P;, Ducauroy, 1802, 2 volumes in 8 reliés en demi-basane rouge, dos ornés de filets dorés (reliures de l'époque), (quelques rousseurs), T.1 : 10pp., 402pp., T.2 : (2), 430pp.
---- EDITION ORIGINALE de cette traduction de l'ouvrage de HARTLEY par l'Abbé SICARD, successeur de l'ABBE DE L'EPEE à la tête de l'institut des sourds-muets ---- BEL EXEMPLAIRE ---- "THE FOUNTAINHEAD OF SOMME THE MOST IMPORTANT IDEAS IN PSYCHOLOGICAL, BIOLOGICAL AND SOCIOLOGICAL THOUTHT". (DSB) ---- "HARTELY wrote one important work, Observations on man, his frame, his duty and his expectation... The first volume of Observations is a tour de force which considers every significant topic in neurophysiology and human and comparative psychology, explained in terms of the development of complex ideas and habits from simple sensations and their repeated juxtapositions in experience. Mental associations were paralleled by vibrations of particles in the nervous system that persisted in the form of smaller 'vibratuncles' which provided the physical basis for memory... The significance of Hartley's work did not lie in any new empirical findings but in a set of assumptions and a framework for approaching the phenomena of life and mind. In the century following the publication of Observations, the work came to be seen as the fountainhead of some of the most important ideas in biological, psychological and social thought. Viewed in a narrow perspective, it was the first published work in english to use the term "psychology" in its modern sense. Hartley's principles provides the conceptual framework for the associationist tradition in modern psychology, including learning theory and psychoanalysis. His speculations about the physiology of the nervous system laid the foundations for the dominant sensory-motor interpretation of neuro-physiology and the experimental localization of functions in the cerebral cortex. It is misleading, however, to separate the psycholo-physiological from the more general aspects of Hartley's influence. His book is the central document in the history of attempts to apply the categories of science to the study of man and society... Considered conceptually, Hartley's was the first systematic elaboration of the explanatory principle that came to play an analogous role in the biological and human sciences to the concept of gravity or attraction in the physicochemical sciences. His unification of sensation, motion, association, and vibrations in a coherent mechanistic theory of experience and behavior provided the grounds for the secularization of the concepts of adaptation and utility... Erasmus Darwin used Hartley's mechanisms as the basis for his theory of evolution and for his system of medical classification in Zoonomia... Müller drew on Hartley's motor theory of learning, which was by then gaining support from findings in experimental neurophysiology. A. Bain integrated Hartley's sensory-motor physiology with the mainstream of the english tradition of associationist psychology. Théories of evolution also drew on Hartleian mechanisms. Thus, Spencer's evolutionary theory extended associationist learning theory from the experience of the individual to that of the race. J. Hughlings Jackson applied these conceptions to the physiology and pathology of the brain, while David Ferrier applied them to the experimental localization of cerebral functions...". (DSB VI p. 139) ---- Zilboorg pp. 192, 282, 397 - Norman N° 1003 english ed. - Hunter & Macalpine pp. 379/382 - MacHenry**2584/F2
Reims, Delaistre, 1755, 2 volumes in 8 reliés en plein veau moucheté, dos orné de fers dorés, tranches rouges, (reliures de l'époque), (une coiffe légèrement émoussée, petit travail de vers à la partie inférieure du dos au tome 1), T.1 : 36pp., 502pp., T.2 : 8pp., (1), 474pp., (6)
---- PREMIERE EDITION FRANCAISE ---- BON EXEMPLAIRE ---- "THE FOUNTAINHEAD OF SOMME THE MOST IMPORTANT IDEAS IN PSYCHOLOGICAL, BIOLOGICAL AND SOCIOLOGICAL THOUTHT". (DSB) ---- "HARTELY wrote one important work, Observations on man, his frame, his duty and his expectation... The first volume of Observations is a tour de force which considers every significant topic in neurophysiology and human and comparative psychology, explained in terms of the development of complex ideas and habits from simple sensations and their repeated juxtapositions in experience. Mental associations were paralleled by vibrations of particles in the nervous system that persisted in the form of smaller 'vibratuncles' which provided the physical basis for memory... The significance of Hartley's work did not lie in any new empirical findings but in a set of assumptions and a framework