Rome, Nicoloò Angelo Tinassi, 1672. Small 8vo. Near contemporary full calf biding with five raised bands to richly gilt spine. All edges of boards gilt. Hinges, capitals and corners with wear. Cords showing at front hinge, but still tight. Slight spotting to margins of title-page and some scattered brownspotting (not heavy). Overall a fine, unrestored copy with wide margins. Book plate to inside of front board and an old library stamp (Académie de Chirurgie) to title-page. (26), 455, (1) pp. Engraved frontispiece.
The rare first edition of the first book devoted entirely to surgical anatomy. Genga's milestone work founded the discipline of anatomical surgery" it was frequently reprinted and remained a widely used manual for decades after its first appearance. Genga furthermore, in the tract appended to this work (i.e the ""Breve Discorso"" on the circulation of the blood, pp. 420-448), showed himself to be one of the first Italians to accept Harvey's theory on the circulation of blood. ""Though anatomy was hitherto cultivated with much success as illustrating the natural history and morbid states of the human body, yet little had been done for the elucidation of local diseases, and the surgical means by which they may have been successfully treated. The idea of applying anatomical knowledge directly to this purpose appears to have originated with Barnardin Genga, a Roman surgeon, who published in 1672, at Rome, a work entitled ""Surgical Anatomy, or the Anatomical History of the Bones and Muscles of the Human Body, with the description of the Blood-vessels"". This work, which reached a second edition in 1687, is highly creditable to the author, who appears to have studied intimately the mutual relations of different parts."" (Encyclopaedia Britannica). This foundational work, Genga's first work, was extremely influential and widely used. It was reprinted a number of times within the following decades. The first edition of it is of great scarcity. Most of the bibliographies only have later editions, and one of the few copies that are listed on OCLC is incomplete, lacking the title-page. We have only been able to locate one copy at auction within the last 40 years (in 1979). Heirs of Hippocrates: 337 (1687-edition)Wellcome III:102 (only later editions)Garrison-Morton: 387 (""First book devoted entirely to surgical anatomy"").
Rome, Nicoloò Angelo Tinassi, 1672. Small8vo. In 18th century half calf with red leather title-label to spine and gilt lettering and ornamentation. Lower capital with a bit of wear and corners slightly bumped. Frontispiece mounted and with a closed tear (no loss). Title-page with light soiling and previous owner's name in contemporary hand. Dampstain affecting lower part of outer margin of Pp. 397-432 and Pp. 449-455. Some occasional browning and brownspotting, but overall fine a nice copy. (26), 455, (1) pp. Engraved frontispiece.
The rare first edition of the first book devoted entirely to surgical anatomy. Genga's milestone work founded the discipline of anatomical surgery" it was frequently reprinted and remained a widely used manual for decades after its first appearance. Genga furthermore, in the tract appended to this work (i.e the ""Breve Discorso"" on the circulation of the blood, pp. 420-448), showed himself to be one of the first Italians to accept Harvey's theory on the circulation of blood. ""Though anatomy was hitherto cultivated with much success as illustrating the natural history and morbid states of the human body, yet little had been done for the elucidation of local diseases, and the surgical means by which they may have been successfully treated. The idea of applying anatomical knowledge directly to this purpose appears to have originated with Barnardin Genga, a Roman surgeon, who published in 1672, at Rome, a work entitled ""Surgical Anatomy, or the Anatomical History of the Bones and Muscles of the Human Body, with the description of the Blood-vessels"". This work, which reached a second edition in 1687, is highly creditable to the author, who appears to have studied intimately the mutual relations of different parts."" (Encyclopaedia Britannica). This foundational work, Genga's first work, was extremely influential and widely used. It was reprinted a number of times within the following decades. The first edition of it is of great scarcity. Most of the bibliographies only have later editions, and one of the few copies that are listed on OCLC is incomplete, lacking the title-page. We have only been able to locate one copy at auction within the last 40 years (in 1979). Heirs of Hippocrates: 337 (1687-edition)Wellcome III:102 (only later editions)Garrison-Morton: 387 (""First book devoted entirely to surgical anatomy"").
Rome, Domenico de Rossi, 1691, un volume grand in folio (49cm x 38cm), relié en demi-basane à coins, tranches rouges, dos orné de filets dorés (reliure début XIXe), 56 feuillets comprenant 16 feuillets de texte (page de titre incluse) et 40 planches gravées (frontispice inclus)
---- EDITION ORIGINALE ---- BON EXEMPLAIRE GRAND DE MARGE ---- GARRISON N° 386 : "THIS IS ONE OF THE FINEST OF ALL BOOKS ON ANATOMY FOR ARTISTS" ---- NORMAN N° 888 : "Of the plates with pictures nine pertain to osteology and fourteen to myology, sixteen are representations of antique figures viewed from different sides, namely, the Farnese Hercules, the Laocöon (without his sons), the gladiator and the Borghese Faun. Of the plates with text seven pages are devoted to osteology, seven to myology and one page to an Indici delle cose notabili". (Choulant, p. 254). The work was conceived for the use of the French Royal Academy of painting and sculpture and the engravings were made under the direction of Charles Errard, head of the French academy at Rome, possibly from his own drawings. GENGA made the anatomical preparations, and Giovanni Maria LANCISI wrote the explanations" ---- Heirs of Hippocrates N° 531 ---- RELIES AVEC et en tête du volume, (comme souvent), DEUX AUTRES TRAITES : RAPHAEL (Sanzio d'Urbin). Imagines V. ac. N. Testamenti, a Raphaele Sanctio urbinato in Vaticana palatii xystis expressae, jo.-Jac. de Rubeis cura delineatae et incisae. Rome (1674). "Recueil de 55 GRAVURES, (y compris le frontispice et la dédicace). La première gravure offre le portrait de la Reine Christine de Suède, la seconde celui de Raphaël. Les 36 premiers sujets sont gravés par Fantetti, les autres par P. Aquila". (Brunet IV p. 1109 (9295) -- BARTOLI (Pietro Sante). Sigismundi Augusti Mantuam adeuntis profectio ac triumphus ; ex archetypo Juli Romani à Fr. Primaticio Mantuae in ducali palatio quod del T. nuncupatur plastica atque anaglyphica sculptura mire elaboratum, cum notis J.P. Bellorii, a P.S. Bartoli ex veteri. Exemplari traductum aerique incisum. Rome (1680). 26 PLANCHES (y compris le titre).Brunet I p. 682**2322/B7
Bologne, 1739, , 12 ff, 36 pp, cartonnage souple de l?époque, Couverture rigide
Bon 12 ff., 36 pp