Kjøbenhavn, P.G. Philipsen, 1841. 8vo. Elegant later (ca. 1920) brown half calf with four raised bands and gilt morocco title-label to gilt spine. With Paul Rubow's ownership signature to front free end-paper. Clean and fresh both in- and externally, with no signs of wear to the exterior and only faint brown spots to a few pages. (4), 350 pp.
First edition of Kierkegaard's dissertation, as it appeared in the normal trade, without the preliminary Theses, which were intended for academics attending the defence. Kierkegaard’s dissertation constitutes the culmination of three years’ intensive studies of Socrates and “the true point of departure for Kierkegaard’s authorship” (Brandes). The work is of the utmost importance in Kierkegaard’s production, not only as his first academic treatise, but also because he here introduces several themes that will be addressed in his later works. Among these we find the question of defining the subject of cognition and self-knowledge of the subject. The maxim of “know thyself” will be a constant throughout his oeuvre, as is the theory of knowledge acquisition that he deals with here. The dissertation is also noteworthy in referencing many of Hegel’s theses in a not negative context, something that Kierkegaard himself would later note with disappointment and characterize as an early, uncritical use of Hegel. Another noteworthy feature is the fact that the thesis is written in Danish, which was unheard of at the time. Kierkegaard felt that Danish was a more suitable language for the thesis and had to petition the King in order to gain permission to submit it in Danish rather than Latin. This in itself contains as certain irony, as the young Kierkegaard was known to express himself poorly and very long-winded in written Danish. Both stylistically and thematically, Kierkegaard’s dissertation is a seedbed of his subsequent work and especially a clear precursor for his magnum opus Either-Or that is to be his next publication. The year 1841 is a momentous one in Kierkegaard’s life. It is the year that he completes his dissertation and commences his sojourn in Berlin, but it is also the defining year in his personal life, namely the year that he breaks off his engagement with Regine Olsen. And finally, it is the year that he begins writing Either-Or In many ways, Either-Or is born directly out of “The Concept of Irony” and is the work that brings the theory of Irony to life. Part One of the dissertation concentrates on Socrates as interpreted by Xenophon, Plato, and Aristophanes, with a word on Hegel and Hegelian categories. Part Two is a more synoptic discussion of the concept of irony in Kierkegaard’s categories, with examples from other philosophers. The work constitutes Kierkegaard’s attempt at understanding the role of irony in disrupting society, and with Socrates understood through Kierkegaard, we witness a whole new way of interpreting the world open before us. Wisdom is not necessarily fixed, and we ought to use Socratic ignorance to approach the world without the inherited bias of our cultures. Kierkegaard's dissertation appeared in two states – one with the four pages of “Theses”, for academics of the university, whereas the copies without the theses were intended for ordinary sale. These sales copies also do not have “Udgivet for Magistergraden” and “theologisk Candidat” on the title-page. Himmelstrup 8.
Kjøbenhavn, 1843. 8vo. Contemporary dark brown half cloth with gilt lettering to spine. Capitals and a bit of the front hinge worn, but overall very nice and tight. Internally a bit of brownspotting (as always due to the quality of the paper), but less than usual. Old owner's signature to title-page. VIII, 135 pp.
First edition of one of Kierkegaard's most important and sought-after works, Fear and Trembling, which is rather more difficult to find than most of his other works. Fear and Trembling is one of Kierkegaard’s most important works. And it is also one of his most difficult. It deals – in forceful brevity – with the relationship between reason and faith and provides us with Kierkegaard’s most thorough exposition of the religious stage, which he considered the most meaningful form of existence. It is here that Kierkegaard introduces the “tragic hero” and contrasts it to the “Knight of Faith”, who both ignore their own wishes for a higher good. These two essential figures epitomize the ethical and the religious and pave the way for the understanding of these stages in Kierkegaard’s philosophy. It is arguably also here that the idea of the essential leap of faith is introduced for the first time. The Knight of Faith sacrifices his son at the command of God and thus sets aside an ethical demand in in order to attain a higher goal that exists beyond the ethical. This teleological suspension of the ethical requires a leap of faith that is only possible through faith in virtue of the absurd. Himmelstrup 48.