for approaching the phenomena of life and mind. In the century following the publication of Observations, the work came to be seen as the fountainhead of some of the most important ideas in biological, psychological and social thought. Viewed in a narrow perspective, it was the first published work in english to use the term "psychology" in its modern sense. Hartley's principles provides the conceptual framework for the associationist tradition in modern psychology, including learning theory and psychoanalysis. His speculations about the physiology of the nervous system laid the foundations for the dominant sensory-motor interpretation of neuro-physiology and the experimental localization of functions in the cerebral cortex. It is misleading, however, to separate the psycholo-physiological from the more general aspects of Hartley's influence. His book is the central document in the history of attempts to apply the categories of science to the study of man and society... Considered conceptually, Hartley's was the first systematic elaboration of the explanatory principle that came to play an analogous role in the biological and human sciences to the concept of gravity or attraction in the physicochemical sciences. His unification of sensation, motion, association, and vibrations in a coherent mechanistic theory of experience and behavior provided the grounds for the secularization of the concepts of adaptation and utility... Erasmus Darwin used Hartley's mechanisms as the basis for his theory of evolution and for his system of medical classification in Zoonomia... Müller drew on Hartley's motor theory of learning, which was by then gaining support from findings in experimental neurophysiology. A. Bain integrated Hartley's sensory-motor physiology with the mainstream of the english tradition of associationist psychology. Théories of evolution also drew on Hartleian mechanisms. Thus, Spencer's evolutionary theory extended associationist learning theory from the experience of the individual to that of the race. J. Hughlings Jackson applied these conceptions to the physiology and pathology of the brain, while David Ferrier applied them to the experimental localization of cerebral functions...". (DSB VI p. 139) ---- Zilboorg pp. 192, 282, 397 - Norman N° 1003 english ed. - Hunter & Macalpine pp. 379/382 - MacHenry**2583/ARM2D-8125/ARB5-5561/ARB4
Paris, Piget, 1740, in-8, [4]-382-[2] pp, 1 pl, Basane havane, dos à nerfs fleuronné et pièce de titre rouge, tranches rouges, Première édition française, complète en un volume (l'édition de 1743 est en deux vol.). L'ouvrage, traduit de David Hartley (1705-1757) par Sauveur-François Morand (1697-1773), a paru originellement en anglais en 1739 à Londres (A View of the Present Evidence for and Against Mrs. Stephens's Medicines, as a Solvent for the Stone). La planche, gravée sur cuivre par Brunet, représente des calculs d'après un dessin fait de mémoire par William Cheselden et envoyé à Morand. David Hartley, médecin et philosophe, rend compte ici d'un remède souverain pour la pierre, de la composition d'une certaine Joanna Stephens, en cherchant à réunir les preuves pour et contre et en faisant état de ses propres expériences. Il relate ainsi 155 cas et parvient à la conclusion que traitement est sans danger et efficace, en permettant la dissolution des calculs par l'urine. Il encourage ainsi la collecte de 5000 livres sterling pour la révélation et la publication de sa composition (p. 306 et suiv.). Cette proposition fit débat et l'engagea dans une controverse avec le Dr John Rutty, qui démontrait au contraire que le remède en question, fait de coquilles d'oeufs et de feuilles de savon calcinées, ne pouvait faire preuve d'efficacité. Fortes épidermures sur les plats. Bel état intérieur. Couverture rigide
Bon [4]-382-[2] pp., 1 pl.
Royal society Broché D'occasion très bon état 01/01/1960 276 pages
1954 1954. Hartley Howard: Dernier rendez-vous/ Un Mystère N°186 1954 . Hartley Howard: Dernier rendez-vous/ Un Mystère N°186 1954
Très bon état
1954 1954. Hartley Howard: Dernier rendez-vous/ Presses de la Cité Un Mystère 1954 Référence: LMA16H. Hartley Howard: Dernier rendez-vous/ Presses de la Cité Un Mystère 1954
Bon état
, Mass. Sterling and Francine Clark Art Institute, 2008 Hardcover, grey cloth with silver imprint, 268 pages, dustjacket, 275 x 250 x 35 mm, book itself is in New condition, illustrated in soft colours / b/w, " easily a Collectors Item", *****The title paraphrases American artist James McNeill Whistler, who said, "Paint should not be applied thick. It should be like breath on the the surface of a pane of glass."*****. ISBN 9780300134063.
