2. Lugano (Switserland), James Fitzsimmons, 1975, in-4° , 29,5 x 21 cm, issues of approx. 60 pp, sewn, orig. stiff wrapper. Fine copies of the original issues. These three first issues are most probably all that was published by James Fitzsimmons under this title as already the March 1975 issue of the periodical ''Art International'' contains also the name '' Art Spectrum''. It is not unlikely that these issues in fact form the first 3 issues of Art International for the year 1975. We could not ascertain that Issues 1-3 for 1975 under the name Art International were ever published..
2. Lugano (Switserland), James Fitzsimmons, owner and sole editor, 1975, in-folio 34,5 x 24 cm, issues of approx. 60 pp, sewn, orig. stiff wrapper. Fine copies. (See Chamberlin 2163..''up to date information on all phases of art (= modern or actual art) in all parts of Europe'').
2. Lugano (Switserland), James Fitzsimmons, owner and sole editor, 1970, in-folio 34,5 x 24 cm, issues of approx. 60 pp, sewn, orig. stiff wrapper. Complete year in the original issues, fine copies. (See Chamberlin 2163..''up to date information on all phases of art (= modern or actual art) in all parts of Europe'').
2. Lugano (Switserland), James Fitzsimmons, owner and sole editor, 1972, in-folio 34,5 x 24 cm, issues of approx. 60 pp, sewn, orig. stiff wrapper. Complete year in the original issues, fine copies. (See Chamberlin 2163..''up to date information on all phases of art (= modern or actual art) in all parts of Europe'').
2. Lugano (Switserland), James Fitzsimmons, owner and sole editor, 1974, in-folio 34,5 x 24 cm, issues of approx. 60 pp, sewn, orig. stiff wrapper. Complete year in the original issues, fine copies. (See Chamberlin 2163..''up to date information on all phases of art (= modern or actual art) in all parts of Europe'').
2. Lugano (Switserland), James Fitzsimmons, owner and sole editor, 1979-1980, in-folio 34,5 x 24 cm, issues of approx. 60 pp, sewn, orig. stiff wrapper. Complete year in the original issues, fine copies. One spine slightly damaged, without loss of paper. (See Chamberlin 2163..''up to date information on all phases of art (= modern or actual art) in all parts of Europe'').
2. Lugano (Switserland), James Fitzsimmons, owner and sole editor, 1978-1979, in-folio 34,5 x 24 cm, issues of approx. 60 pp, sewn, orig. stiff wrapper. Complete year in the original issues, fine copies, allthough some spines are slightly damaged. (See Chamberlin 2163..''up to date information on all phases of art (= modern or actual art) in all parts of Europe'').
2. Lugano (Switserland), James Fitzsimmons, owner and sole editor, 1971, in-folio 34,5 x 24 cm, issues of approx. 60 pp, sewn, orig. stiff wrapper. Complete year in the original issues, fine copies. (See Chamberlin 2163..''up to date information on all phases of art (= modern or actual art) in all parts of Europe'').
2. Lugano (Switserland), James Fitzsimmons, owner and sole editor, 1971, in-4° , 34,5 x 24,5 cm, issues of approx. 60 pp, sewn, orig. stiff wrapper. Nearly complete year in the original issues. Fine copies. (See Chamberlin 2163..''up to date information on all phases of art (= modern or actual art) in all parts of Europe'').
2. Lugano (Switserland), James Fitzsimmons, owner and sole editor, 1977, in-folio 34,5 x 24 cm, issues of approx. 60 pp, sewn, orig. stiff wrapper. Complete year in the original issues, fine copies. (See Chamberlin 2163..''up to date information on all phases of art (= modern or actual art) in all parts of Europe'').
2. Lugano (Switserland), James Fitzsimmons, owner and sole editor, 1980 -1981, small in-4°, 24 x 17 cm, , issues of approx. 200 pp, sewn, orig. stiff wrapper. Complete year in the original issues, fine copies. (See Chamberlin 2163..''up to date information on all phases of art (= modern or actual art) in all parts of Europe'').
2. Lugano (Switserland), James Fitzsimmons, owner and sole editor, 1982, in-4°, 29,5 x 21 cm, , issues of approx. 130 pp, sewn, orig. stiff wrapper. Fine copies. (See Chamberlin 2163..''up to date information on all phases of art (= modern or actual art) in all parts of Europe'').
2. Lugano (Switserland), James Fitzsimmons, owner and sole editor, 1969, in-folio, 34,5 x 24,5 cm, , issues of approx. 80 pp, sewn, orig. stiff wrapper. Fine copies. (See Chamberlin 2163..''up to date information on all phases of art (= modern or actual art) in all parts of Europe'').
2. Lugano (Switserland), James Fitzsimmons, owner and sole editor, 1981, small in-4°, 24 x 17 cm, , issue of approx. 200 pp, sewn, orig. stiff wrapper. Fine copy. (See Chamberlin 2163..''up to date information on all phases of art (= modern or actual art) in all parts of Europe'').
2. Lugano (Switserland), James Fitzsimmons, editor, 1984, in-4°, 30 x 21 cm, , issue of approx. 76 pp, sewn, orig. stiff wrapper. Fine copy (See Chamberlin 2163..''up to date information on all phases of art (= modern or actual art) in all parts of Europe'').
2. Lugano (Switserland), James Fitzsimmons, 1976, small in-4°, 28,5 x 20,5 cm, issue of approx. 120 pp, sewn, orig. stiff wrapper. Fine copy.
Lugano. Art international, 1965. 35 x 25 cm. 60pp. In-4° Broché avec nombreuses photographies et reproductions en N&B et quelques unes en couleur.
Très bon état général. Intérieur frais et agréable, extérieur propre, bon exemplaire de collection ou documentation.
Lugano. Art international, 1967. 35 x 25 cm. Broché de 64pp. avec nombreuses photographies en N&B et une en couleur.
Bon état général. Intérieur frais et agréable, couverture avec quelques traces d'usage. Mais sinon, bon exemplaire.
2. Lugano (Switserland), James Fitzsimmons, owner and sole editor, 1976, in-4° , 29,5 x 21 cm, issues of approx. 60 pp, sewn, orig. stiff wrapper. Complete year in the original issues.(See Chamberlin 2163..''up to date information on all phases of art (= modern or actual art) in all parts of Europe'').
2. Lugano (Switserland), James Fitzsimmons, owner and sole editor, 1975, in-4° , 29,5 x 21 cm, issues of approx. 60 pp, sewn, orig. stiff wrapper. Incomplete year, original issues.(See Chamberlin 2163..''up to date information on all phases of art (= modern or actual art) in all parts of Europe'').