264 books for « derrida jacques »Edit

‎De la grammatologie. - [THE MAIN WORK OF DECONSTRUCTION - MAGNIFICENT PRESENTATION-COPY]‎

‎(Paris), Minuet, 1967. 8vo. Original wrappers. An excellent, very nice, clean, and fresh copy, with only faint tanning to wrappers. Spine a bit browned. Internally near mint. 445, (3) pp.‎

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‎First edition (20 Septembre, 1967, numéro 630) - SIGNED PRESENTATION-COPY FOR ANDRÈ GREEN AND WIFE - of Derrida's seminal main work, the foundational text for deconstructive criticism.1967 marks a turning point in the history of modern philosophy, constituting the birth of ""Deconstruction"". In this one year, Derrida publishes all of his three break-through books, ""De la grammatologie"", ""L'écriture et la difference"" and ""La Voix et le phenomene"", profoundly altering the course of modern thought. Although all three books are responsible for the introduction of Deconstruction, it is primarily ""De la Grammatologie"", Derrida's magnum opus, that has come to be associated with this groundbreaking concept.This magnificent presentation-copy of Derrida's main work unites two of the greatest intellectual thinkers of the 20th century, both having profoundly altered the face of psychoanalysis and intellectual history in general. As Derrida is considered one of the greatest philosophers of the 20th century, so André Green (1927 - 2012) is considered one of the most important psychoanalytic thinkers of our times, creating what is now known as the Greenian theory of psychoanalysis.""Jacques Derrida's revolutionary theories about deconstruction, phenomenology, psychoanalysis, and structuralism, first voiced in the 1960's, forever changed the face of European and American criticism. The ideas in ""De la grammatologie"" sparked lively debates in intellectual circles that included students of literature, philosophy, and the humanities, inspiring these students to ask questions of their disciplines that had previously been considered improper. Thirty years later, the immense influence of Derrida's work is still igniting controversy..."" (Review, Spivak's translation of Derrida's ""Of Grammatology"", 1997).Derrida's concern is to bring to light the binary schema that is hidden in all kinds of texts and ideas of culture. In the present text Derrida brilliantly reveals some of the principles of deconstruction, not through theoretical explication, but, rather, by demonstration, showing that the arguments promulgated by their subject-matter exceed and contradict the oppositional parameters in which they are situated. Put into other words, deconstruction seeks to expose, and then to subvert, the various binary oppositions that undergird our dominant ways of thinking.The ideas that Derrida here present have had an enormous impact on a number of the human sciences, including psychology, literary theory, cultural studies, linguistics, feminism, sociology and anthropology. Due to this work, a whole new world of problematic suppression and marginalisation has become apparent, making ""De la grammatologie"" one of the most important philosophical works of the later part of the 20th century. ""One of the major works in the development of contemporary criticism and philosophy"". (J. Hillis Miller, Yale University).‎

‎De la grammatologie. - [THE MAIN WORK OF DECONSTRUCTION - PRESENTATION-COPY]‎

‎(Paris), Minuet, 1967. 8vo. Original wrappers. A bit of tanning and soiling to wrappers and usual wear to spine. Internally fine and clean, with pencil notes and underlinings by Gardair. 445, (3) pp.‎

