68 books for « germano celant »Edit

‎Christo & Jeanne-Claude Water Projects.‎

‎, [IT] Silvana , 2016 Flexi (Paperback luxe), 240x170mm, 240p, 400 colour illustrations, English edition . ISBN 9788836633579.‎

‎Expo: 07/04/2016 - 18/09/2016, Museo di Santa Giulia, Brescia. Christo and Jeanne-Claude. Water Projects, edited by Germano Celant in collaboration with con CVJ Corporation, is the title of the catalogue (published in English and Italian) released on the occasion of the exhibition by the same title, opening in Brescia at the Santa Giulia Museum, April 7, 2016. The catalogue will include Christo and Jeanne-Claude?s realized and not realized large-scale projects from 1961 to 2016. Besides the famous wrapped monuments, from the Kunsthalle in Bern (1967-1968) to the Reichstag in Berlin (1971-1995), the publication also includes the barriers made with barrels or with fabric, from Wall of Oil Barrells - The Iron Curtain in Paris (1961-62) to Valley Curtain in Rifle, Colorado (1960-62), the great inflatable objects, from 42,390 Cubic Feet Package of Minneapolis (1966) to 5600 Cubicmeter Package, Project for documenta IV in Kassel (1967- 1968), and the fabric pathways, such as Wrapped Walk Ways in Kansas City (1977-1978), or doors, such as The Gates in New York (1979-2005). The seven Water Projects ? Christo and Jeanne-Claude?s installations sharing a connection with water ? are considered in further depth. In these projects, from Running Fence, Sonoma and Marin Counties, California (1972-1976) to Over the River, project for the Arkansas River, State of Colorado (dal 1992), the artists worked establishing a close connection with natural, suburban and urban landscapes which all share a relation with water, be it an ocean, a sea, a lake or a river. Among the Water Projects we must mention The Floating Piers, an installation opening June18 to July 3, 2016, which will allow visitors to walk across Lake Iseo and along its shores on a 3-kilometre route. By means of modular floating piers covered in shimmering yellow fabric, the installation will link the town of Sulzano on the lake?s shores, to Monte Isola, also reaching the Island of San Paolo. Every work included in the catalogue will be accompanied by an explanatory text with all the relevant technical and historical information, along with preparatory drawings, collages, scale models, and photographic documentation of the project?s phases of ideation, preparation and realization. The catalogue, besides a rich photographic section, includes an introductory text by Germano Celant and a dialogue between the curator and Christo. The volume also comprises the artists? biography and a complete list of projects, bibliography and filmography. ‎

‎Tony Cragg‎

‎, Thames and Hudson, 1996 Hardcover , 351 pages, ENG, 275 x 240 x 30 mm, dustjacket, with 249 illustrations of which 160 in colour, in good condition,. ISBN 9780500237236.‎

‎The world-renowned British sculptor Tony Cragg is an intriguing combination of artist and scientist, chemist and alchemist, believer and sceptic, whose work has had an immense influence on a whole younger generation of post-formalist sculptors. Born in Liverpool in 1949, Cragg abandoned his scientific background to pursue a career as an artist, and has, over the course of some twenty-five years, evolved a prodigious oeuvre, exhibiting widely and earning international acclaim. His remarkable and extensive body of sculpture, astonishingly diverse, ranges from early works in natural elements to large-scale plastic and wood assemblages, from metal-spiked pieces to smooth, sensual bronzes. This exceptional study of Cragg's sculpture, the fullest and most comprehensive to date, provides a thorough visual survey of work dating from the early 1970s to the present day, tracing the artist's development from his formative years at the Wimbledon School of Art through his conceptual, rather than stylistic, evolution of a sculptural vernacular. Following an introductory critique from Germano Celant, there is an extensive plates section focusing on individual works, bringing out the unique shape, colour and texture of each piece. Interwoven with the photographs are reflections from the artist himself, lending insight and understanding to his methods and motivations. A full reference section, with a short biography, a list of works, an exhibition history and select bibliography, concludes the monograph.‎

