MORAR (Knight of, pseud. FRASER), CRUIKSHANK (George), DORE (Gustave)
Reference : 12708
Edinburgh and London, William Blackwood and Sons, 1869. In-8 carré, VII-(1)-166 pp., reliure de l'époque demi-cuir de Russie bleu marine à coins (Birdsall & Son, Northampton), dos orné, tête dorée (dos frotté et passé). Ex-libris illustré : Monique Cros. / Square 8vo, VII-(1)-166 p., contemporary half-binding (Birdsall & Son, Northampton) navy blue Russian leather (?), adorned back, t.e.g. (wear and sunning to the back). Illustrated ex-libris: Monique Cros.
Illustré de 4 tirages photographiques originaux, contrecollés hors-texte, reproduisant une oeuvre de Cruikshank et trois de Doré. Reliure signée Birdsall. / Illustrated with 4 original photographic prints, mounted, that reproduce one work by Cruikshank and three by Doré. Signed binding by Birdsall. * Voir photographies / See pictures. * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve.
London 1894 Longmans, Green, and co. Hardcover
Hardcover original red cloth of the publisher, 19 x 13 cm, XV + 528 pp. with a map and 54 illustrations, English, Illustrations, book condition: Very Good.
Max and Klammet, Gerhard KNIGHT, Friends of the Heart (Sous la direction de)
Reference : 137390
(1970)
Friends of the Heart 1970 Livre en anglais. In-folio relié 35 cm sur 26,5. 160 pages. Jaquette en assez bon état. Bon état d’occasion.
Bon état d’occasion
New Delhi, Madras, Asian Educational Services 1992 In-12 18,5 x 11,5 cm. Reliure éditeur simili-cuir bordeaux, dos lisse, report auteur & titre dorés sur le dos et le premier plat de couverture, frontispice, 72 pp. Exemplaire en très bon état.
Très bon état d’occasion
MOREAU (Charles), MALLET-STEVENS, BOIVENET, VIGROUX, LEBERT ET CHATENAY, BARRET (Maurice), BLOMME, POLLART, CREVEL (René), RENAUDOT (Lucie), DESCHANEL, DUSSOLIER, GUILLEMIN, KNIGHT (Charley), PASQUIER, LAPRADE ET BAZIN, REVENEL, PATOUT (Pierre), VIGNAL, HOUGUNADE, LABRO, DELAAGE, DENNERY, DESBOURS, GUINAND, CHEVOJON Frères, etc.
Reference : 13716
Paris, Editions d'Art Charles Moreau (impr. Faucheux et fils), s.d. In-4 oblong en ff. libres, (8) pp. de texte et 48 planches, sous portefeuille éditeur demi-toile (bords du portfolio légèrement frottés). Photographies de Chevojon frères.
Complet des 48 planches. Agréable exemplaire. * Voir photographies / See pictures. * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve.
Parragon 2001 In-4, cartonné illustré, sous jaquette illustrée, photographies en couleurs, 256 pp. En anglais. Jaquette un peu déchirée en deuxième de couverture.
Frank Lloyd Wright drew inspiration from his native midwestern prairie, and coaxed Americans out of their box-like houses and into wide-open living spaces that better suited their changing lifestyles. Bon état d’occasion
Rockport Publishers 2008 In-4 relié 26 cm sur 23. 192 pages. Très bon état d’occasion.
Très bon état d’occasion
schott music In-4 relié. Jaquette en très bon état. État correct d’occasion.
Etat correct d’occasion
Firebird Books 1994 In-8 relié. Très bon état d’occasion.
Très bon état d’occasion
Marabout 2008 In-8 broché 23 cm sur 18,4. 328 pages. Très bon état d’occasion.
Très bon état d’occasion
Shakespeare William ; Knight Wilson G ; Salingar Léo (préface) ; Lees F. N (notice)
Reference : 112973
(1963)
Club français du livre 1963 Complet du tome 7. Édition bilingue français-anglais. In-8 reliure éditeur vert. Dos lisse avec pièce de titre dorée. 21,5 cm sur 15. XVII-887 pages. Bon état d’occasion.
