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‎Sult. - [ASSOCIANTIONSEKSEMPLAR MED INDKLÆBET KORT FRA HAMSUN]‎

‎(København, 1888). Pænt senere (ca. 1920) halvlæderbind med forgyldt titeletiket på forperm (Anker Kyster). Læder slidt ved kanter og øvre kapitæl. Indvendig frisk. Med Max Lesters ex libris på indersiden af forpermen og Indklæbet 10 liner langt håndskrevet kort fra Hamsun til Max Lester på verso af forreste friblad, dateret ""Larvik, 12/6. 18."" Nice later (ca. 1920) half calf with gilt title-label to front board (Anker Kyster). Leather worn at edges and upper capital. Internally fresh. With Max Lester's ex libris to inside of front board and verso of front free end-paper with a visiting card from Knut Hamsun, with a 10 lines long handwritten note for Max Lester, dated ""Larvik, 12/6. 18."".‎

‎Et spektakulært eksemplar af originaltrykket af den først publicerede del af en af den moderne litteraturs hovedværker, Hamsuns ""Sult"", hvori trykkes for første gang de berømte linier ""Det var i den Tid, da jeg gik omkring og sulted i Kristiania”, indledningen til den roman, der gjorde Hamsun berømt og til det værk, der indvarslede en ny litterær epoke i Europa. Publikationen af Sult-fragmentet indvarsler ikke alene et vendepunkt i Hamsuns liv og karriere, det indvarsler også et vendepunkt i europæisk litteratur. Dette banebrydende uddrag af tidsskriftet ”Ny Jord”, fra andet bind, 1888, har tilhørt Max Lester (1866-1956), som på verso af fribladet har indklæbet et håndskrevet kort fra Hamsun, som han har modtaget sammen med (formentlig i retur) denne første trykte del af ”Sult”. På kortet har Hamsun i mest vidunderlig, karakteristisk stil skrevet ”Hr. Max Lester,/ dette maa være noget som for 30/ Aar siden stod i Tidsskriftet ”Ny Jord” - / Redaktør Carl Behrens vil kunne si Dem/ Aargang og Nummer./ Forøvrig maa De være Samler for at/ kunne gjemme paa slikt noget, jeg ville brænde/ det levende op./ Med Tak for Deres venlige Hilsen/ Deres ærbødige/ Knut Hamsun/ Larvik, 12/6. 18.” ""Sult"" kom først i bogform to år senere, i 1890, og det er med publikationen af denne del i Ny Jord, at Hamsuns ry som en forfatter i verdensklasse bliver slået fast og at hans dage som sultende endegyldigt ophører. ""Knut Hamsuns debutroman fra 1890 er en af de bøger, der har sat skel. Den har virket med til at forme et nyt menneskesyn og en ny skrivemåde. Hamsun hentede stoffet fra sine egne trængselsår, da han uden slægt og venner gik arbejdsløs i Kristiania og kæmpede mod skuffelser, nederlag og sult."" (Johannes V. Jensen). Som 27-årig i 1886 blev Hamsun for anden gang reddet fra en sultende tilværelse og sendt til Amerika, denne gang til Chicago, hvor han bl.a. arbejdede som sporvognskonduktør. Da han blev fyret fra dette job og vennerne havde skillinget sammen til en billet hjem, tog Hamsun i forsommeren 1888 tilbage mod Norden, -men han stod ikke af i Kristiania, han tog skibet videre til København. Da han stod og så skibet sejle fra Kristiania, tænkte han på sine nederlag i denne by, og en af den nyere litteraturs vigtigste sætninger indfandt sig i hans hoved: ""Det var i den tid, da jeg gik rundt og sultede i Kristiania"", -kimen til et af det 20. århundredes litterære hovedværker var lagt, og Hamsun satte sig med det samme på den nærmeste skibskiste og begyndte at skrive. Påvirket af Nietzsche og Dostojevski sad Hamsun i sit loftsværelse på Nørrebro og arbejdede døgnet rundt på sit første mesterværk. Efteråret 1888 stod den første del af monumentalromanen ""Sult"" færdig, men da Hamsun ikke turde risikere en afvisning fra Danmarks førende kulturperson, Georg Brandes, opsøgte han dennes bror, Edvard, som var chefredaktør på ""Politiken"". Edvard Brandes fik således æren af at være den første, der anerkendte Hamsuns talent. Til den stærkt forhutlede forfatter sagde han som den første: ""Der venter Dem en meget stor Fremtid!"" og om det manuskript, han præsenterede ham for: ""det var ikke bare talentfuldt som så meget andet, det var mere, noget, der rystede mig."" Edvard Brandes var ikke i tvivl om, at dette manuskript skulle trykkes, men da det var for langt til at stå i ""Politiken"", blev det trykt i tidsskriftet ""Ny Jord"", og med ét var en ny litterær gigant skabt. ”Tidsskriftredaktør Behrens havde lovet at udstyre fragmentet med følgende underskrift: ”Af en ukendt forfatter”. Samme dag i første halvdel af november 1888 som tidsskriftet nåede frem til sine nogle hundrede abonnenter, holdt det dansk-norske forfatterpar Amalie og Erik Skram i Kroghs gade I i København et selskab. Til stede var blandt andre forfatteren Herman Bang og hans norske kollega Gunnar Heiberg. Efter at have spist blev man enig om at man trængte til åndelig føde, altså højtlæsning. En af de tilstedeværende havde lovet at læse et stykke i Ny Jord som havde gjort et stærkt indtryk på ham. Eftersom handlingen foregik i Oslo, og værtinden og andre nordmænd var til stede, måtte det være en rigtig anledning til