2952 books for « lambert m »Edit

‎L'eunuque aux trois joyaux. collectionneur et esthetes chinois (Editions Vilo)‎

‎Office du livre / Vilo 1984 239 pages in4. 1984. cartonnage editeur avec jaquette. 239 pages. Ouvrage d'art et d'histoire culturelle consacré aux collectionneurs et esthètes chinois richement illustré avec 176 reproductions en couleur et noir et blanc. Publié en 1984 il s'agit d'une édition de qualité en français sur le thème de l'art et de la collection en Chine‎

‎Très bon état‎

‎Le Siège de Paris‎

‎Calmann-Lévy 1965 348 pages in8. 1965. broché. 348 pages.‎

‎Bon état‎

‎Titanic 2012‎

‎Hachette 1999 233 pages 2x22x14cm. 1999. Broché. 233 pages.‎

‎Bon état‎

‎Versailles et les deux Trianons. Texte par Philippe GILLE, de l'Institut. Relevés et Dessins par Marcel LAMBERT, Architecte des Domaines de Versailles et des Trianons (2 volumes).‎

‎Tours, Edition Nationale, Maison Mame et Fils, 1899, 2 volumes grands et forts in-folio demi-chagrin rouge à coins, dos 5 nerfs, lettres et fleurons dorés, têtes dorées. 1Er plats d'origine conservés (illustrés en couleurs). 2 ff., xv-308 pp & 2 ff., 297 pp. Tome 1 : illustré de 38 planches hors texte, dont certaines en couleurs, dont des plans (dont un plan en double page) et un portrait de Louis XIV en frontispice, d'après H. Rigaud, gravé à l'eau forte par Deblois et de très nombreuses illustrations dans le texte, dont nombreuses en couleurs. Tome 2 : Illustré de 37 planches hors texte, dont certaines en couleurs, y compris en double page, un portrait de Louis XV en frontispice, d'après Van Loo, gravé à l'eau-forte par Deblois, et de très nombreuses illustrations dans le texte (dont nombreuses en couleurs). Planches et illustrations in-texte en couleurs aquarellées par Albert CHARPENTIER. Poids environ 10 kg. Couvertures avec des frottements (un manque de cuir en coiffe, plusieurs manques de papiers sur les plats) sinon en bon état. Intérieursavec des rousseurs régulières, sinon en bon état.‎

‎Petite mythologie galante à l'usage des Dames. Les Dieux Majeurs. Ouvrage très utile, composé, orné, illustré et enrichi de savantes dissertations par André Lambert.‎

‎Paris, Devambez, Paris, Devambez1928 ; in-4 oblong, en ff. sous couverture impr. rempliée, étui-chemise en cartonnage d’éditeur, étiquette sur le plat. 32 feuillets non chiffrés et 13 planches.ÉDITION ORIGINALE ET PREMIER TIRAGE des 13 eaux-fortes en couleurs montrant des scènes de “Mythologie galante”. Superbe réalisation typographique imprimée dans des encadrements de couleurs, ornée des bandeaux, lettrines et culs-de-lampe. Les 13 chapitres et les 13 planches qui les illustrent se rapportent chacun à un dieu de la mythologie grecque et latine : Jupiter (Zeus) - Junon (Héra) - Neptune (Poséidon) - Pluton - Cérès - Minerve - Vénus - Vulcain - Mars - Apollon - Mercure - Diane - Bacchus, Amour, Psyché. Les illustrations sont finement gravés dans des médaillons, elles montrent ces dieux dans des scènes plus ou moins érotiques. Tirage à 401 exemplaires, celui-ci un des 350 sur vélin d’Arches (240). Bel exemplaire.‎

‎Eugène LAMBERT‎

‎"Extrait des ""Artistes Modernes"" 1881, format in-4, 3 pages de texte (première page ornementée par G. Fraipont) suivies d'une gravure pleine page en bistre et accompagné d'une gravure hors-texte reproduisant une toile (photogravure, sous serpente légendée). " Quelques rousseurs sinon bon état.‎

