4902 books for « jan g »Edit

‎Studies of Greek Pottery in the Black Sea Area‎

‎Bouzek, Jan: Studies of Greek Pottery in the Black Sea Area. 1990. 200 pages, illustrated. Hardback.‎

‎Pistiros I & II Excavations and Studies. 2 vols‎

‎Bouzek, Jan and Zofia H. Archibald eds.: Pistiros I & II Excavations and Studies. 2 vols. Prague: Karolinum Press, 1996-2002. Volume I: 240 pages of text, 52 black and white plates with in-text illustrations; Volume II: 348 pages of text, 8 colour and 64 black and white plates with black and white in-text illustrations. Paperback.‎

‎Text in English‎

‎Thracians and their Neighbours: their Destiny, Art and Heritage‎

‎Bouzek, Jan: Thracians and their Neighbours: their Destiny, Art and Heritage. Prague: Institute of Classical Archaeology, Charles University, 2005. 275 pages, 109 black and white illustrations. Paperback.‎

‎Text in English‎

‎Cecily Brown‎

‎Tumlir, Jan: Cecily Brown. Exhibition: Beverly Hills, Gagosian Gallery, 2003. 60 pages, with 26 colour illustrations. Hardback. 24.1 x 23.5cms.‎

‎The Complete Van Gogh. Painting, Drawings, Sketches‎

‎Hulsker, Jan: The Complete Van Gogh. Painting, Drawings, Sketches. New York: Phaidon, 1980. 498pp with 40 colour plates and 2130 monochrome illustrations. Hardback. 34x25.5cms. Catalogue of works, arranged chronologically. With documentation hitherto unavailable in English, good bibliography. Revised Edition of this standard reference work.‎

‎Catalogue of works, arranged chronologically. With documentation hitherto unavailable in English, good bibliography. Revised Edition of this standard reference work‎

‎La vie et les oeuvres de Jean Etienne Liotard (1702-1789). Ãtude biographique et iconographique‎

‎Humbert, Edouard ; Alphonse Revilliod & Jan Willem Reinier Tilanus: La vie et les oeuvres de Jean Etienne Liotard (1702-1789). Ãtude biographique et iconographique. Amsterdam: C M Van Gogh, 1897. 222pp with 2 heliogravure plates and 74 monochrome illustrations. Cloth. 30x21cms. Some foxing inside. Text in French.‎

‎Some foxing inside. Text in French‎

‎Corpus Vasorum Antiquorum. TchÃcoslovaquie, Fascicule 2: Prague, MusÃe National, Fascicule 1. Corpus Vasorum Antiquorum.‎

‎Bazant, Jan , et al: Corpus Vasorum Antiquorum. TchÃcoslovaquie, Fascicule 2: Prague, MusÃe National, Fascicule 1. Academia Prague, 1990. Series: Corpus Vasorum Antiquorum. 87 pages, with 46 monochrome illustrations, plus 50 pages of monochrome illustrations. Wrappers and loose leaves as issued in publisher's portfolio. 32 x 25cms. Text in French.‎

‎Text in French‎

‎The new complete Van Gogh : paintings, drawings, sketches : revised and enlarged edition of the catalogue raisonnà of the works of Vincent van Gogh‎

‎Hulsker, Jan: The new complete Van Gogh : paintings, drawings, sketches : revised and enlarged edition of the catalogue raisonnà of the works of Vincent van Gogh. Amsterdam: John Benjamins, 1996. 504pp with 40 colour plates and 2,145 monochrome illustrations. Cloth. 34.5x24cms. Fully revised and enlarged edition of the 1978 catalogue raisonnÃ, incorporating numerous new findings, and presenting a chronological catalogue of the complete works - paintings, drawings, and graphics (including sketches from the artist's letters). This edition contains a new chapter on sketches from Van Gogh's youth. With bibliography, index.‎

‎Fully revised and enlarged edition of the 1978 catalogue raisonnÃ, incorporating numerous new findings, and presenting a chronological catalogue of the complete works - paintings, drawings, and graphics (including sketches from the artist's letters). This edition contains a new chapter on sketches from Van Gogh's youth. With bibliography, index. Text in English‎

‎French Drawings and Watercolours 19th-20th Centuries. Department of Prints and Drawings of the Statens Museum for Kunst in Copenhagen‎

