Kjøbenhavn, 1838. Ubeskåret, i et senere blankt omslag. Gennemgående skjold i øverste venstre hjørne, overvejende ganske svagt. Første og sidste blade mest påvirkede. X, 79pp.
Originaludgaven af Kierkegaards debut, -værket i hvilket han skarpt kritiserer H.C. Andersen, og i hvilket inspirationen fra Poul Martin Møller (til hvem han dedikerede værket ""Begrebet Angest"" - den eneste uden for familien, der er blevet beæret med en trykt dedikation af Kierkegaard) formenlig er tydeligst at spore. Den specielle titel kan med en vis rimelighed siges at hentyde til en villet videreførelse af den beundrede og på tidspunktet for udgivelsen netop afdøde Poul Martin Møllers nærmest upublicerede produktion. Den ""endnu Levende"" skulle således være ""Danmarks Gæde i Glæden over Danmark"", ""Mindet i den danske Sommer"", Poul Martin Møller, den mand, der ved sin person har inspireret Kierkegaard mere end nogen anden. Himmelstrup 6.Uncut in a very nice later halfleatherbdg. of dark red morocco w. green marbled paper and dark red gilt leather-title-label on front board. Gilt lines to back. (Oscar Jacobsen). Some brownspotting. X + 79pp.First edition of Kierkegaard's first work" -the work in which he sharply critisizes Hans Christian Andersen and ridicules the genre of fairy tales in general.
K., 1843-1845. 8vo. Smukt lidt senere hldrbd.m. rig rygforgyldn., ophøjet ""bind"", dannet af heftesnoren. 2. blad (indhold) repareret. Pp 1-50 m. svagt skjold for neden, ellers pæn. (Iv)+52+62+84+59+70+111pp.
Originaludgave. Himmelstrup 85.First edition of Kierkegaard's important eighteen upbuilding discourses, which comprise his two, three, and four upbuilding discourses from the years 1843-45, with the joint title-page of all eighteen. The work constitutes Kierkegaard's religious works, which supplement his theological and philosophical ones.The first upbuilding discourses were published the same year as Either-Or, and it is interesting to note that in opposition to his major philosophical works, the religious upbuilding discourses actually bear the name of the author on the title-page, -a fact that was by no means incidental. While the pseudonymous works could make one doubt the religiousness of the author, the parallelly written religious discourses stress the fact that we are dealing with an author, who was religious from the very beginning, -a fact that Kierkegaard also wished to establish himself"" in his journals he clearly states that the religious discourses bear as much significance for his work as a whole as do the larger pseudonymous works, ""I began with ""Either-Or"" and two upbuilding discourses..."" he says, and explains that he intended the upbuilding, the religious, to advance, and that he wanted to show ""that the writer was not an aesthetic author who in the course of time grew older and for that reason became religious"" (Journals, IX A 227).The importance of the upbuilding discourses and the close relationship they have with the major works and Kierkegaard's philosophical development also becomes evident with the fact that every pseudonymous work was accompanied by a little collection of ""upbuilding discourses"" until ""Concluding Postscript"" appeared.
Kjøbenhavn [Copenhagen], P. G. Philipsens Forlag, 1843-1845. 8vo. Bound uncut in a recent pastiche cardboardbinding, imitating the original brown cardboard binding, in which it was issued. Printed pastice paper label to spine. Some brownspotting as always, due to the paper quality. (4), 52, 62, 84, 59 (recte 57 pp., i.e. without the blank leaf between the title-page and the preface), 70, 111 pp. Complete with all the titles and the joint title-page (without the blank leaf after the preface of ""To opbyggelige Taler, 1844"" - which is not called for and hardly ever present).
