8 books for « ikram salima »Edit

‎Choice cuts : meat production in Ancient Egypt [in: Orientalia Lovaniensia Analecta, 69]‎

‎Leuven, Peeters 1995 xviii + 326pp.with 75 illustrations in text, hardcover (publisher's green cloth binding), dustwrapper, 25cm., in the series "Orientalia Lovaniensia Analecta" volume 69, fine condition (as new), ISBN 90-6831-745-8, C80243‎

‎Emile Prisse d'Avennes: Egyptian Art -- Agyptische Kunst -- Art egyptien -- The Complete Plates ‎

‎, Taschen, , 2014 Hardcover with dusjacket, in-folio, 428 pages, Illustrated. Texte en Francais / Deutsch / English. FINE!. ISBN 9783836516471.‎

‎In seiner leidenschaftlichen Bewunderung für die grandiosen Fähigkeiten der altägyptischen und orientalischen Künstler leistete der französische Orientalist, Schriftsteller und Künstler Émile Prisse d?Avennes (1807?1879) Bahnbrechendes auf dem Gebiet der Ägyptologie. Schon als Jugendlicher träumte er davon, den Orient zu erkunden, mit 19 machte er sich erstmals auf den Weg und besuchte Griechenland, Palästina und Indien. In den folgenden 40 Jahren bereiste er Syrien, die Arabische Halbinsel und Persien und lebte einige Zeit in Ägypten und Algerien. Ägypten erkundete Prisse d?Avennes, in arabische Gewänder gekleidet, unter dem Namen Idris Effendi. Als Erforscher der altägyptischen und islamischen Kulturen schrieb er später in seiner Geschichte der ägyptischen Kunst: ?Ich habe die elegantesten Vorlagen ausgewählt, diejenigen, deren Gestalt eine sehr genaue Vorstellung vermittelt vom Geschmack und Luxus dieser Zeit, als die ägyptische Kunstfertigkeit sich auf dem Gipfel ihrer Brillanz befand.? Im Jahr 1844 reiste Prisse d?Avennes von Alexandria nach Frankreich, wo er drei Jahre später die Monuments égyptiens (Ägyptische Baudenkmäler) veröffentlichte. Dieser Band enthält 51 Tafeln, die auf Zeichnungen basieren, die er während seiner Zeit in Ägypten angefertigt hatte. Nach einem erneuten Aufenthalt in Nordafrika kehrte er 1860 wieder nach Paris zurück, mit den Früchten seiner zahlreichen Reisen im Gepäck: Hunderte von Foliozeichnungen, Fotografien, Skizzen, Karten und 400 Metern an Basreliefs. Fasziniert von der Symmetrie, Komplexität und Opulenz der ägyptischen und arabischen Kunst, griff er auf diesen gewaltigen Fundus zurück, um Sammelwerke zur Kunst und Architektur zu schaffen, in die er seine Forschungen zum historischen, gesellschaftlichen und religiösen Kontext ebenso einfließen ließ wie seine Untersuchungen von Originaldokumenten. 1878/79 erschien in Paris unter dem Titel Histoire de l?art égyptien (Geschichte der ägyptischen Kunst) sein vollständiges Kompendium, das 159 beeindruckende Tafeln zur ägyptischen Kunst enthält. Diese außergewöhnlichen Tafeln zu Architektur, Skulptur, Malerei und Kunstgewerbe werden hier erstmals in einem Band vereint und vollständig veröffentlicht. ---- In his passionate admiration for the magnificent skills of ancient Egyptian and oriental artists, the French orientalist, writer and artist Émile Prisse d?Avennes (1807?1879) made groundbreaking contributions to the field of Egyptology. Even as a teenager he dreamed of exploring the Orient. At the age of 19 he set off for the first time and visited Greece, Palestine and India. In the following 40 years he traveled to Syria, the Arabian Peninsula and Persia and lived for some time in Egypt and Algeria. Prisse d'Avennes explored Egypt, dressed in Arab robes, under the name Idris Effendi. As a researcher of ancient Egyptian and Islamic cultures, he later wrote in his history of Egyptian art: ?I have selected the most elegant models, those whose shape gives a very accurate idea of ??the taste and luxury of that time when Egyptian artistry was at its peak brilliance.? In 1844, Prisse d'Avennes traveled from Alexandria to France, where three years later he published Monuments égyptiens (Egyptian Monuments). This volume contains 51 plates based on drawings he made during his time in Egypt. After another stay in North Africa, he returned to Paris in 1860 with the fruits of his numerous travels in his luggage: hundreds of folio drawings, photographs, sketches, maps and 400 meters of bas-reliefs. Fascinated by the symmetry, complexity and opulence of Egyptian and Arabic art, he drew on this enormous fund to create collections on art and architecture, in which he incorporated his research into the historical, social and religious context as well as his studies of original documents. In 1878/79 his complete compendium was published in Paris under the title Histoire de l'art égyptien (History of Egyptian Art), which contains 159 impressive plates on Egyptian art. These extraordinary panels on architecture, sculpture, painting and decorative arts are brought together and published in full in one volume for the first time.‎

