23691 books for « ma john »Edit

‎Pre-Christian Religions of the North. History and Structures 4 vols.‎

‎, Brepols, 2020 Hardback, 4 vols, lxviii + 2122 pages, Size:156 x 234 mm, Illustrations:297 b/w, 3 tables b/w., Language: English. *NEW ISBN 9782503574899.‎

‎Summary The product of an international interdisciplinary team, the History and Structures strand of the Pre-Christian Religion of the North series aims to approach the subject by giving equal weight to archaeological and textual sources, taking into consideration recent theories on religion within all the disciplines that are needed in order to gain a comprehensive view of the religious history and world view of pre-Christian Scandinavia from the perspective of the beginning of the twenty-first century. Volume I presents the basic premises of the study and a consideration of the sources: memory and oral tradition, written sources, religious vocabulary, place names and personal names, archaeology, and images. Volume II treats the social, geographical, and historical contexts in which the religion was practiced and through which it can be understood. This volume also includes communication between worlds, primarily through various ritual structures. Volume III explores conceptual frameworks: the cosmos and collective supernatural beings (notions regarding the cosmos and regarding such collective supernatural beings as the norns, valkyries, giants, and dwarfs) and also gods and goddesses (including rr, inn, Freyr, Freyja, and many others). Volume IV describes the process of Christianization in the Nordic region and also includes a bibliography and indices for the entire four-volume work. TABLE OF CONTENTS Volume 1. Introductory and Sources Jens Peter Schj dt, John Lindow, Anders Andr n, Preface & Introduction Jens Peter Schj dt, Theoretical Considerations Pernille Hermann, Memory, Oral Tradition, and Sources John Lindow, Written Sources John Lindow, Language: Religious Vocabulary Per Vikstrand, Language: Placenames and Personal Names Anders Andr n, Archaeology Anders Andr n, Images Terry Gunnell, Folklore Anders Andr n, The Spatial and Temporal Frame John Lindow, The Linguistic Frame Jens Peter Schj dt, Continuity and Break: Indo-European Jens Peter Schj dt, Continuity and Break: Germanic Rudolf Simek, Encounters: Roman Matthias Egeler, Encounters: Celtic Leszek P. S?upecki, Encounters: Slavic Thomas Dubois, Encounters: Baltic Thomas Dubois, Encounters: S mi Thomas Dubois, Encounters: Balto-Finnic Volume 2. Contexts and Communication between Worlds Anders Andr n, Historical and Social Contexts Stefan Brink, Laws and Assemblies John Lindow, Ethics Judy Quinn, Gender Jens Peter Schj dt, Kings and Rulers Jens Peter Schj dt, Warrior Bands Jens Peter Schj dt, Various Ways of Communicating Stephen A. Mitchell, Magic and Religion Torun Zachrisson & Anders Andr n, Ritual Space Andreas Nordberg, Ritual Time and Time Reckoning Olof Sundqvist, Cultic Leaders and Religious Specialists Jens Peter Schj dt, Crisis Rituals Jens Peter Schj dt, Cyclical Rituals Jens Peter Schj dt, Passage Rituals Neil Price, Death Ritual and Mortuary Behaviour John Lindow & Anders Andr n, Worlds of the Dead John Lindow, Fate John Lindow & Jens Peter Schj dt, The Divine, the Human and In Between Volume 3. Conceptual Frameworks: Cosmos and Collective Supernatural Beings, Gods and Goddesses Mathias Nordvig, Cosmogony Mathias Nordvig, Cosmology Anders Hultg rd, Cosmic Eschatology: Ragnar k John Lindow, Vanir and sir John Lindow, rr Jens Peter Schj dt, inn Olof Sundqvist, Freyr Jens Peter Schj dt, Loki Ingunn sd sard ttir, Freyja John Lindow, Baldr John Lindow, Nj?r r John Lindow, T r Anders Andr n, Ullr Sebastian C llen, Heimdallr Ingunn sd sard ttir, Frigg Jens Peter Schj dt, Hoenir John Lindow, Ska i John Lindow & Jens Peter Schj dt, Minor Gods and Goddesses Anders Andr n, Divine Twins Anders Andr n, Sun and Moon Rudolf Simek, Matronae John Lindow, D sir Karen Bek-Pedersen, Norns Judy Quinn, Valkyries Margaret Clunies Ross, Giants Terry Gunnell, Dvergar (Dwarfs) Terry Gunnell, lfar (Elves) Volume 4. The Christianization Process, Bibliography, General Indices Michael H. Gelting, The Christianization of Denmark S bj rg Walaker Nordeide, The Christianization of Norway J n Vi ar Sigur sson, The Christianization of the North Atlantic Bertil Nilsson, The Christianization of Sweden Tuomas Heikkil , Christianization of Finland H kan Rydving, The Christianization of the S mi Primary & Secondary Sources - General Indices‎

‎John of Garland's De triumphis Ecclesie. A new critical edition with introduction and translation‎

‎, Brepols, 2020 Hardback, 417 pages, Size:156 x 234 mm, Illustrations:10 col., Languages: English, Latin. ISBN 9782503585116.‎

‎Summary This is the first translation in any language of John of Garland's poem about the historical events of his lifetime (c. 1195- c. 1258), together with revised Latin text, introduction and notes. This work gives a vivid picture of Anglo-French relations, of studies in Toulouse after the Albigensian Crusade, and of the need for faith following Louis' catastrophic defeat in the Seventh Crusade. John gives us insights into his own life, and a stream of stories, holy and profane. The translation and notes bring to life for a wide range of medievalists this eye-witness account by an Englishman in France of major events of the age, especially 1242-52. They make clear John's debts to classical authors and to contemporaries, especially Alan of Lille and Matthew Paris. Through re-ordering the lines, this edition now generates clarity from the single manuscript. It also offers fresh insights and a new perspective on John of Garland himself. TABLE OF CONTENTS Introduction Chapter 1. Life and Works of John of Garland Chapter 2. The Manuscript Tradition and Previous Scholarship Chapter 3. De triumphis Ecclesie Chapter 4. Literary Influences and Sources Chapter 5. John's Teaching and Preaching Chapter 6. 'Arma crucemque cano': Church and Crusade Chapter 7. The Main Political Sub-Plots Chapter 8. Countering the 'Other': Heretics, Mongols, Jews, and Muslims Chapter 9. The Seenth Crusade (1248-54) Chapter 10. Conclusions Critical Edition (with translation on facing pages) Guide to the text Preface Prologue Book 1-8 Bibliography‎