‎Rassegna 36 : ( Minimal )‎

‎ 1988 Milan, Electa, décembre 1988, 305x230mm, 148p., broché sous couverture illustrée de Sol Lewitt.Revue trimestrielle, numéro consacré au minimalisme réalisée par Germano Celant et Annalisa Avon, nombreuses illustrations en noir et en couleurs.Texte en italien, traduction en anglais, français et allemand en fin d’ouvrage.(103610) ‎

‎Jan Fabre, Les Bronzes. FR‎

‎, Art In Progress 2007, Hardback in slipcase, grand et tres fort In-4 relie toile rouge editeur sous jaquette illustree et emboitage. Tres bel etat. .FR. ISBN 9789078902188.‎

‎luxe illustres de croquis couleur "s et la couleur. Il parfaitement pelerinage de l'artiste a la recherche d'un nouvel univers visuel. luxe tres agreable edition. As New. ‎

‎Christo & Jeanne-Claude Water Projects ‎

‎, silvana, 2016 Flexi (Paperback luxe), 240x170mm, 240p, 400 colour illustrations, English edition . ISBN 9788836633579.‎

‎Expo: 07/04/2016 - 18/09/2016, Museo di Santa Giulia, Brescia Installation on Lake Iseo : "The Floating Piers" The catalogue will include Christo and Jeanne-Claude?s realized and not realized large-scale projects from 1961 to 2016. Besides the famous wrapped monuments, from the Kunsthalle in Bern (1967-1968) to the Reichstag in Berlin (1971-1995), the publication also includes the barriers made with barrels or with fabric, from Wall of Oil Barrells - The Iron Curtain in Paris (1961-62) to Valley Curtain in Rifle, Colorado (1960-62), the great inflatable objects, from 42,390 Cubic Feet Package of Minneapolis (1966) to 5600 Cubicmeter Package, Project for documenta IV in Kassel (1967- 1968), and the fabric pathways, such as Wrapped Walk Ways in Kansas City (1977-1978), or doors, such as The Gates in New York (1979-2005). The seven Water Projects ? Christo and Jeanne-Claude?s installations sharing a connection with water ? are considered in further depth. In these projects, from Running Fence, Sonoma and Marin Counties, California (1972-1976) to Over the River, project for the Arkansas River, State of Colorado (dal 1992), the artists worked establishing a close connection with natural, suburban and urban landscapes which all share a relation with water, be it an ocean, a sea, a lake or a river. Among the Water Projects we must mention The Floating Piers, an installation opening June18 to July 3, 2016, which will allow visitors to walk across Lake Iseo and along its shores on a 3-kilometre route. By means of modular floating piers covered in shimmering yellow fabric, the installation will link the town of Sulzano on the lake?s shores, to Monte Isola, also reaching the Island of San Paolo. Every work included in the catalogue will be accompanied by an explanatory text with all the relevant technical and historical information, along with preparatory drawings, collages, scale models, and photographic documentation of the project?s phases of ideation, preparation and realization. The catalogue, besides a rich photographic section, includes an introductory text by Germano Celant and a dialogue between the curator and Christo. The volume also comprises the artists? biography and a complete list of projects, bibliography and filmography. ‎

‎Gilberto Zorio‎

‎Barzel, Amnon, Germano Celant and Gilberto Zorio: Gilberto Zorio. Exhibition: Prato, Museo d'Arte Contemporanea, 1992. 212 pages, fully illustrated. Paperback. 23 x 27cms. Text in Italian and English.‎

‎Text in Italian and English‎

‎Piero Manzoni‎

‎Milan Prearo 1975 1 278x294mm Pleine toile crème 280p., pleine toile crème de l'éditeur, jaquette illustrée.Edition originale.(103975) ‎