Kjøbenhavn, C.A. Reitzel, 1844. 8vo. A splendid copy in contemporary full cloth with blindstamped decorations to boards and gothic gilt lettering to spine. Light damp stains to back board and a bit of wear to capitals. Internally unusually nice and clean. 110, (1) pp. With an inscription for Josephine Bidoulac (later married to Welhaven), from Emil Wedel, to front fly-leaf. Pencil annotations by Jonas Skovgaard to front free end-paper.
The uncommon first edition, in a lovely copy, of Kierkegaard's most humorous work. Published simultaneously with The Concept of Anxiety, Prefaces can be viewed as its companion piece. It represents an altogether different genre, but the two fictional authors of the works interestingly contrast each other. Although having been eclipsed by the now notoriously famous Concept of Anxiety, Prefaces was in fact more popular when it appeared and sold many more copies. Written under the pseudonym of Nicolaus Notabene, the “author” name indicates that despite its humorous approach, Prefaces is still something serious – something to be noted. And it certainly is. It is here that we find Kierkegaard’s sarcastic roasting of the Hegelian system and of the Danish Hegelians with Johan Ludvig Heiberg as the main representant. Through Notabene, he makes fun of Heiberg and Hegel, who both want to explain everything and want to be mediators of understanding. Just as Hafniensis in The Concept on Anxiety poses that “how sin came into the world each man understands solely by himself. If he would learn it from another, he would misunderstand it” (p. 51), so Notabene in Prefaces states that “My frame, my health, my entire constitution do not lend themselves to mediation” (p. 45). In Prefaces we also find Kierkegaard’s thoughts about the relationship between the reading public and the author and his fierce criticism of literary critics and reviewers. And in the very amusing preface to the Prefaces, we are given another glimpse into Kierkegaard’s thoughts on marriage and the dilemma he found himself in with Regine – the inner struggle between he, who is the husband and he, who is the author can one be both? With its challenging notions on the idea of the book and the interaction of the book with its readers, his little ironic masterpiece is a clear forerunner of Postmodernism Himmelstrup 7.
Kjøbenhavn [Copenhagen], 1845. Lex8vo. Nice contemporary brown half cloth with gilt title to spine. Capitals worn and wear along upper front hinge. Corners worn. In spite of the wear, an attractive and tight copy. First and last leaves with a bit of brownspotting, otherwise only light occasional spotting. Old owner's signature to title-page. VIII, 383 pp.
First edition of one of Kierkegaard's main works, ""Stages on Life's Way"", his pivotal sequal to his main work, ""Either-Or"", in which he had presented the first two stages, the aesthetic and the ethical. In ""Stages on Life's Way"", he continues his work on these stages and moves on to present also the religious stage, which takes up ab. two thirds of the work. The religious stage is that in which man attains a personal relationship with God and that in which man only truly begins to exist, as the aesthetic and ethical stages are inadequate. It is in this foundational work, in the religious stage, that Kierkegaard first properly describes what is now known as the ""Leap of Faith"" (in fact a ""leap to faith""), namely the leap that involves willing and belief in stead of reason and knowledge, the leap that you make in order to connect to God and which requires that which he calls ""the suspension of the ethical"". Stages on Life’s Way is one of Kierkegaard’s most important works. Not only does it sum up and explain some of the most important themes of Kierkegaard’s previous works, utilizing the characters and pseudonymous authors of the earlier works to do so" it goes beyond these foundational themes, introduces the religious stage, and points to the further development of the central themes in Kierkegaard’s philosophy, most of which are only fully developed in Concluding Unscientific Postscript.
Kjøbenhavn, 1838. Ubeskåret, i et senere blankt omslag. Gennemgående skjold i øverste venstre hjørne, overvejende ganske svagt. Første og sidste blade mest påvirkede. X, 79pp.