First edition of Kierkegaard's important eighteen upbuilding discourses, which comprise his two, three, and four upbuilding discourses from the years 1843-45, with the joint title-page of all eighteen. The work constitutes Kierkegaard's religious works, which supplement his theological and philosophical ones.The first upbuilding discourses were published the same year as Either-Or, and it is interesting to note that in opposition to his major philosophical works, the religious upbuilding discourses actually bear the name of the author on the title-page, a fact that was by no means incidental. While the pseudonymous works could make one doubt the religiousness of the author, the parallelly written religious discourses stress the fact that we are dealing with an author, who was religious from the very beginning, a fact that Kierkegaard also wished to establish himself"" in his journals he clearly states that the religious discourses bear as much significance for his work as a whole as do the larger pseudonymous works, ""I began with ""Either-Or"" and two upbuilding discourses..."" he says, and explains that he intended the upbuilding, the religious, to advance, and that he wanted to show ""that the writer was not an esthetic author who in the course of time grew older and for that reason became religious"" (Journals, IX A 227).The importance of the upbuilding discourses and the close relationship they have with the major works and Kierkegaard's philosophical development also becomes evident with the fact that every pseudonymous work was accompanied by a little collection of ""upbuilding discourses"" until ""Concluding Postscript"" appeared.Himmelstrup 85.
København, Christians=Pressens Forlag, 1919. Ubeskåret i orig. helldrbd. med blindtryk på ryg og permer. 163 pp. Kobberstukket titelvignet of kobberstukket portræt af Søren Kierkegaard, stukket af Knud Hendriksen, trykt af kobbertrykker Johan Beck. Trykt på Van Gelder Zonen papir.Nr. 71 af 325 eksemplarer.
København, Christians=Pressens Forlag, 1919. Ubeskåret i orig. helldrbd. med blindtryk på ryg og permer. 163 pp. Kobberstukket titelvignet of kobberstukket portræt af Søren Kierkegaard, stukket af Knud Hendriksen, trykt af kobbertrykker Johan Beck. Trykt på Van Gelder Zonen papir.Nr. 67 af 325 eksemplarer.
Paris, Félix Alcan (rayé et remplacé par : Chez le traducteur - Bazoges-en-Pareds, en écriture manuscrite), 1935, in 12 br., bon ex. Ed. orig. de la 1re traduction française de se texte publié en danois en 1849. Ex. sur Alfa Navarre, il n'y a pas de justification de tirage.
Jena, Eugen Diederichs 1924 140pp., cloth (bit used), text in german gothic, in "Sören Kierkegaard. Gesammelte Werke" Band 8, some foxing in text, Zweite umgearbeitete Auflage, good
Rare et précieux ensemble de publications, la plupart portant un cachet avec chiffre couronné.1) Tre opbyggelige Taler. Kjobenhavn (Copenhague), Philipsen, 1843 ; 62 pages. ÉDITION ORIGINALE de Trois discours édifiants (amour, liberté, péché, repentir, etc.) Himmelstrup 57.2) Lilien paa Marken og Fuglen under Himlen. Tre gudelige Taler. Kjobenhavn, Reitzel, 1849 ; 51 pp. ÉDITION ORIGINALE de Le Lis des champs et l’oiseau du ciel, trois discours d’éducation religieuse selon l’évangile de Saint Matthieu. Himmelstrup 113.3) Til Selvprovelse, Samtiden anbefalet. Kjobenhavn, Reitzel, 1852 ; 92 pp. DEUXIÈME ÉDITION (la première est de 1851 chez le même éditeur) de Pour un examen de conscience, recommandé aux contemporains. Himmelstrup 137.4) To Taler ved Altergangen om Fredagen. Kjobenhavn, Reitzel, 1851 ; 32 pp. ÉDITION ORIGINALE de Deux discours pour la communion du vendredi. Himmelstrup 130.5) Dette skal siges ; saa vaere det da sagt. Kjobenhavn, Reitzel og Urvinger, 1855 ; 12 pp. ÉDITION ORIGINALE de Ceci doit être dit. Himmelstrup 177.6) Om min Forfatter-Virksomhed. Kjobenhavn, Reitzel, 1851 ; 20 pp. ÉDITION ORIGINALE de Point de vue explicatif de mon œuvre. Himmelstrup 132.7) Synspunktet for min Forfatter-Virksomhed. En ligefrem Meddelelse, Rapport til Historien. Kjobenhavn, Reitzel, 1859 ; (4 pp.), 114 pp., 1 f. errata (ce dernier non mentionné par Himmelstrup 292) - ÉDITION ORIGINALE posthume du texte complet de Point de vue explicatif de mon œuvre dont seulement 20 pages avaient paru de son vivant en 1851 (n° 6).8) Oieblikket (n° 1 à 9). Kjobenhavn, Reitzel, (mai à sept. 1855) ; n°1, 16 pp. - n°2, 16 pp. - n°3, 16 pp. - n°4, 23 pp. - n°5, 32 pp. - n°6, 16 pp. (incomplet des pp. 7 à 10) - n°7 manque - n°8, 30 pp. - n°9, 22 pp. ÉDITION ORIGINALE de Moments parue en 9 livraisons. C’est la dernière publication de Kierkegaard qui meurt le 11 novembre 1855. Himmelstrup 180.9) THURAH (Christian Hendrik de). Riimbrev til Johannes Forforeren alias Dr. Soren Kierkegaard. Kjobenhavn, Juersen, 1855 ; 22 pp. ÉDITION ORIGINALE. C’est une lettre en vers adressée à Jean le Séducteur alias Kierkegaard par le jeune C. H. de Thurah (1830 - 1898). À l’époque il était étudiant en théologie. Il fera carrière comme prêtre et homme politique.
