1940 books for « m a bloch »Edit

‎Première journée à Rufisque.‎

‎Paris Editions du Sagittaire (Kra), coll. "Les Cahiers nouveaux" 1926 1 vol. broché in-16, broché, couverture rempliée, non coupé, 228 pp., fac-similé en frontispice. Edition originale. Un des 800 exemplaires numérotés sur vélin de Rives. Très bon état.‎

‎Première journée à Rufisque.‎

‎Paris Editions du Sagittaire (Kra), coll. "Les Cahiers nouveaux" 1926 1 vol. broché in-16, broché, couverture rempliée, non rogné ni coupé, 228 pp., fac-similé en frontispice. Edition originale. Un des 50 exemplaires de tête numérotés sur Japon, à toutes marges, en parfait état.‎

‎Le verre en France : les années 80.‎

‎Paris Les Editions de l'Amateur 1988 1 vol. relié Tirage de 1988. in-4, cartonnage sous jaquette illustrée, 157 pp., nombreuses reproductions en noir et en couleurs, index. Très bon état.‎

‎Toulon. Légende contemporaine en trois époques : 11 novembre 1942 - 27 novembre 1942, février 1943.‎

‎ Les Cahiers de l'Egaré 1998 1 vol. broché in-8, broché, couverture à rabats, 159 pp. Nouvelle édition à tirage limité. Petit manque au coin supérieur du second plat, sinon en très bon état.‎

‎L'art du verre en France. 1860-1914.‎

‎ Edita - Denoël 1974 1 vol. relié in-4, cartonnage éditeur, jaquette, 199 pp. Précieuse documentation illustrée de 300 reproductions en noir et en couleur, in-texte et à pleine page. En très bonne condition.‎

‎Le Guidargus de la verrerie.‎

‎ Editions de l'amateur 1996 1 vol. relié in-4, cartonnage éditeur, 381 pp., nombreuses reproductions en noir et en couleurs. Etat de neuf.‎

‎La Philosophie de Gassendi‎

‎La Haye.Nijhoff.1971.In-8 toilé avec jaquette imprimée.525 p. TBE.malgré couv.légèrement brunies.‎

‎Les grandes circonstances.‎

‎Paris Gallimard 1949 1 vol. broché in-12, broché, 204 pp. Edition originale en service de presse avec un envoi de l'auteur à Maurice Merleau-Ponty. Prière d'insérer joint. Dos usé. Sinon bon état.‎

‎Ctésippe.‎

‎Paris Gallimard, coll. "Le Manteau d'Arlequin" 1964 1 vol. broché in-12, broché, non coupé, 195 pp. Edition originale. Un des 25 exemplaires numérotés sur vélin pur fil Lafuma-Navarre, seul grand papier. Pâle mouillure au dos, sans gravité. Sinon très bon état.‎

‎Le dernier empereur. Une histoire.‎

‎Paris Gallimard 1926 1 vol. broché in-4, broché, 249 pp. Edition originale. Un des 109 exemplaires du tirage de tête réimposés sur vergé Lafuma-Navarre. Bon état.‎

‎Carnaval est mort. Premiers essais pour mieux comprendre mon temps.‎

‎Paris Gallimard 1920 1 vol. broché in-8, broché, 266 pp. Edition originale numérotée sur vélin pur fil Lafuma-Navarre. Bon état général.‎

‎Les Chasses de Renaut. Deuxième livre de contes.‎

‎Paris Gallimard 1927 1 vol. broché in-12, broché, 215 pp. Edition originale. Exemplaire du service de presse enrichi d'un envoi de l'auteur. Dos ridé. Légère déchirure en pied de la couverture. Sinon bon état.‎

‎Forces du monde. Drame écrit pour un musicien d'après une nouvelle du Comte de Gobineau.‎