at læse ”Sult” højt. Forfatteren og teatermanden Gunnar Heiberg rømmede sig og begyndte. Efter godt en time var han færdig. Ingen af dem var i tvivl: Norden havde fået en ny digter. Derfor dannede der sig spontant kø foran Amalie Skrams skrivebord i samme rum. Det var skrivende mennesker, de blev nødt til straks at sætte ord på hvilken virkning de ord de netop havde hørt, havde haft på dem. Forfatteren skulle have det at vide med det samme. Men hvem havde skrevet stykket?... Mindre end en uge efter udgivelsen måtte Carl Behrens bestille et nyt oplag. Alle 1000 eksemplarer var solgt! I Nordens kulturcentrum ville enhver der foregav at være kulturelt opdateret, nu læse ”Sult” – stykket i Ny Jord. Det var mange år siden noget tilsvarende var sket. Både stilen, temaet og det man opfattede som forfatterens hensynsløse selvudlevering, fascinerede og chokerede. Hysteriet forplantede sig til Norge… ” (Kolloen, Hamsun, pp. 64-66). Er det virkelig muligt, Hamsun har glemt, hvad der må betegnes som det største vendepunkt i hans liv, publikationen af Sult-fragmentet, som Kolloen kalder ”Triumfens øjeblik”? Eller er det rent koketteri fra den da (1918) anerkendte litterære gigant, som netop havde udgivet sin 26. bog samme år, Markens Grøde, og var fejret i hele Europa som et af de største litterære genier? Det er svært at forestille sig andet end, at udgivelsen af Sult-fragmentet har stået prentet lysende klart ind i hovedet på den 59-årige Hamsun. Det er aldeles unikt at finde denne skelsættende publikation i et eksemplar, der har association til Hamsun, og hvor han selv kommenterer sit banebrydende litterære gennembrud. Os bekendt har der aldrig været lignende til salg. ___________________________________________ A spectacular copy of the first printing of the the first published part of one of the main works of modern literature, Hamsuns’ groundbreaking novel ”Hunger”. It is here that the famous lines “It was in those days when I wandered about hungry in Kristiania, that strange city which no one leaves before it has set his mark upon him…” appear for the first time, the opening lines to the novel that made Hamsun famous and invoked a new literary era in Europe. The publication of the “Hunger”-fragment not only heralds a turning point in the life and career of Hamsun, it also heralds a turning point in European literature. The groundbreaking extract of the periodical “Ny Jord” (which one of Hamsun’s later famous novels was interestingly to be named), from vol. 2, 1888, has belonged to Max Lester (1866-1956), who has inserted a visiting card from Hamsun to the verso of the front free end-paper. Max Lester had received this card from Hamsun, together with this first printing of the first part of Hunger (presumably sending it in return to Max Lester). The card is inscribed in wonderfully characteristic Hamsun-style: ”Hr. Max Lester,/ dette maa være noget som for 30/ Aar siden stod i Tidsskriftet ”Ny Jord” - / Redaktør Carl Behrens vil kunne si Dem/ Aargang og Nummer./ Forøvrig maa De være Samler for at/ kunne gjemme paa slikt noget, jeg ville brænde/ det levende op./ Med Tak for Deres venlige Hilsen/ Deres ærbødige/ Knut Hamsun/ Larvik, 12/6. 18.” (i.e. Dear Max Lester,/ this must be something that 30/ years ago was printed in the periodical “Ny Jord” - / Editor Carl Behrens will be able to tell you/ the year and the number./ You must be a collector, by the way, in order to/ be able to keep something like this, I would burn it/ up alive./ With thanks for your kind regard/ your faithfully/ Knut Hamsun/ Larvik, 12/6. 18.). “Hunger” only appeared in its entirety two years later, in 1890, and it is with the publication of the present part that Hamsun’s reputation as a premier league author is established and that his days as a starving, striving author finally end. “One of the most important and controversial writers of the 20th century, Knut Hamsun made literary history with the publication in 1890 of this powerful, autobiographical novel recounting the abject poverty, hunger and despair of a young writer struggling to achieve self-discovery and its ultimate artistic expression. The book brilliantly probes the psychodynamics of alienation, obsession, and self-destruction, painting an unforgettable portrait of a man driven by forces beyond his control to the edge of the abyss. Hamsun influenced many of the major 20th-century writers who followed him, including Kafka, Joyce and Henry Miller. Required reading in world literature courses, the highly influential, landmark novel will also find a wide audience among lovers of books that probe the ""unexplored crannies in the human soul"" (George Egerton). ”Hamsun is considered to be ""one of the most influential and innovative literary stylists of the past hundred years"" (i.e. 1890–1990) (Robert Ferguson). He pioneered psychological literature with techniques of stream of consciousness and interior monologue, and influenced authors such as Thomas