François Maspero. 1981. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Papier jauni. 193 pages.. . . . Classification Dewey : 306-Anthropologie
"Collection "" Fondations "" - Traduit de l'anglais par Anne Guérin - Préface de Luc de Heusch. Classification Dewey : 306-Anthropologie"
Douglas Mary Guérin Anne De Heusch Luc
Reference : 100102360
(1981)
ISBN : 2707112518
F. Maspero 1981 in8. 1981. broché. 193 pages. Bon Etat intérieur propre
La Découverte Textes à l'appui Dos carré collé 2001 In-12 (19x12.5 cm), dos carré collé, couverture illustrée, 205 pages ; pliures au dos et aux plats défraîchis, coiffes et coins frottés, reste d'étiquette et étiquette au dos en queue, et au 4ème plat, tampon 'sortie d'inventaire BU-Université de Rennes 2' à la 1ère garde, assez bel état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Maspéro Maspéro, 1971. In-8 broché, couverture à rabats de 194 pages. Rares passages soulignés discrètement au crayon de papier sinon Bon état.
Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo.
Maspero François Maspero 1981, In-8 broché de 193 pages. Bon état
Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo.
Fontana Books. 1980. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 140 pages.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
Fontana Modern Masters, 4006. Classification Dewey : 420-Langue anglaise. Anglo-saxon
Maspero / bibliotheque d'anthropologie 1971 in8. 1971. Broché. 195 pages. Etat Correct exemplaire de travail annote
Sherfey (Mary Jane), sur - Catherine Kestemberg (traduction) - Marcel Heiman, Judith S. Kestenberg, Therese Benedek et Sylvan Keiser - Daniel S. Jaffe - Jules Glenn et Eugene H. Kaplan - Burness E. Moore - Marjorie C. Barnett - Douglas W. Orr
Reference : 86674
(1976)
Presses Universitaires de France - P.U.F. , Le Fil Rouge Malicorne sur Sarthe, 72, Pays de la Loire, France 1976 Book condition, Etat : Bon broché, sous couverture imprimée à rabats éditeur crème grand In-8 1 vol. - 259 pages
1ere édition française de 1976 "Contents, Chapitres : Avertissement - Marcel Heiman, Judith S. Kestenberg, Therese Benedek et Sylvan Keiser : Table ronde - Judith S. Kestenberg : Le dehors et le dedans, le masculin et le féminin - Daniel S. Jaffe : L'envie masculine pour la fonction procréatrice de la femme - Jules Glenn et Eugene H. Kaplan : Différents types d'orgasmes chez les femmes, réexamen et redéfinitions critiques - Marcel Heinan : Sexualité féminine, introduction - Burness E. Moore : Réflexions psychanalytiques sur les implications des récentes études physiologiques de l'orgasme de la femme - Marjorie C. Barnett : Nouvelles considérations sur les conséquences psychiques des différences anatomiques et physiologiques entre les sexes - Douglas W. Orr : Notes anthropologiques et historiques sur le rôle sexuel de la femme - Mary Jane Sherfey (19181983) was an American psychiatrist and writer on female sexuality, she received her medical degree from Indiana University, where she attended lectures on marriage and sexuality given by Alfred Kinsey. Sherfey had a private practice in New York City and was on the staff of the Payne Whitney Clinic of the New York Hospital Cornell Medical Center. In 1961, Sherfey's interest in female biology was intensified when she came upon the inductor theory, which demonstrated that the human embryo is female until hormonally induced to become male. Determined to popularize a fact that had lain in neglect since its discovery in the 1950s, Sherfey began researching the subject and familiarizing herself with a variety of disciplines, including embryology, anatomy, primatology and anthropology. Many of her findings appear in The Nature and Evolution of Female Sexuality, which initially took form as an article contesting the existence of vaginal orgasm, published in the Journal of the American Psychoanalytic Association in 1966. In her earlier works, Sherfey noted that ""the strength of the sex drive determines the force required to suppress it."" In The Nature and Evolution of Female Sexuality, she introduced the concept that ""female sexuality was an insatiable drive that had been repressed for the sake of maintaining a civilized agrarian society"" and helped to explain why knowledge of the clitoris had been ignored or forbidden for over three hundred years. (Wikipedia)" légère trainée discrète dans la longueur et quelques rousseurs sur le plat supérieur de la couverture, sinon bon exemplaire, intérieur frais et propre
KELLY (Mary)]. IVERSEN (Margaret), CRIMP (Douglas), BHABHA (Homi K.).
Reference : 104851
(1997)
London Phaidon 1997 1 vol. broché in-4 carré, broché, couverture en couleurs, 159 pp., nombreuses reproductions en noir et en couleurs. Edition anglais. Bonne condition.
[Helen Frankenthaler] - Dreishpoon, Douglas, Nadine Engel, Mary Gabriel, Peter Gorschlüter et al.
Reference : 122762
(2022)
ISBN : 9783753301310
Dreishpoon, Douglas, Nadine Engel, Mary Gabriel, Peter Gorschlüter et al.: Helen Frankenthaler : Painterly Constellations. Exhibition: Düsseldorf, Folkwang Museum and Vienna, Krems Art Gallery, 2022. 192 pages, 93 illustrations. Hardback. 26.5x29.5cms. An exploration of Helen Frankenthaler's oeuvre with an emphasis on her works on paper. A catalogue considers each decade of Frankenthaler's career and traces her development, from an initial interest in Cubism and Abstract Expressionism to her gestural brushstrokes and soak-staining, the pouring of colour directly onto the canvas, her horizontal landscapes, her artistic process and her creation of abstract climates. Four essays discuss themes of fluidity, Frankenthaler's early career, the role of drawing in her process and her relationship with the Galerie Ulysses. An appendix features an exhibition checklist and lists of selected catalogues, brochures and shows. Text in English and German.
An exploration of Helen Frankenthalers oeuvre with an emphasis on her works on paper. A catalogue considers each decade of Frankenthalers career and traces her development, from an initial interest in Cubism and Abstract Expressionism to her gestural brushstrokes and soak-staining, the pouring of colour directly onto the canvas, her horizontal landscapes, her artistic process and her creation of abstract climates. Four essays discuss themes of fluidity, Frankenthalers early career, the role of drawing in her process and her relationship with the Galerie Ulysses. An appendix features an exhibition checklist and lists of selected catalogues, brochures and shows. Text in English and German