Editions De La Connaissance Jaquette en état d' Usure reliure Rigide Bruxelles 66 reproductions des oeuvres de dubuffet - édition originale en 1500 exemplaires - 132 pages en format 26 - 23 cm - impression sur papier brun
Bon État
Bruxelles, Editions de la connaissance, 1958, in-4 à l'italienne (26x23cm), broché-jaquette éditeur, non paginé. Petites déchirures en marge de la jaquette. Légère mouillure en pied de la garde, sans gravité. Présentation par Maximilien Vox. Ouvrage composé en alternance d'illustrations en pleine page et du texte imprimé sur papier kraft. Bon état.
2. Lugano (Switserland), James Fitzsimmons, 1975, in-4° , 29,5 x 21 cm, issues of approx. 60 pp, sewn, orig. stiff wrapper. Fine copies of the original issues. These three first issues are most probably all that was published by James Fitzsimmons under this title as already the March 1975 issue of the periodical ''Art International'' contains also the name '' Art Spectrum''. It is not unlikely that these issues in fact form the first 3 issues of Art International for the year 1975. We could not ascertain that Issues 1-3 for 1975 under the name Art International were ever published..
1958 Bruxelles. Editions de la Connaissance. 1958. In-4° à l'italienne broché. Impression sur papier kraft pour le texte, et papier glacé pour les photos . Couverture lithographique de Jean Dubuffet (Mourlot). 66 planches hors texte sur papier couché. E.O. tirée à 1.500 exemplaires. Complet du feuillet d'Erratum. Parfait état , comme neuf
Catalogue de l’exposition à New York, Pierre Matisse Gallery, 4 novembre 1958, in-8, br., reproductions, couv. lithographiée en couleurs d’après une gouache de l’artiste. Longue introduction by James Fitzsimmons.
Phone number : 33 01 48 04 82 15
Bruxelles. Editions de la Connaissance. 1958. In-4° a l'italienne broche. Impression sur papier kraft. Couverture lithographique de Jean Dubuffet (Mourlot). 66 planches hors texte sur papier couche. E.O. tiree a 1.500 exemplaires. Bon exemplaire. Complet du feuillet d'Erratum.
bon etat,Couverture lithographie originale
1961 Zürich, James Fitzsimmons, 1961. 34,5 x 24,5 cm, 76 pp., nb. ill. en noir, broché.
Textes en français et en anglais. Couverture par Robert Motherwell. Petite découpe à un feuillet de publicité, sinon un bon exemplaire.
P. Matisse, New-York (4.11.1958). Broché, couverture bicolore lithographiée d'après une gouache de l'artiste datant de 1936. Édition originale 21 reproductions en noir, la totale des oeuvres exposées.
Catalogue d'expo, avec un copieux texte in english, daté d'octobre 58 à Zürich, dédicacé par l'auteur. > En cas de problème de commande, veuillez nous contacter par notre page d'accueil / If you have any problems with your order please contact us via our homepage <
2. Lugano (Switserland), James Fitzsimmons, owner and sole editor, 1975, in-folio 34,5 x 24 cm, issues of approx. 60 pp, sewn, orig. stiff wrapper. Fine copies. (See Chamberlin 2163..''up to date information on all phases of art (= modern or actual art) in all parts of Europe'').
2. Lugano (Switserland), James Fitzsimmons, owner and sole editor, 1970, in-folio 34,5 x 24 cm, issues of approx. 60 pp, sewn, orig. stiff wrapper. Complete year in the original issues, fine copies. (See Chamberlin 2163..''up to date information on all phases of art (= modern or actual art) in all parts of Europe'').
2. Lugano (Switserland), James Fitzsimmons, owner and sole editor, 1972, in-folio 34,5 x 24 cm, issues of approx. 60 pp, sewn, orig. stiff wrapper. Complete year in the original issues, fine copies. (See Chamberlin 2163..''up to date information on all phases of art (= modern or actual art) in all parts of Europe'').
2. Lugano (Switserland), James Fitzsimmons, owner and sole editor, 1974, in-folio 34,5 x 24 cm, issues of approx. 60 pp, sewn, orig. stiff wrapper. Complete year in the original issues, fine copies. (See Chamberlin 2163..''up to date information on all phases of art (= modern or actual art) in all parts of Europe'').