‎Paris Les Cahiers de Paris 1927 1 vol. broché in-8, broché, couverture rempliée, non rogné ni coupé, 86 pp. Edition originale. Un des 60 exemplaires sur vergé d'Arches, celui-ci réservé à la presse. Très bon état.‎

‎Le mystère étrusque. Deuxième édition revue et augmentée.‎

‎Paris Club Français du Livre 1963 1 vol. relié in-8, toile éditeur décorée, rhodoïd, 242 pp., nombreuses reproductions. Tirage limité. Bel exemplaire, bien complet de la carte dépliante volante. Petites déchirures au rhodoïd. Sinon bon état.‎

‎Lévy. Premier livre de contes.‎

‎Paris Editions de la Nouvelle Revue Française 1912 1 vol. broché in-12, broché, 251 pp. Edition originale peu courante. Dos usé, couverture défraîchie avec deux déchirures en 4e de couv. Intérieur très propre.‎

‎...et Cie.‎

‎Paris Editions de la Nouvelle Revue française 1918 1 vol. broché in-12, broché, 367 pp. Edition originale sans mention. Dos très usé, avec manque restauré à la coiffe supérieure. Sinon assez bon état. Peu courant.‎

‎Locomotives.‎

‎Paris Gallimard, coll. "Une oeuvre, un portrait" 1924 1 vol. broché in-8, broché, couverture de papier marbré, 69 pp. Edition originale ornée d'un portrait-frontispice dessiné par Berthold Mahn tiré sur Chine. Exemplaire numéroté sur vélin simili cuve des papeteries de Navarre. Rousseur au frontispice n'affactant pas la gravure. Bon état.‎

‎L'Art et la civilisation étrusques.‎

‎Paris Plon, coll. "Civilisations d'hier et d'aujourd'hui" 1955 1 vol. broché in-12 (190 x 120 mm), broché, X-230 pp., 33 reproductions hors-texte et 51 in-texte, bibliographie. Edition originale. Exemplaire du service de presse enrichi d'un envoi de l'auteur (nom du destinataire effacé). Petite ride au dos et couverture détachée sur 2 cm en pied. Sinon bon état.‎

‎Madame Proust.‎

‎ Paris, Grasset, 2004, in-8, broché, couverture illustrée, 382 pp., 8 planches hors-texte, index.‎

‎Marc Bloch, 1886-1944. Une biographie impossible / An Impossible Biography.‎

‎ Limoges, Culture et Patrimoine en Limousin, 1997, in-4°, 152 pp, préface de Jacques Le Goff, abondamment illustré de près de 150 photos, gravures et fac-similés, broché, couv. illustrée à rabats, bon état. Texte bilingue en français et en anglais‎

‎Préface ; Repères chronologiques ; Généalogie de Marc Bloch et de Simonne Vidal ; L'enfance de Marc Bloch ; Les années de formation ; La guerre de 1914-1918 ; Strasbourg ; Paris ; La guerre de 1939-1940 ; Les années noires ; Fougères ; Marc Bloch et Simonne Vidal, un couple indissoluble ; L'œuvre ; Les archives de Marc Bloch ; Hommages à Marc Bloch ; Bibliographie. / Preface. Milestones. Genealogy of Marc Bloch and Simonne Vidal. Childhood. The formative years. World War I - 1914-1918. Strasbourg. Paris. World War II - 1939-1940. The dark years. Fougères. Marc Bloch and Simonne Vidal, an unseparable couple. Marc Bloch's writings. The Archives of Marc Bloch. Tributes to Marc Bloch. Bibliography of Marc Bloch. Désormais les frais d'envoi sont de 6 € seulement pour les livres jusqu'à 1 kg (colissimo suivi), pour la France métropolitaine.‎