Mann, Franz Kafka, Maxim Gorky, Stefan Zweig, Henry Miller, Hermann Hesse, John Fante, James Kelman, Charles Bukowski, and Ernest Hemingway. Isaac Bashevis Singer called Hamsun ""the father of the modern school of literature in his every aspect—his subjectiveness, his fragmentariness, his use of flashbacks, his lyricism. The whole modern school of fiction in the twentieth century stems from Hamsun"".” In 1886, Hamsun was saved from starvation for the second time and was sent to America, this time Chicago, where he worked as a streetcar conductor. When he was fired from his job, his friends had joined forces and all chipped in to buy him a ticket home. This, in the spring of 1888, he set sail back North" but he did not get off in Oslo as planned, he sailed on to Copernhagen. It was when he was standing on deck watching the ship sail away from Oslo (the Christiania, contemplating the defeats he had suffered here that one of the most important sentences of modern literature popped into his head: “It was in those days when I wandered about hungry in Kristiania, that strange city which no one leaves before it has set his mark upon him…” – the seed for one of the main works of the 20th century had been sown, and Hamsun sat down on the nearest sea-chests and began writing. Influenced by Nietzsche and Dostojevski, Hamsun sat in his loft chamber in Nørrebro (part of Copenhagen) and worked around the clock on his first masterpiece. In the autumn of 1888 the first part of the monumental novel “Hunger” was finished. But Hamsun was afraid of being rejected by the leading cultural persona in Denmark, Georg Brandes, and went to his brother Edward, who was chief editor of the paper “Politiken” instead. Thus, Edvard Brandes got the honour of being the first to recognize Hamsun’s talent, famously bursting out in front of the grossly shabby author: “A great future awaits you!”, adding, about the manuscript he had been presented with (i.e. the first part of “Hunger”): “It was more than just talented as so much else, it was more, something that shook me.” Edvard Brandes had no doubt that the manuscript needed to be printed, but as it was too long to be printed in “Politiken”, Edvard Brandes had it printed in “Ny Jord”. “The editor of “Ny Jord” Behrens had promised to the piece accompany by the lines “By an unknown author”. On the same day that the periodical reached its few hundred subscribers, in the first half of November 1888, the Danish-Norwegian author couple Amalie and Erik Skram had one of their saloon evenings in their home in Krogs Gade in Copenhagen. Among their gusts were some of the most famous Scandinavian authors of the period, eg. Herman Bang and Gunnar Heiberg. After having eating, the ensemble decided that it was time for spiritual nourishment, i.e. reading aloud. One of the gusts had promised to read a piece from “Ny Jord” that had made a strong impression on him. And seeing that the piece tool place in Oslo and that the hostess and several other guests were from Norway, it seemed appropriate for him to read “Hunger” aloud to the other guests. The author and theatre man Gunnar Heiberg began his reading. After about an hour he had finished. None of the guests had a shadow of a doubt: The North had been given e new, world class author. A spontaneous lined formed in front of Amalie Skram’s desk. They were all people of the pen. They had to put their emotions to paper. The author had to know immediately how strongly they felt. But who was he? Who had written the piece? Less than a week after the original publication, Carl Behrens had to have another printed. All 1.000 copies had been sold! In the cultural centre of the North, anyone who had just the slightest wish to be culturally up to date had to read the “Hunger”-piece in “Ny Jord”. It had been years since something like this had happened. The style, the theme, and what was comprehended as the crude self-exposition fascinated and shocked. The hysteria traveled to Norway…” (Own translation from Kolloen, Hamsun, pp. 64-66). Is it really possible that Hamusn could have forgotten what is arguably the greatest turning point in his life, the publication of the ”Hunger”-piece, which Kolloen appropriately calls “the moment of triumph”? Or is it pure coquetry from the 20 years older now world-wide famous, extremely succesful literary giant, who was celebrated all through Europe as one of the greatest literary geniouses, and who had just published his 26th celebrated book, Marken Grøde, that same year (1918). It is difficult to imagine that the publication of the Hunger-piece in “Ny Jord” could have been anything but a event that was clear as the light of day in the head of the 59-year old Hamsun, who wrote to Max Lester. It is utterly unique to find this epoch-making publication in a copy associated to Hamsun, and in which he even comments on his groundbreaking literary breakthrough. As far as we know, nothing like it has ever been for sale. ‎

