, Rotterdam, Museum Boymans - van Beuningen, 1990., Originele geillustreerde uitgeversomslag in kleur, 22x27cm, 176pp, geillustreerd in kleur en z/w. ISBN 9069180634.
Tekst nederlands/ english.
DEVISSCHER, Hands (red.)/DE POORTER, Nora (red.)/ D' HULST, R.-A. en VANDENVEN, Marc.
Reference : 11053
Antwerpen, Gemeentekrediet, 1993 softcovers originele geillustreerde uitgeversomslag in kleur, 24.3x29.6 cm., 311 pp.+140 pp., geillustreerd in kleur en z/w. ISBN 905066119X.
Deel 1 : Schilderijen en Wandtapijten. Deel II : Tekeningen en Prenten.
Antwerpen, Rubenshuis/ Rubenianum, 2006 Gebonden, blauw linnen met illustratie in kleur en goudopdruk, 205 x 275mm., . ISBN 908586013X.
Een tentoonstelling in Antwerpen in 2006, getiteld Vorstelijke vluchtelingen. William en Margaret Cavendish in het Rubenshuis, besteedde aandacht aan de oversteek van de hertog en de hertogin naar de Nederlanden. Het uit Engeland verbannen koningsgezinde paar vestigde zich aanvankelijk in Rotterdam: dicht bij de hofhouding van Willem II en zijn vrouw Mary Stuart. Het stadhouderlijk vertoon werd echter spoedig te kostbaar voor de Cavendishes, zodat ze naar Antwerpen uitweken. Daar bewoonden ze van 1648 tot 1660 het huis van Rubens, door de schilder zelf ontworpen en gedecoreerd. Boek verscheen naar aanleiding van de gelijnamige tentoonstelling in het Rubenshuis : 1 oktober - 31 december 2006. Nieuw boek, dat ook verkrijgbaar is in het engels onder de titel : 'Royalist Refugees'.
[Sir Peter Paul Rubens] - Poorter, Nora de
Reference : 031866
(1978)
ISBN : 01992101X
Poorter, Nora de: The Eucharist Series. 2 vols. Brussels: Harvey Miller, 1978. Series: Corpus Rubenianum Ludwig Burchard. Part 2. I: 408pp. II: 510pp plus 230 monochrome illustrations. Cloth. 26.5x19cms. Part of the large series 'Corpus Rubenianum', this catalogue raisonné covers all the sketches and paintings that Rubens did for the preparation of the magificent set of Brussels tapestries representing The Triumph of the Eurcharist (preserved in the Convent of the Descalzas Reales in Madrid). It also gives all available informations about each tapestries.
Part of the large series 'Corpus Rubenianum', this catalogue raisonné covers all the sketches and paintings that Rubens did for the preparation of the magificent set of Brussels tapestries representing The Triumph of the Eurcharist (preserved in the Convent of the Descalzas Reales in Madrid). It also gives all available informations about each tapestries. Text in English
. 1993 Belfius - Dexia Soft cover
JACOB JORDAENS (1583-1678) - SCHILDERIJEN EN WANDTAPIJTEN - DEEL I tentoonstellingscatalogus zachte kaft, 295 x 245 mm, 309 blz, talloze illustraties, goede staat
. 1993 Belfius - Dexia Soft cover
JACOB JORDAENS (1583-1678) - SCHILDERIJEN EN WANDTAPIJTEN - DEEL I tentoonstellingscatalogus zachte kaft, 29,5 x 24,5 cm, 309 blz, talloze illustraties, goede staat
. 1993 Belfius - Dexia Soft cover
JACOB JORDAENS (1583-1678) - SCHILDERIJEN EN WANDTAPIJTEN - DEEL I tentoonstellingscatalogus zachte kaft, 295 x 245 mm, 309 blz, talloze illustraties, goede staat
, Brussels, Arcade, 1977., Bound, black cloth, gilt spine, originale red dust jacket illustrated in b/w, red slip - case, 18x26,5cm, 510pp part II / VOLUME 1. ISBN 2800501251.
the Eucharist Series Complete work of Rubens. The catalogue raisonne contains all the available information on each tapastry and painting connected with the eucharist serie. The corpus is based on the material assembled over several decades by Ludwig Burchard.