Bon état d’occasion
Shakespeare William ; Knight Wilson G ; Jump J. D ; Cox R. G
Reference : 113093
(1958)
Formes et Reflets 1958 Complet du tome 5 seul. Livre bilingue français-anglais. In-8 reliure éditeur pleine peau suédine fauve. Dos lisse et plats ornés de filets dorés. 21,5 cm sur 14,5. XV-1701 pages. Bon état d’occasion.
La meilleure édition bilingue jamais parue (texte français avec original anglais en regard). Texte composé en caractère elzévir d’après les maquettes de Jacques Daniel et tiré sur papier Bible. Reliure par Engel, à Malakoff. Bon état d’occasion
Eric losfeld sd Fac-simile de l’édition de Londres imprime en 1786. 222 pp + 40 planches.
Bon état d’occasion
Londres, John Murray, s.d. [1840] In-plano, 30 pl. dont titre, demi-basane brune de l'époque, plats de papier gaufré brun dos lisse orné de filets dorés (épidermures, petits manques, rousseurs).
Première et unique édition de ce recueil de gravures d'architecture sicilienne. Il comprend 30 planches, la plupart tirées en noir et sépia, sauf pour trois d'entre elles qui sont en couleurs. Ce recueil est le fruit d'un long voyage d'Henry Gally Night en Sicile dont le but était d'étudier les traces d'architectures normandes antérieures aux Croisades. Voir photographie(s) / See picture(s) * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve.
"KNIGHT, THOMAS ANDREW. - INTRODUCING GEOTROPISM IN PLANT GROWTH.
Reference : 46062
(1806)
(London, W. Bulmer and Co., 1806). 4to. No wrappers as extracted from ""Philosophical Transactions"" 1806. Pp. 99-108.
First apperance of a milestone paper in plant physiology as the concept of tropistic behaviour arose from the experiments described in this paper. Knight showed that forces, generated by means of a water-wheel, made roots and shoots of seedlings orient themselves to centrifugal forces, just as they do to gravity.Knight's investigations on geotropism ""enabled Knight to distinguish between geotropic and hydrotropic reactions of the root, and opened the whole question of tropic responses, of their physical basis and adaptive significance in the lfe of plants.""(Morton, ""History of Botanical Science"", p. 390.).""His most famous work was on what are now called geotropisms. In a letter read by Banks to the Royal Society in 1806, Knight described how he eliminated the influence of gravitation on germinating seeds: He attached them at various angles to the rim of a vertical wheel which was driven by a stream in his garden to revolve continuously at a rate of 150 r.p.m. As the germinating plants grew, each shoot was directed to the center of the wheel" when a shoot passed the center of the wheel its tip turned back so that growth was still centripetal" the roots grew away from the center. Next he set up a similar structure with the wheel horizontal and rotating at 250 r.p.m. so that the seedlings were influenced by both gravitation of the earth an the centrifugal force. In this case, growth was at an angle of 80° to the vertical, the shoot upward and inward, and the root downward and out. Reducing the rotation to 80 r.p.m. decreased the centrifugal force to such an extent that the plants grew at an angle of 45° to the vertical.""(DSB).
"KNIGHT, THOMAS ANDREW. - INTRODUCING GEOTROPISM IN PLANT GROWTH.
Reference : 46390
(1806)
(London, W. Bulmer and Co., 1806). 4to. No wrappers as extracted from ""Philosophical Transactions"" 1806. With titlepage to 1806, Part I. Pp. 99-108. With a stamp on verso of titlepage.
First apperance of a milestone paper in plant physiology as the concept of tropistic behaviour arose from the experiments described in this paper. Knight showed that forces, generated by means of a water-wheel, made roots and shoots of seedlings orient themselves to centrifugal forces, just as they do to gravity.Knight's investigations on geotropism ""enabled Knight to distinguish between geotropic and hydrotropic reactions of the root, and opened the whole question of tropic responses, of their physical basis and adaptive significance in the lfe of plants.""(Morton, ""History of Botanical Science"", p. 390.).""His most famous work was on what are now called geotropisms. In a letter read by Banks to the Royal Society in 1806, Knight described how he eliminated the influence of gravitation on germinating seeds: He attached them at various angles to the rim of a vertical wheel which was driven by a stream in his garden to revolve continuously at a rate of 150 r.p.m. As the germinating plants grew, each shoot was directed to the center of the wheel" when a shoot passed the center of the wheel its tip turned back so that growth was still centripetal" the roots grew away from the center. Next he set up a similar structure with the wheel horizontal and rotating at 250 r.p.m. so that the seedlings were influenced by both gravitation of the earth an the centrifugal force. In this case, growth was at an angle of 80° to the vertical, the shoot upward and inward, and the root downward and out. Reducing the rotation to 80 r.p.m. decreased the centrifugal force to such an extent that the plants grew at an angle of 45° to the vertical.""(DSB).
