1996, Addim ((Association Pour le Développement et la Diffusion de l'Information Militaire), in-folio en feuilles sous portefolio bleu marine, étiquette de titre sur le 1er plat, 17 planches couleurs, portraits de navire aquarellés par André Lambert | Etat : Bon état général, sans le cahier de commentaires (Ref.: G4959)
Addim
1995, Démons et Merveilles, in-folio cartonné de 235 pages avec jaquette éditeur | Etat : Bon état, jaquette un peu défraîchie sans manque (Ref.: G10735)
Démons et Merveilles
London Ward, Lock And Co. 1926
First Edition. Hardback colour illustrated boards, with red cloth spine. Fully illustrated in b/w, and with four full-page colour plates (including frontis). Lovely stories with text in large print for children. Boards are partially age tones, a little rubbed and the spine is faded. Ink mark to front board. B/w illustrated endpapers, front one has small red stain on it. Title page a little foxed, rest of contents clean and fresh. 64 pages. 250 x 185 mm (9Ÿ x 7Œ inches).
Paris Robert et Lydie Dutrou éditeurs 1996 Première édition. Bel exemplaire de cette monographie de l'artiste, comprenant une couverture et six signatures de 4 pages (détachées dans des plis français). 2 lithographies originales de Miotte (y compris la couverture), toutes deux en couleurs. Elles étaient originales pour ce numéro. Les couvertures souples sont assez propres, mais le dos en papier présente une légère fissure sur le bord inférieur. L'intérieur est en excellent état, avec juste quelques marques. Un bel exemplaire d'un objet d'art rare. 24 pages. 360 x 280 mm
First Edition. A nice copy of this artist monograph. Comprising a cover and six 4 page signatures (loose in French folds). Two original lithographs by Miotte (including cover), both in colour. These were original for this issue. The soft covers are pretty clean, but the paper spine has a touch of cracking to the bottom edge/. Inside is in excellent, original condition, with just a touch of marking to it. A nice copy of a scarce art item. 24 pages. 360 x 280 mm (14Œ x 11 inches). .
Paris Robert et Lydie Dutrou éditeurs 200 Première édition. Bel exemplaire de cette monographie d'artiste comprenant une couverture et 8 signatures de quatre pages (détachées dans les plis français). 6 lithographies d'Alechinsky, Appel, Constant, Corneille, Dotrement, et Carl-Henning Pedersen (la couverture et la première lithographie sont des contributions d'Alechinsky), la couverture et une illustration d'Appel, et une de Pedersen sont en couleur. Les couvertures souples sont assez propres et bien rangées. L'intérieur est en excellent état. 36 pages. 360 x 280 mm. Une revue d'art française attrayante et rare.
First Edition. A nice copy of this artist monograph. comprising a cover and 8 four page signatures (loose in French folds). 6 lithographs by Alechinsky, Appel, Constant, Corneille, Dotrement, and Carl-Henning Pedersen (the cover and first lithograph were Alechinsky's contributions), cover and an illustration by Appel, and one by Pedersen are colour. The soft covers are pretty clean and tidy. Inside is in excellent, original condition. 36 pages. 360 by 280mm (14Œ by 11 inches). An attractive and scarce French art magazine. .
1989, imprimerie du Var, in-8 brochés de 375, 456, 452 et 458 pages, rééditition à 300 exemplaires de l'édition de 1886. Première partie : depuis les origines de la ville jusqu'à la réunion définitive de la Provence à la France (1487) (1er & 2ème tomes), depuis la réunion de la Provence à la France (1487) jusqu'à la révolution (1789) (3ème & 4ème tomes). | Etat : Très bon état général (Ref.: ref96116)
imprimerie du Var
1989, imprimerie du Var, in-8 brochés de 375, 456, 452 et 458 pages, rééditition à 300 exemplaires de l'édition de 1886, exemplaire n°71 Tome 1 et 2 : Première partie : depuis les origines de la ville jusqu'à la réunion définitive de la Provence à la France (1487) Tome 3 et 4 : Deuxième partie : depuis la réunion de la Provence à la France (1487) jusqu'à la révolution (1789) | Etat : Très bon état général, tranches très légèrement piquées (Ref.: ref97975)
imprimerie du Var
1972, éditions José Millas-Martin, in-12 relié plein veau de 40 pages, titrage doré sur dos, prix François Villon | Etat : Très bon état, légère tâche en haut du dos (Ref.: Ref90021)
José Millas-Martin
1969, Dupuis, in folio cartonné de 96 pages, collection Terre entière, couverture illustrée en couleurs, nombreuses illustrations couleurs de R.F. Follet, préface de Norbert Casteret. Ce précieux album, tranche de vie des pionniers du sous-sol, comblera d'aise leurs frères spéléologues et constitue un documentaire et un témoignage saisissants et instructifs pour les profanes. | Etat : Bon état général, couverture un peu défraîchie (Ref.: G7552)
Dupuis