Originaludgaven af Kierkegaards debut, -værket i hvilket han skarpt kritiserer H.C. Andersen, og i hvilket inspirationen fra Poul Martin Møller (til hvem han dedikerede værket ""Begrebet Angest"" - den eneste uden for familien, der er blevet beæret med en trykt dedikation af Kierkegaard) formenlig er tydeligst at spore. Den specielle titel kan med en vis rimelighed siges at hentyde til en villet videreførelse af den beundrede og på tidspunktet for udgivelsen netop afdøde Poul Martin Møllers nærmest upublicerede produktion. Den ""endnu Levende"" skulle således være ""Danmarks Gæde i Glæden over Danmark"", ""Mindet i den danske Sommer"", Poul Martin Møller, den mand, der ved sin person har inspireret Kierkegaard mere end nogen anden. Himmelstrup 6.Uncut in a very nice later halfleatherbdg. of dark red morocco w. green marbled paper and dark red gilt leather-title-label on front board. Gilt lines to back. (Oscar Jacobsen). Some brownspotting. X + 79pp.First edition of Kierkegaard's first work" -the work in which he sharply critisizes Hans Christian Andersen and ridicules the genre of fairy tales in general.
K., 1843-1845. 8vo. Smukt lidt senere hldrbd.m. rig rygforgyldn., ophøjet ""bind"", dannet af heftesnoren. 2. blad (indhold) repareret. Pp 1-50 m. svagt skjold for neden, ellers pæn. (Iv)+52+62+84+59+70+111pp.
Originaludgave. Himmelstrup 85.First edition of Kierkegaard's important eighteen upbuilding discourses, which comprise his two, three, and four upbuilding discourses from the years 1843-45, with the joint title-page of all eighteen. The work constitutes Kierkegaard's religious works, which supplement his theological and philosophical ones.The first upbuilding discourses were published the same year as Either-Or, and it is interesting to note that in opposition to his major philosophical works, the religious upbuilding discourses actually bear the name of the author on the title-page, -a fact that was by no means incidental. While the pseudonymous works could make one doubt the religiousness of the author, the parallelly written religious discourses stress the fact that we are dealing with an author, who was religious from the very beginning, -a fact that Kierkegaard also wished to establish himself"" in his journals he clearly states that the religious discourses bear as much significance for his work as a whole as do the larger pseudonymous works, ""I began with ""Either-Or"" and two upbuilding discourses..."" he says, and explains that he intended the upbuilding, the religious, to advance, and that he wanted to show ""that the writer was not an aesthetic author who in the course of time grew older and for that reason became religious"" (Journals, IX A 227).The importance of the upbuilding discourses and the close relationship they have with the major works and Kierkegaard's philosophical development also becomes evident with the fact that every pseudonymous work was accompanied by a little collection of ""upbuilding discourses"" until ""Concluding Postscript"" appeared.
Kjøbenhavn [Copenhagen], 1843-1845. 8vo. Near contemporary half calf with richly gilt spine. Binding with very light wear. Front free end-paper with the ownership-inscription of Michael Bentzon and his acquisition date of 1855 (the same year that Kierkegaard died). Some brownspotting here and there and the first couple of leaves of ""To opbyggelige Taler, 1844"" with a damp stain. Neat underlinings in the text as well as several marginalia, mostly in pencil. A very good copy indeed. (IV), 52, 62, 84, 59, 70, 111pp. Complete with all the half-titles and the joint title-page (without the blank leaf after the preface of ""To opbyggelige Taler, 1844"" - which is not called for and hardly ever present).