‎First edition (20 Septembre, 1967, numéro 630) - SIGNED PRESENTATION-COPY FOR JEAN-MICHEL GARDAIR - of Derrida's seminal main work, the foundational text for deconstructive criticism.1967 marks a turning point in the history of modern philosophy, constituting the birth of ""Deconstruction"". In this one year, Derrida publishes all of his three break-through books, ""De la grammatologie"", ""L'écriture et la difference"" and ""La Voix et le phenomene"", profoundly altering the course of modern thought. Although all three books are responsible for the introduction of Deconstruction, it is primarily ""De la Grammatologie"", Derrida's magnum opus, that has come to be associated with this groundbreaking concept.Jean-Michel Gardair (1942-2013) was a highly esteemed professor at the Sorbonne and a famous author and translator from Italian into French, who also wrote the prefaces for many of the great classics that appeared at Minuet (where Derrida also published his main works). He is responsible for enriching French Italianism with an original presence, both through his own novels and his critical works, through his numerous translations, and through his highly esteemed prefaces. ""Jacques Derrida's revolutionary theories about deconstruction, phenomenology, psychoanalysis, and structuralism, first voiced in the 1960's, forever changed the face of European and American criticism. The ideas in ""De la grammatologie"" sparked lively debates in intellectual circles that included students of literature, philosophy, and the humanities, inspiring these students to ask questions of their disciplines that had previously been considered improper. Thirty years later, the immense influence of Derrida's work is still igniting controversy..."" (Review, Spivak's translation of Derrida's ""Of Grammatology"", 1997).Derrida's concern is to bring to light the binary schema that is hidden in all kinds of texts and ideas of culture. In the present text Derrida brilliantly reveals some of the principles of deconstruction, not through theoretical explication, but, rather, by demonstration, showing that the arguments promulgated by their subject-matter exceed and contradict the oppositional parameters in which they are situated. Put into other words, deconstruction seeks to expose, and then to subvert, the various binary oppositions that undergird our dominant ways of thinking.The ideas that Derrida here present have had an enormous impact on a number of the human sciences, including psychology, literary theory, cultural studies, linguistics, feminism, sociology and anthropology. Due to this work, a whole new world of problematic suppression and marginalisation has become apparent, making ""De la grammatologie"" one of the most important philosophical works of the later part of the 20th century. ""One of the major works in the development of contemporary criticism and philosophy"". (J. Hillis Miller, Yale University). ‎

‎De la grammatologie. - [THE MAIN WORK OF DECONSTRUCTION]‎

‎(Paris), Minuet, 1967. 8vo. Original wrappers. An excellent, very nice, clean, and fresh copy, just a tiny bit weak at the inner hinges. Old owner's name to front free end-paper (Carl Lemke 13.3.69). 445, (3) pp.‎

‎First edition (20 Septembre, 1967, numéro 630) of Derrida's seminal main work, the foundational text for deconstructive criticism.1967 marks a turning point in the history of modern philosophy, constituting the birth of ""Deconstruction"". In this one year, Derrida publishes all of his three break-through books, ""De la grammatologie"", ""L'écriture et la difference"" and ""La Voix et le phenomene"", profoundly altering the course of modern thought. Although all three books are responsible for the introduction of Deconstruction, it is primarily ""De la Grammatologie"", Derrida's magnum opus, that has come to be associated with this groundbreaking concept.""Jacques Derrida's revolutionary theories about deconstruction, phenomenology, psychoanalysis, and structuralism, first voiced in the 1960's, forever changed the face of European and American criticism. The ideas in ""De la grammatologie"" sparked lively debates in intellectual circles that included students of literature, philosophy, and the humanities, inspiring these students to ask questions of their disciplines that had previously been considered improper. Thirty years later, the immense influence of Derrida's work is still igniting controversy..."" (Review, Spivak's translation of Derrida's ""Of Grammatology"", 1997).Derrida's concern is to bring to light the binary schema that is hidden in all kinds of texts and ideas of culture. In the present text Derrida brilliantly reveals some of the principles of deconstruction, not through theoretical explication, but, rather, by demonstration, showing that the arguments promulgated by their subject-matter exceed and contradict the oppositional parameters in which they are situated. Put into other words, deconstruction seeks to expose, and then to subvert, the various binary oppositions that undergird our dominant ways of thinking.The ideas that Derrida here present have had an enormous impact on a number of the human sciences, including psychology, literary theory, cultural studies, linguistics, feminism, sociology and anthropology. Due to this work, a whole new world of problematic suppression and marginalisation has become apparent, making ""De la grammatologie"" one of the most important philosophical works of the later part of the 20th century. ""One of the major works in the development of contemporary criticism and philosophy"". (J. Hillis Miller, Yale University).‎

‎De la grammatologie. - [THE MAIN WORK OF DECONSTRUCTION]‎

‎(Paris), Minuet, 1967. 8vo. Original wrappers. A bit of light wear to extremities, a few spots to back wrapper, and upper corner slightly bent, otherwise a nice and clean copy. 445, (3) pp.‎