‎Vagabonds‎

‎ broché - 12 X 19 - 498 pp - 1989- éditions GRASSET - Collection "Les Cahiers rouges"‎

‎Traduit du norvégien par J. Petithuguenin. ‎

‎La faim. Collection : Grand prix des meilleurs romans étrangers, N° 12.‎

‎Paris, Imprimerie Nationale, André Sauret, 1956. 17 x 23, 285 pp., broché sous étui carton rouge illustré, non coupé, non rogné, couverture rempliée, très bon état.‎

‎"Lithographie originale de Vlaminck; préface de Jean Paulhan; N° 1661 sur 3000 exemplaires numérotés sur papier vélin d'Arches."‎

‎Mystères. Collection : Les prosateurs étrangés modernes.‎

‎Paris, Les Editions Rieder, 1932. 12 x 19, 413 pp., broché, non coupé, bon état.‎

‎Roman traduit du norvégien par Georges Sautrau.‎

‎Originalt litografi, portræt of Knut Hamsun, udfærdiget af hans søn Tore Hamsun, med dedikation og signatur (""Tore""). - [NR. 49 AF 100 - MED DEDIKATION]‎

‎Dateret ""1942"". Selve portrættet måler ca. 25x22 cm, papiret, på hvilket den er trykt, er i passepartout, og størrelsen herindenfor er 44x37 cm. Passepartouet måler 6,5 cm. på alle sider, og rammen (i sort og sølv), som det er indsat i, måler 63x55 cm.‎