‎John Calvin and the Daughters of Sarah. Women in regular and exceptional roles in the Exegesis of Calvin, his predecessors, and his contemporaries‎

‎ 1992 grand in-8 reliure toile éditeur rouge - 1992 - 308 pages - Ed. Genève, Librairie Droz / Travaux d'Humanisme et Renaissance N° CCLIX - (Texte en anglais)‎

‎bon état ‎

‎Apocrypha Hiberniae II, Apocalyptica 2‎

‎, Brepols, 2019 Hardback, xxiv + 589 pages, Size:155 x 245 mm, Illustrations:3 b/w, 3 tables b/w., Languages: Latin, English. ISBN 9782503585352.‎

‎Summary The present volume comprises editions, by several of the major scholars now working in the field of medieval Irish apocrypha, of a selection of important eschatological texts. Two of these, edited by John Carey, are works original to Ireland: The Vision of Adomn n, an account of the afterworld notable for its vividness and complexity; and The Two Sorrows of the Kingdom of Heaven, a shorter text which describes the judgement of souls and the end of the world with reference to the destinies of Enoch and Elijah. Caoimh n Breatnach provides editions of the Irish versions of some of the fundamental texts of Christian apocalyptic: The Assumption of Mary (supplemented by a closely related Latin variant, edited by Joseph Flahive), and one of the Redactions of The Vision of Saint Paul. Professor Breatnach also contributes a series of accounts of Antichrist: these belong to a type that has long been regarded as typically Irish, but for which Charles D. Wright here supplies a broader context in an innovative and important study. Fr Martin McNamara MSC introduces the collection with a discussion of "Some Aspects of Medieval Irish Eschatology". This is the first volume of a two-part collection: the texts edited in the sequel (CCSA 22) are concerned with the events of the end time, and in particular with the theme of the signs before the Day of Judgement. TABLE OF CONTENTS General Introduction: Some Aspects of Medieval Irish Eschatology by Martin McNamara F s Adomn in - The Vision of Adomn n Introduction, Edition, Translation, and Commentary John Carey D Br n Flatha Nime - The Two Sorrows of the Kingdom of Heaven Introduction, Edition, Translation, and Commentary John Carey TRANSITUS MARIAE General Introduction Martin McNamara Udhacht Mhuire - The Testament of Mary Introduction, Edition, Translation, and Commentary Caoimh n Breatnach Trinity College Latin Version Introduction by Martin McNamara and Joseph Flahive Edition and Translation by Joseph Flahive VISIO SANCTI PAULI Introduction Martin McNamara Aisling Ph il - Recension IV of The Vision of Paul Introduction, Edition and Translation Caoimh n Breatnach THE IRISH LEGENDS OF ANTICHRIST Introduction Martin McNamara A Revelation of John about Antichrist Introduction, Edition, Translation, and Commentary Charles D. Wright Three Irish Texts of A Revelation of John about Antichrist: "Sg l Ainntecr sd" - The Story of Antichrist Do thoighiocht an bhreitheamhnais d anaidh - Concerning the Coming of the Final Judgement Do theacht Anticr osd - Concerning the Coming of Antichrist Introduction, Edition, Translation, and Commentary Caoimh n Breatnach‎

‎John Derian Sticker Book : An InStyle 2021 gift guide pick‎

‎, Artisan Books, 2021 Hardcover, 320 pages, ENG, 210 x 170 x 40 mm, New edition, full of coloured illustrations, . ISBN 9781648291012.‎

‎John Derian Sticker Book, from revered designer John Derian, offers a curated collection of over 500 stickers that allow adults and children to add a touch of beauty to any surface with these beautiful images of blooming flowers, charming critters, and darling forest animals. John Derian first caught the eye of tastemakers and design gurus with his now iconic collectible plates, decoupaged with 19th-century artwork sourced from old and rare books. Derian?s home goods empire has since grown to global recognition, including the New York Times bestseller John Derian Picture Book, which perfectly captures the artist?s unique and timeless eye.‎

‎Learning to Read with John Baldessari‎

‎, JRP Ringier, 2017 hardcover, 312 pages, 66 color- & 91 b/w illustrations, 22,5 x 28 cm, English. ISBN 9783037645185.‎

‎A portrait of the artist as an inspiring teacher: this publication focuses on Baldessari?s practice at the intersection between pedagogy and art. Visually organized in alphabetical order, Learning To Read features essays, artworks, a chronology, and personal insights on Baldessari?s teaching and influence by a group of the artist?s former students and CalArts collaborators such as Ashley Bickerton, Liz Craft, Meg Cranston, Matt Mullican, and Tony Oursler. As ludic and non-authoritarian as John Baldessari?s art, this new monograph on the ?father of Conceptual art? is dedicated to his practice as an artist and a teacher, and the many ways in which both practices intertwine in his life. Having been trained as an arts educator, John Baldessari is today renowned for his work as much as for his innovative post studio class at CalArts, Los Angeles, where he has formed many generations of artists and participated in shaping the West Coast art scene. Visually organized in alphabetical order, ?Learning to Read with John Baldessari? ? which accompanies a retrospective of his work at Museo Jumex, Mexico City, from November 11, 2017, to April 8, 2018 ? gathers together a comprehensive essay on the artist?s approaches to art making and teaching, a biography of the artist as a teacher, artworks reproduced thematically, and many stories and anecdotes told by former students such as Liz Craft, Ed Henderson, Matt Mullican, Tony Oursler, David Salle, about their years at CalArts, and the uniqueness and serious playfulness of their formation. Emphasizing Baldessari?s works in which language, task making, and learning processes are tackled, this publication highlights what the artist describes as the central function of art making: to communicate in a way that people can understand. *****Our copy is in perfect condition and sealed***** !!‎

‎Sidelines, John Vink‎

‎, Hannibal Books, 2025 Hardcover, 23 x 17 cm, 304 pages, Drietalige editie Nederlands-Engels-Frans/NL/FR/ENG. *new. ISBN 9789464941883.‎