Snoeck-Ducaju & Zoon, Gent, 1990. In-4, broché sous couverture illustrée en couleur, 176 pp. Voorwoord - Inleiding/Introduction, Guido Jansen - Plates - Catalogus/Catalogue [75 n°], door/byNora de Poorter, G. Jansen et Jeroen Giltaij - Catalogi eigen collectie/Tentoonstellingen - Literatuur.
Nombreuses illustrations en noir et blanc et 16 planches couleur.Catalogue bilingue en néerlandais et en anglais. --- Plus d'informations sur le site archivesdunord.com
Phone number : 01 42 73 13 41
Antwerpen, 1993 xiii + 309pp.rijkelijk geïll., 30cm., Catalogus van gelijknamige tentoonstelling (Antwerpen, Koninklijk Museum voor Schone Kunsten, 27 maart - 27 juni 1993), S56636
Rotterdam, Museum Boymans-van Beuningen 1990 176pp.rijkelijk geïllustreerd, 27cm., goede staat, [tweetalig-bilingual], S79780
Antwerpen, Rubenshuis - Rubenianum 2006 263pp.geïllustreerd, 28cm., blauwe linnen uitgeversband, goede staat, S85236
Antwerpen, Gemeentekrediet 1993 xi + 140pp. rijkelijk geïllustreerd, 30cm., gebroch., catalogus van tentoonstelling (Antwerpen, Koninklijk Museum voor Schone Kunsten, 27 maart - 27 juni 1993), goede staat, S85377
Antwerpen, Luc Denys, 1997 softcover originele uitgeversomslag in kleur, 21x29.7 cm., 243 pp., geillustreerd in kleur en z/w, tweetalige editie Nederlands / English
Tentoonstelling georganiseerd naar aanleiding van 50 jaar Rubenshuis Antwerpen, Hessenhuis 28 juni - 5 oktober 1997. Exhibition realized to mark the fiftieth anniversary of the Rubens House Antwerp, Hessenhuis June 28th - October 5th, 1997.
, Yale University, 2004 Hardcover in dusjacket, 792pp, 632 b/w + 202 color illus. catalogue raissone. ISBN 9780300099287.
Sir Anthony Van Dyck (1599-1641) is among the greatest portrait painters of all time. The 1990s opened and closed with major exhibitions devoted to his work, and now the long-awaited catalogue raisonne of his painted oeuvre is complete. A native of Antwerp, Van Dyck also lived and worked for long periods in Italy and England, where his brief, productive life ended. He is best known for his work at the court of Charles I. His full-length portraits of aristocrats in the Caroline court and in Genoa, Antwerp, Brussels, and The Hague influenced the history of Western portraiture into the twentieth century in the work of John Singer Sargent. Handsomely designed and illustrated, the volume includes a reproduction of every known authentic painting by the artist as well as the provenance and the significant facts and literature on each. This catalogue raisonne is, fittingly, the collaborative work of an international team devoted to the study of this major international artist. Susan J. Barnes, an independent art historian, co-curated a Van Dyck exhibit in Washington, D.C., 1990. Nora De Poorter is director of the Rubenianum, Antwerp. Oliver Millar, Surveyor Emeritus of The Queen?s Pictures, organized an exhibition of Van Dyck?s English work at the National Portrait Gallery, London, 1982-83. Horst Vey, former director of the Kunsthalle, Karlsruhe, is author of the standard work on Van Dyck's drawings.
, YALE , 2004 Hardcover, 692 pages, English, 320 x 260 mm, fine. 632 b/w + 202 color illus. catalogue raisonne. FINE!! ISBN 9780300099287.
