Write to the booksellers7 books for « gayford martin »Edit
[Jenny Saville] - Gayford, Martin, Barry Martin Weintraub, et al
Reference : 100401
(1999)
Jenny Saville: Territories
Gayford, Martin, Barry Martin Weintraub, et al: Jenny Saville: Territories. Exhibition: New York, Gagosian Gallery, 1999. 48 pages, illustrated throughout in colour. Hardback. 25 x 34cms. Catalogue of her solo exhibition.
Catalogue of her solo exhibition.
On ne reporte pas le printemps, David Hockney en normandie.
<meta charset="utf-8"><span data-mce-fragment="1">À l'aube de ses quatre-vingts ans, David Hockney a recherché pour la première fois la tranquillité à la campagne, un lieu où observer le coucher du soleil et le changement des saisons, un endroit où tenir à distance la folie du monde. Ainsi, lorsque la Covid-19 et le confinement ont frappé, cela n'a pas changé grand-chose à la vie à La Grande Cour, la ferme normande plusieurs fois centenaire où Hockney avait installé son atelier un an auparavant.</span><br data-mce-fragment="1"><br data-mce-fragment="1"><i data-mce-fragment="1">On ne reporte pas le printemps</i><span data-mce-fragment="1">est un manifeste qui célèbre la capacité de l'art à divertir et à inspirer. Il s'appuie sur une multitude de conversations et de correspondances inédites entre David Hockney et le critique d'art Martin Gayford, son ami et collaborateur de longue date. Leurs échanges sont illustrés par une sélection de peintures et de dessins inédits réalisés par l'artiste sur son iPad en Normandie, en lien avec des œuvres de Van Gogh, Monet, Brueghel et d'autres encore.</span><br data-mce-fragment="1"><br data-mce-fragment="1"><span data-mce-fragment="1">Constamment poussé à aller de l'avant par son enthousiasme contagieux et son sens de l'émerveillement, à contre-courant depuis toujours, mais très populaire depuis soixante ans, Hockney ne se préoccupe pas de l'opinion des critiques. Totalement absorbé par son environnement et les thèmes qui le fascinent depuis des décennies: la lumière, la couleur, l'espace, la perception, l'eau, les arbres, il a beaucoup à nous apprendre, non seulement sur notre façon de voir... mais aussi sur notre façon de vivre.</span><br data-mce-fragment="1"> PARIS, 2021 SEUIL 280 p., Cartonnage éditeur. 160 x 230 mm
NEUF
Spring Cannot be Cancelled
Thames & Hudson (4/2022)
LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9780500296608
ON NE REPORTE PAS LE PRINTEMPS. DAVID HOCKNEY EN NORMANDIE
SEUIL
LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782021486643
HOCKNEY'S EYE - THE ART AND TECHNOLOGY
PAUL HOLBERTON PUBLISHING ED.
LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9781913645120
David Hockney & Martin Gayford - A History of Pictures : From the Cave to the Computer Screen
, Abrams, 2020 Paperback, 370 pages, ENG. edition, 240 x 165 mm, NEW, richly illustrated in color / b/w. ISBN 9781419750281.
A compact edition of Hockney and Gayford?s brilliantly original book, with updated material and brand-new pieces of art Informed and energized by a lifetime of painting, drawing, and making images with cameras, David Hockney, in collaboration with art critic Martin Gayford, explores how and why pictures have been made across the millennia. Juxtaposing a rich variety of images?a still from a Disney cartoon with a Japanese woodblock print by Hiroshige, a scene from an Eisenstein film with a Velazquez paint ing?the authors cross the normal boundaries between high culture and popular entertainment, and argue that film, photography, paint ing, and drawing are deeply interconnected. Featuring a revised final chapter with some of Hockney?s latest works, this new, compact edition of A History of Pictures remains a significant contribution to the discussion of how artists represent reality. David Hockney is one of the world?s most popular painters and the author of the bestselling Secret Knowledge: Rediscovering the Lost Techniques of the Old Masters (2001). Martin Gayford is an art critic and the author of many books, including Man with a Blue Scarf: On Sitting for a Portrait by Lucian Freud (2013) and Rendez-vous with Art, with Philippe de Montebello (2014).
Lucian Freud's Sketchbooks
, Yale, 2016 Hardcover, 108 pages, ENG, 230 x 230 x 19 mm, New edition, illustrated in colour / b/w. ISBN 9780300223736.
This revelatory publication features a selection of beautifully reproduced images from the sketchbooks of Lucian Freud (1922-2011), one of the world?s greatest realist painters. Most of the sketches ? which include works in pencil, pastel, and watercolor from across the artist?s long career ? are published here for the first time. These fascinating images extend our understanding of Freud?s work and demonstrate the scrutiny he brought to his subjects. The sketchbooks, now in the archive of the National Portrait Gallery, London, include portraits of Freud?s family members, friends, and lovers. Designs for book covers, images of his beloved dogs and horses, landscapes, and interiors appear among nudes, still lifes, and several sketches that relate to major works. Around and between the drawings are Freud?s annotations and jottings ? appointments, racing tips, notes, musings ? which, with startling immediacy, provide a glimpse into the working life of one of the 20th century?s most important artists. The book includes an insightful essay by Martin Gayford, who sat for portraits by Freud and knew him well, and an illustrated chronology of the artist?s life. Published in association with the National Portrait Gallery, London