‎Frandsen, Jan WÃŒrtz: French Drawings and Watercolours 19th-20th Centuries. Department of Prints and Drawings of the Statens Museum for Kunst in Copenhagen. Copenhagen: Statens Museum for Kunst, 2002. 498pp with 459 colour and monochrome illustrations. Cloth, 30.2x22cms. Contains many rarely published works by artists such as Degas, Manet, Matisse, Rodin and CÃzanne. Picasso, Barye, Laurens and Giacometti are also featured. With chapters on the formation of the collection, concordances, indices of related works in other public collections, dealers and former owners.‎

‎Contains many rarely published works by artists such as Degas, Manet, Matisse, Rodin and CÃzanne. Picasso, Barye, Laurens and Giacometti are also featured. With chapters on the formation of the collection, concordances, indices of related works in other public collections, dealers and former owners. Text in English‎

‎La cathÃdrale des Saints-Michel-et-Gudule‎

‎Bral, Guido Jan; Marcel Bollaerts; Luc Polfliet & Leo Lauriks: La cathÃdrale des Saints-Michel-et-Gudule. Brussels: Racine, 2000. 287 pages, fully illustrated in colour. Cloth. 33 x 26 cmcms. Text in French.‎

‎Text in French‎

‎Arts du NigÃria Central revisitÃs. Mumuye et peuples environnants‎

‎Strybol, Jan: Arts du NigÃria Central revisitÃs. Mumuye et peuples environnants. 2023. 192 pages, fully illustrated in colour. Hardback. 28 x 21cms. Examining the carving traditions of a number of peoples from central Nigeria, specifically the Jos Plateau from the valley of the middle Benue to the upper course of the Taraba river, who can be described as non-centralized communities where part-time specialists mainly produced art objects in perishable materials, the best known of which are the Mumuye. Includes a map of the region, dictionary and a list of Mumuye sculptors known before 1975. Text in French.‎

‎Examining the carving traditions of a number of peoples from central Nigeria, specifically the Jos Plateau from the valley of the middle Benue to the upper course of the Taraba river, who can be described as non-centralized communities where part-time specialists mainly produced art objects in perishable materials, the best known of which are the Mumuye. Includes a map of the region, dictionary and a list of Mumuye sculptors known before 1975. Text in French‎

‎Illustrated Dictionary of 17th Century Flemish Painters. 3 vols.‎

‎Maere, Jan de and M. Wabbes: Illustrated Dictionary of 17th Century Flemish Painters. 3 vols. Louvain-la -Neuve: Renaissance du Livre, 1994. Together, c.1500pp with over 1500 colour and monochrome illustrations. Hardcover in slipcase. 31x22cms. Monumental work devoted to the Golden Age of Flemish painters. Covering 850 artists, this fully documented dictionary contains the latest biographical and artistic information and is arranged as follows: Volume I - text, with historical introduction. Each entry comprises full name and variants, complete biography and bibliography, details of collections, facsimile reproductions of the artist's monograms and signatures, genealogial tree of families of painters. Volumes II and III: illustrations, reproducing over half the works for the first time.‎

‎Monumental work devoted to the Golden Age of Flemish painters. Covering 850 artists, this fully documented dictionary contains the latest biographical and artistic information and is arranged as follows: Volume I - text, with historical introduction. Each entry comprises full name and variants, complete biography and bibliography, details of collections, facsimile reproductions of the artist's monograms and signatures, genealogial tree of families of painters. Volumes II and III: illustrations, reproducing over half the works for the first time. Text in English‎

‎Cornelis Matsys 1510/11 - 1556/57. Oeuvre graphique‎

‎Stock, Jan van der: Cornelis Matsys 1510/11 - 1556/57. Oeuvre graphique. Exhibition: Brussels, BibliothÚque Royale, 1986. 85pp with 20 monochrome plates and 21 monochrome illustrations. Wrappers. 25.5x18.5cms. Engravings of Cornelis Matsys. Text in French.‎

‎Engravings of Cornelis Matsys. Text in French‎

‎Vlaamse schilders en de dageraad van Hollands Gouden Eeuw. 1585-1630 met biografieen van 240 schilders‎

‎Briels, Jan: Vlaamse schilders en de dageraad van Hollands Gouden Eeuw. 1585-1630 met biografieen van 240 schilders. Mercatorfonds, 1997. 429 pages. Hardcover in slipcase. 42 x 27cms. Text in Dutch.‎