Drawings by Hilary Knight. Max Reinhardt. London. 1958. In-4 (28,5 x 20 cm). (68) pp (gardes comprises) : couvertures de papier toilé bleu, dos et premier plat estampé en or, jaquette en couleurs.
Première édition anglaise. Paris assiégé par la turbulente Eloise, cafés, baguette et Tour Eiffel croqués par Hilary Knight (né en 1926), talentueux illustrateur new-yorkais. Texte de Kay Thompson (1909-1998), agrémenté de joyeuses citations françaises.
Les Bingsters,Hélian Jacques - Freedman Max C.,de Knight Jimmy - Larue Jacques,de Knight Jimmy,Freedman Max C.
Reference : 98199
(1956)
S.E.M.I 1956
Bon état Format Coquille
Sheila - Knight Holly,Blue Amanda - Knight Holly,Blue Amanda
Reference : 71374
(1981)
Editions musicales Claude Pascal 1981
Bon état Format Coquille Piano
, Brepols, 2019 Hardback, xii + 353 pages, Size:156 x 234 mm, Illustrations:13 b/w, Language: English. ISBN 9782503574998.
Summary Pierre de la Ram e or Petrus Ramus (1515-1572) has long been a controversial figure in educational reform and innovation, from the moment of his first public academic statements in the 1530s, to his reception among scholars in the twentieth and twenty-first centuries. What is beyond dispute, however, is the vast reach of his influence throughout Europe. Ramus's ideas were disseminated through copious editions and translations of his own textbooks, and in wave after wave of adaptations and re-imaginings of his ideas that swept across the continent. This volume embarks on a European tour of Ramism, using a wide range of previously unpublished or untranslated archival evidence from throughout the continent to examine the dissemination of Ramus's works and his intellectual influence in geographic and in disciplinary terms. The ten chapters explore the spread of Ramism from his home country of France to Protestant strongholds in Germany, Holland, and Britain, and in the Catholic context of the Iberian peninsula. The book also examines Ramism in the less familiar territories (to most Anglophone readers) of Scandinavia and Hungary, and considers the preceding and contemporary Dutch and German educational reform movements from which Ramus borrowed to forge his own distinctive intellectual method. TABLE OF CONTENTS Notes on Contributors List of Illustrations Introduction - SARAH KNIGHT and EMMA ANNETTE WILSON Ramus and Humanist Pedagogy in the Language Arts - JUDITH RICE HENDERSON Ramus and Agricola - MARC VAN DER POEL The International Nature of Britannic Ramism - EMMA ANNETTE WILSON Ramus and the Teaching of Mathematics - ISABELLE PANTIN Teacher, Rival, Martyr: Ramus in French Literature and Thought - SARAH KNIGHT 'Reduced to Order' and 'Just for Show'? Ramus, Print, and Visual Aesthetics - RAPHAEL HALLETT Ramism in the North - GUNNAR HARDARSON The Reception and Influence of Ramism in Spain - ALFONSO MART N-JIM NEZ Hungarian and Transylvanian Ramism - G BOR KECSKEM TI Select Bibliography Index
, Brepols, 2020 Hardback, 248 pages, Size:156 x 234 mm, Illustrations:11 b/w, 3 tables b/w., 1 maps b/w, Language: English. ISBN 9782503585864.