‎Dit boek beschrijft de carri re van de Belgische fotograaf John Vink, die in 1985 begon bij Lib ration. Zijn persoonlijke project Water in de Sahel won in 1986 de Eugene Smith-prijs en benadrukte zijn toewijding om de menselijke ervaring in moeilijke omstandigheden vast te leggen. Als medeoprichter van Agence VU documenteerde Vink wereldwijd vluchtelingenkampen. Dat liet hem toe om in 1997 volwaardig lid te worden bij Magnum Photos, wat hij zou blijven tot en met 2017. Zijn serie Peuples d?En Haut toont de veerkrachten culturele identiteit van berggemeenschappen, zoals de Mam in Guatemala en de Hmong in Laos. Na jaren van reizen vestigde Vink zich in 2000 in Cambodja, wat hem in staat stelde om zich dieper in een cultuur te verdiepen. Nu hij in Brussel woont, blijft hij inspireren met zijn krachtige visuele verhalen die thema?s zoals identiteit en menselijkheid onderzoeken. Met een tekstbijdrage van Rik Van Puymbroeck. Uitgegeven ter gelegenheid van de retrospectieve tentoonstelling van John Vink in het Mus e de la Photographie in Charleroi van 24 mei tot 21 september 2025.‎

‎Sedition. The Spread of Controversial Literature and Ideas in France and Scotland, c. 1550-1610‎

‎, Brepols, 2021 Hardback, 324 pages, Size:156 x 234 mm, Illustrations:6 b/w, 1 col., Language(s):English, French. ISBN 9782503589909.‎

‎Summary This interdisciplinary collection examines the notion of sedition in the period of the French Wars of Religion (1560-1600) and focuses not only on France itself, but also on Scotland during the reign of the French-born Mary Queen of Scots. Composed of eleven chapters written by an international team of experts, this volume concentrates on the political aspects of sedition rather than religious heresy, and covers writings and publications in a wide range of fields: politics, history, law, literature, and gender. A complementary feature of this collection is the spectrum of writings studied; they include edicts and treatises, pamphlets, broadsides, legal documents, dialogues, and satirical prose and poetry. Several chapters also address visual representations of sedition. An Introduction and a Conclusion provide synthetic analyses of the material studied in the individual chapters. This is a collection which will appeal to readers with interests in the history of political ideas and thought, the comparative study of monarchical government, and concepts of tyranny and resistance, discord, rebellion, and revolt. TABLE OF CONTENTS Acknowledgements, List of Figures Introduction Sedition: From Disobedience to Revolt - John O'Brien and Marc Schachter The Language of Sedition La s dition pendant les guerres civiles (France, 1560-1600): une histoire sans v nement - Paul-Alexis Mellet The Language of Religious Conflict: Seditions, Assemblies, Emotions, Violences? - George Hoffmann Sources of Sedition Heresy and Sedition in Pierre de Ronsard's Discours des mis res de ce temps (1562) and Pierre Boton's La France divis e (c. 1595) - Andrea Frisch The Role of John Knox and his Seditious Writings in the Outbreak of the French Wars of Religion - ric Durot Cicero the Revolutionary: Some Seditious Motifs in the Literature of the French Wars of Religion - John O'Brien Genre and the Question of Sedition 'Books with Sharp Teeth': The Perception of Seditious Books in Early Modern France - Natalia Wawrzyniak How Not to Be (and Sound) Seditious: The Prince de Cond 's Justifications for Starting the First War of Religion (1562-63) - Ullrich Langer Political Crime in the Wars of Religion: Fran ois Brigard's Sedition - Tom Hamilton Gender, Sedition, and Literature The Sempill Ballats: Gendering Sedition and Rebellion - Armel Dubois-Nayt The Seditious Pleasures of the Prince in the Reveille-matin's Denunciation of Tyranny - Marc Schachter Styling Sedition in The Island of Hermaphrodites (L'Isle des hermaphrodites, 1605) - Kathleen Long Conclusion The Several Faces of Sedition - Mark Greengrass (with D nes Harai) Index‎

‎Santa Maria Antiqua: The Sistine Chapel of the Early Middle Ages‎

‎, Brepols - Harvey Miller, 2021 Hardback, iv + 502 pages, Size:220 x 280 mm, Illustrations:50 b/w, 125 col., 30 tables b/w., Language: English. ISBN 9781909400535.‎

‎Summary The Santa Maria Antiqua Complex in the Forum in Rome was probably established at the foot of the Palatine Hill in the 6th century. Over the following 600 years it was decorated with a unique series of frescoes bearing evidence of imperial, papal and monastic influences. Abandoned in the 9th century, limited use probably continued up to the 11th century. By the 17th century the complex was completely buried under the rising floor of the Forum. Excavations in 1900 exposed a largely intact complex containing hundreds of 6th - 11th century frescoes, in some places over four layers deep and a unique Chapel of Medical Saints which suggests this was also an incubation site. The English Press hailed the site as the 'Sistine Chapel of the Ninth century'. Lavish illustrations of these frescoes, following recent restoration, make this book an indispensible resource, not only for those working on the church but also for those interested in contemporaneous material in medieval sites especially in Rome, Europe and Byzantium. This monograph contains the proceedings of an International Conference held at the British School at Rome on 4-6 December, 2013. It reports results of the major project of preservation and research led by the Soprintendenza and carried out over the last 12 years on the fabric of the church, its frescoes, floor, wall and ceiling mosaics, its drainage and infrastructure. Much of the restoration was funded by the World Monuments Fund. The conference also marked the 75th anniversary of the death of Gordon Rushforth, the first Director of the British School at Rome and the author of one of the earliest key papers on the S. Maria Antiqua site. TABLE OF CONTENTS INTRODUCTION by Eileen Rubery, Giulia Bordi, John Osborne TIMELINE TOPOGRAPHIC REFERENCES LIST OF COLOUR PLATES COLOUR PLATES HISTORIOGRAPHY Oscar Mei 1702: The discovery of Santa Maria Antiqua T.P. Wiseman Gordon McNeil Rushforth and Santa Maria Antiqua Andrea Paribeni 'With Boni in the Forum'. The relationship between Gordon McNeil Rushforth and Giacomo Boni according to archival documentation Ernesto Monaco Measuring Santa Maria Antiqua: from Petrignani to the present Giovanni Gasbarri 'Ce monument est avant tout un t moin': Wladimir de Gr neisen and the multicultural context of Santa Maria Antiqua John Osborne Per Jonas Nordhagen, Santa Maria Antiqua, and the study of early medieval painting in Rome TOPOGRAPHY Henry Hurst The early church of Santa Maria Antiqua David Knipp Richard Delbr ck and the reconstruction of a 'ceremonial route' in Domitian's palace vestibule Robert Coates-Stephens The 'Oratory of the Forty Martyrs' CONSERVATION Giuseppe Morganti "Per meglio provvedere alla conservazione dei dipinti ?". 1984-2014: Santa Maria Antiqua 30 Years Later Werner Schmid Diary of a long conservation campaign The palimpsests of Santa Maria Antiqua Maria Andaloro The Project Giulia Bordi The three Christological cycles in the sanctuary of Santa Maria Antiqua Paola Pogliani, Claudia Pelosi, Giorgia Agresti Palimpsests and pictorial phases in the light of studies of the techniques of execution and the materials employed ICONOGRAPHY Per Olav Folger Expression of Dogma: Text and imagery in the triumphal arch decoration Manuela Gianandrea The fresco with the Three Mothers and the paintings of the right aisle in the Church of Santa Maria Antiqua Maria Grafova The decorations in the left aisle of Santa Maria Antiqua within the context of the political history of the Iconoclastic era Marios Costambeys Pope Hadrian I and Santa Maria Antiqua: Liturgy and patronage in the late eighth century RE-READING THE DECORATIVE PROGRAMME Giulia Bordi The apse wall of Santa Maria Antiqua (IV-IX centuries) Eileen Rubery Monks, Miracles and Healing. Doctrinal Belief and Miraculous Interventions: Saints Abbacyrus and John at Santa Maria Antiqua and related Roman Churches between the sixth and the twelfth centuries Richard Price The frescoes in Santa Maria Antiqua, the Lateran Synod of 649, and pope Vitalian Beat Brenk A new chronology of the worship of images in Santa Maria Antiqua AFTERWORD Maria Andaloro The icon of Santa Maria Nova after Santa Maria Antiqua‎

