Cartonnage de l'éditeur sous jaquette, 27X22 cm, 2007, 127 pages, nombreuses illustrations en noir et en couleurs, néo éditions. Très bon état.
Broché, 24X15 cm, 2010, 250 pages, illustrations en noir et en couleurs, éditions Grancher. Très bon état.
Broché, 24X16 cm, sans date, 487 pages, quelques illustrations en noir. Envoi de l'auteur, très bon état.
Cartonnage de l'éditeur, 29X23 cm, 1998, 95 pages, nombreuses illustrations en couleurs, éditions Nathan. Bon exemplaire.
Avec des poèmes de Euripide, Kabir, Tagore, W. der Vogelweide, Gongora, Schiller, Lenau, Nietzsche, Mallarmé, Claudel, Valéry, Rilke, Garcia Lorca, Erik Lindegren, Eluard, Aragon, Césaire. Choix et commentaire de Jean-Clarence Lambert.
Reference : 71116
(1965)
Paris, Falaize, 1965, in-12, broché, 76 pages. Très bon état.
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Paris Typographie Firmin Didot Frères, 1849, in-12, demi-chagrin à coins, tête dorée, 328p. Edition hors-commerce strictement limitée à 200 ex. Contient 150 fables. Quelques rousseurs. Né à Bruxelles le 13 mars 1780, membre de la Société de Littérature de Bruxelles.
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Paris NRF/ Gallimard/ Coll. Une oeuvre, un portrait n°3, 14 septembre 1945, in-12 (13,5x18,5cm), cartonnage éditeur, 71p. Bel exemplaire. Edition originale. Un des 1050 ex. sur châtaignier reliés d'après la maquette de Mario Prassinos. (n°142). Cf Huret. Les Cartonnages NRF, n° 297.
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Paris, Flammarion, 2003, in-8, broché, 290 pages. Bon état.
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Paris, Dervy, 1961, in-8, broché, 265 Bon état. Envoi de l'auteur.
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Paris, Calmann-Lévy, 1971, in-8, broché, 159 pages. Bon état.
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La Rochelle, Offset Astoul, 1981, 21x15cm oblong, agrafé, (22p.) Envirion 25 reproductions N/B. Très bon état.
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Sous la direction de Jean-Clarence Lambert.
Reference : 76680
(1991)
ISBN : 2729106960
Paris, Editions de la Différence, 1991, in-8, broché, 453 pages. Bon état. Pliure sur la 4e de couverture. Documents hors-texte.
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Félicien Champsaur. Illustrations couleurs de Bourdelle, Abel Faivre, Léandre, Maurice de Lambert, Robaudi, Paul Sain, Steinlen
Reference : 26157
(1902)
Paris, Albin Michel, 1902, in-8, Demi- chagrin, dos à 5 nerfs., 623 pages. Mors frottés. Intérieur bon.
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Alger, Fontaine. Coll. Liberté de l'Esprit, 1942, in-12, broché, 155p. Couverture très légèrement piquée (cf photo) sinon bel exemplaire, très frais.
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Préface de Jean-Clarence Lambert suivies de nombreux poèmes.
Reference : 76365
(1967)
Paris, André Balland 1967 Paris Relié 273 p. Nombreuses illustrations couleurs, 1967, in-12 à l'italienne, pleine toile rouge éditeur, sous rodhoïd, 273 pages. Bon état.
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Paris, Paul Wurtz Editeur, 1977, 215x200mm, broché, couvertures à rabats, 60p. Très bon état. Environ 40 illustrations. Eléments de biographie établie par Georges Didi-Huberman.
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Féraud, Louis. Textes de Michel Baraquand, Pierre-Yves Guillen, Gilles Lambert, Emma Staffelbach, Marie-José Treichler, André-François Villon, Hubertu
Reference : 3472
(1985)
ISBN : 2826400207
Friboug, Office du Livre, 1985, Relié-Jaquette éditeur., 156 pages. Bon état. Légère insolation sur la partie supérieure de la jaquette.
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GUILLEMINAULT Gilbert, JULLIAN Marcel, ELGEY G., ROBICHON J., FALK André, SENCHET Gabriel, ROBICHON Jacques, LAMBERT Gilles, BERLIOUX Monique, MANSON Anne, FALK André, BOURDREL Philippe, VIEL M.-J., CHARBONNEAU H.,
Reference : 13723
Cartonnage orné de l'éditeur, signet, 20X17 cm, 1962, 453 pages, photos en noir, un des 5000 exemplaires numérotés, le meilleur livre de luxe, C.A.L. Bon exemplaire.
(Berlin, Haude et Spencer, 1770). 4to. No wrappers, as issued in ""Memoires de l'Academie Royale des Sciences et Belles Lettres"", tome XIX. Pp. 421-438. Very nice and clean.