‎Usædvanligt portræt af den 83 år gamle Knut Hamsun, tegnet i en lidt grov skitse-agtig stil af hans dengang 30-årige søn Tore Hamsun, som i dag er en meget anerkendt kunstner, egenhændigt nummereret i blyant ""49/100, og med med egenhændig signeret (""Tore"") dedikation fra Tore til hans søster Ellinor, Knut Hamsuns ældste datter.Tore Hamsun (1912-95) begyndte i 1933 at studere på Torstein Torsteinssons malerskole, studerede fra 1934-35 på kunstakademiet i München, og året etter fortsatte han sin kunstnerutdannelse i Berlin. Senere fulldførte han uddannelsen ved Statens kunstakademi i Oslo, hvor han fik sin debut som maler 1940. ""Som billedkunstner var Tore Hamsun først og fremst landskapsmaler, med en dempet, raffinert fargeskala, påvirket bl.a. av fransk impresjonisme. Han er representert i Nasjonalgalleriet og i Nationalmuseum i Stockholm. Hans virke som billedkunstner ble imidlertid i mange år sterkt forstyrret av hans rolle som Hamsun-biograf og som familiens talsmann i norske medier."" (Norsk biografisk lexicon). Det er først i nyere tid, at man rigtig er begyndt at værdsætte Tore Hamsuns kunstneriske evner, da han i årtier har lidt under familiens og hans egne Nazi-sympatier. Inden for de seneste år er man dog begyndt at anerkende Tore Hamsun som en særdeles begavet kunstner, hvis værker indgår i de store skandinaviske malerisamlinger. ‎

‎Pan. Af Løjtnant Thomas Glahns Papirer. - [THE GOSPEL OF NEO-ROMANTICISM]‎

‎København, Philipsen, 1894. Bound with the original printed wrappers in an exquisite nice later (ca 1940'ies) red goatskin binding wih gilt spine and lovely marbled paper over boards (Harry Larsen). Front wrapper with smaller repairsand light brownstaining to top. Back wrapper with a couple of small restorations, barely visible. Otherwise completely fresh. ‎

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‎ First edition of Hamsun's masterpiece, generally considered his best work, one of the most important literary productions of the late 19th century, and together with ""Hunger"", Hamsun's most famous book. ""Pan"" profoundly influenced the entire trajectory of modern literature and with its brilliant and intimate descriptions of nature, it also pioneered the Pantheism of 20th century literature, as well as creating a new kind of Neo-Romanticist novel. Together with ""Hunger (from 1890), ""Pan"" pioneered modern psychological literature and the techniques now known as ""stream of consciousness"" and ""interior monologue"".Few other authors of the period have had the kind of impact that Hamsun had. Ernest Hemingway attempted to write in the style of Hamsun, as did Henry Miller who considered him his teacher. Thomas Mann loved him and considered him the most important author of the period, and Hermann Hesse referred to him as his favourite author. The Russian authors of the period, e.g. Boris Pasternak, were profoundly influenced by his books, and Andre Gide considered him superior to Dostojevski. Everyone read him, and everyone was influenced by him, Kafka, Brecht, Gorky, Wells...According to his American bibliographer Robert Ferguson (in 1987), Hamsun is ""one of the most influential and innovative literary stylists of the past hundred years"". Isaac Bashevis Singer called Hamsun ""the father of the modern school of literature in every aspect - his subjectiveness, his fragmentariness, his use of flashbacks, his lyricism. The whole modern school of fiction in the twentieth century stems from Hamsun"", and Hemingway stated that ""Hamsun taught me to write"". Einstein said about him ""I consider him to be one of the greatest men of our period"", and Henry Miller said that it was reading Hamsun that prevented him from committing suicide. Maxin Gorkij wrote to him in a letter ""- I tell you this quite sincerely, at this moment you are the greatest artist in Europe"" there is no one who can compare with you."", and Thomas Mann considered himself a disciple of Hamsun.Hamsun was awarded the Nobel Prize in Literature in 1920. By critics, Hamsun specialists, and Hamsun lovers, ""Pan"" is generally considered his greatest achievement, although ""Hunger"" is better known by laymen. The work is scarce with the original wrappers. ‎

‎Pan. Af Løjtnant Thomas Glahns Papirer. - [THE GOSPEL OF NEO-ROMANTICISM]‎

‎København, 1894. Samtidigt slidt halvlæderbd med rygforgyldning. Ryg lidt skæv. Indvendig ren og pæn. Contemporary half calf with gilt spine. Spine worn and a bit cocked. Internally nice and clean. ‎

