14 books for « jon thompson »Edit

‎Panamarenko, for clever scholars, astronomers and doctors ‎

‎, Ludion, 2020 hardcover, 112 pages with very fine plates in full color Kunst. 43x30cm, Herdruk. ISBN 9789493039308.‎

‎For more than 30 years, the Belgian visionary Panamarenko; engineer, poet, artist, physicist, inventor--has been conducting meticulous studies of the natural world and various scientific principles. He analyzes the secrets of the universe, gravity, and other energetic mysteries, and formulates both logical and well-considered solutions. His work is poetic, the result of a seamless coalescence of artistic skill and scientific research; the outcome of which can take the form of a flying saucer, backpack helicopter, flying carpet, zeppelin, solar powered car, submarine, or prehistoric mechanical bird. Each of his spectacular constructions possesses not only a peculiar beauty and naive playfulness, but also a degree of conspicuous consideration. In 2001, the Museum of Contemporary Art in Ghent held a retrospective of Panamarenkos work, for which the artist designed and wrote this oversized catalogue--a work of art in its own right. in finen condition !!‎

‎Carpets: From the Tents, Cottages and Workshops of Asia‎

‎, Barrie & Jenkins, 1988 Hardcover, 176 pages, ENG, 305 x 215 mm, dustjacket, in reasonable condition, illustrated in colour / b/w. ISBN 9780712625012.‎

‎Guy Van Bossche, White Out. Spanish/English edition .‎

‎Antwerp, MUHKA, 2002 hardcover with dusjacket, 310x245mm,, 171 pages , col.ill.,, *** Spanish / English edition . ISBN 849571929.‎

‎Expo: 11/5/2002-18/8/2002, MuHKA , Like many painters, Guy Van Bossche (? 1952, Mortsel) uses photography as a filter through which reality is depicted. This also affects how they are framed. Certain images are only fragmentary represented, which is reflected in the choice of subjects referring to something which remains outside the picture. Clothes and dolls, for example, suggest the existence of their owner, without the latter ever being visible. The moment caught in time, which is the picture, hides the reasons and purpose of the action which is depicted. Guy Van Bossche only shows part of the story - the intrigued viewer is left behind. The ambiguity of what is missing puts into question the obviousness of the painted picture.‎

‎Angel Vergara Santiago. Straatman, Cometh!‎

‎Antwerp, MUHKA , 2001 Hardback, 265x208mm,, 71p, 112col, English (French,Dutch (NL)) edition . ISBN 9789072828170.‎

‎Expo: 17/6/2001-7/10/2001, MuHKA , Angel Vergara, die al meer dan 30 jaar in Brussel woont, voelt zich thuis in de Belgische surrealistische traditie. Hij kan een 'kunst-kunstenaar' genoemd worden: hij onderzoekt allerlei uitwisselingen, transacties en relaties die met kunst en al wat daarbij komt kijken, te maken hebben. De kunstenaar vertoont zich regelmatig in de spookachtige vermomming "Straatman": een nomadische man van de straat die de tegenpool vormt van de vastgeroeste elitaire kunstwereld. Straatman is niet het enige beeld dat typisch is voor Angel Vergara. Hij is ook bekend van zijn 'performance-installaties'. Voor de tentoonstelling in het MuHKA werd een combinatie gemaakt van ouder, en nieuw, speciaal voor de gelegenheid gecreeerd werk. Angel Vergara, who has over 30 years of living in Brussels, feels at home in the Belgian surrealist tradition. It can be an art-artist 'called he researches various exchanges, transactions and relationships with art and all that goes with it, to do. The artist exhibits regularly in the spooky disguise "Straatman": a nomadic man of the street which is the opposite of the entrenched elite art world. Straatman is not the only image that is typical for Angel Vergara. He is also known for his "performance installations. For the exhibition in the HKA was made ??a combination of older and new, specially created for the occasion work.‎

‎Au coeur de l'Union Soviétique‎

‎ PARIS, Nathan Image - 1990 - In-4 - Cartonnage éditeur sous jaquette illustrée en couleurs - Très nombreuses illustrations en couleurs dans le texte et HT certaines PP - Avant-Propos de Charles O. Hyman - 272 pages - Très bel exemplaire‎

‎ - ATTENTION: Colis recommandé uniquement sur demande (parcel recommended on request). Si vous désirez un remboursement équivalent au montant de votre achat, en cas de perte détérioration ou spoliation, demandez-nous expressément un envoi en recommandé ( if you wish a repayment equivalent to the amount of your purchase, in case of loss - deterioration or despoliation, ask us expressly for a sending recommended)- Conditions de vente : Les frais de port sont affichés à titre Indicatifs (pour un livre) Nous pouvons être amené à vous contacter pour vous signaler le - Conditions of sale : The shipping costs are displayed as an indication (for one book) We may need to contact you to inform you of the cost of the additional shipping depending on the weight and the number of books- Possibilité d'envoi par Mondial-Relay - Réception en boutique sur rendez-vous. Librairie G. PORCHEROT - SP.Rance - 0681233148 ‎