‎First edition (20 Septembre, 1967, numéro 630) of Derrida's seminal main work, the foundational text for deconstructive criticism.1967 marks a turning point in the history of modern philosophy, constituting the birth of ""Deconstruction"". In this one year, Derrida publishes all of his three break-through books, ""De la grammatologie"", ""L'écriture et la difference"" and ""La Voix et le phenomene"", profoundly altering the course of modern thought. Although all three books are responsible for the introduction of Deconstruction, it is primarily ""De la Grammatologie"", Derrida's magnum opus, that has come to be associated with this groundbreaking concept.""Jacques Derrida's revolutionary theories about deconstruction, phenomenology, psychoanalysis, and structuralism, first voiced in the 1960's, forever changed the face of European and American criticism. The ideas in ""De la grammatologie"" sparked lively debates in intellectual circles that included students of literature, philosophy, and the humanities, inspiring these students to ask questions of their disciplines that had previously been considered improper. Thirty years later, the immense influence of Derrida's work is still igniting controversy..."" (Review, Spivak's translation of Derrida's ""Of Grammatology"", 1997).Derrida's concern is to bring to light the binary schema that is hidden in all kinds of texts and ideas of culture. In the present text Derrida brilliantly reveals some of the principles of deconstruction, not through theoretical explication, but, rather, by demonstration, showing that the arguments promulgated by their subject-matter exceed and contradict the oppositional parameters in which they are situated. Put into other words, deconstruction seeks to expose, and then to subvert, the various binary oppositions that undergird our dominant ways of thinking.The ideas that Derrida here present have had an enormous impact on a number of the human sciences, including psychology, literary theory, cultural studies, linguistics, feminism, sociology and anthropology. Due to this work, a whole new world of problematic suppression and marginalisation has become apparent, making ""De la grammatologie"" one of the most important philosophical works of the later part of the 20th century. ""One of the major works in the development of contemporary criticism and philosophy"". (J. Hillis Miller, Yale University). ‎

‎De la grammatologie. - [THE MAIN WORK OF DECONSTRUCTION]‎

‎(Paris), Minuet, 1967. 8vo. Original wrappers. A very nice and clean copy with a slightly soiled spine. A bump to fore-edge. 445, (3) pp.‎

‎First edition (20 Septembre, 1967, numéro 630) of Derrida's seminal main work, the foundational text for deconstructive criticism.1967 marks a turning point in the history of modern philosophy, constituting the birth of ""Deconstruction"". In this one year, Derrida publishes all of his three break-through books, ""De la grammatologie"", ""L'écriture et la difference"" and ""La Voix et le phenomene"", profoundly altering the course of modern thought. Although all three books are responsible for the introduction of Deconstruction, it is primarily ""De la Grammatologie"", Derrida's magnum opus, that has come to be associated with this groundbreaking concept.""Jacques Derrida's revolutionary theories about deconstruction, phenomenology, psychoanalysis, and structuralism, first voiced in the 1960's, forever changed the face of European and American criticism. The ideas in ""De la grammatologie"" sparked lively debates in intellectual circles that included students of literature, philosophy, and the humanities, inspiring these students to ask questions of their disciplines that had previously been considered improper. Thirty years later, the immense influence of Derrida's work is still igniting controversy..."" (Review, Spivak's translation of Derrida's ""Of Grammatology"", 1997).Derrida's concern is to bring to light the binary schema that is hidden in all kinds of texts and ideas of culture. In the present text Derrida brilliantly reveals some of the principles of deconstruction, not through theoretical explication, but, rather, by demonstration, showing that the arguments promulgated by their subject-matter exceed and contradict the oppositional parameters in which they are situated. Put into other words, deconstruction seeks to expose, and then to subvert, the various binary oppositions that undergird our dominant ways of thinking.The ideas that Derrida here present have had an enormous impact on a number of the human sciences, including psychology, literary theory, cultural studies, linguistics, feminism, sociology and anthropology. Due to this work, a whole new world of problematic suppression and marginalisation has become apparent, making ""De la grammatologie"" one of the most important philosophical works of the later part of the 20th century. ""One of the major works in the development of contemporary criticism and philosophy"". (J. Hillis Miller, Yale University). ‎

