4 books for « collaert adriaen »Edit

‎Maria Magdalena.‎

‎Anvers, ca1600. 19x24 Cm. Eau-forte et burin. Adriaen Collaert (1560-1618), Né à Anvers vers 1560, Adriaen Collaert est le fils de Hans Collaert et le frère de Jan Collaert. Il épouse en 1586 Justa Galle, la fille du graveur et éditeur Philippe Galle. Son activité se déroule à Anvers entre 1580 et 1618. Il devient franc-maître de la guilde de Saint-Luc en 1580. Adriaen Collaert dessine et grave des scènes de tradition chrétienne et de dévotion. Les deux frères Collaert associent leurs ateliers à celui de Philippe Galle et leur production commune ne permet pas toujours de bien les distinguer. Adriaen signe en général ses travaux Adrian. Collaert Sculp. ou Adr. Collart. excud. ou par un monogramme AC. ‎

7 Images

‎Plate 5: The sermon on the mount. Christ sits on a mound and raises His arm and preaches to a crowd ‎

‎Antwerp Sadeler / Sadler C1585 Une belle gravure de la série Vita Christi / La vie du Christ d'après Maarten de Vos. Il s'agit de la planche 5. Bonne, propre et forte gravure, qui semble être une impression précoce du bloc. Lettrée en bas à gauche "M. de Vos inven / Adria. Collaert sculp" et à droite "Sadler excu". Dans la marge, deux lignes de latin "Enthea.... montis" et "Matth. 7.". Numéroté en haut au centre "V." Conservé dans une pochette d'archivage et sous un grand passepartout (50cm x 40cm), avec juste une touche de marquage. D'une série de douze planches gravées par Adriaen Collaert (1560-1618) et Raphael Sadeler (New Hollstein 238-247). D'après Maarten de Vos (Flamand, 1532-1603). Ceci correspond exactement à la référence du British Museum : 1910,0208.22 et nous avons pris la datation à partir de là.‎

‎A lovely engraving from the series Vita Christi / The Life of Christ after Maarten de Vos. This is plate 5. Good, clean, strong engraving, would appear to be an early impression from the block. Lettered below left "M. de Vos inven / Adria. Collaert sculp" and at right "Sadler excu". In the margin two lines of Latin "Enthea.... montis" and "Matth. 7.". Numbered upper centre "V." Held in an archival pouch and under a large passepartout (50cm x 40cm), with just a touch of marking to it. From a series of twelve plates engraved by Adriaen Collaert (1560-1618) and Raphael Sadeler (New Hollstein 238-247). After Maarten de Vos (Flemish, 15321603). This conforms exactly with the British Museum ref: 1910,0208.22 and we have taken the dating from there. .‎

‎Evangelicae Historiae Imagines. Ex ordine Evangeliorum, quae toto anno in Missae Sacreficio recitantur, in ordinem temporis vitae Christi digestae. (Suite of 154 engravings ) [TOGETHER WITH] Adnotationes et meditationes in evangelia.....( Text to the engravings).‎