Released in conjunction with a 2008 exhibition. The title paraphrases American artist James McNeill Whistler, who said, "Paint should not be applied thick. It should be like breath on the the surface of a pane of glass." Catalog is accompanied by these articles: Painting Softly, An Introduction / Marc Simpson -- Whistler, Modernism, and the Creative Afflatus / Marc Simpson -- George Inness, Softness, and the Vapor Barrier / Leo G. Mazow -- True Illusions in Soft Paintings / Cody Hartley -- Materials for Immateriality / Joyce Hill Stoner -- The "Inaction Painters" and Their Moment / Michael J. Lewis -- Reflections on "The Color of Mood" / Wanda M. Corn. Simply stated, an exquisite book, and one that is worthy of any coffee table or personal library. Through an innovative manner of handling paint, a group of American artists around 1900 created deceptively simple canvases that convey images of shimmering transience, visions suggested rather than delineated. Focusing on this singular aesthetic characteristic, this catalogue explores this painterly phenomenon. This copy was once owned by interior and garden designer Henriette Suhr and carries her bookplate at front.
Blot Jean,Bouissounouse Janine,Clément Alain,Dadoun Roger,Esslin Martin,Halperin Ernst,Hartley Anthony,Kahnweiler Daniel-Henry,Kantorowicz Alfred,Kattan Naïm,Philip André,Roudaut Jean
Reference : pq2317
(1963)
Preuves Preuves Revue 1963 Revue grand in-8 (25.5*18.5 cm.), dos broché, 94 pages, Thomas Mann- Lettres inédites, présentées par Alain Clément ; D. H. Kahnweiler : En U.R.S.S. avec l'exposition Léger ; André Philip : La crise de la démocratie française ; Ernst Halperin : Molotov et Pékin ; Anthony Hartley : Portrait des intellectuels anglais ; Jean Blot : Musil au milieu du chemin, etc... ; dos légèrement incurvé, 1er plat un peu piqué, bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Aki Kaurismaki - Leos Carax - Michael Cimino - Davis Cronemberg - Arnaud Desplechin - Philippe Garrel - Al Hartley - Kieslowki ( Krzysztof) - Wim Wenders Wenders - Serge Daney.
Reference : 9487
ISBN : 2840450305
Les Inrokuptibles La Sirène - 1993In-4°, reliure illustrée de l'éditeur sous jaquette de même inspiration ( Léo Carax) , ill en noir in et ht 117 pages, texte sur deux colonnes, 55 clichés de photographes ou de films sur couché .Bel exemplaire sous tous rapports. Épuisé .
Desplechin, Philippe Garrel, Hal Harltley, Emir Kusturica, Krzysztof Kieslowski, Michael Cimino, Wim Wenders et Serge Daney par le magazine Les Inrockuptibles entre 1990 et 1992 ; entretiens menés par Serge Kaganski, Christian Fevret, Samuel Blumenfeld, Hadrien Laroche, Vincent Ostria et Arnaud Fourny, Photos de Renaud Monfourny, Eric Mulet, Philippe Garcia, Patrick Messina, Xavier Lambours et Marion Stalens. Bon Etat Franco de port pour la France par MONDIAL RELAY dés 20 euros pour les ouvrages modernes . Paiement immédiat par Paypal . Chèques et virement acceptés. Votre Libraire vous accompagne dans toutes les étapes de vos achats. Achat et déplacement France Suisse.
Hartley, Craig: The Etchings of Lucian Freud. A Catalogue Raisonné 1946-1995. London: Marlborough Graphics, 1995. 138pp with 52 monochrome plates and 4 monochrome illustrations. Hardback. 29x25cms. Fully illustrated catalogue of 51 etchings produced during this period, supported by an introduction setting the works in the context of Freud's career and discussing his development of style & technique. Select bibliography.