‎Geist der Utopie. - [THE MAIN WORK OF GERMAN EXPRESSIONISM]‎

‎München und Leipzig, Duncker & Humblot, 1918. Lex 8vo. Uncut in the orig. dark grey-brown wrappers, printed in gold on front wrapper and spine. Spine and lettering thereupon faded. Some smaller nicks, creases and loss of paper to extremities. Minor loss to capitals and two smaller holes w. a bit of loss to hinges. Overall an excellent copy in the fragile wrappers, rarely seen in such fine condition. Internally some minor brownspotting throughout, due to the paper-quality. With the ownership signature of J.B. Dumont deted ""Sept. '21"" to title-page and his stamp on half-title. 445 pp.‎

‎The rare first edition of Bloch's first major work, ""The Spirit of Utopia"", an expressionalist main work, which attempts to unite Marxism with Jewish-Christian messianism.The hugely influential German philosopher Ernst Bloch (1885-1977) was born as the son of Jewish parents in Ludwigshafen. He studied philosophy, physics, German and music in Munich and Würzburg and later became a main figure in Neomarxism. His first book, ""Geist der Utopie"" was written while Bloch was in exile in Switzerland during the First World War, and in this seminal work we find the cornerstones of his later so influential philosophy. In the ""Spirit of Utopia"", Bloch unites Marxism Jewish-Christian messianism by the common utopian element of both views: Hope, and faith in the fact that the world will and can become a better place. Bloch here set out to defend the attempts of humankind throughout history to create a humane world order, against the determinist socialism that viewed socialism as the inevitable result of history. With Marx and with the love and morality of religion, Bloch places man (that thinks of the common good) at the centre of his thinking as well as the metaphysical ideas of that which is not yet, but which can become. And thus he creates the spirit of utopia, due to which man can make the world a better place. This massive work of art begins with the powerful words: ""What now? It is enough. Now we have to begin. Life has been put in our hands. In itself it has already become empty long ago. It staggers senselessly around, but we stand firm, and thus we want to be its Faustus and its ends."" (""Wie nun? Es ist genug. Nun haben wir zu beginnen. In unsere Hände ist das Leben gegeben. Für sich selber ist es längst schon leer geworden. Es taumelt sinnlos hin und her, aber wir stehen fest, und so wollen wir ihm seine Faust und seine Ziele werden."") (P.9).The work was viewed as attacking the traditional Marxism of the time, and thus it was very controversial but also became hugely influential in the development of social liberation. Bloch is now considered one of the most undogmatic Marxists of the past century, and he influenced later political and philosophical thinkers enormously. Adorno himself cited this text of Bloch as having been transformative for his intellectual life, and as stated on the wrapper of the English translation, ""When this work was first published, it had a profound effect on major thinkers and artists in Weimar Germany. A poetical philosophical treatise with unusual insights into culture and political commentary, Bloch' s book laid the groundwork for thinkers like Adorno and Benjamin."" (Jack Zipes, University of Minnesota).This rare highly expressionist work consists of 445 pages of non-dogmatic strongly expressionistic and very influential recipes on and analyses of how man does and should behave in the humane world. ""But in return, we paint like savages again, in the best sense, in the sense of the primordial, the restless, unconcerned, concerned. For this is more or less how the dancing-mask was carved. This is more or less how primitive man shaped his fetishes, if only the simple need to express oneself should again be the same"" (""Aber dafür malen wir auch wieder wie die Wilden, im besten Sinn des Frühen, Unruhigen und Barbarischen genommen. So ungefähr wurde auch die Tanzmaske geschnitzt, so ungefähr baute sich der primitive Mensch seinen Fetisch zurecht, sollte auch nichts als die Not des Aussprechenmüssens wieder dieselbe geworden sein.""). (P. 19).The work was much re-written, and the first editions differs from all later editions. ‎

‎Geist der Utopie. - [THE MAIN WORK OF GERMAN EXPRESSIONISM]‎

‎München und Leipzig, Duncker & Humblot, 1918. Lex 8vo. Original dark grey-brown paper binding, printed in gold on front wrapper and spine. A tear across spine, crudely repaired with tape, also to front hinge. Apart from the spine, a fine and fresh copy. Old owner's name to title-page. 445 pp.‎