First edition of Kierkegaard's important Eighteen Upbuilding Discourses, which comprise his two, three, and four upbuilding discourses from the years 1843-45, with the joint title-page of all eighteen. The work constitutes Kierkegaard's religious works, which supplement his theological and philosophical ones.The first upbuilding discourses were published the same year as Either-Or, and it is interesting to note that in opposition to his major philosophical works, the religious upbuilding discourses actually bear the name of the author on the title-page, -a fact that was by no means incidental. While the pseudonymous works could make one doubt the religiousness of the author, the parallelly written religious discourses stress the fact that we are dealing with an author, who was religious from the very beginning, -a fact that Kierkegaard also wished to underline himself"" in his journals he clearly states that the religious discourses bear as much significance for his work as a whole as do the larger pseudonymous works, ""I began with ""Either-Or"" and two upbuilding discourses..."" he says, and explains that he intended the upbuilding, the religious, to advance, and that he wanted to show ""that the writer was not an esthetic author who in the course of time grew older and for that reason became religious"" (Journals, IX A 227).The importance of the upbuilding discourses and the close relationship they have with the major works and Kierkegaard's philosophical development is also stressed by the fact that every pseudonymous work was accompanied by a little collection of ""upbuilding discourses"" until ""Concluding Postscript"" appeared.Himmelstrup 85.
Kjøbenhavn [Copenhagen], P. G. Philipsens Forlag, 1843-1845. 8vo. Bound uncut in a recent pastiche cardboardbinding, imitating the original brown cardboard binding, in which it was issued. Printed pastice paper label to spine. Some brownspotting as always, due to the paper quality. (4), 52, 62, 84, 59 (recte 57 pp., i.e. without the blank leaf between the title-page and the preface), 70, 111 pp. Complete with all the titles and the joint title-page (without the blank leaf after the preface of ""To opbyggelige Taler, 1844"" - which is not called for and hardly ever present).
First edition of Kierkegaard's important eighteen upbuilding discourses, which comprise his two, three, and four upbuilding discourses from the years 1843-45, with the joint title-page of all eighteen. The work constitutes Kierkegaard's religious works, which supplement his theological and philosophical ones.The first upbuilding discourses were published the same year as Either-Or, and it is interesting to note that in opposition to his major philosophical works, the religious upbuilding discourses actually bear the name of the author on the title-page, a fact that was by no means incidental. While the pseudonymous works could make one doubt the religiousness of the author, the parallelly written religious discourses stress the fact that we are dealing with an author, who was religious from the very beginning, a fact that Kierkegaard also wished to establish himself"" in his journals he clearly states that the religious discourses bear as much significance for his work as a whole as do the larger pseudonymous works, ""I began with ""Either-Or"" and two upbuilding discourses..."" he says, and explains that he intended the upbuilding, the religious, to advance, and that he wanted to show ""that the writer was not an esthetic author who in the course of time grew older and for that reason became religious"" (Journals, IX A 227).The importance of the upbuilding discourses and the close relationship they have with the major works and Kierkegaard's philosophical development also becomes evident with the fact that every pseudonymous work was accompanied by a little collection of ""upbuilding discourses"" until ""Concluding Postscript"" appeared.Himmelstrup 85.
Kbh., 1843-45. Et nydeligt samtidigt hshirtbd. m. stregforgyldn. på ryg. Brunplettet. M. alle deltitelblade samt det fælles titelbl. (4), 52, 62, 84, 59, 70, 111 pp.Nice contemporary half cloth with single gilt lines to spine. Fully complete with all half titles and the joint title-page.
Originaludgave. Himmelstrup 85.First edition of Kierkegaard's important eighteen upbuilding discourses, which comprise his two, three, and four upbuilding discourses from the years 1843-45, with the joint title-page of all eighteen. The work constitutes Kierkegaard's religious works, which supplement his theological and philosophical ones.The first upbuilding discourses were published the same year as Either-Or, and it is interesting to note that in opposition to his major philosophical works, the religious upbuilding discourses actually bear the name of the author on the title-page, - a fact that was by no means incidental. While the pseudonymous works could make one doubt the religiousness of the author, the parallelly written religious discourses stress the fact that we are dealing with an author, who was religious from the very beginning, -a fact that Kierkegaard also wished to establish himself" in his journals he clearly states that the religious discourses bear as much significance for his work as a whole as do the larger pseudonymous works, ""I began with ""Either-Or"" and two upbuilding discourses..."" he says, and explains that he intended the upbuilding, the religious, to advance, and that he wanted to show ""that the writer was not an esthetic author who in the course of time grew older and for that reason became religious"" (Journals, IX A 227).The importance of the upbuilding discourses and the close relationship they have with the major works and Kierkegaard's philosophical development also becomes evident with the fact that every pseudonymous work was accompanied by a little collection of ""upbuilding discourses"" until ""Concluding Postscript"" appeared.Himmelstrup 85.
