2988 books for « lambert j m »Edit

‎Œuvres morales de la Mise de Lambert.précédées d’une étude critique par M.de Lescure. Frontispice gravé par Lalauze.‎

‎ Paris,Librairie des Bibliophiles,1883 ; in-12°,demi-toile rouge à la bradel,titre doré sur étaiquette noire au dos,tête dorée,couverture imprimée et dos conservés(un peu pousiéreux); 2ff.,XLVIIIpp.,176pp.,2ff.;reliure lun peu passée au dos;marge externe du faux titre poussiéreuse, sinon bon état.Exemplaire non rogné.‎

‎Collection “Bibliothèque des Dames” tirée à petit nombre,ici 1 des 20 exemplaires sur Whatman avec une triple épreuve du frontispice gravé par Lalauze.(Gr) ‎

‎Nouveau vocabulaire de la langue française, extrait du dictionnaire de l'Académie et des meilleurs auteurs modernes...‎

‎ 1829 Lyon, Lambert-Gentot, 1829, fort volume in 8° relié pleine basane brune de l'époque, dos lisse orné, XVI-862 pages ; texte sur deux colonnes ; reliure frottée et manipulée ; exemplaire de travail, intérieur frais. ‎

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‎Florise Bonheur, par Adolphe Brisson. Dessins de Géo DUPUIS. .......... Relié à la suite : Les soirées de Calibangrève, par Emile Bergerat. Illustrations par Maurice de LAMBERT.‎

‎ 1902 P., Flammarion, sans date (1902), in 12, XI-328 pages ; couverture illustrée en couleurs. Et P., Flammarion (Bibliothèque d'Eté), sans date (1892), in 12, VI-340 pages ; couverture illustrée. Deux ouvrages reliés en un volume, demi basane bleue, dos lisse, plats supérieurs de couverture illustrés conservés. ‎

‎Editions originales ...................... Photos sur demande .......................... ‎

‎Lettres inédites à Emile Zola publiées et annotées par Pierre Lambert avec une introduction de Pierre Cogny.‎

‎ 1953 Genève, Droz, 1953, in 12, broché, XXXI-156 pages. ‎

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‎Maisons de Campagne et Villas. Dessins et relevés de Th. Lambert,architecte. Ensemble , Détails, Prix de revient.‎

‎ Paris, Charles Schmid , éditeur, sans date (1889) ; in-folio en feuilles sous portefeuille gris-bleu, imprimé en noir,avec rubans de fermeture bleus; 2 feuillets de texte et 48 planches hors texte.Portefeuille un peu poussiéreux et jauni, petites salissures en bordure de quelques feuillets planches avec très petit manque en marge d' une planche, mais exemplaire très correct.‎

‎Exemplaire bien complet des 48 planches, chaque maison ou villa photographiée et héliogravée est située et avec sur la planche suivante le détail des plans de chaque étage.( Reu-CH1 ) ‎

‎Observations sur quelques dimensions du monde intellectual.‎

‎(Berlin, Haude et Spencer, 1770). 4to. No wrappers, as issued in ""Memoires de l'Academie Royale des Sciences et Belles Lettres"", tome XIX. Pp. 421-438. Very nice and clean.‎