‎The Basketry from the Tomb of Tutankhamun, catalogue and analysis.‎

‎<meta charset="utf-8"><div class="hide-for-small-only container" data-mce-fragment="1"><div class="tabs-content" data-tabs-content="bookcontents-tabs" data-mce-fragment="1"><div class="tabs-panel is-active text-justify" id="abstract" role="tabpanel" aria-hidden="false" aria-labelledby="abstract-label" data-mce-fragment="1"><p data-mce-fragment="1">The tomb of Tutankhamun, discovered in 1922 in the Valley of the Kings in Luxor (Egypt) by Howard Carted, yielded over 5000 items. Among the vast number of richly embellished precious objects, such as the solid gold coffin and mask, were also more mundane objects, including the hitherto unpublished basketry objects. Baskets, the ‘plastic bags’ of the ancient world, were used for storage of all sorts of things, including food, clothing and jewellery, and many that were found in the tomb retained their original contents.</p><p data-mce-fragment="1">The present work describes and illustrates the basketry and basketry boxes from the tomb in detail, giving attention to the technology, material, shape, decoration, as well as their contents. The analysis contextualises the basketry in a wider framework, comparing it with other examples and the visual record, with regard to the technology used to make them and their uses.</p><p data-mce-fragment="1">The book will be of interest for those interested in basketry, ancient technology, daily life and burial customs in ancient Egypt and is written for a wide audience.</p></div></div></div><br data-mce-fragment="1"> Leiden, 2022 Sidestone press 364 p., nombreuses illustrations couleur, broché. 21 x 28‎

‎Neuf‎

‎The Ancient Egyptians and the Natural World. Flora, Fauna, and Science.‎

‎<meta charset="utf-8"><p data-mce-fragment="1">This book explores the interaction between animals, plants, and humans in ancient Egypt. It draws together different aspects of the bioarchaeology of Egypt: flora, fauna, and human remains. These come from sites throughout the country from Alexandria to Aswan, as well as material from museum basements.</p><p data-mce-fragment="1">The material presented here includes the results of new and previously unpublished excavations in the Delta and Thebes, in-depth studies of different species of animal mummies, an analysis of animal cults, tentative identifications of wild dogs in Egyptian art, a variety of diseases from which the ancient Egyptians suffered, studies on human remains using traditional as well as state-of-the-art technologies, and the different foods that formed the diet of the ancient Egyptians.</p><p data-mce-fragment="1">The studies blend traditional methodologies, often deployed in novel ways, such as examining the pelage of lions, as well as new 3D technologies used in the analyses of bioarchaeological material. The results of these studies deepen our knowledge of ancient Egypt, its inhabitants, and their interaction with their environment.</p><p data-mce-fragment="1">The present volume is the proceedings of the Conference on the Bioarchaeology of Ancient Egypt &amp; the Second International Symposium on Animals in Ancient Egypt (Cairo, 2019).</p> Leiden, 2021 Sidestone 283 pages, nombreuses figures, broché. 21 x 28‎

‎Neuf‎

‎Choice Cuts: meat production in Ancient Egypt.‎

‎ Louvain, 1995 Peeters 326 p., relié. ‎

‎Neuf‎

‎Beloved beasts. Animal Mummies from Ancient Egypt.‎

‎ Le Caire, 2004 64 p., nombreuses illustrations couleur et N/B, broché. 16,5 x 23,5‎

‎Occasion‎

‎Creatures of earth, water and sky. Essays on Animals in Ancient Egypt and Nubia.‎

‎<p>Ancient Egyptians always had an intense and complex relationship with animals in daily life as well as in religion. Despite the fact that research on this relationship has been a topic of study, gaps in our knowledge still remain. This volume presents well over 30 contributions that explore Human-Animal relationships from the Predynastic to the Roman period. The essays cover topics such as animal husbandry, mummification, species-specific studies, the archaeology and economy of the animal cults, funerary practices, iconography and symbolism. The contribution of archaeometrical methods, such as DNA analyses, balms’ analyses, AMS dating, radiography, and 3D imaging, are also represented as these play a significant role in furthering our understanding of the human-animal relationship in Egypt. The range of subject matter and contributors are indicative of the importance of animals and the role that they played in ancient Egypt and Nubia, and emphasises the need for continued inter- and multidisciplinary studies on the subject. The research outlined in this volume has helped, for example, to better identify ways of sourcing the animals used in mummification, contributed to establishing the eras during which animal mummification became common, and highlighted new techniques for acquiring DNA. The fresh insights and diversity of topics makes the volume of interest for professionals (Egyptologists, (archaeo-)zoologists and historians), as well as those who are interested in Egyptology and in the relationship between humans and animals. ‘Creatures of Earth, Water and Sky’ is the result of the first international conference ever dedicated to animals in ancient Egypt and Nubia (the International Symposium on Animals in Ancient Egypt, ISAAE 1, June 1-3 2016, held in Lyon). </p> Leiden, 2019 Side 356 p., broché. 21 x 28‎

‎Neuf‎

‎THE PHARAOHS (IN ANCIENT EGYPT)‎

‎Hoopoe Books. 1997. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Plaquette de 32 pages illustrée de nombreux dessins et de nombreuses photos en couleur dans le texte.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon‎

‎Illustrations by Salah HASSAB. Classification Dewey : 420-Langue anglaise. Anglo-saxon‎