Write to the booksellers5 books for « esveld tiny »Edit
GLASS MADE TRANSPARENT. A PRACTICAL GUIDE TO FRENCH ART GLASS BY GALLE, DAUM AND SCHNEIDER,
Rijkevorsel, Auteur, 2010 Illustrated cardboard cover in colour, 205 x 260mm., 176pp., beautiful colour illustration throughout. ISBN 9789081577601.
Tiny Esveld, an antique dealer, has written a practical guide book called Glass made Transparent produced by the great French glass artists Galle, Daum en Schneider. The main objective of the book is to give a professional insight into the technique and production of these beautiful and exceptional pieces in order to protect lovers, connoisseurs and collectors from buying by mistake. The world of glass is unfortunately full of deception. The pitfalls accompanying a purchase can be plentiful but however fraudulent or deceitful Esveld reveals all in Glass made Transparent, the first revealing publication of its kind. The book is a beautifully designed guidebook rich in illustration with excellent practical guidelines. French glass no longer maintains any secrets. Glass made Transparent is published in the English language with a resume in French, Dutch and Spanish and is also available as an e-book publication. Glass Made Transparent guides the reader in eight chapters through the world of the great French glass artists Galle, Daum and Schneider of the period 1890 - 1930. Esveld not only describes the beauty and artistry of their glass art but also reveals the technical side of their creations in great detail. This book helps to detect a genuine example from a falsification, a flawless piece from a damaged one and it trains the eye for any cut glass or combinations of pieces put together. It educates the reader to develop a feeling for the perfect style and shape, to learn to look sharply at the decoration, colour, finish and signature of its maker. It also points out all the applied tricks of the trade of the past and present day in order to deceive the unsuspecting buyer. New book.
Charles Schneider French art deco glass
, Tiny Esveld, 2015 Hardcover, 23 cm x 29 cm, 288 pages, with 500 photographs in color. fine copy !. ISBN 9789081577663.
reference book !! In 1913 the two brothers had saved enough to buy their own glassfactory, together with a friend, Henri Wolf. This factory was located in Epinay-sur-Seine near Paris. 1913 was not a good year to start a business. In 1914 the first world war broke out and till 1918, the brothers did not really start to make art glass. In 1918 they needed money to relight their furnaces and they accepted the help from an English investor. At that moment they were no longer in control of their glassworks. The investor wanted profit and in 1923 it led to a rupture. The Schneider brothers scraped every bit of money that they could find to buy their factory back. Luckily they succeeded. From then on the success came. In 1924 the Schneider glassworks build the biggest concrete hall ever with the most modern furnaces. In 1926 they are the biggest glassfactory in France with almost 500 employees. In 1925 Charles was asked to be a member of the jury at the Exposition des Art Decoratifs in Paris. This meant that his work could not enter the exposition and would not compete with the work of the other artists. It was an honour to be a member of the jury, so he accepted, but maybe it had been better if he had declined for the honour and participated as an artist. He would have swept the competition away. His coupe bijoux and the big black footed bowls in contrasting colours were an enormous success all over the world. Most of their production went to North and South America. The glass of Charles Schneider has such joyfull colours, bright and happy colours like orange and yellow. It looks like the sun shines every day. The little bijoux vases are jewels of technique and shape and colour. The ?Le verre Francais? line had a great success with the stylized flowers in stunning colours. As the majority of the le verre francais glass , was only etched one time, the producing costs were low. The general public loved these bright vases. The success of the Schneider factory continued until 1929. In 1929 the banks on Wall street crashed and rich people lost a lot or all of their money. The market for luxury goods collapsed. Schneider tried to survive by cutting down costs, but this does not help when there are no buyers left. After a struggle of a three years the furnace extinguised in 1932. The factory filed for bankruptcy in 1938. Charles Schneider died in 1953 before the revival of his glass. In the eighties his glass was rediscovered. It has its place now among Galle and Daum glass as their equivalent.
Art signed Galle, a practical guide. Emile Galle, Art signe Galle, un guide pratique.
