Honnover Kestner-Gesellschaft 1985 1 vol. broché in-8 carré, broché, couverture illustrée, 89 pp., nombreuses reproductions en noir et en couleurs. Textes et légendes en allemand. Bonne condition.
Stuttgart Cantz 1998 1 vol. relié in-8, cartonnage éditeur, jaquette en couleurs, 158 pp., nombreuses reproductions en noir et en couleurs. Textes et légendes en anglais et en allemand. Bonne condition.
Scalo, Kestner Gesellschaft 1997 Livre en anglais. In-4 reliure éd. sous jaquette 31,1 cm sur 25,4. 392 pages. Jaquette en assez bon état. Jaquette légèrement éffrangée en tête du dos, sinon, très bon état. Bon état d’occasion.
Bon état d’occasion
Zurich, Berlin & New York Kestner Gesellschaft, Scalo Verlag 1997 1 vol. relié in-4, cartonnage sous jaquette illustrée, 391 pp., nombreuses photos en couleurs à pleine page. Textes en anglais. Très bon état.
SMITH (Kiki), HAENLEIN (Carl), AHRENS (Carsten).
Reference : 95297
(2005)
ISBN : 9783908247043
Zurich Kestner Gesellschaft, Scalo 2005 1 vol. relié in-8, cartonnage sous jaquette illustrée, 138 pp., photos en couleurs. Texte en anglais. Très bon état.
, Scalo Publishers, 1998 Hardcover, 208 pages, ENG, 280 x 230 x 25 mm, dustjacket, in fine condition, photographs in colour / b/w . ISBN 9783931141882.
This book presents 3 important photographers--Anton Josef Trcka, Edward Weston, and Helmut Newton, and explores the relationships between reality and representation. ? ====================== ? In the works of Anton Josef Trcka nature is picturesque, an embellishment atmospherically enhancing his portraits. In Edward Weston's work it appears in its most basic, purest forms, as both reality and its metaphor. And for Helmut Newton nature is the hyper-real backdrop against which he stages the pictorial worlds which accompany and pursue us today. Body: Trcka uses the body as a vehicle for a new expressiveness, a new gesture, a new image of mankind, which at the turn of this century could only be created by means of a photography both so close to, yet so remote from reality. For Weston the body is pure form, one of the world's primordial forms, an abstract representation of human, physical existence. And Newton: here bodies are creations invented by the director behind the camera, manifestly rooted in reality, but nevertheless vigorously detached from it for the sake of art and artificiality. The Artificial of the Real is about the art of perceiving reality and representing it. Three photographers show how human beings have experienced themselves in their world at different moments during this century. For this, photography is how the artificiality of the real is rendered perceptible.
2. Hannover, Kestner-Gesellschaft, 1981, 20.5 x 20.5 cm, sewn, orig.wrapper, 144 pp, 75 pp b.w. + coloured plates, bibliography.