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Moir Alfred (editor) - Exhibition Catalogue. Antwerp, Museum Plantin Moretus. September 28 1991. Anthony Van Dyck's Antwerp (1599-1641).
.: 2. 30 x 21 cm, 413 pp, b/w ill., bibliography, orig. wrapp. Text in Dutch, English and French, with special attention to the role of Van Dyck as an engraver and draughtsman.
Anthony Van Dyck. A life. 1599-1641.
.: Chicago, Ivan R. Dee, 2000, in-8°, 435 pp, publisher's half cloth, original dustwrapper, 62 b.w. ills h.t., bibliography,index. Mint copy.
DYCK, Anthony van ( originater ) - ARKSTEE & MERHUS ( text and publisher) - P. PONTIUS - L. VORSTERMAN - B. à BOLSWERT - P. de JODE - C.GALLE - G.HONDIUS a.o. ( engravers ) :55571
Reference : 56450
Iconographie ou vie des Hommes Illustres u XVII. Siècle. Tome Premier (- Tome Second).
".: Amsterdam & Leipzig, Arkstée & Merkus, 1759, 2 vols in folio (42,5 x 26,5 cm). [Vol. I] (8) nn pp + 106 pp + (2)nn pp + 55 fulle page plates (of which 5 folding) (complete) ; [Vol. II] (4) nn pp + 130 pp + (2)nn pp + 70 full page plates. (complete). Title pages printed in red & black, with engraved vignet. This is an uncut copy which has been disbound. It is kept in two uniform paper portfolio's in a purposely made modern matching box. Each plate is tipped on with a small outer margin to the nearby text leaf . The general condition is good allthough there are of course some stains ( unobtrusive) due to the old age; and some marginal clear old waterstains at some pages. In volume I the plates 81, 88 and 90 show these marginal waterstains (never in the image aerea). . In volume II the plates at pp. 7, 14, 28, 38, 44, 52, 86, 104, 120, show also these marginal waterstains. Only 1 plate is also touched in the image (120 - one of the 2 Paulus Pontius prints) As this is an uncut copy the irregular margins are dustsoiled. Overall this is a fine/good copy; and as it is unbound individual plates can be easily exhibited. Marie Mauquoy Hendrickx writes , in her study (L'iconographie d'Antoine Van Dyck. Catalogue raisonné, 2 vols 430 pp) that the portrait collection of Van Dyck originated in the year 1632. It then comprised only about 50 plates . Gilles Hendricx added many plates when he made the first re-edition . Another 20 editions would follow in the next 100 years; with a growing number of plates. This iconography , with a strong emphasis on painters and engravers of the Netherlands remains an impressive and highly valuable witness to the importance of Antwerp as centre of the graphical art in the 17th c.; north of the Alps This Amsterdam edition by Arkstee & Merkus would be the last edition of this magnificent collection. ''Une édition aussi sognée que possibel'' (Mauquoy pp. 46).."
Antoon van Dyck, zijn leven en zijne werken ter gelegenheid der 300e Verjaring zijner Geboorte.
.: 2. Gent, Vanderpoorten, 1899, in-8°, 52 pp, met twee uitslaanbare prenten, genaaid, orig. omslag.
Herinnering aan de Feesten en de Tentoonstelling zijner werken te Antwerpen , Augustus - Oktober 1899.
".: 2. Antwerp , Nederlandsche Boekhandel, 1899, in-8°, orig. wrapp. (back damaged) 104 pp with ca. 50 ill. Published to commemorate the celebration of Van Dyck's 300-th birthday with a description of; the pageant, the exhibition and a biography."
Antoon van Dyck. Zijn leven en zijne werken ter gelegenheid der 300e Verjaring zijner Geboorte 1599 - 1641.
.: 2. Gent, Drukkerij I. Vanderpoorten, 1899, in-8°, frontispiece portrait + 52 pp, sewn, original wrapper, (wrapper damaged with some loss of paper at corners, some pages a bit dustsoiled). Text in Dutch. Boekje in het Nederlands.
Stad Antwerpen- 300e Verjaring der Geboorte van Antoon Van Dijck - OFFICIËEL PROGRAMMA met uitleg van den stoet De Kunst door de Eeuwen heen uitgaande den 14n, 16n, 20n en 27n Augustus 1899.
.: 2. Antwerpen, 1899, Société Anversoise de Cartonnages & Bisautages, in-8°, 38 pp with tipped-in b/w ills., one of 50 numbered the luxe copies, printed on Dutch paper, with a printed real vellum wrappers, designed by Van Neste, (rather seriously wrinkled).
Exhibition catalogue, Antwerp, 12 August 1899. Exposition Van Dijck, à l'occasion du 300e anniversaire de la Naissance du Maitre.