‎The rare first printing of one of the few of Lambert's philosophical works that appeared within his life-time. This is one of the three philosophical papers that he published in ""Nova acta Eruditorum"", which are of varying philosophical content.The present work played a significant role in the rediscovery within philosophy of the concept of the ""sublime"", the foundational concept which was so famously treated by Kant in his third Critique (of Judgment). Neither the idea of the beautiful nor of the sublime was novel in the 18th century, as the distinction between the two had already been made in ancient philosophy. However, for several centuries, aesthetics had been dominated by the question of the beautiful, and it was only around Kant's and Lambert's time that the sublime had become a topic of interest again - this time primarily as the sublime in nature. When Lambert thus discusses the sublime in the present article, it is probable that his conception of it can have influenced Kant and his exposition in the ""Critique of Judgment"", which appeared a couple of decades later. ""Kant himself recognized Lambert as a philosopher of the highest qualities"" and he expected much from his critical attitude. He had drafted a dedication of the ""Critique of Pure Reason"" to Lambert, but Lambert's untimely death prevented its inclusion.Lambert's place in the history of philosophy, however, should not be seen only in its relation to Kant. The genesis of his philosophical ideas dates from a time when Kant's major works had yet to be conceived. It was the philosophical doctrines of Leibniz, Christian Wolff, and Locke that exerted the more important influence - insofar as one can speak of influence with a self-taught and wayward man such as Lambert... The two main aspects of Lambert's philosophy, the analytic and the constructive were both strongly shaped by mathematical notions"" hence logic played an important part in his philosophical writing. Following Leibnitz' ideas, Lambert early tried to create and ""ars characteristic conbinatoria"", or a logical or conceptual calculus. He investigated the conditions to which scientific knowledge must be subjected if it is to enjoy the same degree of exactness and evidence as mathematical knowledge..."" (D.S.B. VII:597). ‎

‎Neues Organon oder Gedanken über die Erforschung und Bezeichnung des Wahren und dessen Unterscheidung vom Irrtum und Schein. 2 Bde. - [COINING ""PHENOMENOLOGY""]‎

‎Leipzig, Johann Wendler, 1764. 8vo. Non-uniformely bound. Vol 1: Completely uncut in the original cardboard-binding. Some wear to capitals and hinges. Internally a bit of minor occasional brownspotting. (18), 592 pp. Vol 2: 19th century marbled paper-binding with red gilt title-label to spine. Wear to extremities. Only light occasional brownspotting. (2), 435, (1).‎

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‎The very rare first edition of Lambert's seminal main philosophical work, the work which coined the term ""phenomenology"". ""Neues Organon"" is a work of breakthrough that came to, directly or indirectly, influence almost all later philosophy, also that of Kant.Today, Johann Heinrich Lambert arguably mostly remembered as one of the greatest mathematicians and logicians of his time. However, a true polymath, he also played a dominant role in the development of 18th century philosophy, primarily with his philosophical magnum opus ""Neues Organon"", in which he set out to provide a better methodology for philosophy, with the aid of mathematics. As such, he is considered a path-breaker of Rationalism and one of the most important predecessors of Kant, who knew him well and admired him greatly"" the two corresponded frequently. ""Kant himself recognized Lambert as a philosopher of the highest qualities"" and he expected much from his critical attitude. He had drafted a dedication of the ""Critique of Pure Reason"" to Lambert, but Lambert's untimely death prevented its inclusion.Lambert's place in the history of philosophy, however, should not be seen only in its relation to Kant. The genesis of his philosophical ideas dates from a time when Kant's major works had yet to be conceived. It was the philosophical doctrines of Leibniz, Christian Wolff, and Locke that exerted the more important influence - insofar as one can speak of influence with a self-taught and wayward man such as Lambert... The two main aspects of Lambert's philosophy, the analytic and the constructive were both strongly shaped by mathematical notions"" hence logic played an important part in his philosophical writing. Following Leibnitz' ideas, Lambert early tried to create an ""ars characteristic conbinatoria"", or a logical or conceptual calculus. He investigated the conditions to which scientific knowledge must be subjected if it is to enjoy the same degree of exactness and evidence as mathematical knowledge... In ""Neues Organon"" he next developed the idea of a characteristic language of symbols to avoid ambiguities of everyday language"" and finally, in the most original part of his work called """"Phänomenologie,"" he discussed appearance and gave rules for distinguishing false (or subjective) appearance from a true (or objective) one that is not susceptible to sensory illusions."" (D.S.B. VII:597). ‎

‎Cosmologische Briefe über die Einrichtung des Weltbaues. - [PRE-ESTABLISHING THE BASIC FEATURES OF THE UNIVERSE]‎

‎Augspurg, Eberhard Kletts Wittib., 1761. Contemporary white-dyed sheepskin. Spine with a bit of surface wear, old hand-written paper-label to spine. XXVIII, 317 pp. A stamp inside front free end-paper. Light browning, scattered marginal brownspots, but in general a fine copy. A few leaves in ""Vorrede"" misbound.‎