‎Text in Dutch‎

‎The Debut of Kees van Dongen‎

‎Juffermans, Jan: The Debut of Kees van Dongen. Luxembourg: 2003. 42 pages, illustrated in colour throughout. Hardback. 24.5 x 32.5cms.‎

‎Wendingen jaargang 4, nummer 6, 1921: Landhuis te Oostvoorne van architecten Vorkink en Wormser.‎

‎Amsterdam, De Hooge Brug, 1921 Softcover, Japanse binding, 26 pagina's, 33.5 x 33.2 cm.‎

‎Een exemplaar van het tijdschrift Wendingen. Nummer 6, 1921 uit de derde jaargang. Thema van dit nummer: Landhuis te Oostvoorne van architecten Vorkink en Wormser. Wendingen is het maandblad voor bouwen en sieren van architectura et amicitia. Redactie , J.G. Boterenbrood, H.A. van den Eynde, J.F. Staal, P.L Kramer, J.L.M. Lauweriks, R.N. Roland Holst, H. Th. Wijdeveld, Hoofdredacteur. Uitgegevens door Uitgevers-mschij "De Hooge brug", Druk: Drukkerij A. Wohlfeld Omslag ontwerp door Jaap Gidding. ‎

‎Museum to Scale 1/7.‎

‎, Pandora / Van de Velde , 2013 Hardback, folio- 420x297mm, 260 pages, 110 colour illustrations, NL / FR / English edition. New . ISBN 9789053253625.‎

‎Museum to scale 1/7 is een initiatief van Ronny Van de Velde dat vorm gegeven wordt door kunstenaar Wesley Meuris en waarin het museum naar goede postmoderne traditie subject en object is. Het Museum op schaal beslaat meer dan honderd miniatuurzalen op schaal 1/7 gewijd aan Belgische kunstenaars en Belgische artistieke bewegingen. Na een hommage aan Marcel Duchamp en diens Boite-en-valise gaat het parcours van start met de illustraties van Grandville voor de 'Reizen van Gulliver', het befaamde boek waarin schaal een belangrijke rol speelt. Thematische en historische ensembles rond het symbolisme, het surrealisme, de fotografie, de Cobra-beweging, de abstracte en minimale kunst leiden naar Belgische hedendaagse kunstenaars die elk hun eigen zaal op een originele manier ingericht hebben. De deelnemende Belgische kunstenaars zijn o.a. Jan Fabre, Jan De Cock, Pierre Alechinsky, Koen Van Mechelen, Ann Veronica Janssens, Michel Francois, en ook Angel Vergara, Johan Muyle, Luc Deleu, Luc Tuymans en vele anderen. Tekst van Jan Ceuleers en tekst van Stef van Bellingen over het werk van Wesley Meuris. Drie-talige editie. Spectaculaire lay-out met alle 110 mini-musea full page afgebeeld. Le Musee a l'echelle 1/7 est une initiative de Ronny Van de Velde mise en forme par l'artiste Wesley Meuris et ou, dans la plus pure tradition postmoderne, le musee est a la fois sujet et objet. Le Musee a l'echelle comprend plus de cent salles miniatures a l'echelle 1/7 consacrees a des artistes belges et a des courants artistiques belges. Apres un hommage a Marcel Duchamp et sa Boite-en-valise, le parcours s'ouvre sur les illustrations de Grandville pour les 'Voyages de Gulliver', ouvrage celebre dans lequel l'echelle joue un role important. Des ensembles thematiques et historiques autour du symbolisme, du surrealisme, de la photographie, du mouvement Cobra, de l'art abstrait et de l'art minimaliste introduisent le spectateur aupres d'artistes belges contemporains, chaque artiste ayant amenage sa propre salle de facon originale. Parmi les participants citons e.a. les artistes belges Jan Fabre, Jan De Cock, Pierre Alechinsky, Koen Van Mechelen, Ann Veronica Janssens, Michel Francois, et aussi Angel Vergara, Johan Muyle, Luc Deleu, Luc Tuymans et plusieurs autres. Texte de Jan Ceuleers et texte de Stef van Bellingen consacres a l'ouvre de Wesley Meuris en Neerlandais / Francais/Anglais. Lay-out spectaculaire reproduisant en pleine page les 110 mini-musees. 'Museum to Scale 1:7' was initiated by Ronny Van de Velde and designed by the artist Wesley Meuris and is a project in which, in the proper postmodern tradition, the museum is both subject and object. The 'Museum to Scale' comprises more than a hundred miniature rooms at a scale of 1:7, devoted to Belgian artists and Belgian artistic movements. After a tribute to Marcel Duchamp and his Boite-en-valise, the exhibition starts with Grandville's illustrations for Gulliver's Travels, the celebrated book in which scale plays an important part. A series of thematic and historical ensembles on Symbolism, Surrealism, photography, the Cobra movement, abstract art and Minimal Art provide a lead-in to contemporary Belgian artists, each of whom has arranged their own room in an original manner. The Belgian artists taking part include Jan Fabre, Jan De Cock, Pierre Alechinsky, Koen Van Mechelen, Ann Veronica Janssens and Michel Francois, as well as Angel Vergara, Johan Muyle, Luc Deleu, Luc Tuymans and many others. There is a written contribution by Jan Ceuleers and also a piece by Stef van Bellingen on the work of Wesley Meuris, in Dutch, French ‎