Kjøbenhavn [Copenhagen], 1838. Lille 8vo. Pænt samtidigt halvlæderbind med enkelte, diskrete stregforgyldninger på ryg. False slidte, ellers ren og frisk. X + 79pp. Small 8vo. Nice contemporary half calf with discreet gilt lines to spine. Hinges with wear, but fine and tight. A large and unusually clean copy. X + 79pp.
Originaludgaven af Kierkegaards debut, -værket i hvilket han skarpt kritiserer H.C. Andersen, og i hvilket inspirationen fra Poul Martin Møller (til hvem han dedikerede værket ""Begrebet Angest"" - den eneste uden for familien, der er blevet beæret med en trykt dedikation af Kierkegaard) formenlig er tydeligst at spore. Den specielle titel kan med en vis rimelighed siges at hentyde til en villet videreførelse af den beundrede og på tidspunktet for udgivelsen netop afdøde Poul Martin Møllers nærmest upublicerede produktion. Den ""endnu Levende"" skulle således være ""Danmarks Gæde i Glæden over Danmark"", ""Mindet i den danske Sommer"", Poul Martin Møller, den mand, der ved sin person har inspireret Kierkegaard mere end nogen anden. Himmelstrup 6.First edition of Kierkegaard's first work" -the work in which he sharply critisizes Hans Christian Andersen and ridicules the genre of fairy tales in general.
Bound in 50 volumes of which most are in original wrappers. Generally in good condition.
Contains works by Paul V. Rubow, Peter P. Rohde, Carl Jørgensen, Paul Müller, Frithiof Brandt, Hjalmar Helweg et al.
Kjobenhavn, Philipsen, Kjobenhavn, Philipsen1841 ; in-8, demi-basane brune, coins, dos orné, tranches bleues. (Reliure danoise de l’époque) 4 ff. n. ch., 350 pp.ÉDITION ORIGINALE. PREMIER TIRAGE de TOUTE RARETÉ non mis dans le commerce.Le Concept d’ironie constamment rapporté à Socrate est la thèse de doctorat du jeune Kierkegaard. Il l’avait déposée le 16 juillet 1841 et brillamment soutenue le 29 septembre devant la Faculté de Copenhague. Il obtint le grade de Magister artium. C’est le second livre de l’auteur. La première partie est consacrée à l’ironie grecque, la seconde concerne l’ironie des romantiques allemands, les théories de Fichte, Hegel, Schlegel...EXEMPLAIRE DU TOUT PREMIER TIRAGE. Le titre porte la mention : Soutenu pour le grade de Magister. Au verso il porte une citation latine de Sibbern. Il est suivi d’un second titre en latin : Theses dissertationi danicae de notione ironiae annexae quas ad jura magistri artium in Universitate Hafniensi rite obtinenda die XXIX (cette date est manuscrite) Septemb. Publico colloquio defendere conabitur Severinus Aabye Kierkegaard theol. cand. MDCCCLXI (pour MDCCCXLI). -Suit 1 f. avec une liste de 15 thèses en latin. Himmelstrup n°8.Exemplaire dans sa première reliure. Dos un peu épidermé, la dorure du décor est passée.
Phone number : 03 86 50 05 22
Kjøbenhavn, P.G. Philipsens Forlag, 1843 - 45. 8vo. Nice contemporary half calf with gilding to spine. Slight wear to capitals and corners and spine a little spotted. Overall very nice. Some leaves with brownspotting, but also internally nicer and fresher than usual. Contemporary owner's inscription to front free end-paper, dated 1854. A very nice copy. (4), 6284 59 (including the blank leaf between the title-page and the preface) 70, (2, - i.e. 1 blank f.)" 111 pp.
