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Mapping Markets for Paintings in Europe, 1450-1750
, Brepols, 2006 XIV 458 p., 27 b/w ill., 178 x 254 mm, Languages: English, Paperback. ISBN 9782503518305.
Over the course of the fifteenth century easel paintings edged out tapestries, frescoes and wood inlay pictures on the walls of private dwellings. Millions of such paintings were produced in the period 1450-1800, in all shapes and sizes, and across the whole range of prices. Who bought them? How were they distributed? What place did they occupy among other "luxury" possessions? Such questions seem to require that visual culture be treated as an integral part of family spending and commercial pursuits. This volume is the outcome of a four-year collaboration between art historians, economists, social historians and museum professionals from the US, Australia and Europe; its aim was to map the new ground identified by these and related questions, in local contexts, but with comparative and longitudinal concerns constantly in mind. The result is an entirely new matrix of the business and artistic interactions through which visual cultures in early modern Europe were formed. The editors, Neil De Marchi and Hans J. Van Miegroet, an economist and an art historian, have collaborated across their disciplines for ten years. Here they have interspersed participants' essays with brief connecting observations, to produce a text that respects disciplinary expertise while making connections across locations and across time. Much has been written about European paintings; but how markets in paintings emerged, who they served, what roles and institutions were developed that enabled them to function effectively, and how exchange affected visual preferences, have not been studied in such a deliberately wide-angled, comparative way. Mapping Markets is not only a book about paintings, but a compendium of cross-disciplinary methods and insights. It charts the state of research in this trans-disciplinary field, identifies gaps, and poses questions for scholars and students wishing to pursue further the issues raised here.
invloed van de vroege Nederlandse schilderkunst in de eerste helft van de 15de eeuw op Konrad Witz.
, Brussel, Paleis der Academien, 1986,, Softcover, originele uitgeversomslag, 26x18cm, 130pp,+ 61 afbeeldingen z/w, als nieuw/ as new!!!! ISBN 9789065693709.
Verhandelingen van de Klasse van de Kunsten, 42,jaargang 48,heilspiegel altaarstuk vergelijk
GERARD DAVID. Monograph documente; FR
, Antwerpen, Fonds Mercator, 1989., grand In-4 relie pleine toile blanche pour le dos, marron pour les plats, etui, 372pp.bon etat !! Texte en Francais / .258 Photographies en noir et en couleurs + petites ill. en noir dans le catalogue en fin de volume.Sous etui cartonne ISBN 9061532116.
In his early work, David had followed Haarlem artists such as Dirk Bouts, Albert van Oudewater and Geertgen tot Sint Jans, though he had already given evidence of superior power as a colourist. To this early period belong the St John of the Kaufmann collection in Berlin and the Saltings St Jerome. In Bruges he studied and copied masterpieces by the Van Eycks, Rogier van der Weyden, and Hugo van der Goes. Here he came directly under the influence of Memling, the master whom he followed most closely. It was from him that David acquired a solemnity of treatment, greater realism in the rendering of human form, and an orderly arrangement of figures. Texte en Francais
De invloed van de vroege Nederlandse schilderkunst in de eerste helft van de 15de eeuw op Konrad Witz
Brussel, Paleis der Academiën 1986 130pp.+ 61 zw/w illustraties buiten tekst, 26cm., in de reeks "Verhandelingen van de Koninklijke Academie voor Wetenschappen, Letteren en Schone Kunsten van België. Klasse der Schone Kunsten" Jg.48 nr.42, gebroch., zeer goede staat, S85812
ROGGEN D.- A. DE SCHRYVER - R.A. D'HULST (editors) - A. Demey - M.P.J. Martens - H.J. Van Miegroet - H. Devisscher - E. Duverger a.o. (authors). :[ ] GHENDT UNIVERSITY (Art Department) - GENTSE BIJDRAGEN TOT DE KUNSTGESC:HIEDENIS :
Reference : 25455
Gentse Bijdragen tot de Kunstgeschiedenis. Deel XXVI 1981-1984. (Gent university - 'Hoger Instituut voor Kunstgeschiedenis en Oudheidkunde Universiteit Gent' - art history yearbook.)
