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A New and Easy method of Cookery (1755). A facsimile edition with an introduction by Peter Brears.
Totness, Prospect Books, 2005 in-8, xxxiii-[6]-204-[12] pp., reliure éditeur, jaquette. (Etat neuf)
Elizabeth Cleland was a teacher of cookery in Edinburgh in the mid-18th century. She wrote a general handbook of cookery for her pupils, and sold it more widely in the book trade in Scotland and England. Eventually, it went through several editions; it was the only book we know she wrote.$Most early cookery books originated in London; for example, there is only one Scottish cookbook earlier than Elizabeth Clelands. Her text, therefore, is of great interest for what it says about the state of Scottish cookery at the time. Although in fact dependent on English practice and fashion, Clelands language and vocabulary makes her Scottish origins clear. .$.$Clelands text covers all the main categories of recipe, including those needed in the kitchen, the brewhouse, and the pickling and preserving still-room. There are many pie and pasty recipes as well as a few notes of medicines and cures. The print is clear and handsome. .$This edition is published jointly with the Paxton House Trust, a country house designed by Robert Adam near Berwick-upon-Tweed, now open to the public. The copy which has been used for the facsimile has definite links to the house. These are explained, as is something of the domestic organisation necessary for production of this style of food, in an introduction by Peter Brears, one of Britains foremost experts on historical kitchen equipment and famed for his reconstructions of early English cookery (for instance at the kitchens of Hampton Court)
The Tudors. Art and Majesty in Renaissance England
Cleland, Elizabeth, and Adam Eaker: The Tudors. Art and Majesty in Renaissance England. Exhibition: Cleveland, Museum of Art; New York, Metropolitan Museum and San Francisco, Fine Arts Museum, 2022. 352 pages, 300 colour illustrations. Hardback. 30 x 25cms. Catalogue of 123 paintings, drawings, furnishings, textiles and metalworks in the exhibition, exploring the politics and personalities of the Tudors and their use of art as a diplomatic tool. Tudor courts were truly cosmopolitan, attracting artists and artisans from across Europe, including Hans Holbein the Younger (1497/8-1543), Jean Clouet (ca. 1485-1540), and Benedetto da Rovezzano (1474-1552). At the same time, the Tudors nurtured local talent such as Isaac Oliver (ca. 1565-1617) and Nicholas Hilliard (ca. 1547-1619) and gave rise to a distinctly English aesthetic that now defines the visual legacy of the dynasty.
Catalogue of 123 paintings, drawings, furnishings, textiles and metalworks in the exhibition, exploring the politics and personalities of the Tudors and their use of art as a diplomatic tool. Tudor courts were truly cosmopolitan, attracting artists and artisans from across Europe, including Hans Holbein the Younger (1497/8-1543), Jean Clouet (ca. 1485-1540), and Benedetto da Rovezzano (1474-1552). At the same time, the Tudors nurtured local talent such as Isaac Oliver (ca. 1565-1617) and Nicholas Hilliard (ca. 1547-1619) and gave rise to a distinctly English aesthetic that now defines the visual legacy of the dynasty. Text in English
Renaissance Splendor. Catherine de Medicis Valois Tapestries
Cleland, Elizabeth et al.: Renaissance Splendor. Catherine de' Medici's Valois Tapestries. Exhibition: Cleveland, Museum of Art, 2018. 96 pages, 72 colour illustrations. Hardback. 27x30cms. This volume focuses on these particularly extravagant 16th-century hangings, which depict detailed scenes of court pageantry and life-size portraits of members of the French Valois dynasty woven in wool, silk, and precious metal-wrapped threads. New research illuminates the previous uncertainty surrounding the tapestries' commission and their arrival at the Medici court in Florence, as well as the significance of the specific scenes to the politics and intrigues of the time.
This volume focuses on these particularly extravagant 16th-century hangings, which depict detailed scenes of court pageantry and life-size portraits of members of the French Valois dynasty woven in wool, silk, and precious metal-wrapped threads. New research illuminates the previous uncertainty surrounding the tapestries commission and their arrival at the Medici court in Florence, as well as the significance of the specific scenes to the politics and intrigues of the time.