‎The scarce first edition of Lambert's sensational ""Cosmological Letters"", his most important astronomical work, in which he to a large extent fore-shadowed the documentation of the basic features of the universe that Hershel later carried out.The work became very popular and was translated into French, Russian, and English, and it was later re-written and published as ""Systeme du Monde"" in Berlin, 1770. ""Of special interest among Lambert's astronomical writings - apart from applications of his physical doctrines - are his famous Cosmologische Briefe über die Einrichtung des Weltbaues"" (Augsburg, 1761).Not familiar with the similar ideas of Thomas Wright (1750) and with Kant's ""Allgemeine Naturgeschichte und Theorie des Himmels"" (1755), Lambert had the idea that what appears as the Milky Way might be the visual effect of a lens-shaped universe. On this basis he elaborated a theory according to which the thousand of stars surrounding the sun constituted a system. Moreover he considered the Milky Way as a large number of such systems, that is, a system of higher order…"" the ""Cosmologische Briefe was a great sensation and was translated into French, Russian, and English. Only when William Hershel systematically examined the heavens telescopically and discovered numerous nebulae and ""telescopic milky-ways"" did it become obvious that Lambert's description was not mere science fiction but to a large extent a bold vision of the basic features of the universe"" (Scriba in D.S.B. VII:598). Kant's mentor (Martin Knutzen) died in 1755, three years before the pre-critical project unfolded. But Kant still had the chance of meeting kindred spirits. One of these was the great philosopher and mathematician Johann Heinrich Lambert, whom he admired a great deal. Finally he had encountered a thinker who appreciated both the scientific and metaphysical perspective, who worried about their tensions, and who was searching for a truce. In his ""Cosmologische Briefe…"" (Cosmological Letters on the establishment of the universe), Lambert worked on the same topic as Kant had worked on in his earlier Universal Natural History. The tasks and results of both works resemble each other, in so far as they were both proposals of integrating Newtonian physics into a larger framework, and they both contained a theory of the dynamic constitution of the universe. Furthermore, as Kant's scientific works should be viewed under the perspective of his general philosophical outlook, so must Lambert's work in physics and astronomy be seen in relation to his general philosophical outlook and his perpetual quest for introducing mathematical exactness into the sciences. ""Lambert's efforts to improve communication and collaboration in astronomy were noteworthy. He promoted the publication of astronomical journals and founded ""Berliner astronomisches Jahrbuch oder Ephemeriden"". Many of the articles that he contributed to it were not published until after his death... He also favored the founding of the Berlin observatory. These suggestions, in line with Leibniz' far-reaching plans for international cooperation of scientific societies, inaugurated a new period of scientific teamwork."" (D.S.B., VII:598). ‎

‎ÂME D'ENFANT‎

‎ paris GEDALGE 1951 in-8 cartonnage illustré un volume, reliure bradel cartonnage monochrome grand in-octavo Editeur (18,6 x 26 cm), dos long décoré or, titre frappé or, dessin or (plaque spéciale Editeur) au centre du plat par Ray Lambert, recouvert d'une jaquette illustrée en couleurs par Ray Lambert (Jaquette renforcée au scotch au dos de la jaquette sans déchirure), orné d'un frontispice en couleur par Ray Lambert + 5 PLANCHES hors-texte EN COULEURS par Ray Lambert + 8 planches hors-texte en noir par Ray Lambert + 12 gravures in-texte en noir par Ray Lambert, 238 pages, 1951 Paris LIBRAIRIE GEDALGE Editeur, ‎