‎TIFFANY IN FASHION,‎

‎, New York, Harry N. Abrams, 2003, Bound, black cloth, illustrated dustjacket, 230 x 310mm., 272pp., magnificent colour pictures.‎

‎Two enormously popular subjects?? dazzling jewelry by Tiffany's designers and fabulous fashion photography?? combine in the newest book by Tiffany design director John Loring, author of many resplendent volumes about American style seen from the vantage point of the preeminent purveyor of fine jewelry and other luxury goods. Fashion experts credit Coco Chanel and her ???little black dress??? of 1924 with bringing fashion into modern times. But it took great fashion photography by notables from Steichen to Hiro, and jewelry as the ultimate fashion accessory, to propel fashion on its way to becoming the star-studded industry it is today. Tiffany in Fashion is a veritable visual feast?? with 250 glamorous images tracing the simultaneous growth of fashion photography and fine jewelry, from Richard Avedon's society fashion portrait for Harper's Bazaar of Elizabeth Taylor's bare back bedecked in exquisite Tiffany cultured pearls, to Scavullo's photograph of Paloma Picasso wearing her amply scaled gold earrings and bracelet, polygonal amethyst ring, and chrysophase bracelet. Eleanor Lambert, the ???godmother of American fashion,??? and dean of American fashion designers James Galanos add their personal reminiscences to John Loring's engaging and informative text. New book. ‎

‎Le Décolleté et le Retroussé. Quatre siècles de Gauloiseries (1500-1900). Série complète en 8 fascicules - Suivi de "Le Nu à travers les Siècles" (1500-1870) I. Ecole Italienne - II. Ecole Italienne et Hollandaise (XVIe et XVIIe siècles) - III. Ecole Italienne, Hollandaise et Allemande (XVIe et XVIIe siècles) - IV. Ecole Française, Hollandaise et Italienne (XVIe, XVIIe et XVIIIe siècles) - V. Ecole Française, Allemande et Anglaise (XVIe, XVIIe et XVIIIe siècles) (5 fascicules) ‎

‎ sd Paris, E. Bernard & Cie, Imprimeurs-Editeurs, sans date (1902-1904), 1 volume contenant 8 fascicules de 16 pages environ chacun (20 pages pour le premier) et 5 fascicules de 80 pages au total (pagination continue), dans une demi reliure en basane vert foncé et cartonnage marbré. Les couvertures sont conservées, nombreuses illustrations en noir et en couleurs. ‎

‎Papier un peu jauni, déchirure sans manque sur la première garde blanche, cartonnage et basane frottés, intérieur bien conservé. ‎

‎Mesures - 15 juillet 1939 - N° 3‎

‎1939. Paris Mesures 15 juillet 1939 - Numéro spécial consacré aux Lettres américaines - Broché 19 cm x 24 cm 382 pages - Comité de rédaction : Henry Church Bernard Groethuysen Henri Michaux Jean Paulhan Giuseppe Ungaretti ; Textes et poèmes de R. P. du Poisin Cotton Mather Benjamin Franklin John Paul Jones Saint John de Crèvecoeur Washington Irvin Edgar Poe Walt Whitmann William H. Herndon Emily Dinkinson Vachel Lindsay James Weldon Johnson Hart Crane John Peale Bishop Langston Hughes Robinson Jeffers Archibald Macleish Henry Miller Marianne Moore John Dos Passos John Crowe Ransom Wallace Stevens Allen Tate William Carlos Williams ; trad. de Raymond Queneau Pierre Leyris Fernand Auberjonois ...- Taches sur les premières pages sinon bon état‎

‎DISCONNECTED‎

‎ 1974 disque Etats-Unis, 1974, Giorno Poetry System GPS003, 2 disques 33trs, 30cm, sous pochette ouvrante, conception et photographies de Les Levine.Cet album est un "do-it-yourself dial-a-poem kit".Avec Charles Amirkhanian, John Ashberry, Imamu Amiri Baraka, Bill Berkson, Joe Brainard, Michael Brownstein, William S. Burroughs, John Cage, Jim Carroll, Tom Clark, Clark Coolidge, Gregory Corso, Robert Creeley, Diane Di Prima, Ed Dorn, Larry Fagin, Allen Ginsberg, John Giorno, Frank Lima, Michael McClure, Gerard Malanga, Bernadette Mayer, Frank O'Hara, Charles Olson, Peter Orlovsky, Maureen Owen, Ron Padgett, John Perreault, Charles Plymell, Ed Sanders, Jack Spicer, Lorenzo Thomas, Chogyam Trungpa Rinpoche, Diane Wakoski, Anne Waldmann, Philip Whalen, John Wieners. (103163) ‎

‎Bell's Edition. The Poets of Great Britain Complete from Chaucer to Churchill‎

‎At the Apollo Press, by the Martins | Edinburgh 1779 - 1804 | 8.50 x 13.50 cm | 99 tomes en 34 volumes reliés‎