1969, Dupuis, in-4 cartonné de 94 pages, collection Terre entière, couverture illustrée en couleurs, nombreuses illustrations couleurs de R.F. Follet, préface de Norbert Casteret. Ce précieux album, tranche de vie des pionniers du sous-sol, comblera d'aise leurs frères spéléologues et constitue un documentaire et un témoignage saisissants et instructifs pour les profanes. | Etat : Très bon état général (Ref.: G3444)
Dupuis
1962, Editions France-Empire, grand in-12 broché de 270 pages, couverture illustrée en couleurs, nombreuses illustrations en noir et blanc | Etat : bon état général, coiffes très légèrement usées (Ref.: ref80033)
éditions France-Empire
1989, imprimerie du Var, in-8 brochés de 375, 456, 452 et 458 pages, rééditition à 300 exemplaires de l'édition de 1886. Première partie : depuis les origines de la ville jusqu'à la réunion définitive de la Provence à la France (1487) (1er & 2ème tomes), depuis la réunion de la Provence à la France (1487) jusqu'à la révolution (1789) (3ème & 4ème tomes). | Etat : Très bon état général (Ref.: K553)
imprimerie du Var
Ph. N. Lottin 1736 En faveur des pauvres, et particulièrement des Gens de la Campagne. Première année sur les Evangiles. 1736, Ph. N. Lottin, Paris. in-12 cuir brun, 5 nerfs, caissons, dorures. | Etat : Etat moyen; coins émoussés, accroc haut du dos et charnière du premier plat. (Ref.: JN124)
Vigot éditions 1991 1991, Vigot éditions, in-8 broché de 158 pages, collection Sport+enseignement, couverture illustrée en couleurs, 37 figures noir et blanc. | Etat : Bon état général, couverture légèrement défraichie (Ref.: ref6869)
Guy Trédaniel éditeur 1987 1987, Guy Trédaniel éditeur, in-8 broché de 256 pages, couverture illustrée couleurs, préface du Docteur Raoul-François Vidal. Un vertigineux itinéraire aboutissant à l'évocation de ce que sera l'homme de demain, cet homme dont le regard physique se double d'un regard psychique d'une portée hallucinante. | Etat : Très bon état général (Ref.: Ref7161)
novembre 1981, autrement, in-8 broché de 234 pages, couverture illustrée, photographies noir et blanc. | Etat : Bon état général, quelques mots soulignés au crayon de couleur, écriture au stylo violet sur la première page (Ref.: ref9369)
autrement
1943, Le Mans, imprimerie Ch.Monnoyer, in-8 broché de 4 pages, figures noir et blanc, dédicacé par l'auteur. | Etat : Assez bon état général (Ref.: ref83169)
imprimerie Ch.Monnoyer
(Berlin, Haude et Spencer, 1770). 4to. No wrappers, as issued in ""Memoires de l'Academie Royale des Sciences et Belles Lettres"", tome XIX. Pp. 421-438. Very nice and clean.
The rare first printing of one of the few of Lambert's philosophical works that appeared within his life-time. This is one of the three philosophical papers that he published in ""Nova acta Eruditorum"", which are of varying philosophical content.The present work played a significant role in the rediscovery within philosophy of the concept of the ""sublime"", the foundational concept which was so famously treated by Kant in his third Critique (of Judgment). Neither the idea of the beautiful nor of the sublime was novel in the 18th century, as the distinction between the two had already been made in ancient philosophy. However, for several centuries, aesthetics had been dominated by the question of the beautiful, and it was only around Kant's and Lambert's time that the sublime had become a topic of interest again - this time primarily as the sublime in nature. When Lambert thus discusses the sublime in the present article, it is probable that his conception of it can have influenced Kant and his exposition in the ""Critique of Judgment"", which appeared a couple of decades later. ""Kant himself recognized Lambert as a philosopher of the highest qualities"" and he expected much from his critical attitude. He had drafted a dedication of the ""Critique of Pure Reason"" to Lambert, but Lambert's untimely death prevented its inclusion.Lambert's place in the history of philosophy, however, should not be seen only in its relation to Kant. The genesis of his philosophical ideas dates from a time when Kant's major works had yet to be conceived. It was the philosophical doctrines of Leibniz, Christian Wolff, and Locke that exerted the more important influence - insofar as one can speak of influence with a self-taught and wayward man such as Lambert... The two main aspects of Lambert's philosophy, the analytic and the constructive were both strongly shaped by mathematical notions"" hence logic played an important part in his philosophical writing. Following Leibnitz' ideas, Lambert early tried to create and ""ars characteristic conbinatoria"", or a logical or conceptual calculus. He investigated the conditions to which scientific knowledge must be subjected if it is to enjoy the same degree of exactness and evidence as mathematical knowledge..."" (D.S.B. VII:597).