‎Mémoires d'aveugle. L'Autoportrait et autres ruines.‎

‎Paris Réunion des Musées Nationaux 1990 In-4 Broché, couverture illustrée à larges rabats Dédicacé par l'auteur‎

‎Catalogue édité à l'occasion de l'exposition présentée au Musée du Louvre d'octobre 1990 à janvier 1991. Texte de Jacques Derrida. 71 planches dont 22 en couleurs, l'une reprise en couverture, oeuvres de Coypel, Trouvain, Ribot, La Fage, Zuccaro, Lucas de Leyde, David, Primatice, Rubens, Bianchi, Ligozzi, Rembrandt, Baudelaire, Suvée, RegnaultFantin-Latour, Van Rysselbeghe, Bruegel, Rops, Redon, Gavarni, Chardin, Courbet, Calandrucci, Carrache, Clovio, .... Index et bibliographie in fine. 142 pp. >>> ENVOI AUTOGRAPHE signé et daté de DERRIDA Très bon 0‎

‎Placard Derrida. 1976.‎

‎ Lithographie originale74 x 100cm. Editions Maeght. Impression Arte (imprimerie Maeght). Numérotée XXV/XL. Signée et numérotée par l’artiste et le philosophe. Au dos de la lithographie, annotation de la main de Francis Ponge, non signée : «Exemplaire XXV/XL d’une «affiche» (?) commune d’Adami et Derrida signé (sic) par eux et par eux donné à moi». Cette lithographie originale fait partie d'une collection créée par Adrien Maeght qui propose à un écrivain et à un artiste de travailler ensemble, non pas sur un livre, mais sur une image à placarder. Légère pliure superficielle sans gravité. Bon état. Expédition sous tube cartonné avec suivi. ‎

‎Dans les années 1970, Valerio Adami travaille autour de penseurs, notamment avec Jacques Derrida. En 1976, le peintre italien et le philosophe collabore ici autour du thème de la mort. Le dessin d’Adami s’inspire du premier vers publié du philosophe (cité dans Glas), quand à 17 ans, il évoque sa mort. Le dessin d’Adami montre un poisson dans le dernier instant de son agonie accroché à une ligne. A gauche, de la main du peintre : «L’angle est toujours pour moi un bord de tombe. Et j’entends ce mot «angle», son GL». GL est la syllabe préférée de Derrida. On la trouve retranscrite au bas de la planche dans ce vers de jeunesse écrit en 1947 : «Glu de l’étang lait de ma mort noyée». Et Derrida de répondre à droite de la gravure : «Au fond de ma gorge, comme ce qui est à la fois me coupe et me souffle tout le reste». «Adami a représenté Derrida comme un poisson sur le point de rendre l'âme, noyé dans l'air, équivalent symbolique de Derrida qui se voyait déjà noyé, dans la glu de l'étang, dans le lait des mots, avant même d'avoir pris le bateau pour poursuivre ses études à Paris.» (cf. Pierre Delain, auteur du site internet Idixa). ‎

‎De la grammatologie.‎

‎(Paris), Les éditions de Minuit, (1967 - verso of t-p., recte 1970). 8vo. Orig. printed wrappers. Some underlinings in first part of the book, otherwise fine. 447 pp.‎

‎This copy is printed in 1970, but is an exact reprint of the first edition of 1967.Among Jacques Derrida's (1930-2004) three break-though books, 'De la grammatologie', 'L'écriture et la différence' and 'La Voix et le phénomène', all published in 1967, it is primarily the first that has become associated with the famous concept of 'deconstruction', which can be seen as Derrida's attempt to translate and bring further the idea of the 'Destruktion der Geschichte der Ontologie' set forth by Martin Heidegger. This connection suggests that Derrida seeks to continue the major project of Heidegger, but in a certain and specific sense. For Derrida's strategy is much more concerned with bringing forth the hidden binary schema in all kinds of text and ideas of a culture and not only in the philosophical ones. Therefore, in the present text Derrida presents some of the principles of deconstruction, not through theoretical explication, but, rather, by demonstration, where Derrida shows that the arguments promulgated by their subject-matter exceed and contradict the oppositional parameters in which they are situated. Or put in other words, deconstruction seeks to expose, and then to subvert, the various binary oppositions that undergird our dominant ways of thinking.The here presented ideas has had an enormous impact on a number of the human sciences, including psychology, literary theory, cultural studies, linguistics, feminism, sociology and anthropology, and due to the thinking of Derrida a whole new world of problematic suppression and marginalisation has become apparent. This makes 'De la grammatologie' one of the must important philosophical works of the later part of the 20th century. ‎