Very rare first edition of this Kierkegaard-title, which is without doubt the most difficult to get hold of. ""Sixteen Upbuilding Discourses"" consists of the popular Two, Three and Four Upbuilding Discourses. The unsold copies of these ""Opbyggelige Taler"" (""Upbuilding Discourses"") were initially collected under the title ""Atten opbyggelige Taler"" (Eighteen Upbuilding Discourses) and published with a collected title-page"" when ""To opbyggelige Taler"" (""Two Upbuilding Discourses"") from 1843 was sold out, the remaining sixteen upbuilding discourses were published with the title-page ""Sexten opbyggelige Taler"". The number of copies of this scarce title is said to be well under 100 and is thus by far the rarest of all of Kierkegaard's books.
Paris Falaize - Georges Fall 1956 In-12 Broché, couverture rempliée
EDITION ORIGINALE de la traduction de Marguerite Grimault, qui a également rédigé l'avant-propos. Un des 25 exemplaires numérotés sur vélin pur fil du Marais, seul grand papier. Bel exemplaire non coupé. Très bon 0
Rare et précieux ensemble de publications, la plupart portant un cachet avec chiffre couronné.1) Tre opbyggelige Taler. Kjobenhavn (Copenhague), Philipsen, 1843 ; 62 pages. ÉDITION ORIGINALE de Trois discours édifiants (amour, liberté, péché, repentir, etc.) Himmelstrup 57.2) Lilien paa Marken og Fuglen under Himlen. Tre gudelige Taler. Kjobenhavn, Reitzel, 1849 ; 51 pp. ÉDITION ORIGINALE de Le Lis des champs et l’oiseau du ciel, trois discours d’éducation religieuse selon l’évangile de Saint Matthieu. Himmelstrup 113.3) Til Selvprovelse, Samtiden anbefalet. Kjobenhavn, Reitzel, 1852 ; 92 pp. DEUXIÈME ÉDITION (la première est de 1851 chez le même éditeur) de Pour un examen de conscience, recommandé aux contemporains. Himmelstrup 137.4) To Taler ved Altergangen om Fredagen. Kjobenhavn, Reitzel, 1851 ; 32 pp. ÉDITION ORIGINALE de Deux discours pour la communion du vendredi. Himmelstrup 130.5) Dette skal siges ; saa vaere det da sagt. Kjobenhavn, Reitzel og Urvinger, 1855 ; 12 pp. ÉDITION ORIGINALE de Ceci doit être dit. Himmelstrup 177.6) Om min Forfatter-Virksomhed. Kjobenhavn, Reitzel, 1851 ; 20 pp. ÉDITION ORIGINALE de Point de vue explicatif de mon œuvre. Himmelstrup 132.7) Synspunktet for min Forfatter-Virksomhed. En ligefrem Meddelelse, Rapport til Historien. Kjobenhavn, Reitzel, 1859 ; (4 pp.), 114 pp., 1 f. errata (ce dernier non mentionné par Himmelstrup 292) - ÉDITION ORIGINALE posthume du texte complet de Point de vue explicatif de mon œuvre dont seulement 20 pages avaient paru de son vivant en 1851 (n° 6).8) Oieblikket (n° 1 à 9). Kjobenhavn, Reitzel, (mai à sept. 1855) ; n°1, 16 pp. - n°2, 16 pp. - n°3, 16 pp. - n°4, 23 pp. - n°5, 32 pp. - n°6, 16 pp. (incomplet des pp. 7 à 10) - n°7 manque - n°8, 30 pp. - n°9, 22 pp. ÉDITION ORIGINALE de Moments parue en 9 livraisons. C’est la dernière publication de Kierkegaard qui meurt le 11 novembre 1855. Himmelstrup 180.9) THURAH (Christian Hendrik de). Riimbrev til Johannes Forforeren alias Dr. Soren Kierkegaard. Kjobenhavn, Juersen, 1855 ; 22 pp. ÉDITION ORIGINALE. C’est une lettre en vers adressée à Jean le Séducteur alias Kierkegaard par le jeune C. H. de Thurah (1830 - 1898). À l’époque il était étudiant en théologie. Il fera carrière comme prêtre et homme politique.