‎The rare first edition of Bloch's first major work, ""The Spirit of Utopia"", an expressionalist main work, which attempts to unite Marxism with Jewish-Christian messianism.The hugely influential German philosopher Ernst Bloch (1885-1977) was born as the son of Jewish parents in Ludwigshafen. He studied philosophy, physics, German and music in Munich and Würzburg and later became a main figure in Neomarxism. His first book, ""Geist der Utopie"" was written while Bloch was in exile in Switzerland during the First World War, and in this seminal work we find the cornerstones of his later so influential philosophy. In the ""Spirit of Utopia"", Bloch unites Marxism Jewish-Christian messianism by the common utopian element of both views: Hope, and faith in the fact that the world will and can become a better place. Bloch here set out to defend the attempts of humankind throughout history to create a humane world order, against the determinist socialism that viewed socialism as the inevitable result of history. With Marx and with the love and morality of religion, Bloch places man (that thinks of the common good) at the centre of his thinking as well as the metaphysical ideas of that which is not yet, but which can become. And thus he creates the spirit of utopia, due to which man can make the world a better place. This massive work of art begins with the powerful words: ""What now? It is enough. Now we have to begin. Life has been put in our hands. In itself it has already become empty long ago. It staggers senselessly around, but we stand firm, and thus we want to be its Faustus and its ends."" (""Wie nun? Es ist genug. Nun haben wir zu beginnen. In unsere Hände ist das Leben gegeben. Für sich selber ist es längst schon leer geworden. Es taumelt sinnlos hin und her, aber wir stehen fest, und so wollen wir ihm seine Faust und seine Ziele werden."") (P.9).The work was viewed as attacking the traditional Marxism of the time, and thus it was very controversial but also became hugely influential in the development of social liberation. Bloch is now considered one of the most undogmatic Marxists of the past century, and he influenced later political and philosophical thinkers enormously. Adorno himself cited this text of Bloch as having been transformative for his intellectual life, and as stated on the wrapper of the English translation, ""When this work was first published, it had a profound effect on major thinkers and artists in Weimar Germany. A poetical philosophical treatise with unusual insights into culture and political commentary, Bloch' s book laid the groundwork for thinkers like Adorno and Benjamin."" (Jack Zipes, University of Minnesota).This rare highly expressionist work consists of 445 pages of non-dogmatic strongly expressionistic and very influential recipes on and analyses of how man does and should behave in the humane world. ""But in return, we paint like savages again, in the best sense, in the sense of the primordial, the restless, unconcerned, concerned. For this is more or less how the dancing-mask was carved. This is more or less how primitive man shaped his fetishes, if only the simple need to express oneself should again be the same"" (""Aber dafür malen wir auch wieder wie die Wilden, im besten Sinn des Frühen, Unruhigen und Barbarischen genommen. So ungefähr wurde auch die Tanzmaske geschnitzt, so ungefähr baute sich der primitive Mensch seinen Fetisch zurecht, sollte auch nichts als die Not des Aussprechenmüssens wieder dieselbe geworden sein.""). (P. 19).The work was much re-written, and the first editions differs from all later editions. ‎

‎Geist der Utopie. - [THE MAIN WORK OF GERMAN EXPRESSIONISM]‎

‎München und Leipzig, Duncker & Humblot, 1918. Lex 8vo. A bit later, nice, dark blue half cloth with gilt lettering to spine. Half-title mounted with a few marginal repairs, otherwise a very nice and clean copy. Owner's signature to totle-page. 445 pp.‎