".: 0. Gent, Hoger Instituut voor Kunstgeschiedenis en Oudheidkunde van de Universiteit te Gent, 1984, small in-4°, printed paper, 212 pp, b/w ills. Yearbook on art history which contains several scholarly articles and longer essays. Texts in Dutch with summaries in English. A. Demey, H.-Kruiskerk te Vrasene (44 pp). M.P.J. Martens en H.J. Van Miegroet, du Cellier-dyptiek, toegeschreven aan Hans Memling (30 pp). H. Devisscher, Kerstiaen de Keuninck (72 pp). E. Duverger, tapissiers te Brussel (33 pp). (We can quote you also for a complete run of the first 22 volumes; 1934 -1972)."
Gérard David.
Fonds Mercator, 1989. 33,7 x 25,7 cm, 372 pages. Relié cartonnage d'éditeur sous jaquette illustrée, sous étui. Bel exemplaire
Gerard David
Antwerpen 1989 Mercatorfonds Hardcover Very Good
Gerard David, Reliure en lin vert avec jacquette et etui, 345 x 260 mm, 367 p, illustrations en couleur , très bon état
Gerard David
Antwerpen, Mercatorfonds 1989 368pp.rijkelijk geïllustreerd vnl. in kleur, 34cm., linnen band, geïllustreerde stofwikkel, in etui, mooie staat, [Tekst in het Nederlands, text in Dutch], S84307
TAKA ET TOPI découvrent les saisons (avec images cachés sous des rabats)
EDITIONS CARAMEL. 2001. In-4. Cartonné. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Non paginée envrion 6 pages. Nombreuses illustrations en couleur, dans le texte, par Laurence de KEMMETER. . . . Classification Dewey : 843.0692-Livres d'enfants
Classification Dewey : 843.0692-Livres d'enfants
De invloed van de vroege Nederlandse schilderkunst in de eerste helft van de 15e eeuw op Konrad Witz.
.: Brussel, Koninklijke Academie voor Wetenschappen, Letteren en Schone Kunsten van België, ( treatise of the Royal Belgian Acadamy ) , 1986, in-8°, 26 x 18 cm, xiii pp + 130 pp + 61 black/white ills., bibliography. On the influence of Early Netherlandish painting on the work of the Upper-Rhine artist Konrad Witz ( ca. 1400 - 1445). Text in Dutch.
GERARD DAVID, een gedocumenteerde biografie.
, Mercatorfonds, Antwerpen, 1989, Gebonden in linnen met kleur-omslag, 25,5x33,5cm, 367pp, geillustreerd in kleur en z/w., bibliografie, register. Tekst in het Nederlands ISBN 9061532108.
Rijkelijk geillustreerd met zeer mooie kleur illustraties. pracht van een uitgave. In his early work, David had followed Haarlem artists such as Dirk Bouts, Albert van Oudewater and Geertgen tot Sint Jans, though he had already given evidence of superior power as a colourist. To this early period belong the St John of the Kaufmann collection in Berlin and the Saltings St Jerome. In Bruges he studied and copied masterpieces by the Van Eycks, Rogier van der Weyden, and Hugo van der Goes. Here he came directly under the influence of Memling, the master whom he followed most closely. It was from him that David acquired a solemnity of treatment, greater realism in the rendering of human form, and an orderly arrangement of figures.
More news about Gerard David, Gerard Loyet and the enigmatic Antheunis Huyghe. ( an article published in ) Academiae Analecta. Medeling Academie Jaargang 47 , 1986 Nr. 1.
.: 2. Brussel, Academie voor Wetenschappen, Letteren en Schone Kunsten, 1986, , in-8°, article of 36 pp + 7 ills. Index, sewn, orig. stiff wrapper. Text in Dutch . The complete book is on offer here, containing also an article David's painting Cambyses and Sisamnes by R.H. Marijnissen.
Gerard David. ( édition française )
.: Anvers ( Antwerpen ) , Fonds Mercator, 1989, in-4°, 372 pp , illustrations en couleurs, index, bibliographie, reliure d'éditeur en demi-velin, avec jaquette. Livre en français. (text in French).