‎Tornade sur halmahera‎

‎Librairie Jules Tallandier 1980 216 pages in8. 1980. Reliure editeur cartonnée. 216 pages.‎

‎Bon état‎

‎La corde était coupée‎

‎Éditions robert laffont 1971 230 pages in8. 1971. Broché couverture rempliée. 230 pages.‎

‎Bon état‎

‎Dictionnaire français de Médecine et de Biologie. COMPLET EN 20 FASCICULES.‎

‎Paris, Masson & Cie, 1981, 2e tirage complété. COMPLET en 20 FASCICULES in-4 brochés. 130 à 200 pp par fascicule, texte sur 2 et 3 colonnes. Couverture en bon état, intérieur en très bon état.‎

‎CONTES ET NOUVELLES EN VERS. Tome 2. ‎

‎Paris, Leclere, 1862, in-8 broché, 207 pp. Vignettes (gravées par Duplessis-Bertaux) dans le texte en tête des contes. Tiré à 100 exemplaires. Non rogné, grandes marges conservées. Dos manquant (très fendillé), plats en bon état (mais séparés), intérieur en très bon état.‎

‎MANUEL PRATIQUE DE LA PEINTURE SUR PORCELAINE.‎

‎Paris, CELIV, 1990, in-8 oblong demi-reliure toile de l'éditeur, 111 pp. Illustrations. Couverture en bon état, intérieur en très bon état.‎

‎PARCS NATURELS REGIONAUX. Une autre vie s'invente ici.‎

‎Rustica éditions, Fler, 2007, in-4 cartonnage sous jaquette illustrée, 222 pp, illustrations. TRES BON ETAT‎

‎POETIQUE DE LA DANSE D'EURIPIDE A LORCA.‎

‎Falaize, 1955, in-12 broché, 76 pp. Non coupé. Nombreux autres ouvrages disponibles sur la musique classique: Voir la catégorie Musique (ou recherche par auteur/compositeur). TRES BON ETAT‎

‎ELEGIAS E OUTROS POEMAS‎

‎GLADIO. 3e ed. 1964, in-8 broché, 68 pp, envoi de l'auteur. Couverture en bon état, intérieur en très bon état. ‎

‎REQUIEM E VI CANCOES DE MORTE PARA UM PILOTO DO MAR DAS ANTILHAS.‎

‎Livraria tavares Martins, . 3e ed. 1965, in-8 broché, 23 pp, non coupé, envoi de l'auteur. TRES BON ETAT.‎

‎Les fédérations en Franche-Comté‎

‎Paris, Perrin et Cie, Paris, Perrin et Cie1890 ; in-8° br. 116p. Les fédérations et la fête du 14 juillet 1790‎

‎Sur l’existence de l’étage Valengien et sur l’ocillation barrémienne dans l’Aube et dans l’Yonne avec des observations sur les echinides de ces étages.‎

‎Troyes, Nouel et Paton, Troyes, Nouel et Paton1916 ; plaquette in-8, brochée, couverture imprimée. 78 pp.Rare tiré à part des Mémoires de la Société Académique de l’Aube. ‎

‎Échinides néogènes des Antilles Anglaises.‎

‎Troyes, Nouel et Paton, Troyes, Nouel et Paton1915 ; plaquette in-8, brochée, couverture jaune imprimée. 19 pp., 1 planche hors-texte.Rare tiré à part des Mémoires de la Société Académique de l’Aube. ‎

