9 books for « k brosens »Edit

‎Ruimte voor zilver.‎

‎, Antwerpen, 2000., Originele geillustreerde uitgeversomslag in kleur, 71 p., ill., kleurenill., bibliogr.‎

‎Sterckshof studies 13. Nederlandse, Franse, Duitse en Engelse tekst.‎

‎subjects from history. III. The Constantine Series, Corpus Rubenianum Ludwig Burchard part XIII subjects from history. volume 3.‎

‎, Brepols - Harvey Miller, 2011 Hardback 400 pages ., 180 x 265 mm, Languages: English, ISBN 9781905375868.‎

‎In 1622, Rubens designed his second tapestry series, The Story of Constantine, for which he executed twelve oil sketches, all of which are currently preserved in public and private collections in America and Europe. Tapestries produced after the lost cartoons, which were in turn painted after the oil sketches, were woven in the tapestry factories in the faubourgs of Saint Marcel and Saint Germain in Paris. Based on new archival research and a critical examination of the literature on the Constantine series, this book firmly embeds the genesis, and iconographical and stylistic features of the set in its specific artistic, manufactural, and commercial matrix, and thus develops the first truly inclusive approach to Rubens's Story of Constantine. Analysis of the entrepreneurial strategy of Marc Comans and Francois de la Planche, directors of the factory in the faubourg of Saint Marcel, the correspondence between Rubens and Peiresc, the provenance of the twelve oil sketches, and the iconographical programme reveals that the series was not commissioned by the French king Louis XIII, as has long been believed, but by Comans and de la Planche. A close reading of Rubens?s primary literary source, Caesar Baronius?s Annales Ecclesiastici, shows that the artist must have intended the twelve scenes to hang in a sequence different from the generally accepted one, though seventeenth-century buyers and viewers could have seen and interpreted the Constantine series quite differently, as their view was distorted by the jumble of Constantinian legends and motifs that had lodged in the cultural memory of Latin Christianity. Finally, the book explores the area of tension between the set?s austere monumentality and highly sophisticated aesthetic, which was rooted in Rubens?s profound knowledge of classical and Renaissance art and in his earlier forays into the free and creative application of these sources, contemporary French and Brussels tapestry sets, and the pictorial and decorative qualities, possibilities and challenges inherent in the medium itself‎

‎Tapestry Production & Conservation : 125 Years De Wit Royal Manufacturers of Tapestry‎

‎, Brepols - Harvey Miller 2019, 2019 324 p., 200 col. ills, 240 x 300 mm, English, Hardcover, . ISBN 9781909400528.‎

‎This volume demonstrates the variety of ways in which ongoing research and the development of new technology can serve to revive the splendour of fragile tapestries kept in European and American museums. Supported by dozens of magnificent illustrations, this volume demonstrates the variety of ways in which ongoing research and the development of new technology can serve to revive the splendour of fragile tapestries kept in European and American museums. As the Royal Manufacturers of Tapestry, De Wit has been a leading force in undertaking the most pioneering and impressive restoration and conservation campaigns for more than a century. The enterpreneurial and artistic strategies that marked the beginning and subsequent development of De Wit, are extensively discussed in the first part of this book. Koenraad Brosens provides an in-depth analysis of the roles played by the three directors of the Royal Manufacturers ? from founding father Theophiel De Wit, to Gaspard De Wit, to current director Yvan Maes De Wit. Each of these individuals? choices have been closely linked to the increasingly rapid and significant developments in the European and American tapestry landscapes. The second part of this volume, by Yvan Maes De Wit, surveys the most pioneering and impressive restoration and conservation campaigns undertaken by the Royal Manufactory. Through its original and creative scope of investigation, this book aims to make an invaluble contribution to art-historical discussion and research on nineteenth- and twentieth-century tapestry production, restoration and conservation.‎

‎Embracing Brussels, Art and Culture in the Court City, 1600-1800. Brussel. ‎

‎, Brepols Publishers, 2013 Paperback, 280 pages., 120 b/w ill., CD, 210 x 297 mm, Languages: English. ISBN 9782503542287.‎

‎It would appear that Flemish Baroque has come to be regarded as synonymous with Antwerp Baroque. The aim of this publication on art and art production in Brussels in the period 1600?1800 is to reconsider the art-historical position of Brussels as a major hub of activity and place of residence for courtiers and artists alike. Attention will focus on matters as diverse as literature, music, housing, and the guild system, besides which aspects of the art trade, style differentiation and case studies relating to individual artists will be discussed. In the seventeenth and early eighteenth centuries, the Habsburg Court was viewed as the supreme creative centre, where systems of symbols were forged and propagated that were designed to display both the artist?s craftsmanship and the ruler?s piety. I. The Context of The City, Veerle De Laet, At home in seventeenth-century Brussels. Patterns of art and luxury consumption, Harald Deceulaer, Fashion, innovation and regional distribution. The clothing trades in Brussels, sixteenth?eighteenth centuries, Karel Porteman, A few literary-historical vedute of seventeenth-century Brussels, Maartje De Wilde, De lokroep van de nachtegaal: wereldlijke liedboeken uit het zeventiende-eeuwse Brussel. II. Art Production ‎

‎Jordaens en de antieken‎

‎ 2012 Mercatorfonds Hardcover ‎

‎Jordaens en de antieken Hardcover, 285 x 240 mm, 316 blz, rijkelijk geillustreerd, in goede staat‎

‎Jacob Jordaens: et l'Antiquité ‎

‎ 2012 Mercatorfonds Hardcover ‎

‎Jacob Jordaens: et l'Antiquité hard cover, 295 x 245 mm, 316 p, illustrated, very good condition, as new‎

‎Uterine Leiomyomata Pathogenesis and Management.‎

‎Taylor & Francis. 2006. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. XIV + 326 pages - 16 pages de figures en couleurs - ouvrage en anglais - nombreuses figures en noir et blanc dans le texte - texte sur deux colonnes.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon‎

‎Foreword by Vivian W Pinn MD - Ouvrage en anglais. Classification Dewey : 420-Langue anglaise. Anglo-saxon‎

‎La lettre‎

‎Bibliothèque de L'Etoile. Sans date. In-16. Broché. Bon état, Couv. convenable, Agraffes rouillées, Intérieur frais. 87 pages. 10e édition, 110e mille. . . . Classification Dewey : 395-Savoir-vivre‎

‎ Classification Dewey : 395-Savoir-vivre‎

‎Jaarboek Erfgoed Hoogstraten. Nr. 4 . jaargang 2010 - 2011. Bestuurlijke Collaboratie...in Hoogstraten 1940-1944...‎

‎x. Hoogstraten, Oudheidkundige Kring Erfgoed Hoogstraten, 2011, in-8°, 189 pp, genaaid, orig. slappe kaft met stofwikkel.‎