Phone number : 03 86 50 05 22
K., 1855-92. Indb. i ét samt. hldrbd. m. lidt brugsspor. Enkel rygforgyldn. Indimellem en smule brunplettet, dog mest Høffding. 14 + 22 + 12 + (4), 102, (1) + VIII, 44 + (4), 159 pp.
3 originaludgaver af Kierkegaard. Himmelstrup 199, 200, 177.
Revue OBLIQUES. Nyons (Drôme). Roger Borderie, éditeur. 1981. Fort in-4° broché. Couverture illustrée. 207 pages. Textes de Kierkegaard et de nombreux articles, études critiques, dessins, documents
Exemplaire de travail comportant quelques annotations au crayon ; bon état.
Kjøbenhavn, 1855. Contemporary worn brown half-leather binding with period-typical rich gilt decoration on the spine. The pages exhibit browning and foxing throughout. (4), 277pp.
Original edition. Himmelstrup 121.
Jena, Eugen Diederichs 1922 184pp., cloth (bit used), text in german gothic, in "Sören Kierkegaard. Gesammelte Werke" Band 10, some foxing in text, good
Jena, Eugen Diederichs 1924 248pp., cloth (bit used), text in german gothic, in "Sören Kierkegaard. Gesammelte Werke" Band 9, good
K., 1846. Samt. hldrbd. m. rygforgyldn. Øvre fals restaureret. Skjold i øvre højre hjørne. X+480+(4)pp.
Originaludgave. Himmelstrup 90. ""Jakob Knudsen"" på smudstitilbl.
Nyere blåt blankt omsl. Lidt brunplettet.
Originaludgave. Himmelstrup 121.
K., 1846. Ubeskåret i senere blankt omsl. Første og sidste blade noget brunplettet. 114pp.
Originaludgave. Himmelstrup 100.
Samt. hshirtbd. Øvre kapitæl beskadiget. Nydeligt ekspl. m. kun få brune pletter.
Originaludgave. Himmelstrup 272.
Ubeskåret i nydeligt senere sort hldrbd. m. rygforgyldn. (Axel Jensen). Kun få brune pletter.
Originaludgave. Himmelstrup 272.
Kjøbenhavn, 1846. Samt. hldrbd. m. rig tidstypisk rygforgyldn. False slidte og indre false lidt svage. Hjørner slidte. Brunet og med understregninger, primært i blyant.
Originaludgave. Himmelstrup 90.
Kjøbenhavn, Reitzels Bo og Arvinger, 1857. Velbevaret i et senere nydeligt sort papbd. med forgyldt skindtitel på ryg. XVI,296 pp. Rent frisk eksemplar.
Originaludgave. Himmelstrup 272.
Nyere grå-blåt blankt omsl. Aldeles rent ekspl.
Originaludgave, uden halvtitelbl. Himmelstrup 272.
Kjøbenhavn [Copenhagen], 1843-1845. 8vo. Near contemporary half calf with richly gilt spine. Binding with very light wear. Front free end-paper with the ownership-inscription of Michael Bentzon and his acquisition date of 1855 (the same year that Kierkegaard died). Some brownspotting here and there and the first couple of leaves of ""To opbyggelige Taler, 1844"" with a damp stain. Neat underlinings in the text as well as several marginalia, mostly in pencil. A very good copy indeed. (IV), 52, 62, 84, 59, 70, 111pp. Complete with all the half-titles and the joint title-page (without the blank leaf after the preface of ""To opbyggelige Taler, 1844"" - which is not called for and hardly ever present).