The rare first printing of one of the few of Lambert's philosophical works that appeared within his life-time. This is one of the three philosophical papers that he published in ""Nova acta Eruditorum"", which are of varying philosophical content.The present work played a significant role in the rediscovery within philosophy of the concept of the ""sublime"", the foundational concept which was so famously treated by Kant in his third Critique (of Judgment). Neither the idea of the beautiful nor of the sublime was novel in the 18th century, as the distinction between the two had already been made in ancient philosophy. However, for several centuries, aesthetics had been dominated by the question of the beautiful, and it was only around Kant's and Lambert's time that the sublime had become a topic of interest again - this time primarily as the sublime in nature. When Lambert thus discusses the sublime in the present article, it is probable that his conception of it can have influenced Kant and his exposition in the ""Critique of Judgment"", which appeared a couple of decades later. ""Kant himself recognized Lambert as a philosopher of the highest qualities"" and he expected much from his critical attitude. He had drafted a dedication of the ""Critique of Pure Reason"" to Lambert, but Lambert's untimely death prevented its inclusion.Lambert's place in the history of philosophy, however, should not be seen only in its relation to Kant. The genesis of his philosophical ideas dates from a time when Kant's major works had yet to be conceived. It was the philosophical doctrines of Leibniz, Christian Wolff, and Locke that exerted the more important influence - insofar as one can speak of influence with a self-taught and wayward man such as Lambert... The two main aspects of Lambert's philosophy, the analytic and the constructive were both strongly shaped by mathematical notions"" hence logic played an important part in his philosophical writing. Following Leibnitz' ideas, Lambert early tried to create and ""ars characteristic conbinatoria"", or a logical or conceptual calculus. He investigated the conditions to which scientific knowledge must be subjected if it is to enjoy the same degree of exactness and evidence as mathematical knowledge..."" (D.S.B. VII:597).
Leipzig, Johann Wendler, 1764. 8vo. Non-uniformely bound. Vol 1: Completely uncut in the original cardboard-binding. Some wear to capitals and hinges. Internally a bit of minor occasional brownspotting. (18), 592 pp. Vol 2: 19th century marbled paper-binding with red gilt title-label to spine. Wear to extremities. Only light occasional brownspotting. (2), 435, (1).
The very rare first edition of Lambert's seminal main philosophical work, the work which coined the term ""phenomenology"". ""Neues Organon"" is a work of breakthrough that came to, directly or indirectly, influence almost all later philosophy, also that of Kant.Today, Johann Heinrich Lambert arguably mostly remembered as one of the greatest mathematicians and logicians of his time. However, a true polymath, he also played a dominant role in the development of 18th century philosophy, primarily with his philosophical magnum opus ""Neues Organon"", in which he set out to provide a better methodology for philosophy, with the aid of mathematics. As such, he is considered a path-breaker of Rationalism and one of the most important predecessors of Kant, who knew him well and admired him greatly"" the two corresponded frequently. ""Kant himself recognized Lambert as a philosopher of the highest qualities"" and he expected much from his critical attitude. He had drafted a dedication of the ""Critique of Pure Reason"" to Lambert, but Lambert's untimely death prevented its inclusion.Lambert's place in the history of philosophy, however, should not be seen only in its relation to Kant. The genesis of his philosophical ideas dates from a time when Kant's major works had yet to be conceived. It was the philosophical doctrines of Leibniz, Christian Wolff, and Locke that exerted the more important influence - insofar as one can speak of influence with a self-taught and wayward man such as Lambert... The two main aspects of Lambert's philosophy, the analytic and the constructive were both strongly shaped by mathematical notions"" hence logic played an important part in his philosophical writing. Following Leibnitz' ideas, Lambert early tried to create an ""ars characteristic conbinatoria"", or a logical or conceptual calculus. He investigated the conditions to which scientific knowledge must be subjected if it is to enjoy the same degree of exactness and evidence as mathematical knowledge... In ""Neues Organon"" he next developed the idea of a characteristic language of symbols to avoid ambiguities of everyday language"" and finally, in the most original part of his work called """"Phänomenologie,"" he discussed appearance and gave rules for distinguishing false (or subjective) appearance from a true (or objective) one that is not susceptible to sensory illusions."" (D.S.B. VII:597).
Augspurg, Eberhard Kletts Wittib., 1761. Contemporary white-dyed sheepskin. Spine with a bit of surface wear, old hand-written paper-label to spine. XXVIII, 317 pp. A stamp inside front free end-paper. Light browning, scattered marginal brownspots, but in general a fine copy. A few leaves in ""Vorrede"" misbound.