2. Lugano (Switserland), James Fitzsimmons, owner and sole editor, 1979-1980, in-folio 34,5 x 24 cm, issues of approx. 60 pp, sewn, orig. stiff wrapper. Complete year in the original issues, fine copies. One spine slightly damaged, without loss of paper. (See Chamberlin 2163..''up to date information on all phases of art (= modern or actual art) in all parts of Europe'').
2. Lugano (Switserland), James Fitzsimmons, owner and sole editor, 1978-1979, in-folio 34,5 x 24 cm, issues of approx. 60 pp, sewn, orig. stiff wrapper. Complete year in the original issues, fine copies, allthough some spines are slightly damaged. (See Chamberlin 2163..''up to date information on all phases of art (= modern or actual art) in all parts of Europe'').
2. Lugano (Switserland), James Fitzsimmons, owner and sole editor, 1971, in-folio 34,5 x 24 cm, issues of approx. 60 pp, sewn, orig. stiff wrapper. Complete year in the original issues, fine copies. (See Chamberlin 2163..''up to date information on all phases of art (= modern or actual art) in all parts of Europe'').
2. Lugano (Switserland), James Fitzsimmons, owner and sole editor, 1976, in-4° , 29,5 x 21 cm, issues of approx. 60 pp, sewn, orig. stiff wrapper. Complete year in the original issues.(See Chamberlin 2163..''up to date information on all phases of art (= modern or actual art) in all parts of Europe'').
2. Lugano (Switserland), James Fitzsimmons, owner and sole editor, 1975, in-4° , 29,5 x 21 cm, issues of approx. 60 pp, sewn, orig. stiff wrapper. Incomplete year, original issues.(See Chamberlin 2163..''up to date information on all phases of art (= modern or actual art) in all parts of Europe'').
2. Lugano (Switserland), James Fitzsimmons, owner and sole editor, 1971, in-4° , 34,5 x 24,5 cm, issues of approx. 60 pp, sewn, orig. stiff wrapper. Nearly complete year in the original issues. Fine copies. (See Chamberlin 2163..''up to date information on all phases of art (= modern or actual art) in all parts of Europe'').
2. Lugano (Switserland), James Fitzsimmons, owner and sole editor, 1977, in-folio 34,5 x 24 cm, issues of approx. 60 pp, sewn, orig. stiff wrapper. Complete year in the original issues, fine copies. (See Chamberlin 2163..''up to date information on all phases of art (= modern or actual art) in all parts of Europe'').
2. Lugano (Switserland), James Fitzsimmons, owner and sole editor, 1980 -1981, small in-4°, 24 x 17 cm, , issues of approx. 200 pp, sewn, orig. stiff wrapper. Complete year in the original issues, fine copies. (See Chamberlin 2163..''up to date information on all phases of art (= modern or actual art) in all parts of Europe'').
2. Lugano (Switserland), James Fitzsimmons, owner and sole editor, 1982, in-4°, 29,5 x 21 cm, , issues of approx. 130 pp, sewn, orig. stiff wrapper. Fine copies. (See Chamberlin 2163..''up to date information on all phases of art (= modern or actual art) in all parts of Europe'').
2. Lugano (Switserland), James Fitzsimmons, owner and sole editor, 1969, in-folio, 34,5 x 24,5 cm, , issues of approx. 80 pp, sewn, orig. stiff wrapper. Fine copies. (See Chamberlin 2163..''up to date information on all phases of art (= modern or actual art) in all parts of Europe'').
2. Lugano (Switserland), James Fitzsimmons, owner and sole editor, 1981, small in-4°, 24 x 17 cm, , issue of approx. 200 pp, sewn, orig. stiff wrapper. Fine copy. (See Chamberlin 2163..''up to date information on all phases of art (= modern or actual art) in all parts of Europe'').
2. Lugano (Switserland), James Fitzsimmons, 1976, small in-4°, 28,5 x 20,5 cm, issue of approx. 120 pp, sewn, orig. stiff wrapper. Fine copy.
2. Lugano (Switserland), James Fitzsimmons, editor, 1984, in-4°, 30 x 21 cm, , issue of approx. 76 pp, sewn, orig. stiff wrapper. Fine copy (See Chamberlin 2163..''up to date information on all phases of art (= modern or actual art) in all parts of Europe'').