‎ Petits défauts à la jaquette ‎

‎Michele Zaza, la parole au coeur de l'image‎

‎XXIsiècle éditions 2004 In-4 broché 31 cm sur 23. 151 pages. Bon état d’occasion.‎

‎ Bon état d’occasion ‎

‎Giorgio Armani‎

‎Royal Academy of Arts (14 octobre 2003)‎

‎Livre à l'état de neuf, très frais sans annotations ni défauts dissmulés.‎

‎OLDENBURG, CLAES COOSJE VAN BRUGGEN. Signed by both artists.‎

‎Milan, Skira, 1999, in-4, hardcover, dustj., 524p. Very good. SIgné. ‎

6 Images

‎Jan Fabre: Stigmata: Actions & Performances 1976-2013‎

‎ 2014 Skira Editore Hardcover Fine 1st Edition ‎

‎Jan Fabre: Stigmata: Actions & Performances 1976-2013 hardcover with dustjacket, 30 x 22 cm, 648 pp, illustrated, almost mint condition‎

‎Identité Italienne. L'art en Italie depuis 1959‎

‎Paris Centre Pompidou 1981 Fort in 4 broché, 647 pages, très nombreuses illustrations.‎

‎From Van Gogh to Picasso, from Kandinsky to Pollock: Masterpieces of Modern Art‎

‎, Bompiani, 1990 Paperback, 392 pages, ENG, 280 x 240 mm, good condition, illustrated in colour v/ b/w. ISBN X.‎

‎Jan Fabre Stigmata Actions & Performances‎

‎, [UK] Skira , 2014 Hardback, 297x210mm, 512p, 650 bw and col. illustrations. English edition . ISBN 9788857221243.‎

‎Visual artist, choreographer, writer and director, Jan Fabre has been one of the most influential figures on the European scene for over twenty years. His provocative forays into all different art forms are aimed at breaking down the artistic and moral barriers of his times. Published on the occasion of the exhibition of Fabres works at the MAXXI in Rome, the monograph brings together, for the first time, the action art and performances of the Belgian artist from the 70s to the present: drawings, thinking models, collages, films, photos and other documentation that lay the groundwork for a rediscovery of dozens of Fabres performances and interventions, both public and private, held in Belgium and abroad. The extreme, even brazen exploration of the human body, which frequently scandalizes viewers, is linked to the idea of metamorphosis, which Fabre may have derived from that passion for the sciences he inherited from his great-grandfather, the esteemed entomologist Jean-Henri Fabre. Jan Fabre has devoted much of his career to studying the human body and its transfiguration, central themes in his work ‎

‎Pierro Manzoni‎

‎Napoli, Electa 2007, 2007 Hardcover, 395 pages, English, 290 x 250 mm, cover has some scratches but book itself is in new condition, lots of illustrations in colour and b/w, . ISBN 9788837051754.‎

‎Ten years after his last anthological exhibition, a new reading of his creative path through the different phases of his brief but nevertheless intense career (1956-1963). English edition. The 250 works on display document Piero Manzoni?s production, from the canvases covered with tar of 1956-57, to the Achrome (French word for ?colourless?) of 1958 in which the use of materials unusual in painting is combined with the research of rigorous formal structures. At the same time he creates objects involving the materiality of human body, such as Fiati d?artista and the tins of Merda d?artista. The expositive path is enriched by the presentation of the international artistic and historical context in which Manzoni worked and with which he had to deal, highlighting his decisive contribution.‎

‎Bottle of Notes and Some Voyages‎

‎, Rizzoli International Publications 1988, 1988 Paperback, 234 pages, English, 280 x 215 mm, in fine order, with illustrations in colour and b/w,. ISBN 9780847809462.‎

‎The artist describes his working methods, looks at eighteen of his completed large-scale projects, as well as unsited proposals, and explains their themes.‎