.: 2. 28 x 18 cm, 79 pp, one of 200 copies on Dutch paper, printed by Buschmann, orig. wrappers (wrappers slightly soiled), with a list of the lenders, bilingual French, Dutch.(Freitag 2601).
Le Dessin dans l'Oeuvre de Van Dyck. BOUND WITH . Recherches sur le rôle du dessin dans l'Iconographie de Van Dyck.
".: Brussels, Royal Academy, 1934, in-4° modern buckram (nice), 248 pp with 48 ill. index ; 29 pp + 7 ill. h.t. Published as two dissertations by the Royal Academy. (On the art of drawing by Sir Anthony van Dyck, text in French)."
Vijftig meesterwerken van Antoon van Dijck : in photogravure afgebeeld naar de schilderijen tentoongesteld te Antwerpen in 1899
Antwerpen , De Nederlandsche Boekhandel, 1900 Gebonden in eigentijdse lederen band. met goudopdruk, 4 nerven, 34x27cm. 112 pagina's + afbeeldingen.
Levensschets en talrijke photogravures afgebeeld naar de schilderijen tentoongesteld te Antwerpen in 1899.
VAN DYCK Anthony - Dom Augustin CALMET ( preface ) - Cornelius GALLE - Conraet WAUMANS - Adriaen LOMMELIN - Petrus de Jode - W. HOLLAR - P. DE BAILLUE ( engravers ) :
Reference : 40048
Le Cabinet des plus beaux Portraits de plusieurs Princes & Princesses, Hommes Illustres, Fameux Peintres & autres faits par le fameux Antoine van Dyck, chevalier et peintre du roi qye l'auteur a fait graver à ses propres dépens... Cette Ouvrage peut aussi servir pour Supplement au Cabinet du Fameux van Dyck, imprimez à Anvers.
.: La Haye ( 's Gravenhage ) , Chez Alberts & vander Kloot , 1728, in-folio, 40 x 25,5 cm, (8) nn pp (title , Calmet's preface) + 50 full page portrait engravings after portraits made by A. van Dyck. Bound in contemporary full leather, raised gilt spine, red spickled edges, joints cracked, extremities of binding rubbed and worn, some slight dustsoiling at upper margin of some plates, one marginal tear in plate 2 , overall a fine interior. With the armorial bookplate of Samual George Smith. (See Mauquoy-Hendrickx , L'Iconographie D'Antoine Van Dyck, Catalogue raisonné, 2nd edition, vol. I pp. 44-45). Complete and extremely rare portrait album. Author Mauquoy states in her description that she could not find a complete copy. We can supply you with the list of the 50 portraits upon an e-mail request..
SCHELTE A BOLSWERT ( 1586 - 1659 ) - ( engraver ) - Nicolaus LAUWERS ( 1600 - 1652 ) - [ ] Engraving of ''drunken Silenus'' by Anthony van Dyck :
Reference : 53288
Original copper engraving of Van Dyck's painting '' Drunken Silenus''.
.: Antwerpen, s.d. ( first half of 17th c.), original copper engraving, 442 x 315 mm. The engraving is tipped on to a modern board. Some dustsoiling but finely preserved, with all margins (over 7 mm width). A nearly contemporary large interpretation engraving of a painting by Anthony van Dyck. Fine quality.
Anthony van Dyck as a printmaker. Published on the occasion of an exhibition in the Antwerp Plantin-Moretus Museum.
.: 2. Antwerpen, s.e., 1999, in-4°, 30 x 24,5 cm, 400 pp, coloured & b/w ills., sewn, orig. wrappers.
New York, Pierpont Morgan Library ( publisher ) - [ ] Anthony van DYCK :
Reference : 15967
Exhibition Catalogue. New York, Pierpont Morgan Library,1th January 1991. The Drawings of Anthony van Dyck (cat. by Christopher Brown).
.: New York, in-4°, orig. wrapp. 294 pp + col. & b/w ill.h.t.index, bibliography.
Anthony Van Dyck. A life. 1599-1641.
.: Chicago, Ivan R. Dee, (1999), in-8°, 435 pp, publisher's half cloth, dustwrapper, 62 b.w. ills h.t., bibliography, internet websites, index.
MARY Duchess of Richmond - Sir Anthony van Dyck (pinxit ) - W. Holler ( engraver) :
Reference : 34323
Portrait engraving of Mary Duchess of Richmond. (Elizabeth Villiers duchess of Lennox and Richmond).
".: 0. S.l.s.d., (mid 17th century), original engraving by Wenceslaus Hollar after a painting by Sir Anthony van Dyck, portrait of Mary duchess of Richmond, daughter of Buckingham , 254 x 185 mm, with engraved caption underneath, mounted on a large thick 19th century paper leaf . A signature in the plate , in the lower righthand corner, has been partially erased; rests only ''.....Antverpiae''. (see NPG item D9918)."