‎Histoire de la ville de Mussy-L'Evêque (Aube).‎

‎Chaumont, Impr. Cavaniol, 1878; grand in-8, demi-chagrin brun, non rogn., couv. ( Laurenchet). 2 ff., V pp., 637 pp.- EDITION ORIGINALE. L'auteur est né à Mussy en 1786. Remarquable travail d'historien et d'architecte. Histoire très complète de cette cité depuis l'antiquité gauloise, sous la domination romaine, sous le gouvernement des Bourguignons, des comtes de Champagne, sous la Révolution.- Usages, superstitions, patois- Institutions, droits, magistratures, anciens seigneurs, chanoines, grenier à sel, maladrerie, léproserie, château et évêques, gouverneurs, chasse et pêche, usine, résidence des juifs à Mussy.- Statistique, topographie, monuments, établissements publics, foires et marchés, armoiries, églises, curés, écoles.- Biographie des hommes illustres.- La dernière partie donne les preuves justificatives. Exemplaire bien relié.‎

‎Observations sur quelques dimensions du monde intellectual.‎

‎(Berlin, Haude et Spencer, 1770). 4to. No wrappers, as issued in ""Memoires de l'Academie Royale des Sciences et Belles Lettres"", tome XIX. Pp. 421-438. Very nice and clean.‎

‎The rare first printing of one of the few of Lambert's philosophical works that appeared within his life-time. This is one of the three philosophical papers that he published in ""Nova acta Eruditorum"", which are of varying philosophical content.The present work played a significant role in the rediscovery within philosophy of the concept of the ""sublime"", the foundational concept which was so famously treated by Kant in his third Critique (of Judgment). Neither the idea of the beautiful nor of the sublime was novel in the 18th century, as the distinction between the two had already been made in ancient philosophy. However, for several centuries, aesthetics had been dominated by the question of the beautiful, and it was only around Kant's and Lambert's time that the sublime had become a topic of interest again - this time primarily as the sublime in nature. When Lambert thus discusses the sublime in the present article, it is probable that his conception of it can have influenced Kant and his exposition in the ""Critique of Judgment"", which appeared a couple of decades later. ""Kant himself recognized Lambert as a philosopher of the highest qualities"" and he expected much from his critical attitude. He had drafted a dedication of the ""Critique of Pure Reason"" to Lambert, but Lambert's untimely death prevented its inclusion.Lambert's place in the history of philosophy, however, should not be seen only in its relation to Kant. The genesis of his philosophical ideas dates from a time when Kant's major works had yet to be conceived. It was the philosophical doctrines of Leibniz, Christian Wolff, and Locke that exerted the more important influence - insofar as one can speak of influence with a self-taught and wayward man such as Lambert... The two main aspects of Lambert's philosophy, the analytic and the constructive were both strongly shaped by mathematical notions"" hence logic played an important part in his philosophical writing. Following Leibnitz' ideas, Lambert early tried to create and ""ars characteristic conbinatoria"", or a logical or conceptual calculus. He investigated the conditions to which scientific knowledge must be subjected if it is to enjoy the same degree of exactness and evidence as mathematical knowledge..."" (D.S.B. VII:597). ‎

‎Neues Organon oder Gedanken über die Erforschung und Bezeichnung des Wahren und dessen Unterscheidung vom Irrtum und Schein. 2 Bde. - [COINING ""PHENOMENOLOGY""]‎

‎Leipzig, Johann Wendler, 1764. 8vo. Non-uniformely bound. Vol 1: Completely uncut in the original cardboard-binding. Some wear to capitals and hinges. Internally a bit of minor occasional brownspotting. (18), 592 pp. Vol 2: 19th century marbled paper-binding with red gilt title-label to spine. Wear to extremities. Only light occasional brownspotting. (2), 435, (1).‎