Leipzig, Johann Wendler, 1764. 8vo. Non-uniformely bound. Vol 1: Completely uncut in the original cardboard-binding. Some wear to capitals and hinges. Internally a bit of minor occasional brownspotting. (18), 592 pp. Vol 2: 19th century marbled paper-binding with red gilt title-label to spine. Wear to extremities. Only light occasional brownspotting. (2), 435, (1).
The very rare first edition of Lambert's seminal main philosophical work, the work which coined the term ""phenomenology"". ""Neues Organon"" is a work of breakthrough that came to, directly or indirectly, influence almost all later philosophy, also that of Kant.Today, Johann Heinrich Lambert arguably mostly remembered as one of the greatest mathematicians and logicians of his time. However, a true polymath, he also played a dominant role in the development of 18th century philosophy, primarily with his philosophical magnum opus ""Neues Organon"", in which he set out to provide a better methodology for philosophy, with the aid of mathematics. As such, he is considered a path-breaker of Rationalism and one of the most important predecessors of Kant, who knew him well and admired him greatly"" the two corresponded frequently. ""Kant himself recognized Lambert as a philosopher of the highest qualities"" and he expected much from his critical attitude. He had drafted a dedication of the ""Critique of Pure Reason"" to Lambert, but Lambert's untimely death prevented its inclusion.Lambert's place in the history of philosophy, however, should not be seen only in its relation to Kant. The genesis of his philosophical ideas dates from a time when Kant's major works had yet to be conceived. It was the philosophical doctrines of Leibniz, Christian Wolff, and Locke that exerted the more important influence - insofar as one can speak of influence with a self-taught and wayward man such as Lambert... The two main aspects of Lambert's philosophy, the analytic and the constructive were both strongly shaped by mathematical notions"" hence logic played an important part in his philosophical writing. Following Leibnitz' ideas, Lambert early tried to create an ""ars characteristic conbinatoria"", or a logical or conceptual calculus. He investigated the conditions to which scientific knowledge must be subjected if it is to enjoy the same degree of exactness and evidence as mathematical knowledge... In ""Neues Organon"" he next developed the idea of a characteristic language of symbols to avoid ambiguities of everyday language"" and finally, in the most original part of his work called """"Phänomenologie,"" he discussed appearance and gave rules for distinguishing false (or subjective) appearance from a true (or objective) one that is not susceptible to sensory illusions."" (D.S.B. VII:597).
Augspurg, Eberhard Kletts Wittib., 1761. Contemporary white-dyed sheepskin. Spine with a bit of surface wear, old hand-written paper-label to spine. XXVIII, 317 pp. A stamp inside front free end-paper. Light browning, scattered marginal brownspots, but in general a fine copy. A few leaves in ""Vorrede"" misbound.
The scarce first edition of Lambert's sensational ""Cosmological Letters"", his most important astronomical work, in which he to a large extent fore-shadowed the documentation of the basic features of the universe that Hershel later carried out.The work became very popular and was translated into French, Russian, and English, and it was later re-written and published as ""Systeme du Monde"" in Berlin, 1770. ""Of special interest among Lambert's astronomical writings - apart from applications of his physical doctrines - are his famous Cosmologische Briefe über die Einrichtung des Weltbaues"" (Augsburg, 1761).Not familiar with the similar ideas of Thomas Wright (1750) and with Kant's ""Allgemeine Naturgeschichte und Theorie des Himmels"" (1755), Lambert had the idea that what appears as the Milky Way might be the visual effect of a lens-shaped universe. On this basis he elaborated a theory according to which the thousand of stars surrounding the sun constituted a system. Moreover he considered the Milky Way as a large number of such systems, that is, a system of higher order…"" the ""Cosmologische Briefe was a great sensation and was translated into French, Russian, and English. Only when William Hershel systematically examined the heavens telescopically and discovered numerous nebulae and ""telescopic milky-ways"" did it become obvious that Lambert's description was not mere science fiction but to a large extent a bold vision of the basic features of the universe"" (Scriba in D.S.B. VII:598). Kant's mentor (Martin Knutzen) died in 1755, three years before the pre-critical project unfolded. But Kant still had the chance of meeting kindred spirits. One of these was the great philosopher and mathematician Johann Heinrich Lambert, whom he admired a great deal. Finally he had encountered a thinker who appreciated both the scientific and metaphysical perspective, who worried about their tensions, and who was searching for a truce. In his ""Cosmologische Briefe…"" (Cosmological Letters on the establishment of the universe), Lambert worked on the same topic as Kant had worked on in his earlier Universal Natural History. The tasks and results of both works resemble each other, in so far as they were both proposals of integrating Newtonian physics into a larger framework, and they both contained a theory of the dynamic constitution of the universe. Furthermore, as Kant's scientific works should be viewed under the perspective of his general philosophical outlook, so must Lambert's work in physics and astronomy be seen in relation to his general philosophical outlook and his perpetual quest for introducing mathematical exactness into the sciences. ""Lambert's efforts to improve communication and collaboration in astronomy were noteworthy. He promoted the publication of astronomical journals and founded ""Berliner astronomisches Jahrbuch oder Ephemeriden"". Many of the articles that he contributed to it were not published until after his death... He also favored the founding of the Berlin observatory. These suggestions, in line with Leibniz' far-reaching plans for international cooperation of scientific societies, inaugurated a new period of scientific teamwork."" (D.S.B., VII:598).
