Write to the booksellers8 books for « haskell barbara »Edit
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20th (5)
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Feminism (1)
Swing (1)
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Marsden Hartley
Haskell, Barbara: Marsden Hartley. Exhibition: Chicago, Art Institute; Fort Worth, Amon Carter Museum and New York, Whitney Museum, 1980. 224 pages with 39 colour and 69 black and white plates. Paperback. 29 x 22.7cms.
Agnes Martin, with essays by Barbare Haskell, Anna C. Chave and Rosalind Krauss
New York Whitney Museum of American Art 1992
in-4 bien illustré noir et couleurs, 188p. Couverture illustrée. :: Catalogue d'expo itinérante. :: Broché. Bon état.
Milton Avery
New York Whitney Museum of American Art in Association with Harper & Row 1982
In-4 bien illustré, 223p. Couverture illustrée couleurs. :: Catalogue d'expo. :: Bon état.
Milton Avery : Paintings from the Collection of the Neuberger Museum of Art
Purchase, NY Neuberger Museum of Art 1994
in-8 carré, bien illustré, 40p. Cartonnage de l'éditeur, illustré couleurs. :: Bon état.
Lyonel Feininger
Musée des beaux-arts de Montréal / Whitney Museum of American Art / Somogy éditions d'art Jaquette en très bon état Couverture rigide toile Montréal / New York / Paris 2011
Très bon In-4. 277 pages. Catalogue d'exposition bien documenté.
THE AMERICAN CENTURY. ART ET CULTURE. 1900 - 1950.
Whitney Museum of American Whitney Museum of American Art 1999, In-4 broché, couverture illustrée. 408 pages. 721 photos. Bon état.
Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo.
Robert Indiana : Beyond Love
, Yale, 2013 Hardcover, 286 pages, ENG. edition, 300 x 250 x 30 mm, As New !!, illustrated dustjacket, Full page images / illustrations in color / b/w. ISBN 9780300196863.
The popularity of Robert Indiana's LOVE works made the Pop artist a household name?and torpedoed his reputation, precipitating his self-imposed exile from the New York art world that had once acclaimed him and eclipsing the breadth and emotionally powerful content of the rest of his dynamic, conceptually charged work. Robert Indiana: Beyond LOVE is a compelling reassessment of the artist?s contributions to American art during his long and prolific career. Indiana (b. 1928) has explored the power of language, American identity, and personal history for five decades. Although his imagery, suggestive of highway signs and roadside attractions, is visually dazzling on its surface and seems to reflect a native spirit of optimism, it contains a multilayered conceptual intricacy and darkness that draw on his own biography as well as on the myths, history, and literature of the United States. As chronicled in this landmark reappraisal, Indiana was a seminal figure of the 1960s and 1970s, whose artistic genius combined Pop art, hard-edged abstraction, and language-based conceptualism. With a generous illustration program, an appendix of the artist?s interviews and statements, and contributions by leading experts, this book provides a long overdue analysis of the development of Indiana?s career, his relationship to early-20th-century American painters, and his influence on contemporary language-based artists. In addition to an illustrated chronology, selected exhibition history, and selected bibliography, Robert Indiana: Beyond LOVE includes transcripts from roundtable discussions with key Indiana experts, such as Thomas Crow, Bill Katz, Robert Pincus-Witten, Susan Elizabeth Ryan, Robert Storr, Allison Unruh, and John Wilmerding, who offer compelling insights on the significance of Indiana and his art.
Stuart Davis: In Full Swing.
, Delmonico Books / Prestel, 2016 Hardcover, dustjacket, 250pp., ills., 26x31cm. ISBN 9783791355108.
This book pays tribute to the mature work of Stuart Davis, a distinctly American artist who adapted European modernism to reflect the sights, sounds, and rhythms of popular culture. Beginning in 1921, a series of creative breakthroughs led Davis away from figurative painting and toward a more abstract expression of the world he inhabited. Drawing upon his admiration for Cezanne, Leger, Picasso, and Seurat, Davis developed a style that would evolve over the next four decades to become a dominant force in postwar art. His visionary responses to modern life and culture both high and low remain relevant more than 50 years after his death. Focusing on the images and motifs that became hallmarks of his career, this book features approximately 100 works?from his paintings of tobacco packages of the early 1920s, the abstract Egg Beater series, and the WPA murals of the 1930s, to the majestic works of his last two decades. The authors take a critical approach to the development of Davis's art and theory, paying special attention to the impact his earlier work had upon his later masterpieces. They also discuss Davis?s unique ability to assimilate the lessons of Cubism as well as the imagery of popular culture, the aesthetics of advertising, and the sounds and rhythms of jazz?his great musical passion. Informed by previously unpublished primary documents, the detailed chronology is, in effect, the first Davis biography. Together, these elements create a vital portrait of an artist whose works hum with intelligence and energy.