‎The rare first edition of Bloch's first major work, ""The Spirit of Utopia"", an expressionalist main work, which attempts to unite Marxism with Jewish-Christian messianism.The hugely influential German philosopher Ernst Bloch (1885-1977) was born as the son of Jewish parents in Ludwigshafen. He studied philosophy, physics, German and music in Munich and Würzburg and later became a main figure in Neomarxism. His first book, ""Geist der Utopie"" was written while Bloch was in exile in Switzerland during the First World War, and in this seminal work we find the cornerstones of his later so influential philosophy. In the ""Spirit of Utopia"", Bloch unites Marxism Jewish-Christian messianism by the common utopian element of both views: Hope, and faith in the fact that the world will and can become a better place. Bloch here set out to defend the attempts of humankind throughout history to create a humane world order, against the determinist socialism that viewed socialism as the inevitable result of history. With Marx and with the love and morality of religion, Bloch places man (that thinks of the common good) at the centre of his thinking as well as the metaphysical ideas of that which is not yet, but which can become. And thus he creates the spirit of utopia, due to which man can make the world a better place. This massive work of art begins with the powerful words: ""What now? It is enough. Now we have to begin. Life has been put in our hands. In itself it has already become empty long ago. It staggers senselessly around, but we stand firm, and thus we want to be its Faustus and its ends."" (""Wie nun? Es ist genug. Nun haben wir zu beginnen. In unsere Hände ist das Leben gegeben. Für sich selber ist es längst schon leer geworden. Es taumelt sinnlos hin und her, aber wir stehen fest, und so wollen wir ihm seine Faust und seine Ziele werden."") (P.9).The work was viewed as attacking the traditional Marxism of the time, and thus it was very controversial but also became hugely influential in the development of social liberation. Bloch is now considered one of the most undogmatic Marxists of the past century, and he influenced later political and philosophical thinkers enormously. Adorno himself cited this text of Bloch as having been transformative for his intellectual life, and as stated on the wrapper of the English translation, ""When this work was first published, it had a profound effect on major thinkers and artists in Weimar Germany. A poetical philosophical treatise with unusual insights into culture and political commentary, Bloch' s book laid the groundwork for thinkers like Adorno and Benjamin."" (Jack Zipes, University of Minnesota).This rare highly expressionist work consists of 445 pages of non-dogmatic strongly expressionistic and very influential recipes on and analyses of how man does and should behave in the humane world. ""But in return, we paint like savages again, in the best sense, in the sense of the primordial, the restless, unconcerned, concerned. For this is more or less how the dancing-mask was carved. This is more or less how primitive man shaped his fetishes, if only the simple need to express oneself should again be the same"" (""Aber dafür malen wir auch wieder wie die Wilden, im besten Sinn des Frühen, Unruhigen und Barbarischen genommen. So ungefähr wurde auch die Tanzmaske geschnitzt, so ungefähr baute sich der primitive Mensch seinen Fetisch zurecht, sollte auch nichts als die Not des Aussprechenmüssens wieder dieselbe geworden sein.""). (P. 19).The work was much re-written, and the first editions differs from all later editions. ‎

‎Marc Bloch (1886-1944) - Une biographie impossible‎

‎ Culture & Patrimoine en Limousin (1997) - In-4 broché de 152 pages - Couverture illustrée à rabats - Abondamment illustré de près de 150 photos en noir et blanc, gravures et fac-similés - Texte bilingue en français et en anglais - Préface de Jacques Le Goff - Exemplaire en très bon état‎

‎Préface - Repères chronologiques - Généalogie de Marc Bloch et de Simonne Vidal - L'enfance de Marc Bloch - Les années de formation - La guerre de 1914-1918 - Strasbourg - Paris - La guerre de 1939-1940 - Les années noires - Fougères Marc Bloch et Simonne Vidal, un couple indissoluble - L'oeuvre - Les archives de Marc Bloch - Hommages à Marc Bloch - Bibliographie. ‎

‎Répertoire de la faïence française publié à l'occasion de l'exposition rétrospective de la faïence française au musée des arts décoratifs.‎

‎Paris, Serge Alpina, 1933, 4 volumes demi-basane à coins (planches seules). Sans texte. ‎

‎ bon état. ‎