‎Aldo Rossi, Graphic Works: Etchings Lithographs Silkscreen Print‎

‎, Silvana Editoriale, 2015 Paperback,220 pages Illustrated.28 x 23,3 x 2,5 cm. ISBN 9788836630844.‎

‎ The book will accompany a traveling exhibition having a first venue at Bonnefanten Museum in Maastricht and then going to Berlin, Lausanne and Rome. Few architects were as intensely occupied with making architecture itself the subject as Aldo Rossi (1932-1997). Drawing was second nature to him, as shown by his unending stream of drawings, which were often very poetic, colourful and humorous, and always recognisable in a continual interplay of visual analogies.‎

‎Guggenheim Museum: A to Z‎

‎Art Data 1991 295 pages in8. 1991. Broché. 295 pages. illustré en couleurs‎

‎Très Bon Etat de conservation‎

‎Emilio Pucci. Looking at fashion. Biennale di Firenze‎

‎Paris, Skira, 1996, Broché, 200 pages. English edition. Good. ‎

‎Biennale di Venezia. The 47th International Art Exhibition‎

‎Paris, Mondadori Electa, 1997, in-4, Broché, 728 pages. Good. Bon état. ‎

‎Auto Tattoo.‎

‎Milano, Automobilia, 1986, in-4to, 136 p., ill. avec d183 photogr. en couleurs, reliure cartonnée orig., jaquette orig. ill. en couleurs.‎

‎Michelangelo Pistoletto‎

‎Ministerio de cultura, Direccion general de bellas artes y archivos, Madrid, 1983. Catalogue d'exposition in-4 broché, couverture illustrée, 240 p. Illustrations en noir et couleurs. Texte en espagnol. Défauts d'usage, sinon agréable exemplaire. ‎

5 Images

‎SuperWarhol ‎

‎2003 chez Skira. In-4, relié, 540 pages, sous jaquette. ‎

‎Riche iconographie en noir et blanc ainsi qu'en couleur. Exemplaire en très bon état mise à part les coins supérieurs qui sont légèrement cornés. Intérieur frais et agréable. ‎

‎Giovanni Gastel‎

‎IDEA Books 2004‎

‎in8, broche, couverture rempliee, bon etat, defaut mineur en premiere de couverture, coins haut et bas du dos un peu frottes, interieur tres propre avec nombreuses photos N&B et couleurs, texte bilingue anglais/italien, IDEA Books, 2004, non pagine‎

‎Arman. 1954-1974.‎

‎<p>Cet ouvrage, dirigé par Germano Celant, présente le cheminement artistique d’Arman (Nice, 1928 - New York, 2005) à travers un riche parcours, où les événements personnels croisent l’histoire et le contexte artistique international. Depuis ses débuts, dans les années cinquante, jusqu’à la signature du manifeste du Nouveau Réalisme en 1960 et son déménagement aux États-Unis où il rencontre les mouvements néo-dadaïstes et le pop art –, la chronologie retrace par étapes toute la vie de l’artiste, en approfondissant surtout la période comprise entre ses premières œuvres et 1974. L’artiste déploie ses recherches autour des objets du quotidien : comme affirme Celant, « l’intensification des virtualités existentielles de l’objet a amené Arman à l’exploration de territoires du minimum au maximum du vivre en ville : du cachet au monument. Il a mélangé matières et produits, unités et séries, singularités et hétérogénéités, en imposant l’ordre et le désordre, pour arriver à constituer le flux critique du réel. » La narration éditoriale s’enrichit d’un vaste appareil iconographique : des Accumulations d’objets industriels et de produits en série, aux Poubelles qui mémorisent les déchets de la société de consommation ; des célèbres Colères, Coupes et Combustions, qui dématérialisent les objets par le biais de différents procédés, les privant de leur fonctionnalité, à la peinture, aux actions et aux œuvres monumentales.</p> Milan, 2021 Silvana Editoriale 423 p., cartonnage éditeur. 24 x 30‎

‎Neuf‎