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‎The very rare first edition of Lambert's seminal main philosophical work, the work which coined the term ""phenomenology"". ""Neues Organon"" is a work of breakthrough that came to, directly or indirectly, influence almost all later philosophy, also that of Kant.Today, Johann Heinrich Lambert arguably mostly remembered as one of the greatest mathematicians and logicians of his time. However, a true polymath, he also played a dominant role in the development of 18th century philosophy, primarily with his philosophical magnum opus ""Neues Organon"", in which he set out to provide a better methodology for philosophy, with the aid of mathematics. As such, he is considered a path-breaker of Rationalism and one of the most important predecessors of Kant, who knew him well and admired him greatly"" the two corresponded frequently. ""Kant himself recognized Lambert as a philosopher of the highest qualities"" and he expected much from his critical attitude. He had drafted a dedication of the ""Critique of Pure Reason"" to Lambert, but Lambert's untimely death prevented its inclusion.Lambert's place in the history of philosophy, however, should not be seen only in its relation to Kant. The genesis of his philosophical ideas dates from a time when Kant's major works had yet to be conceived. It was the philosophical doctrines of Leibniz, Christian Wolff, and Locke that exerted the more important influence - insofar as one can speak of influence with a self-taught and wayward man such as Lambert... The two main aspects of Lambert's philosophy, the analytic and the constructive were both strongly shaped by mathematical notions"" hence logic played an important part in his philosophical writing. Following Leibnitz' ideas, Lambert early tried to create an ""ars characteristic conbinatoria"", or a logical or conceptual calculus. He investigated the conditions to which scientific knowledge must be subjected if it is to enjoy the same degree of exactness and evidence as mathematical knowledge... In ""Neues Organon"" he next developed the idea of a characteristic language of symbols to avoid ambiguities of everyday language"" and finally, in the most original part of his work called """"Phänomenologie,"" he discussed appearance and gave rules for distinguishing false (or subjective) appearance from a true (or objective) one that is not susceptible to sensory illusions."" (D.S.B. VII:597). ‎

‎Cosmologische Briefe über die Einrichtung des Weltbaues. - [PRE-ESTABLISHING THE BASIC FEATURES OF THE UNIVERSE]‎

‎Augspurg, Eberhard Kletts Wittib., 1761. Contemporary white-dyed sheepskin. Spine with a bit of surface wear, old hand-written paper-label to spine. XXVIII, 317 pp. A stamp inside front free end-paper. Light browning, scattered marginal brownspots, but in general a fine copy. A few leaves in ""Vorrede"" misbound.‎

‎The scarce first edition of Lambert's sensational ""Cosmological Letters"", his most important astronomical work, in which he to a large extent fore-shadowed the documentation of the basic features of the universe that Hershel later carried out.The work became very popular and was translated into French, Russian, and English, and it was later re-written and published as ""Systeme du Monde"" in Berlin, 1770. ""Of special interest among Lambert's astronomical writings - apart from applications of his physical doctrines - are his famous Cosmologische Briefe über die Einrichtung des Weltbaues"" (Augsburg, 1761).Not familiar with the similar ideas of Thomas Wright (1750) and with Kant's ""Allgemeine Naturgeschichte und Theorie des Himmels"" (1755), Lambert had the idea that what appears as the Milky Way might be the visual effect of a lens-shaped universe. On this basis he elaborated a theory according to which the thousand of stars surrounding the sun constituted a system. Moreover he considered the Milky Way as a large number of such systems, that is, a system of higher order…"" the ""Cosmologische Briefe was a great sensation and was translated into French, Russian, and English. Only when William Hershel systematically examined the heavens telescopically and discovered numerous nebulae and ""telescopic milky-ways"" did it become obvious that Lambert's description was not mere science fiction but to a large extent a bold vision of the basic features of the universe"" (Scriba in D.S.B. VII:598). Kant's mentor (Martin Knutzen) died in 1755, three years before the pre-critical project unfolded. But Kant still had the chance of meeting kindred spirits. One of these was the great philosopher and mathematician Johann Heinrich Lambert, whom he admired a great deal. Finally he had encountered a thinker who appreciated both the scientific and metaphysical perspective, who worried about their tensions, and who was searching for a truce. In his ""Cosmologische Briefe…"" (Cosmological Letters on the establishment of the universe), Lambert worked on the same topic as Kant had worked on in his earlier Universal Natural History. The tasks and results of both works resemble each other, in so far as they were both proposals of integrating Newtonian physics into a larger framework, and they both contained a theory of the dynamic constitution of the universe. Furthermore, as Kant's scientific works should be viewed under the perspective of his general philosophical outlook, so must Lambert's work in physics and astronomy be seen in relation to his general philosophical outlook and his perpetual quest for introducing mathematical exactness into the sciences. ""Lambert's efforts to improve communication and collaboration in astronomy were noteworthy. He promoted the publication of astronomical journals and founded ""Berliner astronomisches Jahrbuch oder Ephemeriden"". Many of the articles that he contributed to it were not published until after his death... He also favored the founding of the Berlin observatory. These suggestions, in line with Leibniz' far-reaching plans for international cooperation of scientific societies, inaugurated a new period of scientific teamwork."" (D.S.B., VII:598). ‎