‎Très rare réunion des volumes de la célèbre édition Bell des poètes britanniques en reliure uniforme, qui compte ici 101 volumes et dont l'impression fut largement étalée dans le temps, les volumes se vendant par auteur. Le volume 8 qui réunissait les tomes 5 et 6 des oeuvres poétiques de Edmund Spencer est malheureusement manquant. Certains volumes paraissent pour la première fois, d'autres sont en seconde édition. Cette très importante édition pour la poésie britannique regroupe 39 poètes depuis Chaucer jusque Charles Churchill et 99 figures (portraits et frontispices). Elle est précieuse car de nombreux poètes virent leur première édition complète par ce biais, notamment John Donne. Reliure anglaise en pleine basane blonde d'époque. Dos lisse orné de divers fers, dont un roi agenouillé, de multiples roulettes. Pièce de titre en maroquin vert. Papier dans l'ensemble propre, mais quelques feuillets brunis et avec rousseurs, notamment quelques gravures. Détail de cet important ensemble : - The poetical works of Geof. Chaucer. 1782. 14 tomes en 5 volumes, tome 1 à 5. Manques en têtes des tome 1 et 4. Mors supérieur du tome 1 en partie fendu, mors supérieur du tome 2 fendu. - The poetical works of John Sheffield, Duke of Buckingham. 1801. Un portrait en médaillon, un titre-frontispice. Volume 5. - The poetical works of Edmund Spencer. 1787-1788. 8 tomes en 4 volumes. Les tomes 5 et 6 contenus dans le volume 8 manquant. Tête du tome 7 légèrement élimée. Mors supérieur du tome 7 en partie fendu. - The poetical works of Samuel Butler. 1797. 3 tomes contenus dans le volume 10. Un portrait dans un médaillon, 3 titres-frontispices. - Ovide translated by eminent persons (Fryden, Congreve, Garth...). 1801. 4 tomes, volume 11. 2 titres-frontispices. Un manque en tête. Mors étroitement fendus en tête. - The poetical works of John Donne. 1799-1800. 3 tomes, volume 12. Un portrait en médaillon et 3 titres-frontispices. Mors supérieur étroitement fendu en tête. -The poetical works of William Congreve. 1784. 1 tome, volume 13. Un portrait dans un médaillon, un titre-frontispice. Mors supérieur étroitement fendu en tête. -The poetical works of Abraham Cowley. 1784. 4 tomes, volume 13 et 14. Un portrait dans un médaillon, 2 titres-frontispices. - The poetical works of John Cunningham. 1797. 1 tome. Volume 14. Un portrait dans un médaillon, 1 titre-frontispice. Manques en tête. Mors fendu en tête. -The poetical works of James Hammond. 1803. 1 tome. Volume 15. -The poetical works of Lord Lyttelton. 1788. 1 tome, volume 15. Un portrait dans un médaillon, 1 titre frontispice. -The poetical works of Edmund Waller. 1784. 2 tomes, volume 16. Un portrait dans un médaillon, 2 titres-frontispices. Un accroc avec manque dans le caisson de queue. -The poetical works of Thomas Parnell. 1786. 2 tomes, volume 17. Un portrait dans un médaillon, un titre-frontispice. Coiffe de tête légèrement et en partie élimée, mors supérieur étroitement fendu en queue. -The poetical works of John Pomfret. 1787. 1 tome, volume 17. Un titre-frontispice. -The poetical works of John Gray. 1800. 1 tome, volume 18. Léger manque en tête. Mors supérieur étroitement fendu en tête. -The poetical works of John Hugues. 1796. 2 tomes, volume 18. Un portrait dans un médaillon, 2 titres-frontispices. -The poetical works of Joseph Addison. 1803. 1 tome, volume 19. 1 titre-frontispice. -The poetical works of John Armstrong. 1793. 1 tome, volume 19. Un portrait dans un médaillon, un titre-frontispice. -The poetical works of William Broome. 1802. 1 tome, volume 19. -The poetical works of Nicholas Rowe. 1801. 1 tome, volume 20. Un portrait dans un médaillon, un titre-frontispice. Coiffe de tête légèrement élimée. -The poetical works of James Thomson. 1800. 2 tomes, volume 20. Un portrait dans un médaillon, 2 titres-frontispices. -The poetical works of John Milton. 1804. 4 tomes, volumes 21 et 22. Un portrait dans un médaillon, 4 titres-frontispices. Petit manque en tête.‎

‎The Tordenskjold-expedition. 71 albumen prints from the 1860'ies to 1873. - [FINE COLLECTION OF EARLY PHOTOGRAPHS FROM EAST-ASIA DOCUMENTING THE LAYDOWN OF THE FIRST TELEGRAPH CABLES IN EAST-ASIA]‎