Pieter Coecke van Aelst: La peinture, le dessin et la tapisserie à la Renaissance
2014 MERCATOR Hardcover As New
Pieter Coecke van Aelst: La peinture, le dessin et la tapisserie à la Renaissance Broché, reliure lin beige, jaquette, 310 x 245 mm, 406 pg, richement illustré en couleurs, certaines illustrations sont à pleine page, très belle édition en très bon état
Cleland Elizabeth, Buchanan Iain, Delmarcel Guy, Forti Grazzini Nello ; vertaling : Irene Smets
Reference : 45984
Pieter Coecke van Aelst. Schilder, tekenaar en tapijtontwerper in de Noordelijke renaissance.
, mercaterfonds - fondsmercator, 2014 Hardcover , 402 pag. NL, 315 x 250 x 45 mm, stofomslag, in Nieuwstaat, 3 delige uitslaande pag. 350 ill. waarvan 328 in kleur, herkomst en literatuur, bibliografie , Index ISBN 9789462300545.
Pieter Coecke (1502-1550) genoot in het Europa van de renaissance grote faam en werkte voor de rijkste en belangrijkste opdrachtgevers van zijn tijd, onder wie keizer Karel V, Frans I van Frankrijk, Hendrik VIII van Engeland en Cosimo de?Medici. Hoewel hij vooral bekendheid geniet om zijn prachtige wandtapijten, die deze luxueuze en monumentale textielkunst tot ongekende hoogten brachten, was hij ook een volleerd meester in andere kunstvormen. De productie van zijn atelier omvatte werken gaande van altaarstukken tot ontwerpen voor glas-in-loodramen. Deze rijk geillustreerde publicatie ? de eerste monografie die aan Pieter Coecke is gewijd ? stelt de kunstenaar voor aan het hedendaagse publiek en geeft hem opnieuw de plaats die hij verdient onder de grote kunstenaars uit de 16e eeuw. Schitterende reproducties van zowel zijn fraaiste bewaarde tekeningen en paneelschilderijen als van twintig prachtige renaissancewandtapijten die naar zijn ontwerpen werden gemaakt, worden aangevuld met teksten van dertig vooraanstaande wetenschappers die de wereld en de kunst van Coecke verkennen.
Pieter Coecke van Aelst. La peinture, le dessin et la tapisserie à la Renaissance
Fonds Mercator 2014 In-4 cartonnage éditeur sous jaquette 31,2 cm sur 24,8. 401 pages. Jaquette comme neuve. Très bon état d’occasion.
Très bon état d’occasion
Pieter Coecke van Aelst. La peinture, le dessin et la tapisserie a la Renaissance
, mercaterfonds - fondsmercator, 2014 Couverture reliee sous jaquette , Afmetingen: 30 x 24,5 cm Pagina's: 400. Neuf - text in French ISBN 9789462300552.
Pieter Coecke (1502?1550), qui jouissait d'une grande celebrite dans l'Europe de la Renaissance, a travaille pour les commanditaires les plus riches et les plus puissants de son temps, dont l?empereur Charles Quint, Francois Ier de France, Henri VIII d?Angleterre et Cosme de Medicis. Bien qu?il soit surtout connu pour ses superbes tapisseries, qui ont eleve cet art textile monumental et luxueux a des hauteurs jamais atteintes, il maitrisait aussi d?autres formes d?art. La production de son atelier allait des retables aux maquettes et cartons de vitraux. Cet ouvrage richement illustre ? premiere monographie consacree a Pieter Coecke van Aelst ? presente l?artiste au public d?aujourd?hui tout en lui rendant la place qu?il merite parmi les grands artistes du xvie siecle. Il renferme des superbes reproductions de ses plus beaux dessins et peintures sur bois arrives jusqu?a nous, ainsi que de vingt magnifiques tapisseries de la Renaissance realisees d?apres ses cartons. Les photographies sont completees par des textes de trente experts de premier plan, connaisseurs du monde et de l?art de Coecke..