‎Bel Exemplaire..... RARE.........en bon état (good condition). bon état ‎

‎POUM, AVENTURES D'UN PETIT GARCON ‎

‎ paris GEDALGE 1950 in-8 cartonnage illustré un volume, reliure bradel cartonnage monochrome grand in-octavo Editeur (18,6 x 26 cm), dos long décoré or, titre frappé or, dessin or (plaque spéciale Editeur) au centre du plat par Ray Lambert, recouvert d'une jaquette illustrée en couleurs par Ray Lambert, orné de 4 PLANCHES hors-texte EN COULEURS par Ray Lambert + 7 planches hors-texte en noir par Ray Lambert + 14 gravures in-texte en noir par Ray Lambert, 237 pages, sans date (1950) Paris ANCIENNE LIBRAIRIE GEDALGE Editeur, ‎

‎Bel Exemplaire..... RARE.........en trés bon état (very good condition). en trés bon état ‎

‎AGARIC DU MELESE AGARIC AMADOUVIER‎

‎INCISIONE: Litografia con coloritura coeva all'acquarello AUTORE: Lambert, Lambert su disegno di Turpin ATLANTE: Flore medicinale - Paris, Panckoucke 1814 DIMENSIONI FOGLIO: cm 22x12,5 DIMENSIONI INCISIONE: cm 15,5x9,5 EPOCA: 1814 CONDIZIONI: buone condizioni Quest'opera imponente era corredata da centinaia di incisioni che rappresentavano tutto il mondo animale e vegetale. L'opera deriva da un eccellente lavoro di luminari del XVIII secolo supportati dal Re francese Louis XV in seguito guidati dallo stesso Turpin, considerato al tempo il più grande incisore di botanica. La maggior parte delle incisioni sono firmate Turpin & Pretre. Carta bianchissima e resistente di ottima qualità.ENGRAVING: Lythograph with coeval colouring with acquarello painting AUTHOR: Lambert, Lambert after Turpin ATLAS: Flore medicinale - Paris, Panckoucke 1814 SIZE OF PAGE:cm 22x12,5 SIZE OF THE ENGRAVING:cm 15,5x9 PERIOD: 1814 CONDITIONS: good conditions This imponent work was made up of different volumes and contained hundreds of engravings that represented all the plant and animal kingdom. This work derives from an excellent work of luminaries of the 18th century supported by the french King Louis XV and then directed by the same Turpin that was considered as the greatest botanical engraver of his time. Very white strong paper of good quality‎

‎CONTES DES CENT UN MATINS. Livre de Lecture destiné au cours élémentaire et au cours moyen (1er degré), illustrations de Raylambert (1936)‎

‎Paris DELAGRAVE 1936 1 in-12 demi-toile un volume, reliure demi-toile marron cartonnage illustré in-douze Editeur (hard-back editor in-12)(18,3 x 12 cm), dos long (spine without raised bands) avec étiquette de titre Editeur imprimée en bordeaux, 1er plat imprimé en bordeaux sur fond jaune et en jaune sur fond bordeaux et illustré en bordeaux par RAY-LAMBERT, toutes tranches lisses, Ex-Libris : cachet rond violet de l'Ecole Communale du 27 rue du Pré Saint-Gervais à Paris 19ème, en haut de la page de faux-titre, abondamment illustré (plentifully illustrated) de dessins in-texte en noir par RAY-LAMBERT, 271 pages, 1936 Paris Librairie DELAGRAVE Editeur, ‎

‎Raylambert (ou Ray-Lambert à ses débuts) était un grand artiste normand hélas resté trop méconnu y compris par tous ceux qui l'ont tant apprécié alors qu'ils étaient sur les bancs de la petite école, ses merveilleux dessins si poétiques .....SUPERBES BOIS de Ray-Lambert. ........ RARE ............. en trés bon état (very good condition). bon état ‎

‎LES YEUX CLAIRS - Livre de Lecture Courante pour le Cours Moyen (C.E.P.)‎

‎Paris DELAGRAVE 1933 1 in-12 demi-toile un volume, reliure demi-toile bleue cartonnée in-douze éditeur (hard-back editor in-12)(12 x 18,2 c cm), dos long (spine without raised bands) titre imprimé en bleu clair sur etiquette crème, 1ère de couverture illustrée en couleurs par RAY-LAMBERT, toutes tranches lisses, abondamment illustré (plentifully illustrated) de trés nombreuses illustrations in-texte en noir par RAY-LAMBERT, 277 pages, 1933 Paris Librairie DELAGRAVE Editeur, ‎