paris GEDALGE 1951 in-8 cartonnage illustré un volume, reliure bradel cartonnage monochrome grand in-octavo Editeur (18,6 x 26 cm), dos long décoré or, titre frappé or, dessin or (plaque spéciale Editeur) au centre du plat par Ray Lambert, recouvert d'une jaquette illustrée en couleurs par Ray Lambert (Jaquette renforcée au scotch au dos de la jaquette sans déchirure), orné d'un frontispice en couleur par Ray Lambert + 5 PLANCHES hors-texte EN COULEURS par Ray Lambert + 8 planches hors-texte en noir par Ray Lambert + 12 gravures in-texte en noir par Ray Lambert, 238 pages, 1951 Paris LIBRAIRIE GEDALGE Editeur,
Bel Exemplaire..... RARE.........en bon état (good condition). bon état
paris GEDALGE 1950 in-8 cartonnage illustré un volume, reliure bradel cartonnage monochrome grand in-octavo Editeur (18,6 x 26 cm), dos long décoré or, titre frappé or, dessin or (plaque spéciale Editeur) au centre du plat par Ray Lambert, recouvert d'une jaquette illustrée en couleurs par Ray Lambert, orné de 4 PLANCHES hors-texte EN COULEURS par Ray Lambert + 7 planches hors-texte en noir par Ray Lambert + 14 gravures in-texte en noir par Ray Lambert, 237 pages, sans date (1950) Paris ANCIENNE LIBRAIRIE GEDALGE Editeur,
Bel Exemplaire..... RARE.........en trés bon état (very good condition). en trés bon état
Paris DELAGRAVE 1936 1 in-12 demi-toile un volume, reliure demi-toile marron cartonnage illustré in-douze Editeur (hard-back editor in-12)(18,3 x 12 cm), dos long (spine without raised bands) avec étiquette de titre Editeur imprimée en bordeaux, 1er plat imprimé en bordeaux sur fond jaune et en jaune sur fond bordeaux et illustré en bordeaux par RAY-LAMBERT, toutes tranches lisses, Ex-Libris : cachet rond violet de l'Ecole Communale du 27 rue du Pré Saint-Gervais à Paris 19ème, en haut de la page de faux-titre, abondamment illustré (plentifully illustrated) de dessins in-texte en noir par RAY-LAMBERT, 271 pages, 1936 Paris Librairie DELAGRAVE Editeur,
Raylambert (ou Ray-Lambert à ses débuts) était un grand artiste normand hélas resté trop méconnu y compris par tous ceux qui l'ont tant apprécié alors qu'ils étaient sur les bancs de la petite école, ses merveilleux dessins si poétiques .....SUPERBES BOIS de Ray-Lambert. ........ RARE ............. en trés bon état (very good condition). bon état
Paris DELAGRAVE 1933 1 in-12 demi-toile un volume, reliure demi-toile bleue cartonnée in-douze éditeur (hard-back editor in-12)(12 x 18,2 c cm), dos long (spine without raised bands) titre imprimé en bleu clair sur etiquette crème, 1ère de couverture illustrée en couleurs par RAY-LAMBERT, toutes tranches lisses, abondamment illustré (plentifully illustrated) de trés nombreuses illustrations in-texte en noir par RAY-LAMBERT, 277 pages, 1933 Paris Librairie DELAGRAVE Editeur,
Raylambert (ou Ray-Lambert à ses débuts) était un grand artiste normand hélas resté trop méconnu y compris par tous ceux qui ont tant apprécié alors qu'ils étaient sur les bancs de la petite école, ses merveilleux dessins si poétiques .....SUPERBES BOIS de Ray-Lambert (Raylambert) ........RARE.............en trés bon état (very good condition). en trés bon état