‎Goldsmiths' Degree Show 1990‎

‎Thompson, Jon: Goldsmiths' Degree Show 1990. Exhibition: London, Goldsmiths' College, 1990. 68 pages, illustrated throughout in black and white. Paperback. 17 x 24cms. Scarce degree show catalogue presenting student work by Gilian Wearing and Sam Taylor-Wood. Contains an introduction by Jon Thompson defending the college ethos following the sensational press that was generated by recent graduates such as Damien Hirst in the late eighties.‎

‎Scarce degree show catalogue presenting student work by Gilian Wearing and Sam Taylor-Wood. Contains an introduction by Jon Thompson defending the college ethos following the sensational press that was generated by recent graduates such as Damien Hirst in the late eighties.‎

‎Sam Dillemans.‎

‎Gent, Ludion, 2007 hardcover, 315 x 25cm, 200 illustraties in kleur 192 pages . English. ISBN 9789055447206.‎

‎Hij verkent het thema in een realistische benadering, maar gaandeweg verinnerlijkt hij het onderwerp waardoor de essentie op de voorgrond komt. De zichtbare werkelijkheid is volgens Dillemans een masker. Een masker waarachter de verscheidenheid van het onzichtbare schuilgaat, dat de echte, authentieke werkelijkheid verbergt. Het is die werkelijkheid die Sam Dillemans probeert te grijpen. Verfbehandeling en kleur maken voor Sam Dillemans de kern van elk onderwerp uit. Los van elke anekdotiek. Zoals Cezanne een eenvoudige tafel met vruchten wist te verheffen tot een tijdloos beeld, zo doet Dillemans dat ook, met thema's die hij ontleent aan de oude meesters, zijn dagelijks leven, de bokssport, schrijvers en zijn modellen.Het boek Sam Dillemans toont u de wereld van Sam Dillemans. En de wereld zoals Dillemans die ervaart. Een fascinerend boek, met een inleidend essay van Jon Thompson en een heel brede selectie van schilderijen, tekeningen en grafiek. text in English. ‎

‎Hunt for Paradise. Court Arts of Safavid Iran 1501-76‎

‎Thompson, Jon and Sheila R. Canby eds.: Hunt for Paradise. Court Arts of Safavid Iran 1501-76. Exhibition: New York, Asia Society Galleries, 2003. 342pp with 320 colour and monochrome illustrations. Hardback. 30.8x24.8cms. Documents the most opulent period of later Persian history with more than 125 works of art from public and private collections in Europe, America and Asia.‎

‎Documents the most opulent period of later Persian history with more than 125 works of art from public and private collections in Europe, America and Asia. Text in English‎

‎Richard Deacon.‎

‎London Phaidon 2000 1 vol. broché in-4, broché sous jaquette illustrée, 212 pp., nombreuses reproductions en noir et en couleurs. Nouvelle édition revue et augmentée. Texte en anglais. Très bon état.‎

‎Silk, 13th to 18th centuries : treasures from the Museum of Islamic Art, Qatar‎

‎Thompson, Jon,: Silk, 13th to 18th centuries : treasures from the Museum of Islamic Art, Qatar. 2004. 96 pages, richly illustrated in colour. Hardback. 35 x 25cms. Collection of 13th-18th century silk textiles, velvets, and a 14th-15th century silk carpet in the collection of the Museum of Islamic Art, Qatar in Doha.‎

‎Collection of 13th-18th century silk textiles, velvets, and a 14th-15th century silk carpet in the collection of the Museum of Islamic Art, Qatar in Doha.‎

‎Central Asian Carpets, 8 octobre 1976, Lefevre & partners, London‎

‎London, The Crosby Press 1976 [80] pp., with 33 colour illustrations, 29cm., publisher's cloth binding, dustwrapper, good condition, S96734‎

‎How to Read a Modern Painting: Lessons from the Modern Masters‎

‎Harry N. Abrams 2006 400 pages 19x25x3cm. 2006. Broché. 400 pages.‎

4 Images

‎Très Bon Etat de conservation intérieur frais‎

‎Tapis d’Orient.‎

‎Le Chêne, 1989. In-4, broché, photographies.‎

‎[12016]‎

‎Moderne Malerei, die Bilder des Maler der Moderne entschlüsseln und verstehen. ‎

‎Berlin, Parthas, 2006; in-8, 400 pp., br. Très bon état.‎

‎Très bon état.‎