Phone number : 03 86 50 05 22
K., 1855-92. Indb. i ét samt. hldrbd. m. lidt brugsspor. Enkel rygforgyldn. Indimellem en smule brunplettet, dog mest Høffding. 14 + 22 + 12 + (4), 102, (1) + VIII, 44 + (4), 159 pp.
3 originaludgaver af Kierkegaard. Himmelstrup 199, 200, 177.
Revue OBLIQUES. Nyons (Drôme). Roger Borderie, éditeur. 1981. Fort in-4° broché. Couverture illustrée. 207 pages. Textes de Kierkegaard et de nombreux articles, études critiques, dessins, documents
Exemplaire de travail comportant quelques annotations au crayon ; bon état.
PARIS, Gallimard -1932 - Edition numéroté - In-12 - Broché - 255 pages - Envoi rapide et soigné
Søren Kierkegaard, selon l'état civil Søren Aabye Kierkegaard , né le 5 mai 1813 et mort le 11 novembre 1855 à Copenhague, est un écrivain, théologien protestant et philosophe danois, dont luvre est considérée comme une première forme de l'existentialisme (Wikipedia) Conformément à nos conditions générales de vente :Les frais de port sont affichés à titre indicatif. Il se peut que nous devions vous contacter pour vous informer du coût de laffranchissement supplémentaire en fonction du poids et du nombre de livres, surtout pour les envois internationaux Cependant vu l'augmentation des tarifs postaux à l'internationale, nous pouvons expédier les ouvrages en point relais MONDIAL RELAY pour les pays suivants : Allemagne, Autriche, Belgique, Espagne, Italie, Luxembourg, Pays-Bas, Pologne, et Portugal. Merci de nous indiquer en retour le point relais choisi ainsi que votre numéro de téléphone mobile & adresse Courriel pour assurer le suivi du colis.N'hésitez pas à nous interroger.In accordance with our general terms and conditions of sale:Shipping costs are displayed for informational purposes only. We may need to contact you to inform you of the additional postage costs depending on the weight and number of books, especially for international shipments.However, given the increase in international postal rates, we can ship books via Mondial Relay to the following countries: Germany, Austria, Belgium, Spain, Italy, Luxembourg, Netherlands, Poland, and Portugal. Please provide us with your chosen Mondial Relay point, as well as your mobile phone number and email address to ensure package tracking.Please feel free to contact us with any questions
Editions de l'Orante Editions de l'Orante, 1975 (Réimpression de l'édition de 1970). In-8 reliure éditeur (22 x 14 cm) de 332 pages. Traduit du danois par Paul-Henri Tisseau et Else-Marie Jacquet-Tisseau. Le Concept d'ironie constamment rapporté à Socrate. Confession publique. Johannes Climacus ou de Omnibus Dubitandum est 1841 - 1843. Il s'agit de la thèse de doctorat de Kierkegaard, soutenue en 1841. Dans ce texte fondateur, l'auteur analyse l'ironie socratique comme une position de "négativité infinie", marquant le passage de l'existence immédiate à la conscience de soi. Kierkegaard y dialogue avec Hegel et les romantiques allemands (Schlegel, Tieck, Solger) pour définir l'ironie non pas seulement comme une figure de rhétorique, mais comme une étape nécessaire du devenir spirituel. Cette édition de l'Orante, grâce à la rigueur de sa traduction, permet de saisir toute la finesse de la dialectique kierkegaardienne naissante. Traces de scotch ancien au verso de la couverture. Bon état
Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo.
