Write to the booksellers8 books for « havell e b »Edit
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The ancient and medieval architecture of India : A study of Indo-Aryan civilisation
London 1915 JOHN MURRAY Hardcover
Hardcover, original cloth, 26 x 20 cm, 230 pp. gilded leaf cut , English, Illustrations, book condition: Very Good.
The History of Aryan Rule in India , from the earliest times to the death of Akbar
London 1918 George G. Harrap & Co Hardcover
Hardcover, original cloth, some bumped corners, 22 x 17 cm, 582 pp., English, Illustrations.
Mauritshuis Museum : Royal Cabinet of Paintings Mauritshuis and Gallery Prince William V.
London, Scala Publications, 1994 Hardcover, 128 pages, ENG. edition, 280 x 205 x 20 mm; in very good condition, illustrated dustjacket; blue cloth with goldcoloured imprint ; illustrated in colors. ISBN 9781857590319.
This gem of a museum, housed in a graceful seventeenth-century lake-side mansion in The Hague, has a fine collection of Dutch and Flemish art. King William I gave the collection to the Dutch state after it was returned from France, and the house and its contents were officially opened as a museum in 1822. Among its treasures are self portraits by Rembrandt as well as The anatomy lesson of Dr Nicolaes Tulp, Vermeer's View of Delft (recently restored), and paintings by Holbein, Rubens, Frans Hals and Van Dyck. Also present are some of the finest examples of landscape and still life paintings to have been produced in the Dutch Golden Age.
Agra and the Taj, Sikandra, Fatehpur-Sikri and the Neighbourhood. [Reprint London, Longmans, Green, and Co., 1912]
New Delhi - Madras, Asian Educational Services 1995 In-12 18,5 x 11,5 cm. Reliure éditeur simili-cuir havane, report auteur & titre dorés sur le dos et le premier plat de couverture orné d’une vignette, XII-147 pp., 14 illustrations, 4 plans, sommaire, table des illustrations, index. Exemplaire en très bon état.
Texte en anglais. Très bon état d’occasion
Bitter Truth : Avant-garde Art and the Great War
, Yale University Press, 1994 Hardcover, 336 pages, ENG, 295 x 250 x 30 mm, dustjacket, In very good condition!, 330 b&w illustrations, 70 colour plates, index. ISBN 9780300057041.
"It is unspeakable, godless, hopeless. I am no longer an artist interested and curious. I am a messenger who will bring back word from the men who are fighting to those who want the war to go on forever. Feeble, inarticulate, will be my message, but it will have a bitter truth." - Paul Nash, 1918, at Passchendaele. The trauma of the First World War had an immensely powerful effect on the painters, sculptors, and printmakers who participated in it. They produced an extraordinary range of striking images that conveyed the immediacy and horror of their experiences and feelings. This arresting book is the first to bring together and examine the full international array of images spawned by the Great War. Richard Cork shows how avant-garde artists from Europe, Russia, and the United States challenged the recruiting posters and other propagandist views of the struggle by producing art that reflected the degradation of the trenches. The conflict was anticipated before hostilities began by the visionary and apocalyptic work of painters such as Meidner and Kandinsky. Chagall, Nevinson, Hartley, Beckmann, Kirchner, and other artists were quick to define war's essential tragedy with objective, expressionist, or allegorical art that alluded to their own wartime experiences. The harshest images of war were made in the latter stages or after the Armistice, when artists such as Dix had time to consider their participation in the war. Ironically, the post-war years also witnessed the redemptive work of Spencer and Brancusi, who after the Armistice produced monumental affirmations of brotherhood, fortitude, and love. This lavishly illustrated book will accompany a major exhibition of art from World War I, to be held at the Altes Museum in Berlin from June 4 to August 28 and at the Barbican Art Gallery in London from September 29 to December 11, 1994.
THE ANCIENT AND MEDIEVAL ARCHITECTURE OF INDIA: A STUDY OF INDO - ARYAN CIVILISATION.
John Murray London 1915 In-4 carré ( 260 X 195 mm ) de 230 pages, cartonnage rouille décoré de l'éditeur. Illustrations dans le texte, planches et cartes hors-texte. Très bel exemplaire.
Indian Sculpture and Painting. Illustrated by typical masterpieces with an explanation of their motives and ideals.
London, John Murray, 1908. Gr.-8°. XX, 278 S., (2) S. (Anzeigen). Mit 1 farb. Frontispiz und 78 z.T. farb. Tafeln. Goldgepr. Orig.-Leinenband (berieben und bestossen, Rücken minim gebräunt).
Fliegender Vorsatz mit handschr. Besitzereintrag. Durchgehend leicht gebräunt und teilw. stockfleckig. Buchblock mehrmals gebrochen.
STORIES FROM THE ILIAD
GEORGE G. HARRAP AND CO.. 1910. In-8. Relié demi-cuir. Etat d'usage, Couv. convenable, Dos abîmé, Mouillures. 240 pages. Frontispices et quelques planches illustrées en noir et blanc. Dorures sur les plats et le dos. Coiffes en pied et tête légèrement abîmées.. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne
Classification Dewey : 820-Littératures anglaise et anglo-saxonne