Elizabeth ( Cecil ) Countess of Devonshire - Sir Anthony van Dyck (pinxit ) - Pierre LOMBART ( engraver) :
Reference : 34324
Portrait engraving of Elizabeth Countess of Devonshire.
".: 0. S.l.s.d., (mid 17th century), original engraving by Pierre Lombart after a painting by Sir Anthony van Dyck, portrait of Elizabeth countess of Devonshire, wife of William Cavendishngham. 325 x 238 mm, with engraved caption underneath, mounted on a large thick 19th century paper leaf . The lower and upper margin of the engraving have been cropped; the lower end misses one line of text, the upper margin has been cut into the floral border.(see NPG item D10885)."
Anna Sophia ( Herbert ) Countess of Carnarvon - Sir Anthony van Dyck (pinxit ) - Pierre LOMBART ( engraver) :
Reference : 34325
Portrait engraving of Elizabeth Countess of Devonshire.
.: 0. S.l.s.d., (mid 17th century), original engraving by Pierre Lombart after a painting by Sir Anthony van Dyck, portrait of Anna Sophia countess of Carnarvon, wife of Robert Dormer. 315 x 235 mm, with engraved caption underneath, mounted on a large thick 19th century paper leaf . (see NPG item D10886).
BROWN C. - WHEELOCK A. - BARNES S. - J. HELD - [ ] Anthony van DYCK ::
Reference : 16178
Van Dyck Dessins - Van Dyck Peintures. (2 vols in a slipcase).
.: Antwerpen, Mercator (copyright Pierpont Morgan Library & National Gallery Washington), 1991, 2 vols in-4°, coloured & b/w ills., index, publisher's cloth withd.w. in slipcase. Text in French. Édition Française.
Cinquante Chefs-D'Oeuvres de Antoine van Dyck, reproductions en photogravure des tableaux exposés à Anvers en 1899, accompagnées d'un texte explicatif et historiques et d'une notice biographique de l'artiste, publiées sous le patronage de la commission de l'exposition.
.: 10. Anvers (Antwerpen), La Librairie Néerlandaise, printed by Buschmann, 1900, 32,5 x 25 cm, 112 pp + 50 photogravures h.t., printed on Van Gelder paper. Contemporary full brown morocco, raised back with gilt decoration, top edge gilt, seven gilt and blind fillets on both covers, marbled endpapers. Signed binding (Sauer) signed at lower end of spine. Beautiful book.
Le Dessin dans l'Oeuvre de Van Dyck.
.: 0. Bruxelles, Royal Academy, 1934, in-4° sewn, orig. wrapper,( spine and wrapper damaged with some loss of paper, no text loss). 248 pp with 48 ill. index. Published as a dissertation of the Académie Royale de Belgique. Freitag No. 2586.
Recherches sur le rôle du dessin dans l'iconographie de Van Dyck. (2 vols).
".: 2. Brussels, Royal Academy, 1932, in-4°, sewn, orig. wrappers, 98 pp + 36 b/w plates h.t., index. Published as a dissertation of the ; Académie Royale de Belgique. ADDED; -.-.-, Notes Complémentaires, academy, 1934, 30 pp + 7 plates."
Delacre M.. Recherches sur le rôle du dessin dans l'Iconographie de Van Dyck. -.- Idem. Notes complémentaires. Together 2 vols.
".: Brussels, Royal Academy, 1932 - 1934, 2 vols in-4° sewn, orig. wrappers, 98 pp with 36 ill. h.t. index; 31pp + 7 plates h.t. Published as two dissertations of the Académie Royale de Belgique. Good ex library copies with small stamp on title."
PLANTIN PRESS - [ ] BUSCHMANN Printing House - August BEERNAERT - Sir Anthony van DYCK :
Reference : 53763
Unique poster, printed on vellum in 1899, on the occasion of the festivities and an exhibition to commemorate the 300th birth anniversary of the Antwerp painter Antoon van Dijck.
.: Antwerpen, Plantin Press, October 1899, poster size 55 x 40 cm, printed in red and black with types and vignets of the Plantin-Moretus Museum. The document has a typographical border, printed in gilt, with floral motifs. The style of this border points to the Antwerp printer and publisher Buschmann. The poster (document) is printed as a gift of the organizing committee to August Beernaert to thank him for his support for the festivities. It bears the holograph signatures of Max Rooses (curator of the Plantin-Moretus Museum), Jan van Rijswijck (mayor of Antwerp) and Georges Caroly (art maecenas). August Beernaert (Oostende 1829 - Luzern 1912) was a Belgian catholic statesman . He was Belgium's prime minister from 1884 until 1894. He was awarded the Nobel peace prize in 1909. He was an ardent art collector. The Plantin-Moretus museum opened in 1877. The first curator Max Rooses made frequently use of the typographical material of the former printing house to publish e.g suites of 16th or 17th engravings. Some of the items were of an ephemerical nature such as this unique poster printed on vellum.