‎ÂME D'ENFANT‎

‎ paris GEDALGE 1951 in-8 cartonnage illustré un volume, reliure bradel cartonnage monochrome grand in-octavo Editeur (18,6 x 26 cm), dos long décoré or, titre frappé or, dessin or (plaque spéciale Editeur) au centre du plat par Ray Lambert, recouvert d'une jaquette illustrée en couleurs par Ray Lambert (Jaquette renforcée au scotch au dos de la jaquette sans déchirure), orné d'un frontispice en couleur par Ray Lambert + 5 PLANCHES hors-texte EN COULEURS par Ray Lambert + 8 planches hors-texte en noir par Ray Lambert + 12 gravures in-texte en noir par Ray Lambert, 238 pages, 1951 Paris LIBRAIRIE GEDALGE Editeur, ‎

‎Bel Exemplaire..... RARE.........en bon état (good condition). bon état ‎

‎POUM, AVENTURES D'UN PETIT GARCON ‎

‎ paris GEDALGE 1950 in-8 cartonnage illustré un volume, reliure bradel cartonnage monochrome grand in-octavo Editeur (18,6 x 26 cm), dos long décoré or, titre frappé or, dessin or (plaque spéciale Editeur) au centre du plat par Ray Lambert, recouvert d'une jaquette illustrée en couleurs par Ray Lambert, orné de 4 PLANCHES hors-texte EN COULEURS par Ray Lambert + 7 planches hors-texte en noir par Ray Lambert + 14 gravures in-texte en noir par Ray Lambert, 237 pages, sans date (1950) Paris ANCIENNE LIBRAIRIE GEDALGE Editeur, ‎

‎Bel Exemplaire..... RARE.........en trés bon état (very good condition). en trés bon état ‎

‎AGARIC DU MELESE AGARIC AMADOUVIER‎

‎INCISIONE: Litografia con coloritura coeva all'acquarello AUTORE: Lambert, Lambert su disegno di Turpin ATLANTE: Flore medicinale - Paris, Panckoucke 1814 DIMENSIONI FOGLIO: cm 22x12,5 DIMENSIONI INCISIONE: cm 15,5x9,5 EPOCA: 1814 CONDIZIONI: buone condizioni Quest'opera imponente era corredata da centinaia di incisioni che rappresentavano tutto il mondo animale e vegetale. L'opera deriva da un eccellente lavoro di luminari del XVIII secolo supportati dal Re francese Louis XV in seguito guidati dallo stesso Turpin, considerato al tempo il più grande incisore di botanica. La maggior parte delle incisioni sono firmate Turpin & Pretre. Carta bianchissima e resistente di ottima qualità.ENGRAVING: Lythograph with coeval colouring with acquarello painting AUTHOR: Lambert, Lambert after Turpin ATLAS: Flore medicinale - Paris, Panckoucke 1814 SIZE OF PAGE:cm 22x12,5 SIZE OF THE ENGRAVING:cm 15,5x9 PERIOD: 1814 CONDITIONS: good conditions This imponent work was made up of different volumes and contained hundreds of engravings that represented all the plant and animal kingdom. This work derives from an excellent work of luminaries of the 18th century supported by the french King Louis XV and then directed by the same Turpin that was considered as the greatest botanical engraver of his time. Very white strong paper of good quality‎