8 books for « kemp martin »Edit

‎Immagine e verità. Per una storia dei rapporti fra arte e scienza‎

‎Lingua italiana, Il Saggatore, La cultura, 1999, 269 pp., 150 illustrazioni, brossura editore, condizioni molto buone.‎

‎Leonardo Da Vinci: Experience Experiment and Design‎

‎Bloomsbury Specialist 2007 25 4x2 79x34 54cm. 2007. Relié. 240 pages. Très bon état‎

‎Mona Lisa : The People and the Painting‎

‎Oxford University Press 2017 Livre en anglais. In-8 relié 24 cm sur 15,6. 272 pages. Jaquette en bon état. Bon état d’occasion.‎

‎ Bon état d’occasion ‎

‎Visions of Heaven: Dante and the Art of Divine Light‎

‎Martin Kemp: Visions of Heaven: Dante and the Art of Divine Light. 2021. 240 pages with 122 colour illustrations. Hard cover. 25 x 19cms. Published to coincide with the 700th anniversary of Dante's death, this new study by Martin Kemp is the first to consider the impact of Dante's vision of divine light on the artists of the Renaissance and Baroque. Including comparisons between Christian and Islamic optics and essays on illustrations and illuminations of Dante's text.‎

‎Published to coincide with the 700th anniversary of Dante's death, this new study by Martin Kemp is the first to consider the impact of Dante's vision of divine light on the artists of the Renaissance and Baroque. Including comparisons between Christian and Islamic optics and essays on illustrations and illuminations of Dante's text.‎

‎Leonardo 500 Luxury Edition. This volume represents an important tool for getting to know every aspect of Leonardo's work; his pictorical tecnique, his scientific and technological investigation, his study on anatomy, his Codices, and every suggestion produced by his genius.‎

‎, Vatican Museum PublicationsThe Twelve Vatican Museums, (Musei Vaticani) , 2019 Hardcover in special luxury binding in decorative slipcase. Texte en Francais + English, 304 pages, 160 illustrations 30 x 40.2 cm. 5,7 kg. Tres bon etat / Neuf !. ISBN 9788895847528.‎