‎Jan Lauwers, L' Enervement.‎

‎, Bruxelles, Fondsmercator, 2007., Relie avec jaquette,Nombre de pages: 176pp.Dimensions: 29,7 x 23 cm avec 200 illustrations en couleur. ISBN 9789061537304.‎

‎"Il est des moments dans la vie ou l'intervalle, le temps qu'il faut pour se rendre d'un point a un autre, enveloppe l'ame comme le ferait un voile, et nous protege de la froide inanite du quotidien. Ces moments ou lon na rien a faire parce quon est en train d'attendre un nouveau moment important : ce sont les instants ou tout peut arriver, en toute liberte." (Jan Lauwers)" Dans un monde qui s??est replie sur un realisme superficiel pour survivre et exister, Jan Lauwers trace avec les mots et les images un territoire singulier ou l'hysterie, l'absurde, l'indicible, la liberte ou le desarroi peuvent cohabiter de maniere prolifique et reveler une unite. Jan Lauwers met en scene ses multi-personnalites pour creer une ouverture audacieuse sur des champs captifs que notre monde moderne a rendus invisibles."(Jerome Sans) Artiste plasticien, metteur en scene et cineaste, Jan Lauwers (1957) est avant tout connu pour son travail theatral avec la Needcompany. Cet ouvrage, qui accompagne l??exposition L??Enervement, se focalise sur son travail plastique cree entre 1996 et 2006.‎

‎Jan Lauwers, Restlessness.‎

‎, Bruxelles, Fondsmercator, 2007, Hardcover with dust jacket, Number of pages: 176pp.Dimensions: 29,7 x 23 cm with 200 full colour illustrations. as new !! ISBN 9789061537304.‎

‎There are moments in life when the interval, the time that one needs to get from one place to another, wraps itself around your soul like a veil and protects you against the cold senselessness of the everyday. Those moments when nothing needs to be done because you are waiting for a new important moment: these are the moments when everything can happen in complete freedom.??? Jan Lauwers ???In a world which has fallen back on a ???superficial realism?? in order to survive and to exist, Jan Lauwers uses words and images to mark out a wayward territory within which hysteria, the absurd, the unspeakable, freedom and upheaval can come together an even form a unity. Jan Lauwers uses his multifaceted personality to create perilous entrances into areas which our modern world has made invisible.??? Jerome Sans Artist, filmmaker and theatrical creator Jan Lauwers (1957) is mainly known for his theatre work with Needcompany. This book, prompted by the exhibition RESTLESSNESS, focuses on his art from 1996 to 2007. Text in English Nederlandse bijhorende vertaling ‎

‎Uit het verleden geput : gebruiksgoed : van opgraving tot museum : de verzameling Jan Gruyaert‎

‎, Antwerpen, Provinciaal Museum Sterckshof, 1991., softcover, originele geillustreerde uitgeversomslag in kleur, 21x29,5cm, 139pp, geillustreerd z/w.‎

‎Gebruiksgoed van opgraving tot museum, de verzameling Jan Gruyaert, Provinciaal Museum Sterckshof Antwerpen-Deurne.‎