Summary Medieval Icelandic literature has often been reduced to the supposedly realist slendingas gur and their main protagonists at the expense of other genres and characters. Indeed, such a focus obscures and erases the importance of those beings and narratives that move on the margins of mainstream culture - whether socially, ethnically, ontologically, or textually. This volume aims to offer a new perspective on a variety of theoretical and comparative approaches to explore depictions of alterity, monstrosity, and deviation. Engaging with the interplay of genre, character, text, and culture, and exploring questions of behavioural, socio-cultural, and textual alterity, these contributions examine subjects ranging from the study of fragmented and 'Othered' saga narratives, to attitudes towards foreign people and lands, and alterities in mythological and legendary texts. Together the papers effectively challenge long-held perceptions about the lack of ambiguity in medieval Icelandic literature, and offer a far more nuanced understanding of the importance of the 'Other' in that society. TABLE OF CONTENTS List of Illustrations Introduction: Old Norse Alterities in Contemporary Context - REBECCA MERKELBACH AND GWENDOLYNE KNIGHT Categorizing the Werewolf; or, the Peopleness of Shapeshifters - GWENDOLYNE KNIGHT Taming the Wolf: Reading Bisclaret in Light of Old Norse Kennings - MINJIE SU Between Myths and Legends: The Guises of Go mundr of Gl sisvellir - TOM GRANT AND JONATHAN Y. H. HUI 'The coarsest and worst of the slendinga Sagas': Approaching the Alterity of the 'Post-Classical' Sagas of Icelanders - REBECCA MERKELBACH Considering Otherness on the Page: How Do Lacunae Affect the Way We Interact with Saga Narrative? - JOANNE SHORTT BUTLER Surface, Rupture and Contextualities: Conflicting Voices of the Iberian 'Other/s' in Old Norse Literature - RODERICK W. MCDONALD Otherness Along the Austrvegr: Cultural Interaction Between the Rus' and the Turkic Nomads of the Steppe - CSETE KATONA The Man Who Seemed Like a Troll: Racism in Old Norse Literature - ARNGR MUR V DAL N Afterword: Otherness, Monstrosity and Deviation: The Perpetual Making of Identities - RMANN JAKOBSSON
Bradbury Wood 1942
Bon état Petit format Piano
London, Virtue & Co, n.d. (1873-76), in-folio. Volume 1: 800 p. + 26 engraved plates / Volume 2: 778 p. + 18 engraved plates, pages printed with double col., with usual aging to the paper, in all a clean and fresh copy, plates on heavy paper without stains, full brown morocco, richly gilt on spine and both covers, all edges gilt, a fine copy with only a few traces of use to the corners of the bindings, gilt edges.
A superb copy of this ‘Imperial edition’ with fine steel engravings with all the original tissue guards. The notes are revised by the great Shakespearian critic Charles Knight. Volume I: with a notice of the original editions of the plays. - Comedies - Histories. 1 frontispiece portrait + 1 engraved titlepage + 24 plates / Volume II: Histories - Tragedies - Poems - Plays ascribed to Shakespeare - A brief notice of opinion on the writing of Shakespeare - Indexes. 1 engraved title page + 17 plates. British Museum general catalogue of printed books vol. 220 (London 1964 ed.) col. 26. Image disp.
Phone number : 41 (0)26 3223808
Arché Milano 1987 In-8 carré ( 220 X 160 mm ) de 380 pages, broché sous couverture imprimée. 40 planches hors-texte. Très bel exemplaire, non coupé. +++C'est le premier livre traitant exclusivement du culte de Priape. En partant de la survivance d'un rituel phallique dans l'église d'lsernia ( Royaume de Naples ) observé à la fin du XVIIIe siècle, son auteur parcourt l'itinéraire de la religion phallique dans le monde ancien, un peu dans le goût des antiquarians anglais, en essayant de prouver que ce culte obscène est la représentation mystique et dégénérée d'une divinité qui à l'origine était le principe cosmique. [Caillet : "Très rare [.], détails sur les amulettes phalliques et sur le côté psychopathique et sexuel du Sabbat". Knight ( 1750-1824 ) joua un rôle politique actif ( il fut membre du Sénat et de la Royal Society ) amateur d'antiquités et notamment de numismatique, il voyagea beaucoup en Italie et fonda un Musée Phallique qui se trouve actuellement au British Museum. Après la première parution de son livre ( 1786 ), les violentes attaques puritaines de Mathias obligèrent Knight à en racheter tous les exemplaires pour les détruire.
Haley Bill - Freedman Max C.,de Knight Jimmy - de Knight Jimmy,Freedman Max C.
Reference : 94574
(1953)
Myers Music 1953
Bon état Format Américain Piano