Flueckiger, Barbara. et al.: Color in Motion: Chromatic Explorations of Cinema. 2024. 272 pages, illustrated in colour throughout. Hardback. 28 x 24cms. This catalogue explores the history and the art of producing colour on screen. 12 essays look at the practice of tinting film, the materiality and technology of film colours, conversations about the science of colour with colour experts Laurens Orij, Charles Poynton, and Andrew Stockman, women's role in the development of colour technologies, the application of 'leader lady images' for calibration, the aesthetic and political use of colour by Black filmmakers, intermedial dialogues in 1960s Bombay cinema, colour in American animation, and colour experiments in films without a narrative. 7 essays specifically examine the advantage of restricted colour palettes to create particular effects; red and 'In the mood for love', orange and 'Blade runner 2049', yellow and 'Traffic', green and 'Vertigo', blue and 'Moonlight', purple and 'Cabaret', pink and 'But I'm a cheerleader'. Also includes a selected timeline of historical film colours..
This catalogue explores the history and the art of producing colour on screen. 12 essays look at the practice of tinting film, the materiality and technology of film colours, conversations about the science of colour with colour experts Laurens Orij, Charles Poynton, and Andrew Stockman, women's role in the development of colour technologies, the application of 'leader lady images' for calibration, the aesthetic and political use of colour by Black filmmakers, intermedial dialogues in 1960s Bombay cinema, colour in American animation, and colour experiments in films without a narrative. 7 essays specifically examine the advantage of restricted colour palettes to create particular effects; red and 'In the mood for love', orange and 'Blade runner 2049', yellow and 'Traffic', green and 'Vertigo', blue and 'Moonlight', purple and 'Cabaret', pink and 'But I'm a cheerleader'. Also includes a selected timeline of historical film colours.