Fully illustrated catalogue of 51 etchings produced during this period, supported by an introduction setting the works in the context of Freud's career and discussing his development of style & technique. Select bibliography. Text in English
PLON Feux Croisés Ames et Terres Etrangères Broché D'occasion bon état 01/01/1958 150 pages
PLON Feux Croisés Ames et Terres Etrangères Broché D'occasion bon état 01/01/1958 150 pages
NEWMAN (Jay Hartley), NEWMAN (Lee Scott).
Reference : 100589
(1978)
ISBN : 9780517529669
New York Crown Publishers 1978 1 vol. broché grand in-8, broché, couv. illustrée, 336 pp., nombreuses photos en noir, 19 planches en couleurs. Texte en anglais. Couverture défraîchie, sinon en bon état.
Goerge routledge and sons 1890 in12. 1890. Relié.
charnière fortement fragilisée couverture frottée dorures sur tranche livre jauni
[Jacques Bellange] - Griffiths, A. and C. Hartley
Reference : 058576
(1996)
ISBN : 071412611X
Griffiths, A. and C. Hartley: Jacques Bellange c.1575-1616. Printmaker of Lorraine. Exhibition: London, British Museum, 1996. 144pp wtih 132 monochrome illustrations. Wrappers. 27.6x21.9cms. A catalogue reproducing all the known prints of Bellange, whose paintings have almost all been lost. With a section on watermarks, concordance, index of persons and places.
A catalogue reproducing all the known prints of Bellange, whose paintings have almost all been lost. With a section on watermarks, concordance, index of persons and places. Text in English
1936 N° 217 - petit in-8 cartonnage éditeur avec sa jaquette illustrée par Jean Bernard (Poste de Police) - 1936 - 244 pages - Ed. Librairie des Champs-Elysées - coll. Le Masque
bon état (rousseurs)
1936 N° 217 - petit in-8 cartonnage éditeur avec sa jaquette illustrée par Jean Bernard (Poste de Police) - 1936 - 244 pages - Ed. Librairie des Champs-Elysées - coll. Le Masque
jaquette abimée avec manque mais le premier plat est en bon état
Genève, Editions nomades, 2006. 26 x 16 cm, se dépliant, à la japonaise, sur 186 cm. Sur le premier plat : telle une larme de lave, Adriana Hartley a coulé une plaque de porcelaine partiellement émaillée de turquoises.
Livre d'artiste au tirage limité à 40 exemplaires sur aquarelle toile 600 g des Moulins de Larroque et Pombié. Illustré d'une longue eau-forte de Thierry Bourquin de 7 cm de haut, imprimée sur le bas du livre et s’écoulant sur 93 cm, ainsi qu’une eau-forte de la céramiste (19 x 15,5 cm), toutes deux rehaussées par Thierry Bourquin de couleurs interférentes –qui varient avec la lumière– dénichées dans l’Oregon pas Steve Litsios. Le poème a obtenu le prix Nouky Bataillard de poésie en avril 2005. Signé par la poète, la céramiste et le graveur au colophon.
North Atlantic Books (10/1995)
LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9781556431746
City éditions (1/2024)
LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782824623221
Table Ronde (4/2024)
LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9791037106452
To The Stars (7/2020)
LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9781943272365
ROBERT BLOCH / JOSEPH PAYNE BRENNAN / MARY ELIZABETH COUNSELMAN / AUGUSTE DERLETHLESLIE P. HARTLEY / ROBERT E. HOWARD / CARL JACOBI / FRANK BELKNAP LONG / VINCENT STARRET
Reference : 18588
Relié avec jaquette - 13 x 20,5 - 322 pp - année 1970 - Edition Casterman -
Couverture rigide. Couverture cartonnée, défraîchie. 190 pages. Papier bruni.
Livre. Adapté de l'anglais par Jacques David. Illustrations de F.-M. Salvat. Editions Ferenczi (Collection : Le livre moderne Illustré), 1953.