‎First edition of Hamsun's masterpiece, generally considered his best work, one of the most important literary productions of the late 19th century, and together with ""Hunger"", Hamsun's most famous book. ""Pan"" profoundly influenced the entire trajectory of modern literature and with its brilliant and intimate descriptions of nature, it also pioneered the Pantheism of 20th century literature, as well as creating a new kind of Neo-Romanticist novels. Together with ""Hunger (from 1890), ""Pan"" pioneered modern psychological literature and the techniques now known as ""stream of consciousness"" and ""interior monologue"".Few other authors of the period have had the kind of impact that Hamsun had. Ernest Hemingway attempted to write in the style of Hamsun, as did Henry Miller who considered him his teacher. Thomas Mann loved him and considered him the most important author of the period, and Hermann Hesse referred to him as his favourite author. The Russian authors of the period, e.g. Bosris Pasternak, were profoundly influenced by his books, and Andre Gide considered him superior to Dostojevski. Everyone read him, and everyone was influenced by him, Kafka, Brecht, Gorky, Wells...According to his American bibliographer Robert Ferguson (in 1987), Hamsun is ""one of the most influential and innovative literary stylists of the past hundred years"". Isaac Bashevis Singer called Hamsun ""the father of the modern school of literature in his every aspect-his subjectiveness, his fragmentariness, his use of flashbacks, his lyricism. The whole modern school of fiction in the twentieth century stems from Hamsun"", and Hemingway stated that ""Hamsun taught me to write"". Enstein said about him ""I consider him to be one of the greatest men of our period"", and Henry Miller said that it was reading Hamsun that prevented him from committing suicide. Maxin Girkij wrote to him in a letter ""- I tell you this quite sincerely, at this moment you are the greatest artist in Europe"" there is no one who can compare with you."", and Thomas Mann considered himself a disciple of Hamsun.Hamsun was awarded the Nobel Prize in Literature in 1920. By critics, Hamsun specialist, and Hamsun lovers, ""Pan"" is generally considered his greatest achievement, although ""Hunger"" is better known by laymen. ‎

‎Knut Hamsun. Benoni. Traduit du norvégien par Georges Sautreau‎

‎rieder Broché D'occasion état correct 01/01/1930 297 pages ‎

‎Pan. D'après les papiers du lieutenant Thomas Glahn.‎

‎Honfleur, Pierre Jean Oswald, "La Source de la liberté ou La Solution intégrale", 1972 1 volume 11,4 x 18,1cm Broché. 172p., 2 feuillets. Bon état (plats très légèrement cornés)‎

‎Réédition de la traduction de Georges SAUTREAU (publiée en 1932 aux éditions Rieder) de "Pan", célèbre roman publié en 1894 par le grand écrivain norvégien Knut HAMSUN (1859-1952), Prix Nobel de littérature 1920. Extraits de très élogieux articles de Henry MILLER en 4è de couverture: "Comme je suis reconnaissant à la vie de m'avoir permis de rencontrer si tôt l'uvre de Knut Hamsun et d'en penser aujourd'hui autant de bien (sinon plus) que la première fois que je l'ai lue. Ses admirateurs forment à travers le monde une vaste confrérie dont je ne suis qu'un des membres. Comme Jack London ou Gorki, il avait autrefois ses fidèles dans tous les pays et dans toutes les langues. Il va les retrouver aujourd'hui..." (et citation de Raoul VANEIGEM en 1ère page, mise en exergue pour la collection et non pour ce texte même). ‎

‎La Faim‎

‎Paris, Imprimerie nationale, Grand Prix des meilleurs romans étrangers/André Sauret, Editeur, Paris, 1956. In-8, broché sous couverture rempliée, bien complet de son coffret rigide, 285 pp. Avec une préface de Jean Paulhan.‎

‎Frontispice de Vlaminck sous serpente [Portrait lithographié de Hamsun].Un des 3000 exemplaires numérotés sur vélin des papeteries d'Arches [ex. n° 180] après 300 exemplaire sur grand vergé d'Arches. --- Plus d'informations sur le site archivesdunord.com‎

‎Fra det moderne Amerikas Aandsliv. (The Cultural Life of Modern America). - [THE CULTURAL LIFE OF MODERN AMERICA]‎