‎All works and paintings are accompanied by descriptive and technical sheets. Besides, ample space has been given to images and details, to the updated report on his most controversial works, to those of recent critical acceptance, and to the masterpieces that have animated the international debate as The Encarnate Angel, the Salvator Mundi, and La Bella Principessa (Portrait of Bianca Sforza). The narrative captions reveal the most curious aspects of the history of each painting. Thanks to the direct contribution of collectors and museums the photographic reproductions of paintings and works reflect the last restorations. Fabio Scaletti: A writer, a scholar of Renaissance art, and an expert on the attributional themes, he is the author of several publications in magazines and volumes. A Caravaggio specialist, he later extended his research to the great masters of the Italian Renaissance, with particular attention to the news of the debate among critics, experts and researchers on the most celebrated works of art history and on the new investigations and discoveries. Martin Kemp: Emeritus Professor of History of Art at the Oxford University and Member of the British Academy. He has curated several exhibitions dedicated to the work of Leonardo of whom he is one of the greatest international scholar. He has published several books and essays translated all over the world, and he has carried out the most extensive research on the painting called by himself ?La Bella Principessa? by Leonardo. Index Editor?s Note Introduction The Dreyfus Madonna (1469-72) Profile of a Warrior in Helmet (ca. 1472) Madonna of the Carnation or Madonna with Vase (1472-78) The Arno Valley Landscape (1473) Baptism of Christ (1473-78) The Annunciation ? Uffizi (1473-78) Study of hands (ca. 1475) Portrait of Ginevra de? Benci (ca. 1475) Study for the Head of Madonna (1475-80) The Annunciation ? Louvre (1478?) Benois Madonna or Madonna and Child with Flowers (1478-80) Study of the Madonna and Child with a Cat (1478-81) Blown up winch, hydraulic and submarine ingenuities, Archimedes screw (1478-87) St. Jerome in the Wilderness (1480-82) Adoration of the Magi (1481-82) Apocryphal letter of self-expression to Ludovico il Moro (1482) Studies for defensive tools and firearms (ca. 1482) The Virgin of the Rocks ? Paris and London (1483-86; 1495-1508) Portrait of a Musician (1485-90) Repertory of Weaponry (ca. 1487) Architectural and urban designs for the ideal city (ca. 1487) Lady with an Ermine (or Portrait of Cecilia Gallerani) (1487-90) La Belle Ferronni re (Lucrezia Crivelli?) (1490-95) Madonna Litta (or Madonna nursing her Child) (ca. 1490) Vitruvian Man (or Study of the proportions of the human figure) (ca. 1490) Anatomical studies (ca.1490 -1510) Studies for perpetual motion (ca.1493) Study for the merger of the Sforza monument (ca. 1493) The Christ Child (ca. 1495) Circular winch (ca. 1495) The Portrait of Bianca Sforza: The Beautiful Princess (1496) The Last Supper (1495-98) Sala delle Asse (ca. 1498) Duodecedron abscisus elevatus solidus (ca. 1498) Salvator Mundi (1498-1507) Memorandum Ligny (ca. 1500) Portrait of Isabella d?Este ? Louvre (1499-1500) Portrait of Isabella d?Este (1500?) Madonna of the Yarnwinder (or Madonna of the Spindles) (ca. 1501) Map of Tuscany (1502-03) Study of Screaming Heads for The Battle of Anghiari (1503-05) La Gioconda (or Portrait of Mona Lisa) (1503-1515) Study for Leda and the Swan (ca. 1505) Head of a Woman (1505-1508) The Virgin and Child with St Anne and St John the Baptist (1505-1508?) The Virgin and Child with Saint Anne (ca. 1510-13) Saint John the Baptist (with apocryphal attributes of Bacchus) (1510-18) Saint John the Baptist (1513-17) Angel Incarnate (ca. 1514-16) Lost works The Codices: where they are His life in brief Bibliography‎

‎Leonardo on Painting : An Anthology of Writings by Leonardo da Vinci; With a Selection of Documents Relating to his Career as an Artist‎

‎, Yale University Press 2001, 2001 Paperback, 328 pages, English, 195 x 125 mm, book is in good order, with illustrations in b/w from the Master, . ISBN 9780300090956.‎

‎Leonardo's writings on painting-among the most remarkable from any era-were never edited by Leonardo himself into a single coherent book. In this anthology the authors have edited material not only from his so-called Treatise on Painting but also from his surviving manuscripts and from other primary sources, some of which were here translated for the first time. The resulting volume is an invaluable reference work for art historians as well as for anyone interested in the mind and methods of one of the world's greatest creative geniuses. Highly readable. . . . Also included are documentary sources and letters illuminating Leonardo's career; the manuscript sources for all of Leonardo's statements are fully cited in the notes. The volume is skillfully translated and is illustrated with appropriate examples of drawings and paintings by the artist. -Choice Certainly easier to read and . . . more convenient than previous compilations. -Charles Hope, New York Review of Books A chaotic assemblage of Leonardo da Vinci's writings appeared in 1651 as Treatise on Painting. . . . [Kemp] successfully applies . . . order to the chaos. -ArtNews‎

‎Behind the Picture: Art and Evidence in the Italian Renaissance‎

‎Yale University Press (22 décembre 1997)‎

‎Relié, jaquette illustrée, nombreuses illustrations, comme neuf.‎

‎Joseph Beuys – Zeichnungen Zu den beiden 1965 wiederentdecken Skizzenbüchern « codices Madrid von Leonardo da Vinci ‎

‎München et Berlin, Haus der Kunst et Museum der Dinge, 1998. Broché, 23 cm x 31 cm, 205 pages, illustrations noir & blanc in-texte, illustrations couleur pleine page. Introduction en allemand de Lynne Cooke, textes en allemand de Ann Temkin, Martin Kemp, Cornelia Lauf, biographie, bibliographie. Très bon état ‎