‎1870-1872. Folio-oblong (395 x 320 mm). Original brown half calf, recased - the original cloth (with gilt lettering to the front) has been expertly mounted on to the new boards, and most of the original gilt leather spine has been preserved over a perfectly matching new lovely brown half calf. ""Tordenskjold / 1870 - 1873"" in gilt lettering, partly worn of, to front board. End-papers renewed. 71 albumen print in various sizes and by various photographers (see below) mounted on 59 contemporary white cardboard leaves (measuring 370 x 310 mm), all re-hinged. The album was water-damaged at some point, but has been expertly and neatly restored and appears in overall very good condition with good tones. 1, Oval photo of Tordenskjold (205 x 60mm) 2, Photo of Tordenskjold (190 x 143 mm) 3, Crew aboard Tordenskjold (200 x 14 mm) 4, Crew aboard Tordenskjold (157 x 128 mm) 5, Crew and equipment aboard Tordenskjold (228 x 176 mm) 6, Naval officers about Tordenskjold (167 x 130 mm). 7, 8 small photos of various places on one plate (274 x 190 mm) 8, The harbor of Port Said. By Hippolyte Arnoux (247 x 190mm) 9, Muddigging machines in the channel of Port Said. By Hippolyte Arnoux. (245 x 190mm) 10, Port Said. By Hippolyte Arnoux. 11, Malta (262 x 207 mm) 12, Two photos of Malta (each measuring 134 x 120 mm) 13, Two photos of Gibraltar (Each measuring 148 x 114) 14, Deep Water Bay, Hong Kong (194 x 130 mm). 15, Two photos depicting telegraph-house and ships in Deep Water Bay (each measuring 150 x 112) 16, Boat with people. By Felice Beato, coloured (294 x 235 mm) 17, House next to river. By John Thomson, December 1870 (278 x 225 mm) 17, Seamen’s hospital in Hong Kong. (261 x 190 mm) 18, Hong Kong. (270 x 195 mm) 19, Hong Kong, by Floyd (270 x 192 mm) 20, Hong Kong, by Floyd (240 x 190 mm) 21, Two photos of sites in Hong Kong (each measuring 165 x 127 mm) 22, Five Sikhs in Hong Kong (215 x 244 mm) 23, Group of women in Hong Kong, (326 x 215 mm) 24, Two photos of Hong Kong harbour, one photo depicting “Cella” (182 x 105" 130 x 98 mm) 25, Villa at Canton. (264 x 190 mm) 26, Pagode in Xuexiu Park, Guangdong. By William Pryor Floyd. (195 x 246 mm) 27, Boats in Canton. William Pryor Floyd,(270 x 223 mm) 28, Pou-Ting-Qua’s Garden, Canton. By John Thomson. (289 x 230 mm) 29, Fields in Canton. (205 x 155 mm) 30, Houses in Canton. (267 x 210 mm) 31, Canton harbor. By John Thomson. (245 x 202 mm) 32, Boat on the Canton river. (274 x 204 mm) 33, Wall around Canton. (260 x 200 mm). 34, Boats in Canton (293 x 225) 35, Telegraphstation in Woosung. (150 x 110 mm) 36, Boats in Foochow. (287 x 232 mm) 37, Temple in Foochow. By John Thomson (190 x 237 mm) 38, Pagode in Foochow. Presumably by John Thomson. (287 x 220 mm). 39, Tomb of Fou Tcheou. By John Thomson. (290 x 225 mm). 40, Temple in Shanghai. (237 x 188 mm). 41, Shanghai. (232 x 176 mm) 42, Chaochow bridge, Kwangtung. By John Thomson. (266 x 204 mm). 43. Panorama of Nagasaki consisting of two photos. (371 x142 mm) 44, Two photos of Nagasaki. Felice Beato. (Each measuring 169 x 119 mm). 45, Two photos from Nagasaki. Presumably by Felice Beato. (Each measuring 165 x 118 mm) 46, Two photos from Nagasaki. Presumably by Felice Beato. (Each measuring 165 x 118 mm) 47, Temple in Nagasaki. Presumably by Felice Beato. (169 x 118 mm). 48, Photo of Japanese woman in kimono. By Felice Beato. (205 x 255 mm). 49, Two photos of officers in house in Yokohama. (162 x 125 mm). 50, The Abbot and Monks of Kushan Monastery. By John Thomson. (287 x 204 mm). 51, Wooden structure, presumably Nagasaki. Presumably by Felice Beato. (270 x 208 mm) 52, Pagode, presumably Nagasaki. Presumably by Felice Beato. (234 x 185 mm) 53, Cityscape with lake, presumably Nagasaki. Presumably by Felice Beato.. (280 x 228 mm). 54, Two photos, cemetery and stairs to temple. By Felice Beato. (Each measuring 168 x 118 mm). 55, People standing outside house, presumably Hong Kong. By John Thomson. (185 x 155 mm) 56, Guangzhou Great Norh Gate, Canton. By John Thomson (245 x 156 mm). 57, Two photos, one of the building of a telegraph station (presumably in Wladivostok) and a view of Wladivostok from the sea (154 x 123 130 x 99 mm). 58, Seascape of two ships. (130 x 140 mm). 59, Ship laying for anchor. (170 x 123 mm)‎

‎Exceedingly rare photo-album documenting the Danish vessel Tordenskjold’s mission in laying the very first telegraph cables in East Asia thereby connecting China and Japan to the global telegraph system. The album consists of photos taken aboard the vessel Tordenskjold, of Tordenskjold itself along with its crew, by an unknown photographer, and of photographs of the visited cities and surrounding areas by some of the finest photographers operating in East Asia at the time, such as John Thomson, William Floyd, Felice Beato and, in Egypt, Hippolyte Arnoux - all photographs presumably brought home by William Lund, Captain on board Tordenskjold. Through some of the earliest photos taken in China, Japan, and of the excavation of the Suez Canal, the present album depicts a pivotal moment in international relations and communications. Submarine telegraph cables were first brought to China by Danish magnate Carl Fredrick Tietgen (1829-1901), who in 1870 set up the Great Northern China and Japan Extension Company. The company was created to build and operate a telegraph cable connecting Hong Kong, Shanghai, and Japan, continuing on to Vladivostok on Russia's East coast. From Vladivostok, a cable ran along the Trans-Siberian Railway, linking Hong Kong to telegraph networks in Britain, Europe, and America. Tietgen fought off strong competition - primarily English-, and eventually won the concession to lay and operate new telegraph cables connecting Russia, China and Japan. Tietgen and his partners had embarked upon a grand and risky project. Undersea cables would need to be laid in waters that had not been sounded, cables were to be brought ashore on coasts where the prevailing conditions were not known, and it was uncertain whether the respective governments would grant permission. Everything – cables, stations, wire, and apparatus – was to be brought from Europe and had to function as a coherent system. Two chartered English steamships ‘Cella’ and ‘Great Northern’ were to transport and lay the cables, and the propeller-driven Danish frigate ‘Tordenskjold’ was to sound the waters near Nagasaki and Vladivostok, it had to also carry a relatively small amount of cables, and it was to keep away uninvited guests (of which there were plenty in the South China Sea). “As a small nation with negligible military resources, Denmark could provide a useful – politically neutral – centre for telegraph links to major European powers such as Britain, Russia and the emerging new power of Prussia. The Danes were able to utilize the technical know-how which had been accumulated with great difficulty, and occasionally heavy economic losses, in the preceding decades by British and American entrepreneurs. The competition between the Danish and British groups of telegraph entrepreneurs for first access to the Chinese market was preliminarily resolved when the directors of the two companies negotiated a secret agreement in May 1870. The Danish group had acquired an advantage in terms of timing by winning the Russian concession in 1869, and had to cover shorter distances by sea cables from Vladivostok to Nagasaki and Shanghai. But the British group had the advantage of better access to capital and a more extensive technical experience with submarine cable manufacture and operation. The essence of the agreement was that the line between Hong Kong and Shanghai should be established and operated by the Great Northern the companies would share the income for telegrams which passed this section of the line and they would run offices in Hong Kong and Shanghai jointly. The agreement provided the Danes with assured landing rights in Hong Kong and with British diplomatic support for attempts to secure landing rights in China. Permission to bring submarine telegraph cables into Chinese treaty ports was obtained in 1870 from the Chinese Government (i.e., the office of foreign affairs, known as the Zongli Yamen) by the British Minister in Peking, Thomas Wade. At the same time, the Danish government had dispatched a diplomatic envoy, Chamberlain Julius Sick, at the Great Northern’s expense to China and Japan to obtain the necessary concessions. The cable between Hong Kong and Shanghai was laid in 1870–1871 with the assistance of the frigate Tordenskjold, which the Danish government had generously allocated to the task. The Great Northern had a great deal of technical problems with the cables they had bought from the British manufacturer since the quality of the insulation was not as good as expected. Therefore, the official opening of the line between Shanghai and Hong Kong was delayed until April 1871. During the remainder of that year the company struggled to finish cable sections from Shanghai to Nagasaki, and from Nagasaki to Vladivostok. Communication between Shanghai and Europe via these cables and the Russian Siberian lines was officially inaugurated on 1 January 1872.” (Erik Baark: Wires, Codes and People The Great Northern Telegraph Company in China 1870–90) The album covers and illustrates one on the most fascinating periods in the process of internationalization in the late modern period: The Suez Canal had just opened and ‘Tordenskjold’ was the first Danish ship to sail through it. The submarine cables linked the major hubs in East Asia to the Western world and helped facilitate an unprecedented growth in the region. Overall, the laying of the submarine cable in 1870-71 was a transformative event for East Asia in general. It played a critical role in the area's economic and social development, helping to make it the global commercial center it is today. ‎