Robert Morel, 1963. Coll. " L'Originale ". In-8 carré reliure pleine toile verte éditeur. Maquette d'Odette Ducarre : Premier plat coupé en deux avec deux boutons métalliques (comme une veste d'uniforme ?). Deux cahiers montés recto-verso. Premier volume texte de Kierkegaard, second volume illustrée de 22 compositions de Louis PONS. Traduction originale de P.H. Tisseau. Préface de Jean Brun. E.O. 1/500 exemplaires num. sur Offset d'Arjomari. Envoi autographe de Louis Pons.
BROCHE 1947
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Gallimard, 1941. In-8°, br., 428 pp. Importante préface ( au sens littéral) de Paul Petit. Le texte Fut Publié chez Ritzel à Copenhague en 1846. Il contient ici la préface et la postface de l'auteur.
*Jean Climaque, mort vers 649 au Mont Sinaï fut l'auteur de LÉchelle Sainte (Klimax = « échelle »), traité ascétique en 30 « degrés » décrivant la montée spirituelle du moine vers Dieu. Johannes Climacus ou Il faut douter de tout est présenté comme un petit conte philosophique centré sur un jeune étudiant, Johannes Climacus, que lon voit « tomber amoureux de la pensée » et sinitier progressivement à la philosophie moderne. Le récit adopte un ton à la fois ironique et pédagogique : à travers lhistoire de ce personnage, Kierkegaard met en scène la manière dont un individu découvre les grandes questions philosophiques, les méthodes du doute et la place de lexistence concrète. On enseigne à Johannes que, contrairement à la tradition socratique qui fait commencer la philosophie avec létonnement, la philosophie moderne commence avec le doute, à la manière de Descartes. Le jeune homme sexerce donc à douter de tout, cherchant une certitude absolue sur laquelle fonder le savoir, mais cette pratique du doute illimité se révèle à la fois fascinante et destructrice, car elle menace de dissoudre toute stabilité existentielle. Au fil du récit, lexpérience de Johannes montre les limites du point de vue purement spéculatif : la pensée abstraite pousse à reculer indéfiniment le moment de sengager, de choisir, de vivre, et le sujet risque de rester suspendu dans un scepticisme sans fin. Le livre suggère ainsi que le doute radical ne suffit pas pour orienter une vie et que, pour quil y ait véritable décision et vérité « pour » un individu, il faut un autre registre que la seule logique ou la seule méthode cartésienne.Louvrage prend alors valeur dauto portrait oblique : Johannes Climacus est une figure pseudonyme qui reflète litinéraire intellectuel de Kierkegaard lui même, ses propres séductions par le système philosophique et son éloignement progressif de celui ci. Le texte reste inachevé, ce qui est cohérent avec son propos : il ne livre pas un système achevé, mais indique une direction, en montrant comment lexistence, la foi et la subjectivité excèdent le cadre du doute méthodique et de la spéculation théorique. Règlement immédiat par PAYPAL : paypal.me/Artlink Virements acceptés par EBAN/BIC. Pour les envois internationaux, il est préférable de vous renseigner au préalable auprès de nous afin de connaître les frais de ports effectifs. Les envois se font uniquement en point relais MONDIAL RELAY pour les pays suivants : Allemagne, Autriche, Belgique, Espagne, Italie, Luxembourg, Pays-Bas, Pologne, et Portugal. Merci de nous indiquer en retour le point relais choisi ainsi que votre numéro de téléphone mobile pour assurer le suivi du colis. . Une participation peut être demandée ponctuellement pour un envoi trop pondéreux. PRIX expédition FRANCE 5,00 = 1kg. Votre versement est bloqué jusqu'à confirmation de bonne réception et conformité. CONTACT 7j/7 - librairie@gmail.com 0685628422. FRANCO DE PORT dès 30 euros d'achats en France.
K., 1850. Nyere blåt blankt omsl. Lidt brunplettet. (4)+277pp.
Originaludgave. Himmelstrup 121.
Union gnrale d'ditions Saint-Amand impr. Bussi¿re Broch D'occasion bon tat 01/01/1966 311 pages