‎København (Copenhagen), P.G. Philipsens Forlag, 1889. 8vo. Ubeskåret i det originale bogtrykte omslag. Foromslag mangler nederste højre hjørne (ca. 2x5 cm), men er ellers fint og helt uden tab af tekst. Ryg noget slidt og med lidt mangler. Blokken løs på midten, men helt intakt. Bagomslag særdeles fint med enkelte rifter ved hjørner. Gammelt ejernavn på halvtitel og tidligere ejers stempel på titelblad. Indvendig meget fin og frisk. 8vo. Uncut in the original printed wrappers. Front wrapper lacking lower right corner (ab. 2x5 cm.), but no loss of any lettering, and otherwise very fine. Spine with wear and a bit of loss. Bookblock loose down the middle, but fully intact. Back wrapper in very fine condition with just a few tears to extremities. Old owner's name to half-title and previous owner's stamp to title-page. Internally very fine and clean. ‎

‎Den ikke almindelige originaludgave med det sjælden originale omslag (ses sjældent bevaret og da oftest kun med formomslaget) af Hamsuns tidlige Amerika-kritiske værk, som udkom samme år som den første del af hans hovedværk, Sult, som udgjorde hans egentlige gennembrud.Værket er skrevet på baggrund af Hamsuns egne erfaringer fra hans to længerevarende ophold i USA og udgør ""en udvidelse af et Par Foredrag, jeg har holdt sidste Vinter i Københavns Studentersamfund."" (Forord). Efter fra 1886 for anden gang at have opholdt sig i USA, denne gang i Chicago, drog Hamusn i forsommeren 1888 tilbage mod Nord. Han var blevet fyret fra sit arbejde som sporvognskonduktør, og vennerne havde skilliget sammen til en billet hjem fra det efterhånden forhadte land. Hamsun stod dog ikke af i Kristiania men tog skibet videre til København, hvor han allerede i vinteren samme år holdt de par foredrag, som dette værk er baseret på. 1889 er et skelsættende år for Hamsun. Det er i dette år, folket får øjnene op for, hvad det er for en forfatter hér er at gøre med, og ""Fra det Moderne Amerikas Aandsliv"", som skriver sig fra dette år, er noget af det mest direkte Hamsunske, vi har. Værket er hårdt og slagfærdigt i både indhold og form, og der er ikke meget at tage fejl af: ""Det er Uaanden i den amerikanske Etikette, som gør den national, dens uideale Karakter. Det er en Forstandsetikette fra et gammelt, aristokratisk Land, tagen i Brug af et Folk af splinterny Demokrater, for hvem Friheden er Friheder og hos hvem Pieteten er en indholdsløs Form..."" (P. 241).____________________________________The uncommon first edition with the rare original wrappers (very rarely preserved and if, then usually only the front wrapper) of Hamsun's early work on the cultural life of America in the 1880'ies, -an extremely critical and harsh work based on Hamsun's experiences from his two year-long stays in America. The first American edition did not appear untill 1969.‎

‎Pan. In Russian /Pan‎

‎Short description: In Russian. Hamsun, Knut. Pan: Leningrad: Book novelties, 1927: type of publication Priboy named after Evg. Sokolova. The image is provided for reference only. It may reflect condition of one of the available copies or only help in identifying the edition. Please feel free to contact us for a detailed description of the copies available. SKU9021286‎

‎Soki zemli. In Russian /Juices of the earth ‎

‎Short description: In Russian. Hamsun, Knut. The Juices of the Earth. Moscow: Krasnaya Novaya, 1923. Please feel free to contact us for a detailed description of the copies available. SKU9188917‎

‎La faim. Traduit du norvégien sur le texte définitif par Georges Sautreau, avec un témoignage d'Octave Mirbeau.‎

‎Paris Rieder,coll. "Les Prosateurs étrangers modernes" 1928 1 vol. Relié in-12, bradel demi-percaline orange à coins, pièce de titre de basane fauve, couvertures conservées, 294 pp.‎