First edition of Kierkegaard's important eighteen upbuilding discourses, which comprise his two, three, and four upbuilding discourses from the years 1843-45, with the joint title-page of all eighteen. The work constitutes Kierkegaard's religious works, which supplement his theological and philosophical ones.The first upbuilding discourses were published the same year as Either-Or, and it is interesting to note that in opposition to his major philosophical works, the religious upbuilding discourses actually bear the name of the author on the title-page, -a fact that was by no means incidental. While the pseudonymous works could make one doubt the religiousness of the author, the parallelly written religious discourses stress the fact that we are dealing with an author, who was religious from the very beginning, -a fact that Kierkegaard also wished to establish himself"" in his journals he clearly states that the religious discourses bear as much significance for his work as a whole as do the larger pseudonymous works, ""I began with ""Either-Or"" and two upbuilding discourses..."" he says, and explains that he intended the upbuilding, the religious, to advance, and that he wanted to show ""that the writer was not an esthetic author who in the course of time grew older and for that reason became religious"" (Journals, IX A 227).The importance of the upbuilding discourses and the close relationship they have with the major works and Kierkegaard's philosophical development also becomes evident with the fact that every pseudonymous work was accompanied by a little collection of ""upbuilding discourses"" until ""Concluding Postscript"" appeared.Himmelstrup 85.
Kjøbenhavn [Copenhagen], 1838. Lille 8vo. Pænt samtidigt halvlæderbind med enkelte, diskrete stregforgyldninger på ryg. False slidte, ellers ren og frisk. X + 79pp. Small 8vo. Nice contemporary half calf with discreet gilt lines to spine. Hinges with wear, but fine and tight. A large and unusually clean copy. X + 79pp.
Originaludgaven af Kierkegaards debut, -værket i hvilket han skarpt kritiserer H.C. Andersen, og i hvilket inspirationen fra Poul Martin Møller (til hvem han dedikerede værket ""Begrebet Angest"" - den eneste uden for familien, der er blevet beæret med en trykt dedikation af Kierkegaard) formenlig er tydeligst at spore. Den specielle titel kan med en vis rimelighed siges at hentyde til en villet videreførelse af den beundrede og på tidspunktet for udgivelsen netop afdøde Poul Martin Møllers nærmest upublicerede produktion. Den ""endnu Levende"" skulle således være ""Danmarks Gæde i Glæden over Danmark"", ""Mindet i den danske Sommer"", Poul Martin Møller, den mand, der ved sin person har inspireret Kierkegaard mere end nogen anden. Himmelstrup 6.First edition of Kierkegaard's first work" -the work in which he sharply critisizes Hans Christian Andersen and ridicules the genre of fairy tales in general.
Kjobenhavn, Philipsen, Kjobenhavn, Philipsen1841 ; in-8, demi-basane brune, coins, dos orné, tranches bleues. (Reliure danoise de l’époque) 4 ff. n. ch., 350 pp.ÉDITION ORIGINALE. PREMIER TIRAGE de TOUTE RARETÉ non mis dans le commerce.Le Concept d’ironie constamment rapporté à Socrate est la thèse de doctorat du jeune Kierkegaard. Il l’avait déposée le 16 juillet 1841 et brillamment soutenue le 29 septembre devant la Faculté de Copenhague. Il obtint le grade de Magister artium. C’est le second livre de l’auteur. La première partie est consacrée à l’ironie grecque, la seconde concerne l’ironie des romantiques allemands, les théories de Fichte, Hegel, Schlegel...EXEMPLAIRE DU TOUT PREMIER TIRAGE. Le titre porte la mention : Soutenu pour le grade de Magister. Au verso il porte une citation latine de Sibbern. Il est suivi d’un second titre en latin : Theses dissertationi danicae de notione ironiae annexae quas ad jura magistri artium in Universitate Hafniensi rite obtinenda die XXIX (cette date est manuscrite) Septemb. Publico colloquio defendere conabitur Severinus Aabye Kierkegaard theol. cand. MDCCCLXI (pour MDCCCXLI). -Suit 1 f. avec une liste de 15 thèses en latin. Himmelstrup n°8.Exemplaire dans sa première reliure. Dos un peu épidermé, la dorure du décor est passée.
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