‎.: 10. [1]Antverpiae (Antwerpen), no printer ( Nutius ) , 1593, in-folio, 32,7 cm, engraved title + suite of 153 engravings. (the 6 text leaves which go with this edition are to be found in [ item 2] . Bound in later boards covered with marbled paper, leather title label on smooth spine. Printed on unwatermarked paper. With some marginal small stains and foxing spots at some pages. Plates 61, 73, and 78 have a restoration at the inner margin, not affecting the engraved image. Plates 81, 98, 104 and 145 have small restorations in the upper margin, also not affecting the engraved image. [Together with] [2] Adnotationes et meditationes in evangelia..., Antwerpen, Martinus Nutius, 1594, in-folio, (8) nn pp ( engraved title, pp7/8 blank) + 595 pp + (7)nn pp ( ultimate and penulitmate pp. blank) . Bound in contemporary vellum, with gilt supra libro (canon view), vellum damaged with some loss of material, interior good. (copy from the library of the Friar Minor of Maastricht ( small stamp) Both books in first edition. The plate suite [1] , a real masterpiece of Flemish bookillustration in the 16th century, appeared anonymously in Antwerp in 1593. The publishers were the Antwerp Jesuits **. An explanatory text by Natalis [our item 2] was published one year after these suite was published (in 1594). The engavings were commissioned by the Headquarters of the Jesuit Order in Rome. From correspondance by Christophe Plantin we know that he was involved in this project from 1587 onwards. But he never published this suite. This was done by the Antwerp Jesuits, the printer was Nutius. Only in 1605 did Plantin's son in law Jan Moretus aquire the plates from Carolus Scribanus - the head of the Antwerp Jesuit College. Antoon Wiericx engraved 58 plates, 57 were done by Hieronymus Wiericx, 17 by Jan Wiericx , 11 by Adriaen Collaert, 9 by Karel de Mallery, 1 by Jan Collaert and 1 by the unkown engraver I.N. The plates in our copy carry also the name of the designer, which indicates a first edition . (In the Plantin edition of 1607 -Imhof N1- most designer names were removed). The drawings were made by the Roman draughtsman B.Passaro and are preserved in the Brussels Royal Library. ** See Manuel Insolara... La spiritualité en images aux Pays-Bas...Leuven, 1996, pp. 135-141. Biblio. ref. [1] USTC 402295 Pettegree 22113 . [2] USTC 403349 - Pettegree 22114 .‎

‎"Evangelicae Historiae Imagines. Ex ordine Evangeliorum, quae toto anno in Missae Sacreficio recitantur, in ordinem temporis vitae Christi digestae. (Suite of 154 engravings ) [BOUND WITH] Adnotationes et meditationes in evangelia quae in sacrosancto missae sacrificio toto anno leguntur ; cum Evangeliorum concordantia...Editio Ultima"‎

‎".: Antverpiae (Antwerpen), ex Officina Plantiniana, apud Ioannem Moretum, 1607, in-folio, 34 x 23,5 cm, engraved title page + (10) nn pp + 636 pp + (8)nn pp ( index, approbatio, printer's mark). Bound before the text part of the '' Adnotationes'' is the complete suite ( engraved title + 153 plates) of the '' Evangelicae Historiae Imagines''. Bound in 17th c. French red morocco, smooth spine, all edges gilt, boards with gilt floral fillets decoration . Binding with some restoration at the extremities and the joints. All pages ( text and engravings) are ruled. Some minor stains or thumbing at some pages but overall a very fine copy with large margins. Second edition ( first Plantin edition) of the commentary of Jerome Nadal ( Natalis ) with the bible illustrations by the Wierickx brothers. The first edition of this suite of engravings , a real masterpiece of Flemish bookillustration in the 16th century, appeared anonymously in Antwerp in 1593 and without the text. It was printed by Nutius. The publishers were the Antwerp Jesuits **. An explanatory text by Natalis together with the plates was published one year after the suite . (in 1594). The engavings were commissioned by the Headquarters of the Jesuit Order in Rome. From correspondance by Christophe Plantin we know that he was involved in this project from 1587 onwards. But he never published this suite. ( It was done by the Antwerp Jesuits). In 1605 Plantin's son in law Jan Moretus aquired the plates from Carolus Scribanus - the head of the Antwerp Jesuit College. Antoon Wiericx engraved 58 plates, 57 were done by Hieronymus Wiericx, 17 by Jan Wiericx , 11 by Adriaen Collaert, 9 by Karel de Mallery, 1 by Jan Collaert and 1 by the unkown engraver I.N. The drawings were made by the Roman draughtsman B.Passaro and are preserved in the Brussels Royal Library. In 1607 Moretus published the plates together with Nadal's commentary ( our copy here is from this edition). This is a very fine copy of one of the most outstanding illustrated books of the 16th century , the ultimate Jesuit counter-reformatory answer ; published in the most northern bastion of Roman Catholic Europe, against Protestant Northern Europe. ** See Manuel Insolara... La spiritualité en images aux Pays-Bas...Leuven, 1996, pp. 135-141. Also : P.A.Fabre on the illustrations in '' Les Jésuites à l'age baroque ''. Grenoble, 1996."‎