‎The Radical: An Autobiography. By the Author of ""The Member, ""The Ayrshire Legatees"", etc. etc. - [WHO IS JOHN GALT?]‎

‎London, 1832 A lovely contemporary full calf binding with Gilt spine, gilt and blindstamped border-ornamentations and gilt armorial centre-piece to boards. Some wear to extremities and hinges. Nice and tight. Internally very nice and clean, with only occasional, very light minor brownspotting.‎

‎The scarce first edition of one of the main works of John Galt, the first political novelist in the English language. Althought the name ""Gohn Galt"" is now primarily associated with the main character of Ayn Rand's modern political classic ""Atlas Shrugged"", the ""real"" John Galt (1779-1839) was one of the best known Scottish political and social novelists of the 19th century. Like Rand's John Galt, he too was an entrepeneur, greatly active in political and social issues. Because he was the first novelist to deal with issues of the industrial revolution, he has been called the first political novelist in the English language.""The Radical"" is a study of religion, politics and law in the local boroughs of Scotland during the transitional late eighteenth and early nineteenth centuries. As several of his other novels, it is concerned with the effects of change upon communities and upon the social institutions that shape those communities. The work is famous for its, prosaic studies, that are, however, far from dry, and Galt’s storytelling is known to be characterised by wit and humour.Together ""The Radical"" and ""The Member"" (also 1832) make up what John Galt himself calls ""the Reform"", as he states in his autobiography, ""they serve to illustrate, by the by, the sagicity of the trade, for they are thought to have too much a seeming of truth, and the sale of them has not been satisfactory. [...]The Radical [...] is deduced from principles and feelings coeval with human nature. It seems to me that the Radicals of our time forget that we are living in society for the benefitsof which we have surrendered a portion of our natural rights. The work in consequence turns on supposing, that what our natural feelings prompt must therefore be what we are entitled to do and to enjoy, forgetting altogether how much the social ties restrain the exercise of natural rights. But although some of my friends think the two works clever and philosophical, and although, on the Continent they have attracted more attantion than any other product of my pen, they have almost been still-born here. [...]."" (John Galt, The Literary Life and Miscellanies of John Galt, 1834, pp. 318-19). John Galt was born in Irvine as the son of a sea captain who traded with the West Indies. In 1789 the family moved to Greenock and much of Galt’s fiction draws from the localities of the west coast of Scotland where he spent his youth. John Galt was possessed of a pragmatic as well as an imaginative turn of mind. He had a keen interest in business and politics and always maintained that he regarded writing as a secondary profession. From 1796 - 1804 Galt worked as a junior justice clerk in Greenock before setting off for London on a sudden impulse of restless ambition. Here he studied political economy and commercial history and practise but failed to really make his mark on the business world despite several promising ventures.Around the age of twenty-four Galt began writing. He experimented in verse but was an inferior poet. Several of his essays, however, were published and this writing at this time demonstrates his early interest in politics and the colonies, particularly Canada which had long captured his imagination.In 1809 Galt spent a period of time travelling on the Mediterranean and it was here that he made his acquaintance with Lord Byron who was to become the subject of his acclaimed biography The Life of Byron in 1830. In 1811 he returned to London, his commercial aspirations disappointed and turned to journalism as a means of making money. At 34, he married the daughter of his literary patron, Alexander Tilloch. It was at this time too that Galt gained his experience of the workings of Parliament as a lobbyist for the Edinburgh-Glasgow canal. These experiences were to be formative in Galt’s later political career in Canada and were also to inform his later political novels, The Radical and The Member.Despite critical and commercial success, Galt had not abandoned his business aspirations. In 1824 Galt became actively involved in political campaigning on behalf of the Canadian colony and two years later left for Canada leaving the manuscript for The Last of the Lairds with his publisher. During the years 1827-29 Galt developed the virgin territories of the Canadian colony and founded the townships of Guelph and Goderich. For Galt, the Canadian project was the realisation of his most profound ambitions. But he was to fall foul of colonial bureaucracy and was eventually forced to return to Britain in 1829 under charges of debt and placed in prison.Having returned to Britain, John Galt began writing again, and in 1832 he produced two of his most famous works, ""The Radical"" and ""The Member"", for which he is primarily remembered today. ‎

‎SMS (Shit Must Stop). N°1 à 6 ; collection complète.‎

‎New York The Letter Edged in Black Press, 1968. 1968 6 17.8 x 27.9 cm. New York, The Letter Edged in Black Press, 1968. Six portefeuilles 178 x 279 mm, présentés dans leurs emballages postaux d’origine, contenant chacun un sommaire, pour un total de 73 multiples originaux. ‎