‎Limited Inc‎

‎Galilée, Paris 1990, 15x24cm, broché.‎

‎Edition originale de la traduction française dont il n'a pas été tiré de grands papiers. Envoi autographe signé de Jacques Derrida à Jos (Joliet) enrichi d'une précision manuscrite, sur feuille volante, de Jacques Derrida à propos d'un passage de ce texte. Joseph Joliet, ancien étudiant de Derrida devint un très proche ami du philosophe. Très attentif à l'écriture de Joliet, Derrida rédigera la préface de son roman: "L'enfant au chien assis" et le soutiendra dans ses périodes difficiles (cf. Derrida de Benoit Peeters). Dos très légèrement insolé, agréable exemplaire. - Photos sur www.Edition-originale.com - ‎

‎D'un ton apocalyptique adopté naguère en philosophie‎

‎Galilée, Paris 1983, 12x18,5cm, broché.‎

‎Seconde version de cette conférence dont il n'a pas été tiré de grands papiers. Envoi autographe signé de Jacques Derrida à Joseph Joliet, ancien étudiant de Derrida qui devint un très proche ami du philosophe. Très attentif à l'écriture de Joseph Joliet, Jacques Derrida rédigera la préface de son roman: "L'enfant au chien assis" et le soutiendra dans ses périodes difficiles (cf. Derrida de Benoit Peeters). Agréable exemplaire. - Photos sur www.Edition-originale.com - ‎

‎Appels de jacques Derrida - Précédé d'un texte de Jacques Derrida, "Justices", ‎

‎Hermann, Rue de la Sorbonne, 2014, 657 pp., broché, très bon état.‎

‎Les Fins de l'homme à partir du travail de Jacques Derrida. Colloque de Cerisy 23 juillet-2 août 1980.‎

‎ Paris, Editions Galilée, 1981. Fort in-8, broché couverture beige illustrée en couleurs et à rabat, 695 pp plus table. ‎

‎Textes de Philippe Lacoue-Labarthe, Jean-Luc Nancy, Jacques Derrida, Sarah Kofman, Louis Marin, J.-C. Lebensztejn, Jean-François Lyotard, etc. Bon exemplaire. Photos sur demande.‎

‎L'animal autobiographique. Autour de Jacques Derrida.‎

‎ Ed. Galilée, 1999. Fort volume in-8 br. de 576 p. Coll. " La philosophie en effet ". Actes du colloque tenu à Cerisy-la-Salle du 11 au 21 juillet 1997 sous la direction de Marie-Louise Mallet. Nombreuses contributions. E.O. Envoi autographe de Jacques Derrida.‎

‎Parages‎

‎Galilée, Paris 1986, 15x24cm, broché.‎

‎Edition originale dont il n'a pas été tiré de grands papiers. Envoi autographe signé de Jacques Derrida à Joseph Joliet, ancien étudiant de Derrida qui devint un très proche ami du philosophe. Très attentif à l'écriture de Joliet, Derrida rédigera la préface de son roman: "L'enfant au chien assis" et le soutiendra dans ses périodes difficiles (cf. Derrida de Benoit Peeters). Dos très légèrement insolé, agréable exemplaire. - Photos sur www.Edition-originale.com - ‎

‎Marges de la philosophie‎

‎Les Editions de Minuit, Paris 1979, 13,5x22cm, broché.‎

‎Nouvelle édition dont il n'a pas été tiré de grands papiers. Envoi autographe signé de Jacques Derrida à Joseph Joliet, ancien étudiant de Derrida qui devint un très proche ami du philosophe. Très attentif à l'écriture de Joliet, Derrida rédigera la préface de son roman: "L'enfant au chien assis" et le soutiendra dans ses périodes difficiles (cf. Derrida de Benoit Peeters). Agréable exemplaire. - Photos sur www.Edition-originale.com - ‎

