letters on white and grey vertical stripes. The block is bound with fishing line, which is visible on the upper and lower part of the spine. Dark blue velvet end-papers. Both covers of the chemise with black/grey white illustration being a stylized vue of a Venice canal. Onside covered in blue velvet. The highly decorative polycarbonate slipcase is in light grey with patterns in the same pastel colours as the binding. The slipcase has a sliding ""spine"" with title in the same colour. Inside of slipcase also covered in blue velvet. The book was bound in May 2026 and signed in hand (pencil) by Edgard Claes, on a blank leaf after the colophon. This leaf also carries a stamp of the monastery with Claes' name.
Very scarce first edition of Thomas Mann's disturbing masterpiece Der Tod in Venedig in a rare one-of-a-kind bookbinding by the renowned, international prize-winning bookbinder Brother Edgard Claes. Probably the most famous story of obsession ever written, ""The Death in Venice"" is considered one of the most important literary productions of the 20th century. This first edition of the book was printed in merely 100 copies, which are all numbered"" this being copy nr. 32/100. Probably due to the controversial theme of the work, Thomas Mann was hesitant about immediately handing over the manuscript to his regular publisher S. Fisher and had settled on the bibliophile edition already before finishing the work. He did give Fischer the work to publish, though, and thus it came to appear both in Fischer's magazine ""Neue Rundschau"", in two volumes, and with Weber's Hyperionverlag. While the first part of the work was being published, the luxury edition was being prepared, and in the end, the luxury edition was only issued (shortly) after the second and final part had appeared in November 1912. The first trade edition appeared in 1913.A symbol-laden story of aestheticism and decadence: ""[S]ymbols of eros and death weave a subtle pattern in the sensuous opulence of this tale"" (Pascal 2026). As in other of Mann's works from the start of the 20th century, he here explores the role of the artist in society. It also exemplifies the author’s regard for Sigmund Freud’s writings on the unconscious. This work closes an epoch of Mann's work. (see Britannica, 2025) Katia Mann, Mann's wife, wrote in her memoir from 1974 that he had not intended to write this novel, which he ended up working on for a whole year. He wanted to write a novel about Goethe but did not believe he was up to such a task yet. Thus, he transposed the Goethe novel into Death in Venice (Mann 1975: 60). The physical apperance of the character Aschenbach was inspired by Gustav Mahler's situation before he died: While in Venice in 1911, Mann was following the bulletins reporting Mahler's condition. The Manns knew and had met Mahler personally: ""My husband told me that Gustav Mahler was the first person he'd ever met who gave him the impression of being a great man"" (Mann 1975: 65). Mann also attributed to Aschenback the works he himself never completed. Overall, the story was inspired from several real-life experiences, icluding their travels to Brioni, the cholera epidemic in 1911, and the fascination with a charming Polish boy, as described in detail in Katia Mann's memoirs (see Mann 1975: pp. 60-67). ""The whole thing had an interesting epilogue. Death in Venice was a great success, especially in America, and the novella is certainly one of my husband's best. A few years ago Erika received a letter from an elderly Polish aristocrat, a count, who wrote that something funny had happened. Some time ago friends had brought him the Polish translation of a novella in which he an his whole family were described to a T"" he found this very amusing and intriguing. But he was not offended. Such was the end of the 'real' story."" (Katia Mann 1975: 63-64) The binding: Brother Edgard Claes, monk in the Crosier Order, was born in Belgium and now lives and works in the Monastery of Saint Agatha, the oldest inhabited monastery in the Netherlands, with only two other Crosier monks left. He is one of the most prominent bookbinders in the world and his bindings are already ones of legend. He was educated as a classical hand bookbinder, but soon started looking for alternative and innovative forms and materials for his bindings. He studied at Instituut voor Kunst en Ambacht (IKA) in Mechelen, and later under the Belgian master bookbinder August Kulche (1927-2003). Edgard Claes is also an accomplished painter, sculptor, stained glass maker. Since 1990, he has been making his bookbindings mainly from polycarbonate, which he processes with a computer-controlled milling machine and colors with airbrush, using car paint and a clear varnish to finish off. These bindings, especially the ""mechanical"" ones, with moveable parts, are among the most interesting and sought-after modern bookbindings. They are totally unique and unlike anything one will have seen anywhere else, often reflecting on the contents of the book that they hold. They are, furthermore, few and very scarce. In 2025, there was a 3-year waiting period for new orders. Sources and further reading: For more on Edgard Claes, the magnificently innovative bookbinder, please see: https://edgardclaes.com/portfolio/bindereport/ Britannica Editors (2025, March 10). Death in Venice. Encyclopedia Britannica. https://www.britannica.com/topic/Death-in-Venice-novella-by-Mann Hul, Jan van 't. (2026, June 2). Boekbinder Edgard Claes: We sterven uit" de toekomst van de krusheren is dus nul. Reformatorisch Dagblad. https://www.rd.nl/artikel/1151249-boekbinder-edgar-claes-we-sterven-uit-de-toekomst-van-de-kruisheren-is-dus-nul Mann, Katia (1975). Unwritten Memories. New York: Knopf. Pascal, R. (2026, August 8). Thomas Mann. Encyclopedia Britannica. https://www.britannica.com/biography/Thomas-Mann
reliure éditeur - 18,5x23,5 - 204 pp - 1962 - éditions ROMBALDI . NOBEL 1929 ( ALLEMAGNE).La collection des prix NOBEL de littérature est éditée sous le patronnage de l'Académie Suédoise et de la Fondation NOBEL. Cette édition,réalisée par les presses du compagnonnage, est une sélection des Editions ROMBALDI, réservée à la guilde des bibliophiles.Tirage imprimé sur vélin blanc du Moulin de Saint-Roch.Illustrations par LOURADOUR . Portrait de l'auteur et ornements typographiques par Michel CAUVET. Gravures des hors-textes par Claude PIRON. Exécution de la reliure, ornée d'un dessin original de PICASSO, par le maitre relieur PRACHE à PARIS.
