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La guerra civil espanola
Icaria 1978. In-8 Icaria 1978. In-8 broché de 217 pages. Très bon état
Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo.
Breve historia de la guerra civil de Espana.
Ruedo Ibérico. 1974. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Papier jauni. 211 pages - ouvrage en espagnol - rousseurs sur les plats.. . . . Classification Dewey : 460-Langues espagnole et portugaise
Ouvrage en espagnol - Traduccion de Juan Martinez Alier, revisafa por el autor. Classification Dewey : 460-Langues espagnole et portugaise
Histoire de la guerre civile d'Espagne.
RUEDO IBERICO. 1974. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 210 pages. Nombreuses illustrations et photos en noir et blanc, dans le texte et hors-texte. Quelques traits en marges au crayon à papier. Jaquette légèrement usée sur la coiffe de tête.. Avec Jaquette. . . Classification Dewey : 946-Espagne, Portugal
Traduit de l'anglais par Jacques TRIVOUSS. Classification Dewey : 946-Espagne, Portugal
LA REPUBLICA ESPAÑOLA Y LA GUERRA CIVIL, 1931-1939
Critica. 1999. In-12. Broché. Bon état, Couv. légèrement pliée, Dos satisfaisant, Intérieur frais. 494 pages. Illustré de quelques dessins en noir et blanc dans le texte.. . . . Classification Dewey : 460-Langues espagnole et portugaise
'Biblioteca de Bolsillo', 4. Classification Dewey : 460-Langues espagnole et portugaise
HISTOIRE DE LA GUERRE CIVILE D'ESPAGNE
RUEDO IBERICO. 1974. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 210 pages augmentées de nombreuses photos en noir et blanc dans et hors texte - jaquette illustrée en couleurs abimée.. Avec Jaquette. . . Classification Dewey : 946-Espagne, Portugal
TRADUIT DE L'ANGLAIS PAR JACQUES TRIVOUSS Classification Dewey : 946-Espagne, Portugal
Histoire de la guerre civile d'Espagne
Ruedo Ibérico. 1974. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 209 pages. 156 illustrations en noir et blanc, dans et hors texte. Jaquette satisfaisante.. Avec Jaquette. . . Classification Dewey : 946-Espagne, Portugal
Traduit de l'anglais par Jacques Trivouss. Classification Dewey : 946-Espagne, Portugal
HISTOIRE E LA GUERRE CIVILE D'ESPAGNE.
Ruedo Iberico 1974. In Ruedo Iberico 1974. In-8 carré broché, sous jaquette illustrée de 210 pages. Nombreuses illustrations.
PARFAIT ETAT. Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo.
The making of Medieval Spain
London, Thames and Hudson, 1972 21 x 14,5 cm, 216 pp Very good condition
Softcover, some pickles on the first page, with 132 illustrations, 18 in colour.
Gabriel P. Weisberg, Edwin Becker, Maartje de Haan, David Jackson, Willa Silvermanand and Jean-Francois Rauzier;
Reference : 26356
Illusions of Reality: Naturalist Painting, Photography and Cinema, 1875-1918,
Brussels, Fonds Mercator, 2010 Hardcover with dust-jacket, 25,1 x 30,1 cm, 224pp., 226 colour illustrations, of which 90 full pages. ISBN 9789061539414.
Capturing realistic images on canvas has been a staple of western art since the renaissance development of scientific perspective. At the end of the nineteenth century, however, artists attempted not only to paint realistically, but also to create images that reflected the reality of the world around them. Naturalist painters portrayed life as they observed it, utilizing their academic artistic training to illustrate the existence of everyday people. Illusions of Reality: Naturalist Painting, Photography and Cinema, 1875-1918, published in association with an eponymous exhibition developed by the Van Gogh Museum in Amsterdam, traces the relationship between several art forms that utilize the Naturalist aesthetic. Painting, literature, theatre, photography and film, and the important relationship between these art forms, are examined within the context of Naturalism as a vehicle for understanding the lives of ordinary people at a time of great social, economic and cultural transformation. The cultural and technological threads that wove these diverse art forms together emerged earlier in the nineteenth century with the development of photography. In the 1840, painters began to experiment with the use of the camera as a tool for composition, and by the 1870s, Naturalists novelists, such as Emile Zola, recognized that the camera could supplement their written notes in documenting scenes from daily life. Likewise, the theatre became more receptive to producing plays about social and cultural concerns, broadening the repertoire to include dramas based on contemporary issues. The advent of film in the late nineteenth century added yet another dimension to the Naturalist aesthetic, basing this new art form on the models provided by large-scale narrative painting, Naturalist photography, and contemporary, socially conscious theatre productions. In a series of essays, the authors of Illusions of Reality: Naturalist Painting, Photography and Cinema, 1875-1918 explore the international scope of Naturalism through a number of interwoven themes. The livres of ordinary people are at the heart of Naturalist art in any medium, and so the themes of these works reflect the common concerns shared by urban an rural populations in both Europe and North America. The social ills created by industrialization are frequent themes, as are the social responses to these problems in the form of public education and newly energized religious faith. Likewise, the transformation brought about by industrialization led many artists to focus on the loss of traditional agrarian culture as well as the political upheaval caused by working conditions in the factories. In short, Illusions of Reality: Naturalist Painting, Photography and Cinema, 1875-1918 offers a fresh interpretation of how Naturalist artists, and the aesthetic the espoused, attempted to understand and explain the rapid and profound changes of their own time. Accompanies the exhibitions in the Van Gogh Museum Amsterdam, 8 October 2010 - 16 January 2011, and in the Ateneum Art Museum, Helsinki, February - June 2011.