‎Points de suspension‎

‎Galilée, Paris 1992, 15x24cm, broché.‎

‎Edition originale dont il n'a pas été tiré de grands papiers. Envoi autographe signé de Jacques Derrida à Joseph Joliet, ancien étudiant de Derrida qui devint un très proche ami du philosophe. Très attentif à l'écriture de Joliet, Derrida rédigera la préface de son roman: "L'enfant au chien assis" et le soutiendra dans ses périodes difficiles (cf. Derrida de Benoit Peeters). Dos très légèrement insolé, agréable exemplaire. - Photos sur www.Edition-originale.com - ‎

‎L'autre cap‎

‎Les Editions de Minuit, Paris 1991, 14x18,5cm, broché.‎

‎Edition originale dont il n'a pas été tiré de grands papiers. Envoi autographe signé de Jacques Derrida à Joseph Joliet, ancien étudiant de Derrida qui devint un très proche ami du philosophe. Très attentif à l'écriture de Joliet, Derrida rédigera la préface de son roman: L'Enfant au chien assis et le soutiendra dans ses périodes difficiles (cf. Derrida de Benoit Peeters). Agréable exemplaire. - Photos sur www.Edition-originale.com - ‎

‎Positions‎

‎Les Editions de Minuit, Paris 1972, 13,5x18,5cm, broché.‎

‎Edition originale dont il n'a pas été tiré de grands papiers. Envoi autographe signé de Jacques Derrida à Joseph Joliet, ancien étudiant de Derrida qui devint un très proche ami du philosophe. Très attentif à l'écriture de Joliet, Derrida rédigera la préface de son roman: "L'enfant au chien assis" et le soutiendra dans ses périodes difficiles (cf. Derrida de Benoit Peeters). Dos insolé, trois petites taches sur les plats, agréable état intérieur. - Photos sur www.Edition-originale.com - ‎

‎Signéponge‎

‎Seuil, Paris 1988, 14x20,5cm, broché.‎

‎Edition originale de la traduction française. Envoi autographe signé de Jacques Derrida "à Jos (Joliet) co-signataire de ce Signéponge...".Joseph Joliet, ancien étudiant de Derrida devint un très proche ami du philosophe. Très attentif à l'écriture de Joliet, Derrida rédigera la préface de son roman: "L'enfant au chien assis" et le soutiendra dans ses périodes difficiles (cf. Derrida de Benoit Peeters). Agréable exemplaire. - Photos sur www.Edition-originale.com - ‎

‎Ulysse gramophone, deux mots pour Joyce‎

‎Galilée, Paris 1987, 14x19cm, broché.‎

‎Edition originale dont il n'a pas été tiré de grands papiers. Envoi autographe signé de Jacques Derrida à Joseph Joliet, ancien étudiant de Derrida qui devint un très proche ami du philosophe. Très attentif à l'écriture de Joliet, Derrida rédigera la préface de son roman: ""L'enfant au chien assis"" et le soutiendra dans ses périodes difficiles (cf. Derrida de Benoit Peeters). Dos très légèrement insolé sans gravité, bel exemplaire. - Photos sur www.Edition-originale.com - ‎

‎La carte postale de Socrate à Freud et au-delà‎

‎Aubier & Flammarion, Paris 1980, 14x22cm, broché.‎

‎Edition originale sur papier courant. Envoi autographe signé de Jacques Derrida à un couple de proches amis Jos et Christine (Joliet).Joseph Joliet, ancien étudiant de Derrida devint un très proche ami du philosophe. Très attentif à l'écriture de Joliet, Derrida rédigera la préface de son roman: L'enfant au chien assis et le soutiendra dans ses périodes difficiles (cf. Derrida a Biography, par Benoit Peeters). Dos légèrement ridé sans gravité, une trace de pliure marginale en pied du premier plat, exemplaire complet de sa bande annonce qui comporte de petites déchirures. - Photos sur www.Edition-originale.com - ‎

‎Mémoires pour Paul de Man. (ENVOI A MAURICE NADEAU)‎

‎ In-8, broché, couverture rempliée, 231, (1) p., (1) f. blanc, (6) p. Paris, Galilée, 1988.‎

