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Binza 10. *** Met twee handgeschreven brieven van Walter Geerts aan confrater Andre Truyman. gedateerd en gesigneerd.
, Gent, Story-Scientia, 1970., originele geillustreerde uitgeversomslag z/w, goede staat, 24x20cm, 368pp, ge llustreerd z/w.
De eerste tien onafhankelijkheidsjaren van de Democratische Republiek Kongo. Met fonoplaat ! toegevoegd twee handgeschreven brieven van Walter Geerts aan confrater Andre Truyman. gedateerd en gesigneerd.
“Les Chats” de Baudelaire. Une confrontation de méthodes. Facultés Universitaires Notre-Dame-de-la-Paix Namur. Bibliothèque de la Faculté de Philosophie et Lettres. Fascicule 61.
Namur - Paris, Presses Universitaire de Namur - Presses Universitaire de France 1980, 220x150mm, 347pages, broché. Bel exemplaire.
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Cyclonale depressie
Antwerpen :, Mercatorfonds , 1978, Oorspronkelijk uitgevers omslag, 33cm 100 pag met illustraties.
Binza 10. 10 Jaar Kongo. De eerste tien onafhankelijkheidsjaren van de democratische republiek Kongo
Gent-Leuven, Story-Scientia 1970 372pp. rijkelijk geïllustreerd in zw/w, 24cm., originele omslag, goede staat, C94473
Il sapere delle parole. Studi sul dialogo latio e italiano del Rinascimento. Giornate di studio Anversa 21 - 22 febbraio 1997.
Roma, Bulzoni Editore 2001, 240x170mm, 231pagine, in brossura. Copertine con alette. Timbro biblioteca. Ottimo stato.
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Scipione l'Africano : un eroe tra Rinascimento e barocco : atti del convegno di studi, Roma, Academia Belgica, 24-25 maggio 2012
, Jaca Book, 2014 Paperback, 348 pages , ITA, 240 x 170 x 30 mm, very good condition / ottime condizioni , illustrations / photos in b/w, *** with signature of Walter Geerts***. ISBN 9788816412583.
The theme of this volume comes from the group of six tapestries preserved in the Belgica Academy in Rome, a partial re-edition of the series of 22 pieces depicting the exploits and triumph of Publio Cornelio Scipione, known as the African, the winner of Hannibal. Woven in Brussels on models by Giulio Romano, assisted by Gianfrancesco Penni, they were purchased by Francesco I and burned during the French Revolution to recover the gold and silver threads. The six pieces of the Belgica Academy, made in Brussels in the mid-sixteenth century, constitute one of the oldest re-editions, which belonged to Ippolito d'Este. The Renaissance and Baroque tapestry is an artifact that asks many questions: who gave the commission for the specific theme, Scipio the African? Who "invented" the scene program? What are the sources, ancient and modern, painted and literary, that inspired the program? For what reason, with what intentions, for which "audience" was the theme chosen? How was the "myth" that is being built around Scipio born? And what happens in the following centuries? The book reflects this multiplicity and various disciplines join hands: history of art, ancient and modern history, philology, history of literature and theater. And of cinema, since it ends with the refined Scipione by Luigi Magni, a director who died in 2013.