Sir Anthony Van Dyck (1599-1641) is among the greatest portrait painters of all time. The 1990s opened and closed with major exhibitions devoted to his work, and now the long-awaited catalogue raisonne of his painted oeuvre is complete. A native of Antwerp, Van Dyck also lived and worked for long periods in Italy and England, where his brief, productive life ended. He is best known for his work at the court of Charles I. His full-length portraits of aristocrats in the Caroline court and in Genoa, Antwerp, Brussels, and The Hague influenced the history of Western portraiture into the twentieth century in the work of John Singer Sargent. Handsomely designed and illustrated, the volume includes a reproduction of every known authentic painting by the artist as well as the provenance and the significant facts and literature on each. This catalogue raisonne is, fittingly, the collaborative work of an international team devoted to the study of this major international artist. Susan J. Barnes, an independent art historian, co-curated a Van Dyck exhibit in Washington, D.C., 1990. Nora De Poorter is director of the Rubenianum, Antwerp. Oliver Millar, Surveyor Emeritus of The Queen?s Pictures, organized an exhibition of Van Dyck?s English work at the National Portrait Gallery, London, 1982?83. Horst Vey, former director of the Kunsthalle, Karlsruhe, is author of the standard work on Van Dyck?s drawings.
JORDAENS JACOB - R. A. D'HULST - Marc VANDENVEN - Nora DE POORTER (cataloguers) - Hans DEVISSCHER - N. de Poorter (editors) :
Reference : 29066
0. Antwerp, Koninklijk Museum voor Schone Kunsten, 1993, in-4°, 309 pp, sewn, orig. stiff wrapper, numerous b/w + col. ills, bibliography. Published on the occasion of an exhibition, describes 100 items. Volume I of the exhibition catalogue, dealing with the paintings and tapestry . A second volume exists which deals with drawings and prints, not present here. Text in English.
, Fonds Mercator , 1987 Hardcover, 301 pages, Texte en Francais, 310 x 260 x 35 mm, jaquette illustreé, Comme Neuf !, illustrations en couleur / n/b ,dans un manteau solide !. ISBN 9789061531845.
La peinture flamande se développe du début du xve au xviie siècle. Les Flandres ont produit les principaux peintres de l'Europe du Nord et ont attiré de nombreux jeunes peintres prometteurs des pays voisins. Ces peintres flamands étaient invités à travailler dans les cours d'autres pays et ont eu une influence dans toute l'Europe. Depuis la fin de l'ère napoléonienne, les peintres flamands ont contribué à restaurer la bonne réputation acquise avec les Vieux Maîtres
JORDAENS Jacob - R. A. D'HULST - Hans DEVISSCHER - Nora DE POORTER ( text ) :
Reference : 20595
0. Antwerpen, Koninklijk Museum voor Schone Kunsten, 1993, in-4°, 140 pp, sewn, orig.wrapper, numerous b/w + col. ills, bibliography, 99 items, (Vol II of the Exhibition catalogue, dealing with the drawings and the prints).
, Brepols - Harvey Miller, 2022 Hardcover, 704 pages, 2 vols., ENG, 265 x 180 mm, NEW, dustjackets, illustr. 199 b/w, 245 col., . ISBN 9781912554645.
The house that Rubens built a few years after his return to Antwerp from Italy, and where he lived to the end of his life, was for the most part lost during the course of alterations carried out over the years. Two original parts survive, and they attest to the grandeur of the artist?s house: the portico and garden pavilion. When the house came to be reconstructed in 1938?1946 a great many unsolved questions had to be tackled, but eventually the difficult project was concluded successfully, although the result sometimes departs from what is historically correct. The reconstructed house became a popular museum. Undoubtedly the house, which included the family?s living quarters and contained Rubens?s much admired art collection as well as his famous studio, was built according to the master?s own ideas. It is thus part of Rubens?s oeuvre and forms the subject of this catalogue raisonné. Regrettably almost nothing survives of Rubens's designs, which certainly must have existed. The present volume is the result of a quest to gather together and critically assess all authentic architectural elements and written, pictorial, and archaeological sources. This allows us to form an impression of the appearance of Rubens?s unique house as well as the functions of its various parts. In addition, the sources that the pictor doctus Rubens used for inspiration in his design are discussed at length: architectural treatises, ancient art as well as the Renaissance architecture he had come to know during his stay in Italy.
Antwerpen, Rubenianum, 2006, in-4°, 263 pp, publisher's blue cloth, front cover with gilt title and illustration. No dustwrapper.