‎Edition originale de cet hommage et défense, par Jacques Derrida, de son "ami" Paul de Man.Cet ouvrage a fait couler beaucoup d'encre compte tenu en particulier du passé collaborationniste de Paul de Man. Il offre à Jacques Derrida l'occasion d'approfondir la problématique du deuil et de la mort, mais aussi de reformuler une définition de la déconstruction qui fit date.Bel envoi de l'auteur à Maurice Nadeau "Pour Maurice Nadeau (la chose annoncée dans la lettre que vous avez bien voulu publier au printemps) en signe de fidèle amitié, J. Derrida)".Exemplaire à l'état de neuf. ‎

‎De la grammatologie‎

‎Paris Les éditions de minuit 1967 In-8°, pp.445, brossura editoriale. Collection Critique. Stampato il 30 settembre 1967 n. 842. Importante e fondamentale testo filosofico qui nella seconda tiratura della prima edizione uscita il 20 settembre dello stesso anno. De la grammatologie è ritenuta l'opera più importante e rivoluzionaria di Jacques Derrida. Il libro è diviso in due parti: la prima parte, più teoretica, intitolata 'L'écriture avant la lettre', la seconda 'Nature, culture, criture', dove si procede alla decostruzione di un testo di Rousseau' l'Essai sur l'origine des langues'. La preoccupazione di Derrida è quella di portare alla luce lo schema binario che è nascosto in tutti i tipi di testi e idee di cultura. Nel presente testo Derrida rivela brillantemente alcuni dei principi della decostruzione, non attraverso la spiegazione teorica, ma piuttosto attraverso la dimostrazione, mostrando che gli argomenti promulgati dal loro oggetto superano e contraddicono i parametri oppositivi in cui si situano. La sua teoria sulla decostruzione ha influenzato e cambiato il volto della critica europea e americana. Per questo De la grammatologie è da considerarsi "Una delle opere più importanti nello sviluppo della critica e della filosofia contemporanee". (J. Hillis Miller, Universit di Yale).‎

‎L'écriture et la différence‎

‎Paris Aux éditions du Seuil 1967 In-8°, pp. 436, brossura editoriale. Collection 'Tel Quel' Prima edizione stampata nel 2 tr. 1967 n. 1997-3. Buone condizioni Il libro contiene una postfazione dedicata allo scrittore francese Gabriel Bounoure (1886-1969) e dieci articoli, che Derrida aveva già pubblicati tra il 1963 e il 1966: tra cui lo strutturalismo di Claude Lévi-Strauss, la fenomenologia di Edmund Husserl e di Emmanuel Lévinas, i geroglifici dei sogni di Sigmund Freud, lo hegelismo di Georges Bataille, l'estetica del teatro di Antonin Artaud, e poi ancora il pensiero di Martin Heidegger e di Michel Foucault e la poesia di Edmond Jabès e molti altri autori. A prima vita sembrerebbe quasi che gli articoli dell'opera siano slegati tra loro, senza una connessione. In realtà ciò che li unisce è la pratica decostruttiva applicata da Derrida alle opere prese in esame. I testi non sono mai univoci, cioè a senso unico, ma attraverso il gioco della différance si aprono infinite possibilità di espressione e di compressione. Nel termine 'differance' , coniato dallo stesso Derrida, la 'e' è sostituita dalla a. Derrida ha voluto evidenziare il duplice significato del verbo latino differre, cioè differire, che significa essere diverso da qualcosa in senso spaziale, ma anche spostare temporalmente un impegno. Così è il segno linguistico: è qualcosa che sta al posto di qualcosa d'altro e sposta in avanti l'incontro con la presenza del referente. Pertanto nel segno linguistico si dà la presenza dell'assenza e nello stesso tempo l'assenza della presenza. (Lorenzo Cortesi)‎

‎LA VÉRITÉ EN PEINTURE.‎

‎Flammarion. " Champs ". 1978. In-8° broché. Couverture illustrée par Valerio Adami. 440 pages. E.O. Cachet de S.P. Avis de parution conservé.‎

‎Envoi autographe de Jacques Derrida à Danièle Sallenave. Très bon état.‎