The scarce first edition of Lambert's sensational ""Cosmological Letters"", his most important astronomical work, in which he to a large extent fore-shadowed the documentation of the basic features of the universe that Hershel later carried out.The work became very popular and was translated into French, Russian, and English, and it was later re-written and published as ""Systeme du Monde"" in Berlin, 1770. ""Of special interest among Lambert's astronomical writings - apart from applications of his physical doctrines - are his famous Cosmologische Briefe über die Einrichtung des Weltbaues"" (Augsburg, 1761).Not familiar with the similar ideas of Thomas Wright (1750) and with Kant's ""Allgemeine Naturgeschichte und Theorie des Himmels"" (1755), Lambert had the idea that what appears as the Milky Way might be the visual effect of a lens-shaped universe. On this basis he elaborated a theory according to which the thousand of stars surrounding the sun constituted a system. Moreover he considered the Milky Way as a large number of such systems, that is, a system of higher order…"" the ""Cosmologische Briefe was a great sensation and was translated into French, Russian, and English. Only when William Hershel systematically examined the heavens telescopically and discovered numerous nebulae and ""telescopic milky-ways"" did it become obvious that Lambert's description was not mere science fiction but to a large extent a bold vision of the basic features of the universe"" (Scriba in D.S.B. VII:598). Kant's mentor (Martin Knutzen) died in 1755, three years before the pre-critical project unfolded. But Kant still had the chance of meeting kindred spirits. One of these was the great philosopher and mathematician Johann Heinrich Lambert, whom he admired a great deal. Finally he had encountered a thinker who appreciated both the scientific and metaphysical perspective, who worried about their tensions, and who was searching for a truce. In his ""Cosmologische Briefe…"" (Cosmological Letters on the establishment of the universe), Lambert worked on the same topic as Kant had worked on in his earlier Universal Natural History. The tasks and results of both works resemble each other, in so far as they were both proposals of integrating Newtonian physics into a larger framework, and they both contained a theory of the dynamic constitution of the universe. Furthermore, as Kant's scientific works should be viewed under the perspective of his general philosophical outlook, so must Lambert's work in physics and astronomy be seen in relation to his general philosophical outlook and his perpetual quest for introducing mathematical exactness into the sciences. ""Lambert's efforts to improve communication and collaboration in astronomy were noteworthy. He promoted the publication of astronomical journals and founded ""Berliner astronomisches Jahrbuch oder Ephemeriden"". Many of the articles that he contributed to it were not published until after his death... He also favored the founding of the Berlin observatory. These suggestions, in line with Leibniz' far-reaching plans for international cooperation of scientific societies, inaugurated a new period of scientific teamwork."" (D.S.B., VII:598).
paris GEDALGE 1951 in-8 cartonnage illustré un volume, reliure bradel cartonnage monochrome grand in-octavo Editeur (18,6 x 26 cm), dos long décoré or, titre frappé or, dessin or (plaque spéciale Editeur) au centre du plat par Ray Lambert, recouvert d'une jaquette illustrée en couleurs par Ray Lambert (Jaquette renforcée au scotch au dos de la jaquette sans déchirure), orné d'un frontispice en couleur par Ray Lambert + 5 PLANCHES hors-texte EN COULEURS par Ray Lambert + 8 planches hors-texte en noir par Ray Lambert + 12 gravures in-texte en noir par Ray Lambert, 238 pages, 1951 Paris LIBRAIRIE GEDALGE Editeur,
Bel Exemplaire..... RARE.........en bon état (good condition). bon état
paris GEDALGE 1950 in-8 cartonnage illustré un volume, reliure bradel cartonnage monochrome grand in-octavo Editeur (18,6 x 26 cm), dos long décoré or, titre frappé or, dessin or (plaque spéciale Editeur) au centre du plat par Ray Lambert, recouvert d'une jaquette illustrée en couleurs par Ray Lambert, orné de 4 PLANCHES hors-texte EN COULEURS par Ray Lambert + 7 planches hors-texte en noir par Ray Lambert + 14 gravures in-texte en noir par Ray Lambert, 237 pages, sans date (1950) Paris ANCIENNE LIBRAIRIE GEDALGE Editeur,
Bel Exemplaire..... RARE.........en trés bon état (very good condition). en trés bon état
INCISIONE: Litografia con coloritura coeva all'acquarello AUTORE: Lambert, Lambert su disegno di Turpin ATLANTE: Flore medicinale - Paris, Panckoucke 1814 DIMENSIONI FOGLIO: cm 22x12,5 DIMENSIONI INCISIONE: cm 15,5x9,5 EPOCA: 1814 CONDIZIONI: buone condizioni Quest'opera imponente era corredata da centinaia di incisioni che rappresentavano tutto il mondo animale e vegetale. L'opera deriva da un eccellente lavoro di luminari del XVIII secolo supportati dal Re francese Louis XV in seguito guidati dallo stesso Turpin, considerato al tempo il più grande incisore di botanica. La maggior parte delle incisioni sono firmate Turpin & Pretre. Carta bianchissima e resistente di ottima qualità.ENGRAVING: Lythograph with coeval colouring with acquarello painting AUTHOR: Lambert, Lambert after Turpin ATLAS: Flore medicinale - Paris, Panckoucke 1814 SIZE OF PAGE:cm 22x12,5 SIZE OF THE ENGRAVING:cm 15,5x9 PERIOD: 1814 CONDITIONS: good conditions This imponent work was made up of different volumes and contained hundreds of engravings that represented all the plant and animal kingdom. This work derives from an excellent work of luminaries of the 18th century supported by the french King Louis XV and then directed by the same Turpin that was considered as the greatest botanical engraver of his time. Very white strong paper of good quality