10 Images

‎Artistes ayant collaboré: Irving Petlin, Su Braden, James Lee Byars, Christo, Walter de Maria, Richard Hamilton, Kaspar Koenig, Julien Levy, Sol Mednick, Nancy Reitkopf, La Monte Young, Marian Zazeela, Nicolas Calas, Bruce Conner, Marcia Herscovitz, Alain Jacquet, Ray Johnson, Lee Lozano, Bernard Pfriem, George Reavey, Clovis Trouille, John Battan, William Bryant, Dick Higgins, Joseph Kosuth, Ronnie Landfield, Roland Penrose, Man Ray, Hannah Weiner, Terry Riley, Robert Stanley, Paul Bergtold, John Cage, Hollis Frampton, Roy Lichtenstein, Lil Picard, Domenico Rotella, Robert Watts, William Anthony, William Copley, Edward Fitzgerald, Neil Jeanney, Angus MacLise, Bruce Nauman, Yoko Ono, Mel Ramos, Robert Rohm, William Schwadler, Diane Wakoski, Lawrence Weiner, Richard Artschwager, Ed Bereal, Diter Rot, Betty Dodson, Ronoldo Ferry, John Giorno, Adrian Nutbeam, Claes Oldenburg, Micha Petrov, Jean Reavey, Bernar Venet, Paul Steiner, Marcel Duchamp, Tom Westermann , Bob Watts , Toby Mussman , On Kawara , Arman , Congo , Aftograf , Princess Winifred, Enrico Baj.Broken Music page 230 ; Urawa Art Museum 2000 ; Documenta 6 catalogue 3 p.335 ; Söhm 319 ; Moeglin-Delcroix Esthétique du livre d'artiste, 1997, p.116. Papier-gesänge 107 ; Pop Art Store p.77; ; Marie Boivent : Revue d'Artistes Une sélection p.62 à 66;, p.335; Expositions : New York 1988, 1992 ; Paris, Berlin, Tokyo 1989., catalogue p.181-182. Parfait état dans les boîtes originales d’expédition. Pdf détaillé sur demande.(100144) ‎

‎British Journal for the History of Science - volume 12, part 1, n° 40 - March 1979‎

‎British Society for the History of Science Malicorne sur Sarthe, 72, Pays de la Loire, France 1979 Book condition, Etat : Bon paperback grand In-8 1 vol. - 106 pages‎

‎ Contents, Chapitres : John G. McEvoy : Electricity, knowledge, and the nature of the progress in Priestley 's thought - John R. Durant : Scientific naturalism and social reform in the thought of Alfred Russel Wallace - Crosbie Smith : From design to dissolution : Thomas Chalmers ' debt to John Robison - John Worrall : A reply to David Bloor , with a response from David Bloor - essay review : I. Grattan-Guinness : Babbage 's mathematics in its time - books received, reviews - notes on contributors working copy from Pierre Thuillier, few annotations at pencil‎

‎MESURES n°3 15 juillet 1939. Numéro spécial consacré aux LETTRES AMERICAINES. ‎

‎Paris, José Corti, 1939, 185x23mm, broché, 382p. Bel exemplaire. ‎

4 Images

‎Abbrégé [sic pour Abrégé] de l'Essay de Monsieur Locke sur l'Entendement Humain, Traduit de l'Anglois par Mr. Bossuet, Nouvelle édition.‎

‎ In-12, plein veau marbré de l'époque, dos à 5 nerfs cloisonné et fleuronné, pièce de titre de maroquin fauve, roulette dorée sur les coupes, tranches marbrées, xvi, 376, (5) p. de table, portrait frontispice gravé. Londres, Jean Nourse [i.e. Paris], 1751.‎

‎Traduction par Jean-Pierre Bosset, de l'abrégé composé par John Wynne de L'Essai sur l'entendement humain de John Locke. (A translation, by J.-P. Bosset, of John Wynne's abridgement of Locke's 'Essay concerning human understanding')."LAbrégé publié par Bosset à Londres en 1720 est la traduction d'un 'Abridgment' fait par John Wynne à Oxford en 1695. Wynne proposa son projet à Locke en 1695, en citant le besoin des étudiants à Oxford, qui, n'apprenant que des choses obscures et inutiles, ne pouvaient trouver un remède suffisant dans 'l'Abrégé' de Le Clerc, écrit dans une langue trop inaccessible" (cf. T. Besterman in 'La diffusion de Locke en France', p. 126 et passim).(Cf. Yolton, 'John Locke', 141 et Attig, 'John Locke', 372).Mors frottés partiellement fendus, coiffes usées, brunissures. ‎

‎John Kormeling: A Good Book ‎

‎, Plug in Inc, 2003 Softcover, 91 pages, 30 x 21 cm, NL/EN. *NEW. ISBN 9780921381228.‎

‎John Krmeling is certainly one of the most zany and inspiring artist-architects to come out of Holland in many years. The documented projects in this first comprehensive book on Krmeling are a sheer delight. The book features sketches and photographs of Krmeling's output over the last 12 years, including a stripped-down square car, dog suits for cars, a public park installation of fake clouds with artificial sunlight, and many others. Includes Krmeling's notes and extensive photo travel diary of failed and successful modernist architectural sites and urban landscapes in Europe, the Americas, and Asia.‎

‎The Sensational She-Hulk - John Byrne : The Return‎

‎ 2016 Marvel - 2016 - In-4, broché, couverture illustrée - 464 planches en couleurs - Contient des planches précédemment éditées dans les magazines "Sensational She-Hulk" #31-46 et #48-50. - Ouvrage en anglais‎

‎Bon état - Un pli de lecture sur la première de couverture - Coins très légèrement émoussés Bon ‎

‎EDOUARD MANET. MEERESIMPRESSIONEN,‎

‎, Amsterdam, Van Gogh Museum / Mercatorfonds, 2004, Brochiert, Frontispiz, 235 x 290mm., 80pp., illustriert. ISBN 9782930117355.‎

‎Die 40 Marinebilder Edouard Manets nehmen in seinem Werk einen besonderen Platz ein. Folgen seine imposanten historischen Seestucke einer bis ins 17. Jahrhundert reichenden Tradition, so beeinflussten seine innovativ gemalten, lebendigen Strandszenen befreundete Kunstler, vor allem Monet und Whistler. John Leighton beschreibt in diesem Buch eindrucksvoll die stimmungsreichen Meeres- und Strand-panoramen, fur die Manet eine neue und oft uberraschend originelle Interpretation fand. Neuer Zustand.‎

‎Chien et chat dans Les chats n'aiment pas l'eau (Pop-up)‎

‎ 1984 Ed. Albin Michel Jeunesse - Coll. Les Livres Théâtre - 1984 - Livre objet carré de 8x8x8cm (avec protection plastique) - Sans pagination - Nombreuses illustrations en couleurs - Reliure dépliable sur le dessus du cube + mécanique circulaire sur le côté du cube pour faire défiler les images‎

‎Bon état - Menus frottements sur la languettes d'ouverture flk ‎