ANTHROLOGIE HISTOIR PHILOSOPHIE LITTERATURE PARADES
Mann G., Mann T. Age. Life. Creativity In Russian /Mann G., Mann T. Epokha. Zhizn. Tvorchestvo Correspondence, Articles. Translated by him. M Progress 1988. You are welcome to reach out to us for a detailed description of the copies currently available. Delivery of this book may take longer than usual including extended processing and pre-shipping time, no expedited shipping is available. Please advise us if you have a set date or a deadline to receive your order. SKUalb21be446aec40b800
Presses universitaires de strasbourg 1998 285 pages in8. 1998. Broché. 285 pages.
quelques marques plis de lecture et/ou de stockage mais du reste en bon état. envoi rapide et soigné dans une enveloppe à bulles depuis France
LE CLUB DU MEILLEUR LIVRE Sans date.
French édition. Le livre présente des marques/plis de stockage et d'usure sur la couverture et/ou les pourtours mais reste en bon état d'ensemble. Expédié soigneusement dans un emballage adapté depuis la France
Editions Reflets d'ailleurs 2012 46 pages 16x21x1cm. 2012. Broché. 46 pages.
French édition - Livre issu de déstockage JAMAIS LU pouvant présenter des petits plis cornes marques de manipulation sur la couverture et/ou les pourtours mais demeurant en très bon état d'ensemble.Expédition sous blister dans une enveloppe matelassée
Editions Reflets d'ailleurs 2012 46 pages 16x21x1cm. 2012. Broché. 46 pages.
French édition - Livre issu de déstockage JAMAIS LU pouvant présenter des petits plis cornes marques de manipulation sur la couverture et/ou les pourtours mais demeurant en très bon état d'ensemble.Expédition sous blister dans une enveloppe matelassée
Editions Reflets d'ailleurs 2012 46 pages 16x21x1cm. 2012. Broché. 46 pages.
French édition - Livre issu de déstockage JAMAIS LU pouvant présenter des petits plis cornes marques de manipulation sur la couverture et/ou les pourtours mais demeurant en très bon état d'ensemble.Expédition sous blister dans une enveloppe matelassée
Ravier Pierre Reuther Werner Mann Sasha
Reference : 500052153
(2007)
ISBN : 9782253084211
LGF/Le Livre de Poche 2007 9 2x1 4x15 2cm. 2007. Broché.
Etat correct
Auliac Roseline Anderson Sarah M. Mann Catherine Diaz Edouard
Reference : 500130370
(2022)
ISBN : 9782280469623
Harlequin 2022 384 pages 10 6x17x2 5cm. 2022. pocket_book. 384 pages.
Bon état
Moreau Marie Mann Catherine Pade Victoria Crapez Yves
Reference : 500138057
(2014)
ISBN : 9782280312714
Harlequin 2014 11 6x3 4x18cm. 2014. Broché.
Très bon état
Soline 1988 15 2x2 8x22 8cm. 1988. Relié.
Très bon état
Delys Natalia Child Maureen Mann Catherine Andonovski Tatiana
Reference : 500207891
(2021)
ISBN : 9782280459877
Harlequin 2021 384 pages 10 7x16 9x2 6cm. 2021. pocket_book. 384 pages.
Bon état
Boclet Marion Mann Catherine Diaz Edouard Meyer Katie
Reference : 500208043
(2017)
ISBN : 9782280362214
Harlequin 2017 384 pages 10 8x17 6x2 8cm. 2017. pocket_book. 384 pages.
Bon état
Moreau Florence Sirven Francine Mann Catherine Madison Tracy
Reference : 500249610
(2014)
ISBN : 9782280329163