‎Book of Marble : Famous First Edition: Jan Christiaan Sepp.‎

‎Italy, Taschen Gmbh , 2023 Hardcover in slipcase, 310 x 250 x 35 mm, 312 pages , Edition: English, French, German, Illustrated in fine colors. First printing of 10,000 numbered copies. ISBN 9783836594349.‎

‎A Marvel in Marble. The true beauty of stone captured by Jan Christiaan Sepp An exhaustive compendium of marble, Afbeelding der Marmor Soorten (A Representation of Marble Types) depicted 570 samples across 100 colour plates, accompanied by texts in five languages. Published in 1776 at the peak of the Enlightenment, it is regarded, rightly, as one of the finest illustrated scientific books of the era. Over the course of the 18th century, beautiful books that categorised, annotated, and illuminated the Enlightenment pursuit of learning across Europe had become increasingly popular. Knowledge was everything and everywhere, and these books provided it for those not wealthy enough to build their own personal collections of rare and exotic objects. Marmor Soorten, one such edition, took the standards of both aesthetics and categorisation to a whole new level. Jan Christiaan Sepp and his father Christian ? himself a respected collector ? had already earned a reputation for luxury publications on scientific themes, starting with Christian?s own Nederlandsche Insecten (Insects of the Netherlands). But it was his son who created the visual masterpiece Marmor Soorten, revising an existing German publication from 1775 by Adam Ludwig Wirsing. The result ? published in 11 instalments to a print run of around 100 ? was among the finest examples of its kind. Featuring new photography to depict the intricate details of the marble samples, this edition brings an unknown treasure back to relevance. The plates, each meticulously hand-coloured and arranged with painstaking precision, have an abstract-art feel that gives this volume an almost modern slant. This edition reproduces the pages from two copies of Marmor Soorten held at the State and University Library in Dresden and the Getty Research Institute in Los Angeles. Reprinting the work in full for the first time, The Book of Marble brings that rare blend of beauty and encyclopedic knowledge to a wider audience.‎

‎EAU-FORTE ORIGINALE : St MALO, par Jan Peeters peintre dessinateur, 1640‎

‎ Jan Peeters 1640 Une gravure Originale à l'eau-forte et au burin en noir : Format : 15 centimètres de haut par 48 centimètres de large, sur papier vergé blanc ligné, Dessiné et Gravé par Jan Peeters 1640 ,‎

‎SUPERBE ET RARE EAU-FORTE ............... en bon état (good condition). bon état ‎

‎Jan Vanriet. Closed Doors,‎

‎Brussels, Roberto Polo Gallery , 2012 Hardback, 240x240mm, 104p, 85 colour illustrations, English edition. . ISBN 9789057791468.‎

‎Closed Doors is an important series of recent paintings by Jan Vanriet (1848), who represented Belgium in the 1979 Bienal de Sao Paolo, 1984 Biennale di Venezia and 1990 International Art Festival of the National Museum of Contemporary Art in Seoul. The Jury of the latter awarded its Special Prize to Jan Vanriet, along with John Chamberlain and Mimmo Rotella. In 2010, the international press acclaimed Jan Vanriet's retrospective exhibition Closing Time at the Royal Museum of Fine Arts of Belgium in Antwerp, which was visited by over 88 000 people. Through a restrained 'narrative' painting, Jan Vanriet explores the essential and universal by reducing forms to signs and symbols, using meaningful colours, carefully constructed lyrical surfaces and scumbling paint, almost as if he were inventing a mysterious calligraphy with his fragile brushstrokes. His style, or as the French art historian and theorist Michel Laclotte wrote, maniera, is above all a path which he has taken to express the themes that have obsessed him since the beginning: man and nature oppressed by a ceaselessly unfolding history. Expo: 22/11/2012 - 24/02/2013. ‎

‎[Portraits].‎

‎S.l. [Leyde], s.d. (1625) in-4, [17] ff. n. ch., regroupant 30 portraits contrecollés, basane fauve marbrée, dos à nerfs cloisonné et fleuronné, pièce de titre, tranches rouges (rel. du XVIIIe s.). Coiffes rognées, coins abîmés.‎

