Boston, Institute of Contemporary Art and Hatje Cantz,, 2001 Hardcover 112 pages, IN FINE CONDITION!!!!. ISBN 9783775710152.
The Dutch artist Rineke Dijkstra has taken the formal qualities of the studio portrait from the early part of this century and used this convention of the full length, frontal and centrally composed portrait to photograph individuals. Each photographic portrait has a precise date and location suggesting a conscious evocation of the work of the early twentieth century German photographer August Sander and his project to document Citizens of the Twentieth Century. The photographs stand by themselves and bear no reference to personal circumstances or to specific geographical details of the location. The interpretation of the image lies largely in the psychological interaction between the sitter and the photographer. This book will survey Dijkstra's recent photographic and video work.
2001 Ostfildern, Hatje Cantz Verlag/The Institute of Contemporary Art, Boston, 2001, 235x175mm, 112 pages, 36 color plates. Illustrated paper over boards. - First edition. In publisher’s shrink-wrap. Published on the occasion of the 2001 exhibition Rineke Dijkstra: Portraits, curated by Jessica Morgan, at The Institute of Contemporary Art, Boston. (103675)
Phone number : +33 1 48 01 02 37
München, Schirmer Mosel. 2004. 26 x 33,5 cm. 160 S. Mit 69 Farbtafeln. Originalleinwand mit Schutzumschlag
Erste Ausgabe. - Mit Texten von Hripsime Visser und Urs Stahel in Deutsch und Englisch. Erschien zur Ausstellung im Jeu de Paume in Paris, Fotomuseum Winterthur, Fundacio la Caixa d'Estalvis, Barcelona und dem Stedelijk Museum Amsterdam. - Schutzumschlag ganz leicht angerändert.
1997 (EXHIBITION CATALOGUE)Gent, Snoeck-Ducaju & Zoon, 1997, 288x250mm, 128 pages, numerous color and b/w plates. Black printed cloth. Illustrated wrappers. Text in Dutch and English.First edition. A catalog of the exhibition held in the Dutch Photography Institute (NFI) in 1977. Other works exhibited by Wendy Ewald, Deirdre McCloskey, Paul Seawright, Gosewijn van Beek and Anil Ramdas. (103674)
Phone number : +33 1 48 01 02 37
Anton Corbijn, Stephan Vanfleteren, Vivianne Sassen, Rineke Dijkstra
Reference : 58517
, Hannibal Books 2022, 2022 Hardcover, 112 pages, NL / ENG , 360 x 305 mm, Nieuw, met illustraties / images in kleur / colour, ISBN 9789464366266.
Naar aanleiding van de 200ste verjaardag van het Mauritshuis Den Haag vroeg het museum aan zestien Nederlandse topfotografen om te reflecteren op hun wereldcollectie en gebouw. Geen remake van een bestaand schilderij, maar conceptueel nieuw werk: waar voelt de fotograaf een link met wat hij ziet, hoe interpreteert hij die 17de-eeuwse kunst, de maatschappelijke en inhoudelijke lading in het werk, hoe resoneert dat en wat doet dat weer met ons brein? De schilderijen van Remrandt, Vermeer, Van der Weyden e.a. zijn honderden jaren op talloze plekken door duizenden ogen bekeken. Hoe kijken de werken terug naar ons? Wat zagen we eerder niet en wat zien wij niet maar de fotografen wel? Kunnen we kunst écht tot ons door kunnen laten dringen en zo ja, hoe? Met werk van onder meer Rineke Dijkstra, Desirée Dolron, Dustin Thierry, Erwin Olaf, Stephan Vanfleteren, Anton Corbijn en Viviane Sassen.------What happens when new masters pick up where old masters left off? On the occasion of the bicentenary of the Mauritshuis in The Hague, the museum asked contemporary photographers to reflect on the permanent collection. Which masters capture their imagination? How do they interpret 17th-century art? The result: 16 new works by 16 contemporary photographs, including Erwin Olaf, Rineke Dijkstra, Anton Corbijn and Stephan Vanfleteren, one for each room in the Mauritshuis. The new works will be displayed alongside the 17th-century works that inspired them and will be put equally next to each other in this luxury book. The photographers were entirely free to select what they wanted to work with. For some it was a painting, for another a detail from a painting, or even an entire room in the museum. Expect to see original and surprising reflections on 17th-century art: counterparts, commentaries, alternatives. None of the photographs is a remake of the original painting. One thing is certain: you will never look at Rembrandt, Vermeer or Steen in the same way. Catalogue of the exhibition of the same name at the Mauritshuis in The Hague from 1 June to 16 October 2022.