‎# TITRE: L'éveil de la glèbe‎

‎ # AUTEUR: Hamsun Knut # ÉDITEUR: Flammarion - Paris # ANNÉE ÉDITION: 1939 # COUVERTURE: souple imprimée en couleurs - titre vert et noir # DÉTAILS: In 12° broché 414pp. Edition originale pour la traduction française par Jean Petithuguenin. Prix Nobel 1920. # PHOTOS visibles sur www.latourinfernal.com‎

‎ # ÉTAT: Bon état,‎

‎La Faim ‎

‎ 1927 Trad. par Georges Sautreau. Préface d'Octave Mirbeau. Paris, Henri Jonquières, éditeur, 1927. In-8, broché, couverture rempliée, 296 pp.. Edition illustrée de 46 dessins de Paul BOUR dont 8 sur planches et un sur la page de titre et un frontispice. "Les Beaux romans". Ex. sur papier de RivesReliure signée Max Fonsèque demi veau noir à coins, dos lisse décoré , pièce de titre et auteur , date en queue . Charniere fendue dans la peau mais tres solide . ‎

‎Mystères‎

‎Editions Rieder, Paris, 1932. In-12, broché, 413 pp. Préface - Mystères.‎

‎Roman traduit du norvégien sur l'édition de 1921 par Georges Sautreau.Mention de septième édition. --- Plus d'informations sur le site archivesdunord.com‎

‎La ville de Segelfoss‎

‎Calmann-Lévy, Paris, 1984. In-8, broché sous couverture illustrée en couleurs, 306 pp. ‎

‎Traduit du norvégien par Régis Boyer. --- Plus d'informations sur le site archivesdunord.com‎

‎Rosa.‎

‎ Rieder, 1930. In-12 br. Coll. " Les prosateurs étrangers modernes ". Traduit par G. Sautreau. E.O. 1/50 ex. num. sur Hollande à grandes marges non rognées.‎

‎Au pays des contes Choses rêvées et choses vécues en Caucasie Traduit du norvégien par Sigrid Peyronnet‎

‎Rieder et Cie Broché D'occasion état correct 01/01/1926 150 pages ‎

‎Faim‎

‎Quadrige/Presses Universitaires De France. Broché D'occasion bon état 01/01/1994 150 pages ‎

‎Sult. - [FIRST EDITION OF ""HUNGER""]‎

‎København, 1890. Særdeles nydeligt halvlæderbind af rød-brun maroquin med forgyldt titel og blindtrykte stregdekorationer på ryg. Forgyldte streger på permer. (Erik Olsen). Nogle blade til slut er sat på fals i forbindelse med indbindingen, men næsten umærkeligt. Et meget rent og fint eksemplar. ‎

‎Originaludgaven i bogform af et af de vigtigste skandinaviske romaner nogensinde. ""Knut Hamsuns debutroman fra 1890 er en af de bøger, der har sat skel. Den har virket med til at forme et nyt menneskesyn og en ny skrivemåde. Hamsun hentede stoffet fra sine egne trængselsår, da han uden slægt og venner gik arbejdsløs i Kristiania og kæmpede mod skuffelser, nederlag og sult."" (Johannes V. Jensen). ‎

‎Vagabonds. Traduit du norvégien par J. Petithuguenin.‎

‎ Grasset 1940 1 vol. broché in-8, broché, 446 pp. Sans date (vers 1940). Mention de 4e édition au dos. Papier jauni, petites décharges de scotch sur les gardes, sinon bon état général.‎

‎Sous l'étoile d'automne. Traduit du Norvégien par Georges Sautheau.‎

‎ Paris, Rieder, 1928. In-12, broché, 246 pp. ‎

‎ Photos sur demande.‎

‎Niels Lyhne.‎

‎ Imprimerie Nationale, André Sauret, Paris, 1956. Un volume in-4 broché sous chemise crème rempliée et emboitage prune, 285 pages. Exemplaire n° 907 sur 3000, sur vélin d'Arches. Parfait état. ‎

‎ La librairie est ouverte du mardi au samedi de 9h30 à 12h30 et de 13h30 à 19h00. Commandes par courriel ou téléphone. Envoi rapide, emballage soigné. La librairie est ouverte du mardi au samedi de 9h30 à 12h30 et de 13h30 à 19h00. Commandes par courriel ou téléphone. Envoi rapide, emballage soigné. ‎