‎Très curieux recueil d'amateur de portraits et de vues découpés dans l'ouvrage du célèbre philologue hollandais Jan Meurs (1579-1639), intitulé , virisque claris qui utramque ingenio suo, atque scriptis, illustrarunt, libri duo (Leyde, 1625), sorte de répertoire des célébrités et des savants de cette ville. Les deux vues représentent le fort de Leyde (Burgus) et les jardins de l'Académie. Les portraits sont ceux de professeurs, de théologiens calvinistes, de médecins et de membres de l'Académie (cf. liste infra). Ils recouvrent des feuillets de texte en français empruntés à un autre ouvrage, et dont certains semblent avoir été intentionnellement découpés (cf. collation), pour aboutir à une adéquation entre le nombre de planches et leurs feuillets de support.1. Ludolph Van Ceulen (1540-1610, mathématicien de Delft). - 2. Daniel Heinsius (1580-1655, philologue). - 3. Anton Thysius (1565-1640, théologien réformé). - 4. Frans Gomaer (1553-1641, théologien calviniste célèbre, à l'origine de la fameuse querelle sur la prédestination qui déchira les Pays-Bas au début du XVIIe siècle). - 5. Jeremias Bastinck / Bastingius (1551-1595, théologien réformé). - 6. Willebrord Snell Van Royen (1580-1626, mathématicien, élève de Ludolph Van Ceulen). - 7. Gilbert Jack (1578-1628, philosophe aristotélicien écossais). - 8. Pieter Pauw (1564-1617, botaniste et médecin). - 9. Philip Clüver (1580-1622, géographe). - 10. Gerhard Johann Voss (Vossius, 1577-1649, philologue). - 11. Thomas Van Erpe (Erpenius, 1584-1624, orientaliste). - 12. Peter Van der Kun (Cunaeus, 1586-1638, juriste). - 13. Festus Hommius (1576-1642, théologien calviniste). - 14. Guillaume d'Orange, comte de Nassau. - 15. Jan Van den Driesche (1550-1616, orientaliste). - 16. Huig De Groot (Grotius, 1583-1643, juriste). - 17. Pieter Schryver (Scriverius, 1576-1660, philologue). - 18. Pierre Du Moulin l'Ancien (1568-1658, théologien français). - 19. Pier Bertius (1565-1629, mathématicien). - 20. Adriaen De Jonghe (Junius, 1511-1575, médecin). - 21. Jan Van der Does (Dousa, 1545-1604, historien, premier bibliothécaire de l'Université de Leyde). - 22. Pieter Tara (1514-1586, philologue). - 23. Eberhard von dem Vorst (Vortius, 1565-1624, médecin). - 24. Jacob Harmensen (Arminius, 1569-1609, théologien calviniste, adversaire de Gomaer dans la querelle de la prédestination). - 25. Jan Van Meurs (Meursius, 1579-1639, philologue, auteur du recueil). - 26. André Rivet (1572-1651, théologien français). - 27. Franck Pieterszoon Burgersdijk (1590-1635, logicien). - 28. Anton Van Waele (1573-1639, théologien calviniste). - 29. Luc Trelcat (1542-1602, théologien réformé né à Arras). - 30. Jan Polyander van den Kerckhoven (1568-1646, théologien calviniste).Exemplaire provenant de la maison provençale de Castellane, avec ex-libris armorié du XVIIIe siècle, colorisé à la main (cf. Rietstap I, 383 et OHR 2348 et 2349, pour deux autres possesseurs de cette famille). - - VENTE PAR CORRESPONDANCE UNIQUEMENT - LIEN DE PAIEMENT, NOUS CONSULTER.‎

‎Jan De Cock - Denkmal III * 52 Modules XCII-CCCXIX Bordspel, puzzel of ander speelgoed ‎

‎, Brussel : Atelier Jan De Cock,, 2004 5 Delen. IN Hardcover en in foedraal. 650 pages, illustrated 413 colour plates, 14 black & white plates, 30.5 x 24.5 cm. *als nieuw. ISBN 9789080842434.‎

‎Jan De Cock is rabiaat jong, modernist en estheet. Zijn werk stoort, overstuurt of sluit de wereld van de representatie af, en gooit ons in onze waarneming terug. Dit indrukwekkend boek is een eerste monografie, en bevat een volledig overzicht van de Randschade projecten en de recente reeks panoramas Temps Mort. Essays van Marc de Kesel, Chris Dercon, Wouter Davidts en Luk Lambrecht. ‎