KREN (Thomas), TEVIORDALE (Elizabeth C.), COHEN (Adam S.) et BARSTOW (Kurtis).
Reference : 1341954
P., Thames & Hudson, 1998, in-4, bradel cart. gris décoré et jaquette éd., 128 pp., plus de 50 ill. en couleurs à pleine page, glossaire, index. (S4B87E)
Collection de cinquante-trois manuscrits provenant de France, d'Italie, de Belgique, d'Allemagne, d'Angleterre, d'Espagne, de Pologne et des pays de la Méditerranée orientale couvrant la période du Xème au XVIème siècle.
Kren, Thomas and Scot McKendrick: Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe. Exhibition: London, Royal Academy and Los Angeles, Getty Museum, 2003. c.480pp with 201 colour and 215 monochrome illustrations. Paperback. 31x23.5cms. Focuses on the zenith of Flemish illustrated manuscript production. Spanning the period between 1467 when Charles the Bold began his reign, to 1561, artists featured include Simon Marmion, Gerard David, Simon Bening and Gerard Horenbout. Discusses both secular and religious manuscripts, placing them in the wider context of contemporary visual arts.
Focuses on the zenith of Flemish illustrated manuscript production. Spanning the period between 1467 when Charles the Bold began his reign, to 1561, artists featured include Simon Marmion, Gerard David, Simon Bening and Gerard Horenbout. Discusses both secular and religious manuscripts, placing them in the wider context of contemporary visual arts. Text in English
The British Library Publishing Division 1983 210 pages 30 8x2x22 8cm. 1983. Broché. 210 pages.
Bon Etat de conservation intérieur propre légères rousseurs sur la tranhe dos insolé
Los Angeles, J. Paul Getty Museum, (2004). Large 4to. Orig. full cloth with d/j. 575 pp. Richly illustrated, partly in colour. Clean and fine.
Teviotdale Elizabeth C. Kren Thomas Cohen Adam S. Barstow Kurtis
Reference : 227715
(1998)
ISBN : 9782878111316
Thames & Hudson 1998 138 pages in4. 1998. Relié jaquette. 138 pages.
comme neuf
.: Los Angeles, Getty Foundation, 2003, in-4°, xv + 575 pp, index, bibliography, coloured ills. red publisher's cloth with dustjacket. Fine copy, published on the occasion of an exhibition at the Paul Getty foundation and in London at the Royal Academy.
Thomas Kren; Scot McKendrick; Catherine Reynolds; Brigitte Dekeyzer;
Reference : 55045
, Getty Trust Publications, 2004 Hardcover, 575 pages, English, 315 x 240 x 50 mm, In Good Condition !!, red cloth with goldcoloured imprint, illustrated dustjacket, with coloured / b/w illustrations. ISBN 9780892367030.
This comprehensive and richly illustrated catalogue focuses on the finest illustrated manuscripts produced in Europe during the great epoch in Flemish illumination. During this aesthetically fertile period - beginning in 1467 with the reign of the Burgundian duke Charles the Bold and ending in 1561 with the death of the artist Simon Bening - the art of book painting was raised to a new level of sophistication. Sharing inspiration with the celebrated panel painters of the time, illuminators achieved astonishing innovations in the handling of colour, light, texture, and space, creating a naturalistic style that would dominate tastes throughout Europe for nearly a century. Focusing on the notable artists of the period - Simon Marmion, the Vienna Master of Mary of Burgundy, Gerard David, Gerard Horenbout, Bening, and others - the catalogue examines both devotional and secular manuscript illumination within a broad context: the place of illuminators within the visual arts, including artistic exchange between book painters and panel painters; the role of court patronage and the emergence of personal libraries; and the international appeal of the new Flemish illumination style.