‎Raylambert (ou Ray-Lambert à ses débuts) était un grand artiste normand hélas resté trop méconnu y compris par tous ceux qui ont tant apprécié alors qu'ils étaient sur les bancs de la petite école, ses merveilleux dessins si poétiques .....SUPERBES BOIS de Ray-Lambert (Raylambert) ........RARE.............en trés bon état (very good condition). en trés bon état ‎

‎Le Conte de l'Oiseau rouge. Féérie en deux tableaux avec neuf gravures sur bois originales (poirier en taille directe).‎

‎ 1932 Paris, Les Ecrivains Indépendants, Librairie Piton, sans date (vers 1932), in 8 broché, 50 pages. ‎

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‎Les Etats-Unis. Bilan en 1939.‎

‎ 1939 Paris, Bloud et Gay, 1939, in 8 broché, 309 pages. ‎

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‎Gide familier.‎

‎ 1958 P., Julliard, 1958, in 8, broché, 203 pages. ‎

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‎La route d'émeraude.‎

‎ 2011 Paris, First, 2011, in 8° broché, 367 pages ; couvetrure illustrée. ‎

‎Exemplaire enrichi d'un envoi autographe signé sur la première garde. ...................... Photos sur demande .......................... ‎

‎Avant-premières à l'Everset. Introduction du Dr Ed. Wyss-Dunant. Ouvrage orné de 36 héliogravures hors-texte. Cartes et dessins en 2 couleurs.‎

‎ 1953 P. et Grenoble, Arthaud (Collection Sempervivum), 1953, in 8° broché, 310 pages ; quelques rousseurs ; légères traces de scotch sur les gardes. ‎

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‎Rue des salauds.‎

‎ 2012 Paris, Grimal, 2012, in 8° broché, 285 pages ; couverture illustrée. ‎

‎"Une balade historique sur les traces de ces hommes peu recommandables qui ont donné leurs noms aux rues de Paris". ...................... Photos sur demande .......................... ‎

‎Auguste Mariette ou l'Egypte ancienne sauvée des sables.‎

‎ 1997 Paris, Lattès, 1997, in 8° broché, 316 pages ; couverture illustrée ; illustrations hors-texte. ‎

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‎Dossiers d'Accusation. Bousquet - Papon - Touvier.‎

‎ 1990 P., Editions de la Fédération Nationale des Déportés et Internés Resistants et Patriotes, sans date (1990), in 8° broché, 331 pages ; couvetrure illustrée. ‎

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‎Traité sur le ver à soie du murier et sur le murier. Avec 3 planches hors-texte et 169 figures dans le texte.‎

‎ 1905 Montpellier, Coulet, sans date (1905), fort in 8° broché, IX-622 pages (en grande partie non coupé) ; discrètes taches sur la plat supérieur. ‎

‎Bel exemplaire. ...................... Photos sur demande .......................... ‎

‎Les noms de famille en Rhône-Alpes. Histoires et anecdotes.‎

‎ 2001 Paris, Archives et Culture, 2001, in 8° broché, 383 pages ; couverture illustrée. ‎

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‎Nouveau système de crédit privé ou Mémoire explicatif pour servir à l'établissement de la Société d'Avances Mutuelles sur Garantie, suivi de ses statuts, de leur developpement, des statuts de ses comptoirs et d'un rapport sur la situation de la société au 1er janvier 1826. 2e édition.‎

‎ 1826 Paris, Direction de la Société, 1826, in 8° relié demi-toile noire à coins, dos lisse muet (reliure modeste), VIII-267 pages. ‎

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‎Record à l'Himalaya. Préface de Maurice Herzog.‎

‎ 1955 Paris, France Empire, 1955, in 8° broché, 315 pages ; illustrations hors-texte ; jaquette illustrée en couleurs. ‎

‎Première édition (Perret, II, 2457). ...................... Photos sur demande .......................... ‎