BE-, private edition, 2013 Hardcover, bound, 300 pages, 600 images. 29 cm x 22cm x 2 cm Text in English ++ FRENCH SUMMARY !!!!! ISBN 9789081577649.
In Art signed Galle Tiny Esveld, in collaboration with Clementine L. Diepen, has cast new light on the renowned French designer Emile Galle (1846-1904). Esveld raises a number of points which many authors prefer to pass over, such as the important role that Galle?s father played in the production of his ceramics and the involvement of Emile's wife Henriette and their daughters after Galle's death in 1904. Almost 90% of glass signed Galle which comes on the market today dates from the period after his early death. Galle?s oeuvre of ceramics, glass and luxury furniture, which was often inspired by nature, is examined and explained by means of concise texts, informative descriptions and hundreds of photographs. Esveld also draws on her expertise to illuminate Galle?s often innovative techniques and production methods. With Art signed Galle, Tiny Esveld has added to the scope of the literature about Emile Galle from her own perspective. In its 300 pages, she transports the reader back to the era and the city in which Galle lived and worked. This is a coffee table book, a popular work of reference and a practical guide in one. A limited number (500 copies) of Art signed Galle are also available in a Dutch edition.
Kunst gesigneerd Galle, een praktische gids. Art signed Galle, a practical guide. Emile Galle
BE-, private edition, 2013 Hardcover, bound, 300 pages, 600 images. 29 cm x 22cm x 2 cm Tekst in Nederlands. PROMOTIE !! ISBN 9789081577632.
In kunst ondertekend Galle Tiny Esveld , in samenwerking met Clementine L. Diepen , heeft men een nieuw licht geworpen op de beroemde Franse designer Emile Galle ( 1846-1904 ) . Esveld werpt een aantal punten waar veel auteurs de voorkeur aan voorbij te gaan , zoals de belangrijke rol die Galle vader speelde in de productie van zijn keramiek en de betrokkenheid van Emile 's Vrouw Henriette en hun dochters na Galle S dood in 1904 . Bijna 90 % van het glas getekend Galle die komt op de markt vandaag dateert uit de periode na zijn vroege dood . Galle Oeuvre van keramiek , glas en luxe meubilair , die vaak werd geinspireerd door de natuur , wordt onderzocht en toegelicht aan de hand van bondige teksten , informatieve beschrijvingen en honderden foto's . Esveld maakt ook gebruik van haar expertise om verlichten Galle's vaak innovatieve technieken en productiemethoden . Met Art ondertekend Galle , heeft Tiny Esveld om de omvang van de literatuur over Emile Galle vanuit haar eigen perspectief toegevoegd . In haar 300 pagina's , transporteert ze de lezer terug naar het tijdperk en de stad waarin Galle woonde en werkte . Dit is een koffietafel boek , een populair naslagwerk en een praktische gids in een. nieuw boek !
Kunst gesigneerd Galle. Een praktische gids.
BE-, private edition, 2013 Hardcover, bound, 300 pages, 600 images. Nederlandstalige uitgave. ***** in promotie !!!!! ISBN 9789081577632.
Omvangrijk boek ! In Art signed Galle Tiny Esveld, in collaboration with Clementine L. Diepen, has cast new light on the renowned French designer Emile Galle (1846-1904). Esveld raises a number of points which many authors prefer to pass over, such as the important role that Galle?s father played in the production of his ceramics and the involvement of Emile?s wife Henriette and their daughters after Galle?s death in 1904. Almost 90% of glass signed Galle which comes on the market today dates from the period after his early death. Galle?s oeuvre of ceramics, glass and luxury furniture, which was often inspired by nature, is examined and explained by means of concise texts, informative descriptions and hundreds of photographs. Esveld also draws on her expertise to illuminate Galle?s often innovative techniques and production methods. With Art signed Galle, Tiny Esveld has added to the scope of the literature about Emile Galle from her own perspective. In its 300 pages, she transports the reader back to the era and the city in which Galle lived and worked. This is a coffee table book, a popular work of reference and a practical guide in one. A limited number (500 copies) of Art signed Galle are also available in a Dutch edition.
