(New York, 1966). 9 x 12 cm. 25 lose Karten in Originalplexiglasschachtel. Das illustrierte Titellabel liegt hier lose mit den Kärtchen bei.
Silverman No. 114ff. - Hendricks, Fluxus Codex 247. - Fondazione Bonotto 1248. Consists of 25 cards in clear plastic box, with title label on cover. 1st card explains the nature of the performance; the remaining 24 cards are directions for each of the 24 members of the "orchestra". "This piece is 15 minutes long ... The numbers at the side of each card indicate the passing of the 15 minutes. Instructions after each number should be followed by the performer within the minute indicated." Wurde auch in Fluxkit aufgenommen. Von Maciunas herausgegeben und hergestellt. Es existieren 2 unterschiedliche Covers. Albert M. Fine (1932 -- 1987) was born in Boston , Massachusetts. He graduated from Revere High School in 1949. In 1958 he earned a B.A. from the Julliard School of Music, and in 1960 he received his M.A. from the Julliard in orchestral conducting. In addition to being a composer, Fine was an artist and poet, whose compositions ranged from instrumental works to incidental music to off-Broadway theatre. Although perhaps most widely known within contemporary discourse for his Fluxus works and as a leading exponent of the Mail-art movement (in collaboration with the late Ray Johnson), Fine's cross-disciplinary activities also overlapped with the creative productions of his friends and colleagues Phillip Glass, John Cage, George Maciunas and Allen Ginsberg.
[REVUE] Jean Bégoin, W.R. Bion, Michel Fain, Alberto Eiguer, Frank Julien Philips, Cléopâtre Athanassiou, Mireille Fognini, Régine Prat, Simon-Daniel Kipman, Frances Tustin, Albert A. Mason, Donald Meltzer, Alain Fine, Jean-Paul Valabrega, Vahan Yeghicheyan...
Reference : 18262
Revue française de psychanalyse, tome LIII, Presses universitaires de France, septembre-octobre 1989. Un volume in-8°, broché.
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