5 books for « heynen julian »Edit

‎Andreas Gursky.‎

‎ Museum Haus Lange, 1989. In-8 carré agrafé. Catalogue de l'exposition Gursky qui a eu lieu du 5 nov. au 17 déc. 1989. Texte de J. Heynen en allemand. 17 photographies en couleurs. E.O.‎

‎Thomas Schütte‎

‎Heynen, Julian: Thomas Schütte. London: Phaidon, 1998. 160pp with 120 colour and 30 monochrome illustrations. Paperback. 29x25cms. Survey of the career to date of one of the most important German contemporary artists. His work includes installations, sculptures, models, drawings and watercolours deployed with poetic irony.‎

‎Survey of the career to date of one of the most important German contemporary artists. His work includes installations, sculptures, models, drawings and watercolours deployed with poetic irony. Text in English‎

‎Bethan Huws. Watercolours. Kaiser Wilhelm Museum Krefeld. Kunstmuseum Bern. Oriel Mostyn Art Gallery, Llandudno.‎

‎Oberhausen, Plitt Druck- und Verlag, 1998. 4°. 179 S. Mit vielen ganzseitigen Abbildungen. Originalbroschur.‎

‎Mit einer Einführung in Deutsch, Englisch und Walisisch und einem Text in Englisch von Ulrich Loock.‎

‎Ilse D'Hollander works on paper.‎

‎, Hannibal, 2014 Hardcover, 27 x 22 cm, 256 bladzijden, Gedrukt in quadri, Hardcover, Met 120 afbeeldingen van werken op papier. fine copie / Text in English, ISBN 9789491376979.‎

‎Referentiecatalogus over het bijzondere olieverf- en gouachewerk op papier van Ilse D'Hollander (1968-1997) De werken op papier behoren net zoals de schilderijen op doek tot de kern van D'Hollanders oeuvre. Zoals ook bij Raoul De Keyser het geval is, resoneren de werken op papier met de schilderijen op doek, alleen versterkt het fragiele karakter van de papieren drager de intensiteit van het geschilderde. Ondanks het kleine formaat bevatten de werkjes een enorme concentratie en gecondenseerde kracht.? Julian Heynen Ruim zeventien jaar na haar plotse dood wordt D?Hollanders oeuvre internationaal gewaardeerd en veelvuldig getoond. Vorig jaar kreeg de kunstenares een uitgebreide overzichtstentoonstelling in Museum M te Leuven en een solotentoonstelling in de Konrad Fischer Galerie in Dusseldorf. Dit boek werd gepubliceerd naar aanleiding van een groepstentoonstelling bij David Zwirmer in New York en een belangrijke solotentoonstelling bij Konrad Fischer Galerie in Berlijn, van 17 september tot 8 november 2014. Met bijdragen van Eric Rinckhout en Julian Heynen, artistiek directeur van K21 der Kunstsammlung Nordrhein-Westfalen in Dusseldorf, de belangrijkste regionale Kunsthalle voor hedendaagse kunst. Reference catalog about the special oil and gouache work on paper by Ilse D'Hollander (1968-1997) ?The works on paper, just like the paintings on canvas, belong to the core of D'Hollander's oeuvre. As is also the case with Raoul De Keyser, the works on paper resonate with the paintings on canvas, but the fragile character of the paper carrier enhances the intensity of the painted. Despite the small size, the works contain enormous concentration and condensed power. Julian Heynen More than seventeen years after her sudden death, D?Hollander's oeuvre is internationally appreciated and frequently shown. Last year the artist had an extensive retrospective in Museum M in Leuven and a solo exhibition in the Konrad Fischer Galerie in Dusseldorf. This book was published on the occasion of a group exhibition with David Zwirmer in New York and an important solo exhibition at Konrad Fischer Galerie in Berlin, from September 17 to November 8, 2014. With contributions from Eric Rinckhout and Julian Heynen, artistic director of K21 der Kunstsammlung Nordrhein -Westphalia in Dusseldorf, the most important regional Kunsthalle for contemporary art‎

‎Thomas Sch tte‎

‎, Phaidon Press, 1998 Softcover, 160 pages, ENG, 290 x 255 x 16 mm, in perfect condition, illustrated in colour / b/w. ISBN 9780714837147.‎

‎Thomas Sch tte is a catalog of works by this contemporary German artist. Sch tte studied under Gerhard Richter, Benjamin Buchloh, and Bernd and Hilla Becher at the D sseldorf Academy in the 1970s. He comes from that strong conceptual background, but as his career matured the emotional content of his work evolved and became much more potent. Sch tte's work is incredibly eclectic: ceramic figures, architectural models, drawings, outdoor sculptures, photographs, and installations. A recent work, Big Spirits (1996), is a collection of larger-than-life-size aluminum figures that seem to be morphing before one's eyes. They are at once ghost, human, and machine. Also riveting is The Innocents (1994), a series of photographs of the heads of handmade figurines, and United Enemies, A Play in Ten Scenes (1993)--offset lithographs, also of figurines wrapped in Sch tte's clothes. His watercolors are beautiful, ranging from drawings of fruit to portraits of women. Whatever the project, Sch tte is tapped in to a particular humanity. Included in the book are essays by Julian Heynen and Angela Vettese, an interview with James Lingwood, and an essay by Roman philosopher Seneca, chosen by the artist. There is also a story by Sch tte--printed in English for the first time. --Jennifer Cohen‎